Directed by Tim Mielants
Written by Peter Calloway
* For a recap & review of Chapter 4, click here.
* For a recap & review of Chapter 6, click here.
Cary Loudermilk (Bill Irwin) is going through the motions as his spiritual counterpart Kerry Loudermilk (Amber Midthunder) is brought back to Summerland, injured and in need to medical attention. In the meantime, David Haller (Dan Stevens) talks to Dr. Melanie Bird (Jean Smart) through glass, saying he’s met her husband, which shocks her though in a sense likely calms her knowing Oliver’s still out there, somewhere.
When Kerry’s in stable condition, Syd (Rachel Keller) goes to talk with David about who he is, what they’ve found in his past. He proves to her they can be together, in the physical headspace he creates with his powers. Reality’s just an illusion. He can make places in his mind, transfer them into what others perceive as reality. While it looks and feels like they’re touching one another, Rachel’s only imagining everything as David creates it. On the surface there’s a romance. But underneath is something sinister, or the possibility of something sinister. Great imagery in this scene, as at the end we focus in on a bowl of strawberries crawling with bugs. Where hides the Devil with the Yellow Eyes?
“I‘m the magic man“
There’s also the question of whether Oliver can come back from the astral plane, if David can bring him. Of course Melanie hopes so. This also has repercussions in the world of Loudermilk. What happens if this is true? That would fundamentally change the relationship between him and Kerry. So interesting, a lot of things revolving around Oliver and the whole concept of the astral plane.
Turns out Oliver essentially experienced a downfall, mentally, in the sense that he wanted to be the “creator” of his own world, entirely, and he’d sometimes just sit there, conjuring up another reality in his mind. Melanie is desperate to see her husband, hoping David can bring him home for her. I feel that sinister quality rearing its head quite a bit in the early parts of this episode, in David. Lenny (Aubrey Plaza) and the Devil with the Yellow Eyes, same person or not, have had a nasty effect on him. He’s also got that yellow triangle shirt on— the logo looks suspiciously like an eye, too. It’s almost eerie how quick and forceful he uses his powers to seduce Syd into their alternate reality bed. Worse, she opens up, both intimately and emotionally/mentally. I worry.
“Who teaches us to be normal when we‘re one of a kind?”
Oh, and speaking of Lenny, she turns up in David’s head. Speaking like Shakespeare’s Iago into the ear of David’s Othello. Influencing him. As if that weren’t enough, they’re in a neon red lit room. Although when Syd gets up to see who David’s talking to, he and Lenny are gone.
Together, Dr. Bird, Syd, Ptonomy (Jeremie Harris), they start figuring out how to tackle this latest problem. Ptonomy feels they’re fighting “a war” and it isn’t all about David, or his sister. Melanie thinks it’s best they track David down because if not, and they turn him, it could mean trouble for them. Big, big trouble. It’s hard not to believe she wants him around most of all to see Oliver again.
When the team arrives at D3, where they assumed David’s heading, they indeed find a trail of carnage: bloody SWAT members, people half stuck between concrete, overturned vehicles, fire. All set to “The Daily Mail” by Radiohead— perfect! Inside the facility, the group splits into two, heading further on. They find Dr. Kissinger, the only one remaining where Amy (Katie Aselton) was kept. They find the security footage of David breaking in, and it’s so clear he isn’t himself. Just in the way he prances around using his powers. That sinister thing inside him rages, showboating and having fun killing people.
And when Dr. Bird sees the thermal footage, it’s clear: the Devil with the Yellow Eyes has taken him hostage, from the inside out. Moreover, the nasty thing, an “older mutant” is rewriting David’s memory, as well as those who come in contact with him in those reality-bending landscapes.
In another one of those places, Syd discovers David, playing banjo and singing, crying. The bathroom’s still lit neon red— in there, the World’s Angriest Boy in the World lurking, David’s imaginary pet dog King. The whole place is creepy. Out in reality, Amy tries to apologise to her brother for not seeing the truth about him before. Yet she doesn’t realise what’s hiding in his skin.
Then out comes Lenny to interrogate and taunt. That Devil with the Yellow Eyes has always been there, since he was a boy. He was King, then that Angry Boy, then Benny, or Lenny, and whoever else. Amy finally reveals the truth, that David was adopted. And if you don’t already know, he’s the son of another powerful mutant. Not sure if that’ll be revealed in its entirety soon, if at all in the series (I’m sure it will at some point).
The team goes back to David’s childhood home. A place filled to the brim with terrors. Also blanketed in silence, as we watch a heavily stylised, awesome sequence leading up to Kerry taking charge over Cary and leading the way with a spiked baseball bat through the house’s dark corridors. Upstairs is Amy, and Lenny, too. She is a ruthless entity. Devious and horrible. Then, in his disguise, The Eye (Mackenzie Gray) bursts through firing his gun at David. And in the other reality, Syd is confronted by the Devil with the Yellow Eyes in its awful, true form.
Suddenly, they’re all sucked into a therapy session, somewhere else. Lenny’s the therapist, and the rest of them are patients. Uh oh. This is getting dangerous.
Each episode is better than the last. Challenging us, and the characters, as to what IS reality at any given moment. So clever, great writing. Can’t wait for Chapter 6 next! The back half of this season is going to get even wilder as we near a finish.