Fargo – Season 3, Episode 2: “The Principle of Restricted Choice”

FX’s Fargo
Season 3, Episode 2: “The Principle of Restricted Choice”
Directed by Michael Uppendahl
Written by Noah Hawley

* For a recap & review of the Season 3 premiere, “The Law of Vacant Places” – click here
* For a recap & review of the next episode, “The Law of Non-Contradiction” – click here
Pic 1Gloria Burgle (Carrie Coon) goes over the crime in her head. She digs into the box she found at the Ennis’ place in the floorboards. Inside are several Thaddeus Mobley (Thomas Mann) novels, she flips through them to see if there are any little notes or anything significant stuck between the pages. Nothing. There’s a newspaper clipping of Mobley winning a Golden Planet award. A photo of a woman, signed. She says Ennis Stussy and Mobley are “one in the same.” Hmm.
Emmit Stussy (Ewan McGregory) and Sy Feltz (Michael Stuhlbarg) go see Irv Blumkin (Hardee T. Lineham) about their problem with Mr. V. M. Varga (David Thewlis) and their stupid, illicit deal. The two men are clueless, it’s almost amazing how they got as far as they have at this point in life. A curt commentary on many ‘successful’ businessmen, to my mind. Either way, Emmit still has problems with Ray (McGregor), the stamp. Although Sy says he doesn’t want the stamp, he wants his brother’s life; the “green monster.”
Watching Irv operate a computer, let alone Google, is absurdly hilarious. When he manages to search Varga, a webcam turns on and takes a picture of them. Then everything shuts down. Now that can’t be a coincidence, can it? That Varga is sketchy. His teeth alone are the stuff of nightmares. Even with that grill of rotten chompers he’s somehow charming, in the way he speaks to others like some villain from a fairy tale whispering in the ear of others along the peripheries.
At a lot Sy and Emmit control, Varga’s parked a big rig truck. What could be inside? Something sinister? “Slave girls,” Sy wonders? Who the hell knows. They’re trying to cover their asses while bigger things are happening, and have been a long while, without their knowing.
Pic 1AGloria meets with Moe Dammick (Shea Whigham). He’s a bit more of a rough character than some of the cops we’ve seen on Fargo, which is a welcomed touch. There’s already a tension between the two characters, as well. He’s her new boss, and wants to lay down the law at the office. He also wants her to take time off, after the death of her stepfather Ennis.
She goes out and starts investigating. A store owner says a Russian man came in – though, he doesn’t remember it was only a shirt with Russia on it (that’ll cause something to fuck up at some point) – and tore a page from his phone book; we know that man was Maurice LeFay (Scoot McNairy), but the information’s been mangled by this bumbling man.
Ray is checking on the death of Maurice, at the very same time. It’s been logged as ACCIDENTAL. Making him a very happy man, putting more pieces of the puzzle together for him. All the while the guy’s brains are being scrubbed off the sidewalk over in front of the apartment where Nikki Swango (Mary Elizabeth Winstead) lives. Things look as if they’re going well. She’s busy trying to put together a new job, to make more money. Ray would rather get “out of the woods” before anything else. She says there’s something wrong with his “chi.” Blocked up. Not good. Sometimes it’s like she strings him along, though it also looks at times like she loves him. She is damn dedicated, that’s for sure.
Ray: “I never killed anybody before
Nikki: “Well me either. Lifes a journey, yknow.”


Ray goes to Emmit’s place. At 10:30 in the night, imagine that? Goes to show the disconnected brothers, one a buttoned down family man and the other a semi-regular guy. It’s fun to watch McGregor play off himself, a hard thing to do. Yet each of the Stussy brothers is different. Their mannerisms, how they talk even under those Minnesota accents. While Ray apologises to his brother, inside the house Nikki tracks down the stamp’s location. It was moved. In its place is the picture of a donkey; an ass. She discovers the receipt for a safety deposit box in the office desk. Then leaves her bloody tampon in the drawer. What she doesn’t know is that the stamp wasn’t moved, the frame’s only being fixed.
Ah, the ole Fargo comitragedy of errors!
Moreover, we get a look at Meemo (Andy Yu) and his friend Yuri from the Old Country. They toss an old man over the side of a parking garage, then walk away like they just finished playing a game of basketball. Dark and hilarious. Now there’s more of a Russian-ish connection coming into play, I’m very interested to see that unfold.
Later, Emmit gets a call saying Irv jumped off his garage.


Gloria’s making arrangements to have Ennis buried, she and her boy Nathan (Graham Verchere). They can’t track him back past 1980, before he married her mother. He’s a bit of a mystery, especially considering her mom passed already. He didn’t really have friends. Gloria is stuck on the Mobley theory, which ought to prove for more interesting story in upcoming episodes.
In a diner Sy visits Ray, unhappy about the break-in. They certainly don’t have any kind of good relationship, not even a working one. Sy says Ray won’t ever speak to his brother again; “nonnegotiable,” he claims. Appears the guy’s got a temper, which Ray doesn’t take to nicely.
At the office Emmit finds Varga kicking around suddenly, like a wisp of fog out of thin air. He’s got Yuri and Meemo with him, too. They’re taking up some office space. They’ve got plenty of boxes of… files? Already being wheeled into an empty wing. We’re coming to see V.M’s shadiness. In a way, he represents others outside America today while Sy and Emmit are the stupid men at the helm of the nation currently in 2017; as he says, they think the deal “can be changed” but once you’ve started down certain roads there’s no stopping. “Youre trapped,” Varga explains. He further assures the audience of what happened with Irv. Nasty dude.
Pic 4Loved this second episode! Hawley did a great job writing, and the characters have started opening up. I particularly have interest in Varga, whose purpose becomes clearer with this episode and specifically the final few minutes. Awesome stuff.
“The Law of Non-Contradiction” is next week.

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Fargo – Season 3, Episode 1: “The Law of Vacant Places”

FX’s Fargo
Season 3, Episode 1: “The Law of Vacant Places”
Directed by Noah Hawley
Written by Noah Hawley

* For a recap & review of the Season 2 finale, “Palindrome” – click here
* For a recap & review of the next episode, “The Principle of Restricted Choice” – click here
Pic 1Year 3.
1988 in East Berlin. A man is interviewed by an officer, though claims he’s not who officer believes he is, a man named Yuri Gurka. Seems they’ve got a problem. “That state would have to be wrong” for all this to be an issue. Surely, that can’t be correct, can it? I see where this is headed. There’s a murder, which puts this poor man, not Yuri, at a disadvantage when up against the crumbling Soviet.
Now, we head into Minnesota during 2010 for our current timeline story.
Pic 1AEmmit Stussy (Ewan McGregor) and Sy Feltz (Michael Stuhlbarg) are conducting a bit of business, as a 25th anniversary party for Emmit and his wife Stella. Afterwards the celebration goes on happily. In attendance is their daughter Grace (Caitlynne Medrek), as well as brother Ray (also Ewan McGregor). And the much more greasy-looking brother is there to get a meeting with Sy and Emmit. It’s been some time, evidently.
They do a little catching up, awkward as that goes. The tension is clear. Ray obviously feels lower class compared to his brother; Sy’s like the best friend who’s more like a brother than the brother himself. We’re also introduced to Nikki Swango (Mary Elizabeth Winstead), and the fact Ray wants to get her an engagement ring. This brings up issues of money, plus some betrayal over a stamp collection, “vintage” stuff worth tons of cash.
The relationship between Nikki and Ray is a weird one. Likely she’s using him, but too early to judge. He’s a cagey one, too. So, I wouldn’t count anything out. Nikki says they’re “simpatico to the point of spooky” and he’s inclined to agree. Be interesting to watch more of them together, love McGregor and Winstead’s odd chemistry.


Ray is a parole officer – where he met his latest girlfriend – spending his days drowning in paperwork and piss. No short of characters he encounters. And no doubt we’ll see some kind of ethical murkiness rear its head; well, more than already with Nikki. You can’t help imagine what kind of plans Noah Hawley has for a main character with that profession in his quirky, twisted little world of Fargo.
At a bar Ray meets with Maurice LeFay (Scoot McNairy) who’s recently failed a piss test. This P.O is a little more lenient on those under his care. He wants Maurice to help him out with a robbery; quid pro quo, poof, vamoose, and the problems go away. If he can get his hands on the stamp in Emmit’s office.
Sy and Emmit have business to take care of late in the evening. Simultaneously, Maurice lurks around waiting for the right time to strike on his mission; he’s a little busy smoking a joint and talking to his shrink via speaker phone in the car. Then he loses the paper on which Ray wrote the address; it flies out the window, into the snowy roadside. Does he remember? Or will this cause unintended consequences? I’d vote on the latter.
When Emmit gets to the office he finds V.M. Varga (David Thewlis) waiting for him. He’s from their lender, Narwahl. Says they don’t need to pay back the money, apparently. It’s an “investment” he tells them. Followed by cryptic talk of “singularity” and “continuity.” Hmm, a few strings attached. Seems the boys got in over their head and didn’t ask questions before jumping in deep.


Chief Gloria Burgle (Carrie Coon) is at home celebrating her son Nathan’s (Graham Verchere) birthday. They’ve got a bit of a fractured family; modern by most standards. Another interesting family for the series.
A great tune, as always, plays (Adriano Celetano – “Prisencolinensinainciusol“) us through while cards are being dealt in a regional tournament. Dream team Swango and Stussy hit the tables together to make themselves a big a payday.
Poor, stoned Maurice, searching out the address he lost, remembering it incorrectly and headed in the wrong direction. Headed right for Eden Valley, where Gloria’s the law. Then the guy winds up going to Ennis Stussy’s – no relation to the twins, far as we know – place, where Gloria just left. She turns back to get the model he made for her boy, then finds the place in shambles, door open. The old man taped to a chair, dead. After looking around awhile she locates a hidden compartment in the floor with a box in it; inside, old books, a figure, and more.
When Maurice goes to see Ray, things are messy. The misunderstandings are only just beginning to pile up. It’s about to get wild, and nasty. Particularly when the parolee goes crazy on him, pulling a gun. However, Nikki’s always thinking. As Maurice leaves the apartment, they drop an air conditioner on his head obliterating him. They’ve got a plan and everything. A convenient way out.


This is the beginning of what’s sure to be an interesting Season 3. Such a great premiere, and I know there’s even greater things to come.
Not sure how the East Berlin moment earlier plays into the whole thing, though there’s a Russian connection: Maurice is wearing a shirt in the bar with RUSSIA written on it; maybe nothing, or maybe something. Who knows.

Legion – Chapter 7

FX’s Legion
Chapter 7
Directed by Dennie Gordon
Written by Jennifer Yale

* For a recap & review of Chapter 6, click here.
* For a recap & review of Chapter 8, click here.
Pic 1The Eye (Mackenzie Gray) is stalking, closer and closer, behind Kerry Loudermilk (Amber Midthunder). She tires to run and hide, though it isn’t easy to escape him.
And watching as always, the Devil with the Yellow Eyes, a.k.a Lenny Busker (Aubrey Plaza). She’s got Amy Haller (Katie Aselton) in her grasp. She asks Amy about when David (Dan Stevens) first came to live with their family. Sly little visual reference to Professor X, as his wheelchair dissolves past in an image while Lenny shouts: “What did he do with it?” Hmm.


In the meantime, Cary (Bill Irwin) has found his way to Oliver Bird (Jemaine Clement) in that astral plane lounge. They drink, chat. Oliver wants to help however he can with the parasite that’s attached itself to David. Apparently the monster is called Amahl Farouk, the Shadow King. He’s sequestered David in the deep recess of his own mind. The longer this goes on, the more chance Farouk takes over the body entirely. This prompts Cary to come up with a plan. A wacky one, though a plan. Starting with the diving suit.
First visit is to Syd (Rachel Keller), removing the headphones keeping her subdued in the dreamy space of David’s childhood room. Cary brings her away to a safer place, so they can talk; she already knows the whole deal. Because she’s smart. Sort of ruins his excitement of explaining in hilarious fashion. Regardless, the plan is underway.
The halls of the hospital are absolute havoc. Good thing Syd’s got special glasses to cut through Farouk’s created imagery. Cary always keeps a few tricks up his sleeve, just like Oliver.
Meanwhile, Dr. Melanie Bird (Jean Smart) is drifting through the abstract, too. She comes across the diving suit with Cary inside, as well as Oliver in the room where their gunfight went down. Only the husband can’t remember his wife, his memory’s been affected quite a deal. It’s good to have him there, if only to help think through their next steps. But it’s what Melanie does next that’s interesting. Whispering in a Rudy’s ear, who in the later part of the timeline is stuck in a wall. But for now, Cut to Syd – she slips a pair of those nifty glasses onto Kerry, thwarting The Eye on the way.


Stuck in a “mental coffin” David faces British David (fun with Dan speaking in a native British accent). His rational mind. It’s all “just an idea” and the monster’s implanted in their head. Farouk is manipulating David’s mind, and in turn the wild mutant powers he wields. Very fun seeing the two sides of David, led by the rational mind, work out the problems with logic and reason. We’re watching the visual representation of the mind at work. And eventually, rational David convinces the other part of David the monster’s been around since he was just a child. Beautifully conceived sequence, all around! References to X-Men abound in this episode. Even as David figures it out, he gives his long lost father a British accent, not yet knowing his identity.
So the monster waited, watched after being defeated by David’s father, then found David, possessing him. Torturing him and feeding off his energy. Its parasitic machinations were to regain its own power to take revenge. Usually such exposition would feel lame, overdone, tedious. This doesn’t because of a) the visuals, and b) the storytelling works because of David having this two-way conversation with himself. Glorious fucking writing and directing, all around a fantastic job in this episode particularly.


Syd and Kerry keep moving forward. As does David, breaking through room after room, many of them the same, hearing Syd call for him. Melanie and Oliver and Cary, they work on their side of things in the room of that gunfight; Oliver does some wonderful conducting on the astral plane. This is even wilder and weirder and more fun than the previous sequence. Add in title cards like a silent film as Syd calls to the others, fighting alongside Kerry, and the whole thing’s more interesting than you can handle.
This will blow your mind, honestly.
Then Lenny shows up. She (literally) crushes The Eye, who’s of no use any longer. What a wild effect, such good work! And in that frozen gunfight, The Eye’s head starts running with blood. However, Lenny infiltrates that space, tossing Oliver to the side. Free to do as Farouk pleases.
Simultaneously, Cary puts the device on David’s head, Rudy grabs hold of Lenny, and with the full influence of David’s mind the place is under his control again: he saves Syd. But takes the bullets; catching them in his hand, like a true bad ass. All is well again, at least for now. Everyone returns, and so they can return to reality once more.


And who else came back – Oliver himself. His memory still a bit ransacked like on the astral plane. Then there’s also a divide between Cary and Kerry, the latter feeling abandoned by the former in a deep way. Although things are better, they aren’t all perfect. It’ll do at the moment.
David and Amy get time together, as well. She feels bad for not telling him about the adoption before. But she finds it cool he’s a mutant. He does, too. Sadly Amy has to stay away from her family for a while because of D3, all the madness.
Furthermore, David has flashes of the monster inside. He wants to get Farouk out of him, and fast. Before who knows what happens. Yet they can’t do that because the interrogator David long thought he was rid of at D3 returns, burned up face and all. He’s got men with guns. Threatening to kill everyone else, except David. Oh, shit.
Not to mention deep down inside him still lurks Lenny, Farouk, the Devil with the Yellow Eyes. And that nasty bastard wants out. Strangely enough, it might actually help to let the devil out to play.
Pic 5Pic 5AI keep thinking I’ve seen my favourite episode of Legion yet, then Noah Hawley & Co. come at us hard with another visionary chapter in this impeccable first season. One of the best debut seasons of any series; ever. I’d take that to the bank. So excited for the season finale. NOW GIVE US SEASON 2, QUICK! Mainline it to my veins.

Legion – Chapter 6

FX’s Legion
Chapter 6
Directed by Hiro Murai
Written by Nathaniel Halpern

* For a recap & review of Chapter 5, click here.
* For a recap & review of Chapter 7, click here.
Pic 1Dr. Melanie Bird (Jean Smart) sits with therapist Lenny Busker (Aubrey Plaza), who talks with her about her frozen husband. They’re in a dangerous place. Next is Ptonomy Wallace (Jeremie Harris), talking of his mother who died while unloading the dishwasher. Then, Kerry and Cary Loudermilk (Amber Midthunder & Bill Irwin) ruminating on their likeness, their relationship (“Whos it hurting?”). Even The Eye (Mackenzie Gray) must have a session with Dr. Lenny.
Syd (Rachel Keller) is the only one to formally question their current reality. But it’s just more medication and off Syd goes back to the halls of the institution in which they’re all patients. In the lunge, Ptonomy and David (Dan Stevens) talk about a drooling, near comatose patient sitting in a wheelchair across from them.
Continually we see that Syd knows something isn’t right, she sees a different door than usual in one of the hallways. Yet nobody else does, and the more she tries to alert them the further Dr. Lenny meddles. And David, he’s sucked into that little world. Far too much.


At dinner, Amy (Katie Aselton) – a nurse in their facility – won’t let David have any pies. “Its just pie,” he quips when Syd offers not to eat in solidarity. Her next bite is filled with insects, swarming. Only it isn’t. But we’ve seen that before, right? Another sign of that Devil with the Yellow Eyes. If that weren’t enough we focus on the pie, as Lenny’s face is revealed in a nice cross-fade. Before a fun musical number with her edited in various ways across various places in David’s mind. Love the visuals of this series as a whole. And Lenny is the perfect chaotic embodiment of the mess going on inside David. Legion gets my vote for one of the most visually exciting TV shows of all time.
Syd: “You ever have that feeling like somethings happened before, except differently?”
David and Syd talk about their life in that hospital. He’s not keen on getting out because of his prior experiences. He can’t handle real life. Although what he knows, or thinks he knows there with Dr. Lenny, it’s all a lie. Syd knows this, and she doesn’t want to stay. She keeps on having a dream; about the moment before they wound up in that place. Creepy. Cary and Kerry, Ptonomy, Dr. Bird, David, they’re convinced in a need for treatment. But Syd keeps pushing.
And The Eye never stops sneaking, watching.


In the night, Cary sees that place Oliver showed us. Just beyond consciousness. Cary reaches out for it then everything around him disappears. Then he’s in a forest of stars. Across from him someone in an old diver’s outfit, like Oliver. But is it him? Or someone more sinister?
Syd begins to articulate to David that the facility they’re in may be a “version of reality” and not anything concrete. He insists it’s part of her psychosis, why she’s in there, maybe. He says she’s delusional. That he isn’t schizophrenic. It confuses her completely. Again, something isn’t quite right.
She comes across a strange, soft spot in the wall. Blood leaks out. Triggering memories, all sorts. They flood back to her relentlessly. Afterwards, Dr. Lenny turns up offering some music therapy, a nice pair of headphones. And once more Syd is subdued, thrown off track. She floats on to the sound of crickets.
When Kerry goes to find Cary she only finds The Eye, being utterly terrifying. Worse, she doesn’t know where her other half is gone.


David has a run in with his sister Amy, the nurse. She tells him he isn’t wanted there. Nobody likes him. “Youre a freak, youre disgusting,” she says. Then she gags and gags and gags without actually throwing up. Wow, that’s more unsettling than I’d have thought! And the mindgames, good lord. Poor David is being thrashed mentally. The closest person to him, his blood, telling him he’s revolting. That is deep and sharp and awful.
In her room Melanie sees Oliver. Or, someone in the diver’s suit. I worry for her, she seems particularly fragile out of the group. Then she follows the diver through a wall into a tunnel; at its end a flashing light. Further on she goes, in past a locked door, and this leads her down to a dark place. We see the moments before they were transported to that hospital. Bullets in mid air, frozen. She can’t piece it together. The diver points, suggesting she change the course of events. Yet always watching are the eyes of Dr. Lenny.
Speaking of, she tries convincing David that Syd isn’t the “right girl” for him. She has a grim conception of love, which he believes he has with Syd. She has a lot to say about power. And that it is in itself the entire point of life.


Dr. Lenny drops a bomb, too: she knew David’s father. Whoa! “I found you,” she taunts menacingly. Furthermore, the Devil with the Yellow Eyes wants to merge their powers. It needs the physical form.
Lenny: “I could give a shit about your mind
Later on, Syd gets a visit in her trance-like state from a man in a diver’s suit: Cary himself.
Pic 5LOVED THIS EPISODE TO DEATH! Jesus. Only gets better with every chapter. There were so many wild things happening here, and the story’s various strands twist together so well. A ton of great acting on top of all the solid writing. What a series. Already renewed for Season 2. Even a bit of David Bowie at the end of this episode; fucking sweet.

Legion – Chapter 5

FX’s Legion
Chapter 5
Directed by Tim Mielants
Written by Peter Calloway

* For a recap & review of Chapter 4, click here.
* For a recap & review of Chapter 6, click here.
Pic 1Cary Loudermilk (Bill Irwin) is going through the motions as his spiritual counterpart Kerry Loudermilk (Amber Midthunder) is brought back to Summerland, injured and in need to medical attention. In the meantime, David Haller (Dan Stevens) talks to Dr. Melanie Bird (Jean Smart) through glass, saying he’s met her husband, which shocks her though in a sense likely calms her knowing Oliver’s still out there, somewhere.
When Kerry’s in stable condition, Syd (Rachel Keller) goes to talk with David about who he is, what they’ve found in his past. He proves to her they can be together, in the physical headspace he creates with his powers. Reality’s just an illusion. He can make places in his mind, transfer them into what others perceive as reality. While it looks and feels like they’re touching one another, Rachel’s only imagining everything as David creates it. On the surface there’s a romance. But underneath is something sinister, or the possibility of something sinister. Great imagery in this scene, as at the end we focus in on a bowl of strawberries crawling with bugs. Where hides the Devil with the Yellow Eyes?
David: “Im the magic man
There’s also the question of whether Oliver can come back from the astral plane, if David can bring him. Of course Melanie hopes so. This also has repercussions in the world of Loudermilk; what happens if this is true? That would fundamentally change the relationship between him and Kerry. So interesting, a lot of things revolving around Oliver and the whole concept of the astral plane.
Pic 2Turns out Oliver essentially experienced a downfall, mentally, in the sense that he wanted to be the “creator” of his own world, entirely, and he’d sometimes just sit there, conjuring up another reality in his mind. Melanie is desperate to see her husband, hoping David can bring him home for her. I feel that sinister quality rearing its head quite a bit in the early parts of this episode, in David. Lenny (Aubrey Plaza) and the Devil with the Yellow Eyes, same person or not, have had a nasty effect on him. He’s also got that yellow triangle shirt on; the logo looks suspiciously like an eye, too. It’s almost eerie how quick and forceful he uses his powers to seduce Syd into their alternate reality bed. Worse, she opens up, both intimately and emotionally/mentally. I worry.
Syd: “Who teaches us to be normal when were one of a kind?”
Oh, and speaking of Lenny, she turns up in David’s head. Speaking like Shakespeare’s Iago into the ear of David’s Othello. Influencing him. As if that weren’t enough, they’re in a neon red lit room. Although when Syd gets up to see who David’s talking to, he and Lenny are gone.
Together, Dr. Bird, Syd, Ptonomy (Jeremie Harris), they start figuring out how to tackle this latest problem. Ptonomy feels they’re fighting “a war” and it isn’t all about David, or his sister. Melanie thinks it’s best they track David down because if not, and they turn him, it could mean trouble for them. Big, big trouble. It’s hard not to believe she wants him around most of all to see Oliver again.


When the team arrives at D3, where they assumed David’s heading, they indeed find a trail of carnage: bloody SWAT members, people half stuck between concrete, overturned vehicles, fire. All set to “The Daily Mail” by Radiohead; perfect! Inside the facility, the group splits into two, heading further on. They find Dr. Kissinger, the only one remaining where Amy (Katie Aselton) was kept. They find the security footage of David breaking in, and it’s so clear he isn’t himself. Just in the way he prances around using his powers. That sinister thing inside him rages, showboating and having fun killing people. And when Dr. Bird sees the thermal footage, it’s clear: the Devil with the Yellow Eyes has taken him hostage, from the inside out. Moreover, the nasty thing, an “older mutant” is rewriting David’s memory, as well as those who come in contact with him in those reality-bending landscapes.
It wears a human face
In another one of those places, Syd discovers David, playing banjo and singing, crying. The bathroom’s still lit neon red; in there, the World’s Angriest Boy in the World lurking, David’s imaginary pet dog King. The whole place is creepy. Out in reality, Amy tries to apologise to her brother for not seeing the truth about him before. Yet she doesn’t realise what’s hiding in his skin. Then out comes Lenny to interrogate and taunt. That Devil with the Yellow Eyes has always been there, since he was a boy. He was King, then that Angry Boy, then Benny, or Lenny, and whoever else. Amy finally reveals the truth, that David was adopted. And if you don’t already know, he’s the son of another powerful mutant; not sure if that’ll be revealed in its entirety soon, if at all in the series (I’m sure it will at some point).


The team goes back to David’s childhood home. A place filled to the brim with terrors. Also blanketed in silence, as we watch a heavily stylised, awesome sequence leading up to Kerry taking charge over Cary and leading the way with a spiked baseball bat through the house’s dark corridors. Upstairs is Amy, and Lenny, too. She is a ruthless entity. Devious and horrible. Then, in his disguise, The Eye (Mackenzie Gray) bursts through firing his gun at David. And in the other reality, Syd is confronted by the Devil with the Yellow Eyes in its awful, true form.
Lenny: “This is not the talking place. This is the listening place.”
Suddenly, they’re all sucked into a therapy session, somewhere else. Lenny’s the therapist, and the rest of them are patients. Uh oh. This is getting dangerous.

Pic 15Each episode is better than the last. Challenging us, and the characters, as to what IS reality at any given moment. So clever, great writing. Can’t wait for Chapter 6 next! The back half of this season is going to get even wilder as we near a finish.

Legion – Chapter 4

FX’s Legion
Chapter 4
Directed by Larysa Kondracki
Written by Nathaniel Halpern

* For a recap & review of Chapter 3, click here.
* For a recap & review of Chapter 5, click here.
pic-1We open on Jemaine Clement playing Oliver Bird, husband of Dr. Melanie Bird (Jean Smart). He paraphrases Friedrich Nietzsche’s quote: “Under peaceful conditions, the warlike man attacks himself.” He speaks about the fear of the unknown, and violence as ignorance. Everything around him’s cold. Very, very cold. Then he mentions empathy v. fear in telling stories to children. Ought to remind us of David Haller (Dan Stevens) being told the story of that angry boy.
Back to present events. Syd Barrett (Rachel Keller), Ptonomy Wallace (Jeremie Harris), Dr. Bird, they’ve been sucked into the world of David, the one trapped in his head. There’s no telling if anything is real, at any point in time. At Summerland, Cary Loudermilk (Bill Irwin) tells them there’s no medical explanation for why David’s in a coma-like state now. Neither he nor Ptonomy can figure it out. He’s stuck between dreams and reality, somewhere. They’ve got to discover what happened to David before he wound up at Clockworks Hospital, what damaged him so bad.
pic-2Off they go, searching for answers. They go to the places where his memories took them. First, the office of Dr. Poole (Scott Lawrence). Ptonomy and Syd discuss what happened in David’s memories, the abnormal “tear” in the physical space where they experienced those moments. They find a recording device from the doctor’s sessions, beaten, bloody hand prints on it – using their powers, it comes back to life and tells them of a possibly brutal, violent crime. Poole was beaten horribly with savage force. But, did David actually do that? Or was it the dark entity, The Devil with the Yellow Eyes? Did he break into Poole’s office originally to steal things for drugs? Was it something else? We’ll see.
What did the stars say?”
Poor Amy Haller (Katie Aselton) is still being held captive, too. She’s not faring well, psychologically. Although she discovers there’s someone else nearby locked in a cell just like her: David’s former doctor at Clockworks. She laments not realising sooner there was something different about her brother, since he was young he moved from “room to room” and even further at times. He talked to people frequently, such as their dog King. Only they never had one.
Everyone around the man’s been affected. Amy is in a cell, alongside the doc. Meanwhile, Syd, Ptonomy, and Kerry Loudermilk (Amber Midthunder) are searching for the clues that will lead them to the answers. We get the story about the Loudermilks, or, well… the one Loudermilk. They share a body, Cary and Kerry. Two people in a single body, though the experience for each of them isn’t entirely identical, Kerry exists in a sort of spirit state while Cary is the more corporeal form on a regular basis; she comes out to play when necessary.
In her office, Dr. Bird has a vision of a person in an old school-type diver’s suit. She tells Cary of the incident, hoping it’s a sign David may be coming back to the land of the living. The guy in the suit is Oliver. His physical body is kept frozen in a chamber downstairs.

pic-7David, in one of his mindfuck landscapes, meets Oliver. Not really, he just gets a wave from the diving suit-clad dead guy. To follow him elsewhere. So, they head into the great unknown together, as David follows him to a ladder. Up, up, up. This leads to that place where first we saw Oliver, talking to us. That freezing place. There, Oliver sits for a drink and a chat with his new friend. “Whats real in this space is whatever you want it to be, so, my feeling is: why not wait in style?” he quips to David.
Bad news – David’s lost. Good news? Oliver has himself a bit of company. And someone to bounce beat poetry off when the mood strikes. They get to talking about David and his powers, the monster waiting for him around every corner. Now he’s intent on getting out of that cold place. He plunges back into the “vast subconscious” in order to make his way back to real life. If possible. Oliver certainly doesn’t assuage any fears, warning him things get tricky out there, outside of that protected place.
Ptonomy and Syd go to visit David’s ex-girlfriend. To scan her memories. They need to find more of his past, from wherever it comes. Back through a few of them, Ptonomy watches a dinner with the formerly happy couple and Dr. Poole. Then he finds traces of another memory within it: they know where Poole lives. Ah, and more comes to light! Lenny (Aubrey Plaza) was actually a drug pusher named Benny. Plus, the ex tells Syd and Ptonomy ominously: “Tell him theyre watching.”
Oh, my. So many questions. Implanted memories, hidden secrets.
What is real?
pic-8They track down Dr. Poole at a lighthouse, who’s reluctant to speak about David. Soon he tells them about the good and bad sides of his former patient. He says he’d actually like to see David again. Because he needs answers, after having his entire life ruined. Afterwards, they find themselves trapped by The Eye (Mackenzie Gray). Nothing is real. Armed men lay siege to the lighthouse. The trio run upstairs, but Kerry’s ready to take the offensive to their attackers. A fight breaks loose, where Kerry fights (and Cary goes through the motions back at Summerland), and we also see The Eye in action for the first time, he has his own powers. Unfortunately, Kerry’s taken down. But Syd, she touches The Eye with her bare hands. You know what THAT means!
Note: This is one of the best sequences of the series so far in these first four episodes. So powerful, exciting. Gives us awesome insight into the Cary-Kerry dynamic, as well.
David’s brought into another headspace with/by Lenny. She has things to talk about with him. She chastises him for going with Dr. Bird, ending up in Coma Land. He only wants the truth, even if she’s intent on her own designs. She riles him up into an angry, terrifying state.
Lenny: “Uncle Fiddly with the glasses and the angry girl inside him, they could be fingering you right now.”
Then suddenly, David is in the woods. He runs a truck off the road containing Syd and the others; he doesn’t realise there’s been a switcheroo. This starts up an awkward chase, as David urges Syd – The Eye – to run. When they switch back, The Eye puts a bullet into Kerry, sending Cary back at Summerland into a bleeding tailspin. Not so sure anymore that Lenny’s there to help David, not at all. Seeing as how she appears on his shoulder, while her hand looks suspiciously like one belonging to the Devil with the Yellow Eyes.


Another fascinating Chapter in Legion! Wow. Every one gets better visually than the last. I don’t doubt we’ll see the momentum charge forward in Chapter 5. Lots of weird and wild action afoot.

Taboo – Episode 8

FX’s Taboo
Episode 8
Directed by Anders Engström
Written by Steven Knight

* For a recap & review of Episode 7, click here.
pic-1As George Chichester (Lucian Msamati) was digging into the sinking of the Cornwallis, James Keziah Delaney (Tom Hardy), tortured beyond the realm of human imagination, finally received his meeting with Sir Stuart Strange (Jonathan Pryce) in the Crown’s dungeons.
This final episode begins with Zilpha Geary (Oona Chaplin), ruminating on what’s next in her life. OR, in her death. She plunges herself off a bridge into the frigid waters below after sending a last letter to her half-brother. And he’s chatting with Strange, telling of his time in Africa when an African saved him, as well as admitting to his own atrocities: “The things I did in Africa make your transactions look paltry.” They speak of Godrey (Edward Hogg), his role in the plan James has enacted. Then he offers Strange a deal. Not an easy one, apparently. Yet James always has a plan in his back pocket. Usually a bit of blackmail. The table’s set. Will Strange deliver a ship and whatever else is in Delaney’s letter? Can he?
pic-2Young Robert (Louis Ashbourne Serkis) goes running around to see Brace (David Hayman), Cholmondeley (Tom Hollander), with letters for them written by James. Like dominoes, one after one receives whatever news and plans are at hand, including Atticus (Stephen Graham).
All the while Strange is sweating the details, and James starts in on his eerie voodoo prayers in his dungeon cell. A few of the Crown’s men go to get him, finding he’s seizing, foaming at the mouth, bleeding. Solomon Coop (Jason Watkins) worries they’ve done permanent damage, though I’m inclined to believe it’s all part of the master plan. Simultaneously, on the road Atticus stops a coach taking Helga (Franka Potente) and her friend elsewhere, which ends in the death of Mr. Pettifer (Richard Dixon). A little while later Lorna Bow (Jessie Buckley) picks up Helga, and the young boy she tracked down confirms that James did not kill her girl Winter. It was the Company.
But most of all Strange is falling apart trying to maneuver all the pieces in order to appease Delaney, as the man himself continues pulling strings from behind the scenes. Everything is set deep into motion. Cholmondeley works on “things that go bang” and others which “cause confusion.”
Lorna goes about her business, too. She’s off to see the Countess Musgrove (Marina Hands) about certain feminine products, secrets. And powder. Ah, yes. Afterwards, alone, Musgroves pulls a knife on her visitor until finding out the details, her association with Delaney. He’s sent word about the “leaky ship” she captains.

pic-6What about James? He sits there in that cell, having masterminded the entire series of events. Now he hears Robert singing from outside the dungeon’s walls. A sign. “Im ready,” he tells his captors.
Upstairs, his account for the Crown begins. Only it isn’t what Coop and the lot expected. He reveals the nastiness about to come. His double dealing, playing both sides has ensured his own best possible outcome. Everyone else is left in his wake. So, James walks free from his chains and all his charges.
Plus, he has a ship once more! There’s also his discovery now that Zilpha has plunged into the River Thames, carried away dead to another place. This certainly won’t do him any good. He refuses to believe her death: “If she was in the river, she would sing to me. And I would hear her.” Lorna tries convincing him otherwise, but he’s lost in all that voodoo magic or whatever he believes in, thinking that he can see beyond the grave. He manages to get himself back in action, with a little help from his friends, such as Dumbarton (Michael Kelley) and laudanum. Trouble being he’s got to captain a ship from England to America. Might not go so smooth if he’s fucked up, in more ways than one. And that friendship with Dumbarton, it goes sideways. The doctor’s left strung up, sliced up, his face inked in blue. Yikes.


Cholmondeley’s got himself laced with explosives, ready to rock. At the docks, the ship is readied, and more Company men are laid to waste. Delaney is really doing a number on Sir Strange before shipping out.
Prince Regent George IV (Mark Gatiss) eats like a slob, talking with Coop about faith. Then, how many people might be dispatched for treason. He wants Delaney dead. When his right hand man protests a bit, the Prince Regent proclaims angrily: “Im the head of fucking state!” With so much death and betrayal and double-crossing afoot, no telling who’ll make it out alive in the end.
On the dock, James cuts Brace free, revealing he will not be going to America; only decent thing is that anything Delaney-owned left in England belongs to him.
With that, the plan commences. When Crown soldiers rush the dock, Cholmondeley sets off a huge explosion, killing some and disorienting the rest. After which the remainder are smoked out and gunned down mercilessly. More soldiers rush in and the rest of the guns start blazing. Lorna, Godfrey, Helga, everyone is rushed to the boat – stopping for her dropped pistol, Helga’s shot before boarding. And Lorna, she takes a bullet in the shoulder. The streets and the dock are literally and figuratively on fire; Cholmondeley is gravely wounded when some of his explosives go off. Nothing goes as well as hoped.
Eventually, those still able make it onto the ship. Away they go.


At the East India Company, Strange finds a message waiting. He still believes everything’s going according to what he discussed with Delaney. That is, until a package from Cholmondeley is set off as he opens its strings, and his office blows sky high. The end of Sir Stuart.
Brace sits quietly at the Delaney home, facing an eternity of loneliness left behind. That same afternoon, Chichester turns up to get the account of the Cornwallis, Godfrey’s account, as well. Justice will be served.
On the open ocean James and his crew sail towards America. With plenty of interesting intentions. What will they do when they get there? James has his machinations, as the American flag is hoisted up in place of the ole Union Jack.
Atticus: “I thought the gunpowder was for the Americans?”
James: “We are Americans
pic-13Whoa. Are we going to get ourselves another series? Seems like it. I anticipated this as a limited series, but I’d LOVE to see Delaney and Atticus and Lorna and the lot doing their thing in America. Could get pretty wild. GIVE US MORE! We need it now.

Legion – Chapter 3

FX’s Legion
Chapter 3
Directed by Michael Uppendahl
Written by Peter Calloway

* For a recap & review of Chapter 2, click here.
* For a recap & review of Chapter 4, click here.
pic-1Dr. Melanie Bird (Jean Smart) and her Summerland facility run on smoothly, as David Haller (Dan Stevens) digs deeper into his mind. Everybody’s doing something constructive, from Syd (Rachel Keller) to Ptonomy (Jeremie Harris), and Cary Loudermilk (Bill Irwin).
Still, The Eye (Mackenzie Gray) holds David’s sister Amy (Katie Aselton) hostage. And how long until something really bad happens?
Now more of therapy, just amped up. They’re digging into the “shit that scares you the most” in terms of the largest events in David’s life where he manifested powers, believing it mental illness. We cycle back through the familiar stuff, the kitchen before everything exploded. When Melanie and Ptonomy witness what happens afterwards they’re both wowed by their new friend’s powerful abilities. Then they’re back to a memory with David and Lenny (Aubrey Plaza), high as fuck, which starts a confrontation after Philly arrives.
And once more the Devil with the Yellow Eyes returns, scaring David. The memory changes, things aren’t the same anymore. When they come out of the memory work they’ve literally transported “600 feet through two solid walls.” Yowzahs.
pic-2The continuing relationship between David and Syd is fun, not a conventional-type relationship we so often see. Of course that’s precipitated by the fact they’re mutants, or whatever you’d like to call them. Either way, she’s awesome, and it’s excellent to see a different female character in these superhero stories. In this episode, David and Syd talk about their past to one another. He also has residual physical manifestations of their switching bodies.
Syd: “Were more than just this
Later, David goes over with Cary for a few tests. A kind of stress test. This takes him back to a memory on Halloween, as he and big sister Amy go trick or treating. When their dog ran off, David ended up seeing The World’s Angriest Boy in The World come to life. Oh, and Lenny shows up, too! We watch now as he speaks to Lenny, hearing her, yet to the outside world he’s not actually talking. His brain’s lighting up as if he’s talking, but he’s not at all. Lenny is one hell of an antagonist, though. As if his mind, in general. It goes into overdrive. David levitates, followed by Syd, as well. They disappear into nothingness.
They’re transported to where Amy sits, interrogated over and over about her brother and his powers, confronted with the fact he doesn’t have schizophrenia. Rather, he’s a powerful “god.” She has no information for them. That’ll be a problem if David and Co can’t get to her in time.


Melanie doesn’t want David doing his transportation act again any time soon. Could put them all in danger. We also get a history of the place, or a short one, anyways. There’s a lot going on for them, between Amy missing, David’s powers, old friends now foes of Melanie. On top of that, Dr. Bird wants to weaponize David, essentially. He won’t let up until his sister is safe. Simultaneous, he won’t stand for putting Syd in danger, even though she kicks ass, has saved him a few times already, et cetera. They deal with it in their own way, talking it through and feeling their connection immensely without any physical contact; one of the interesting, fun things I enjoy about their relationship.
David: “To be a monster, youve first got to do something monstrous.”
More memory work!
This time, Dr. Bird puts David into sedation. They go back to see how he wound up in Clockworks. Intriguing that Syd’s powers don’t work inside the memories, not without her physical body. She actually gets to hug David, but a young, little David. Odd, yet in a way romantic across space and time.
Then strange flashes, banging around the room while they watch David’s memories. Except they’re only images Syd can see. Something tears open a wall behind Melanie and Ptonomy, creeping its hands through the gap. They lose track of one another when Syd stumbles back through various memories of David’s in succession, chasing the child version of David through room after room. She even witnesses David having sex, at one point; very weird, considering she’s unable to have human contact.
Trapped in David’s head, The Angriest Boy in the World stalks the child. And worse still, the Devil with the Yellow Eyes. Syd and Ptonomy manage to make it out of their deep sleep. Although David and Melanie remain under.


Amongst the memories, Dr. Bird still walks, looking for answers. She finds The World’s Angriest Boy in the World tucked away in a closet. She reads through the sinister book. It soon slams shut on her hand, sending her back to the couch with Ptonomy. However, the memories are scaring everybody now, not only David.
He’s got his own demons, too. Terrifying ones that won’t let go.
screen-shot-2017-02-23-at-3-33-09-amscreen-shot-2017-02-23-at-3-34-43-amWhat an episode! This series is just knocking each Chapter out the park. Hawley and the crew doing amazing work, solid directors and writers involved. Great, great stuff. Looking forward to Chapter 4.

Taboo – Episode 7

FX’s Taboo
Episode 7
Directed by Anders Engström
Written by Steven Knight

* For a recap & review of Episode 6, click here.
* For a recap & review of Episode 8, click here.
screen-shot-2017-02-18-at-11-51-25-pmHow will James Keziah Delaney (Tom Hardy) atone for his sins after murdering young Winter by the shore in a drunken, mad state? Surely he did it. Or maybe not. I’m not sure he can redeem himself to begin with, really. Although such is the grotesque landscape of character in Taboo.
Helga (Franka Potente) and Atticus (Stephen Graham) and others stand by while Winter’s laid to rest, readied in a boat. At the same time, Brace (David Hayman) receives a visit from Cholmondeley (Tom Hollander); he’s come with little Robert (Louis Ashbourne Serkis), the possible son or brother of Mr.Delaney. Well, Lorna Bow (Jessie Buckley) receives him just fine. I’m interested to see where her character winds up in these last couple episodes.
Still James is in need of a ship. He’s consumed. As he struggles to find one, Helga, Atticus, everyone wonders whether he’s killed the girl. And he sees her, there by the fire at home while he drinks. Ghosts all around him.
Then suddenly James receives George Chichester (Lucian Msamati) at his home. He’s there to talk about The Influence. He believes James was onboard when the ship sank. More of the harsh truth comes to light. He was a slave, then became a slaver. Then “much worse things than stealing diamonds,” which Chichester already knows. What George wants is James, last remaining survivor of the wreck, to name Sir Stuart Strange (Jonathan Pryce) as the organiser of the slave ship. Headed to Antigua. If so, full pardon for what Delaney’s done. Yet you just know there’s something else always up the mysterious bastard’s sleeve.
James: “What kind of rational man believes in justice?”
screen-shot-2017-02-18-at-11-54-24-pmOn the street, Helga takes a shot at James nearly popping his skull. She doesn’t manage to get the job done, only screaming “MURDERER” at him over and over. Then there’s poor Zilpha (Oona Chaplin), caught between life and her half-brother/lover, having just murdered her wickedly abusive husband. Between that and the loss of James’ ship neither of them are doing well.
Something about Brace comes to light. He purchased a large quantity of arsenic. For the rats, supposedly. Perhaps to kill Horace. “It was a kindness,” he confesses to James. He says that the state the old man was in, mentally, everyone trying to get at Nootka Sound and his money. So he tried to ease the pain. It doesn’t seem as if the son wants Brace to leave. Surely he doesn’t hold it against the old chap, having his own reasons to hate his father.
At the East India Company, Sir Strange receives a visit from Helga. She brings word of the gunpowder, its gifting by Delaney to an American citizen. Another of the prostitutes is brought along to corroborate. Now Strange wishes to use this as a charge of high treason against James. Looks like things aren’t going to go too nicely for Helga and her girl, either. Accessories to the crime. All this sends Godfrey (Edward Hogg) running to see his secret friend, to try and give him warning.
Strange: “We have him. We fucking have him.”
In the woods James breathes in smoke from a fire he makes, spreading a chalky yellow powder on it. He sees visions of his mother. His father. Himself. Godfrey finds him to let him know what’s happened, though he says he already knows. Then the two head off together.


Over with Solomon Coop (Jason Watkins), Thoyt (Nicholas Woodeson) and the lot, Sir Strange brings word of the treason charge. The law is consulted. Nootka Sound is being brought to the King. All a way of sucking up to the Crown, as Strange does nasty things in the dark and under the guise of the “loyal and honourable” EIC. For all the tea in China. Literally.
James takes Godfrey to see Chichester. They have a chat together about him giving account of what he’s heard about the sinking of The Influence, a.k.a The Cornwallis. However, it isn’t easy for Godfrey to accept. His good friend Delaney convinces him they’ll sail for The New World long before his having to testify. Is this truth? Or is he spinning fiction to get what he wants?
Quickly the house of pleasure clears out while James prepares for the incoming soldiers. He sits and plays cards instead of running anywhere. Elsewhere, Dumbarton (Michael Kelly) is alerted to the treason charge of his associate. And the soldiers, they don’t take it easy on Delaney. They taunt and beat him brutally in a dungeon before leaving him in the dark.
Lorna tracks down a young boy on the street who knew Winter. He says: “I want her to forgive me.” Turns out the EIC killed Winter. At home she finds Brace gone mental, wishing he’d killed James alongside his father.
For what’s coming is even worse.
In that dungeon James is prepared for a gruesome bout of torture. To get information. Simultaneously, Cholmondeley and others burn papers, evidence leading back to the source, the laboratory. All of it. Delaney says he’ll give up the information, so long as he gets a meeting with Sir Strange. This is met with immediate, vicious torture, as a Mr. Arrow begins cutting, waterboarding, whatever he can to draw out the truth.


On the links, Sir Strange whacks a golf ball, and Chichester arrives for a casual confrontation. This puts a scare into the old company man. Of course he thinks it all hinges on Delaney, but doesn’t know who Chichester has Godfrey in his pocket. Later, Strange and his friends discover Godfrey is a “Molly” and that he is the mole.
Prince Regent George IV (Mark Gatiss) sits waiting for good news on the torture of Delaney. Next, a mask is put on him, and an Asian doctor pours a liquid down his throat that “alters perception.” Taking James back to a time before, in the forest. Back through terrifying images and memories. Still, nothing comes. They cannot break him. He will only speak to Sir Strange.
So what will the Crown do next? Prince Regent tells Coop to give Delaney what he wants. Out of nowhere, when Strange goes to meet him in the dungeon, James seems to have it all in the palm of his hand.
James: “I have a use for you


Coming up on the last episode, Taboo throws a nice curve into the story. Let’s see where Delaney and the others end up. I can only imagine his plans for Sir Strange, what that’ll mean for him and everyone involved. And how will George IV ultimately come into play, if at all, in the finale?

Legion – Chapter 2

FX’s Legion
Chapter 2
Directed by Michael Uppendahl
Written by Noah Hawley

* For a review of Chapter 1, click here.
* For a review of Chapter 3, click here.
screen-shot-2017-02-16-at-2-49-05-amAfter the exciting events of Chapter 1, we find David Haller (Dan Stevens) alongside Syd Barrett (Rachel Keller), Melanie Bird (Jean Smart) and the others, as one of them sings “Road to Nowhere” by The Talking Heads.
They get back to a facility – Summerland – where David meets others, including Cary Loudermilk (Bill Irwin). But the poor dude is sick, he has too many voices rushing through his head. Melanie tries to help, getting him to focus: “Theres a single voice calling your name. Can you hear it? Can you find it?”
And who’s the voice? Could it be his mother, maybe?
The next day things start in full swing. He sits with Melanie and Ptonomy Wallace (Jeremie Harris) discussing how to harness his powers, which involves looking back through a lifetime of memory.  So it begins.
screen-shot-2017-02-16-at-2-53-07-amWe see memories of David and his sister Amy (Katie Aselton), though they’re very young, maybe eight years old. They run in a field with their dog, they laugh and play. The goal is to figure out where his supposed mental illness started, then leading to, hopefully, controlling the energy of his mind. They head more and more through various memory work, and David witnesses himself as a boy with his mother. Happy memories, evidently. Also, he remembers his father as an astronomer. Those of us who know the comics know better though, don’t we?
Ptonomy: “Pretend were in a museum; the museum of you.”
Suddenly something goes wrong. The dream feels sinister, ugly. The room starts to shake, as David spins out of control. Back to the table where they all sit. David’s beginning to freak out, until Ptonomy puts him to sleep.
Another trip back sees David sitting across from Dr. Poole (Scott Lawrence). He’s twitchy, he’s nervous. The voices scatter his brain. Outwardly, he seems incredibly mentally ill. On the inside is something nobody would’ve ever been able to diagnose, in terms of regular everyday medicine and science. Moreover, we see him and Lenny Busker (Aubrey Plaza) together, the earlier days of their friendship. But quick as we went in, David wakes up in Summerland with Ptonomy, and has a glass of milk to settle his stomach. I love Ptonomy, too. He has memories of his entire life, right back and into the womb.
Out in the woods, searching for David, is The Eye (Mackenzie Gray) and a fleet of black dressed, gun-toting SWAT team-looking cats. They will not stop, either.


There’s still no full explanation about what happened when Syd and David changed places. Although she remembers it being “so loud” while they did, it scared her. She likewise saw the horrible entity David keeps seeing in the background, that malevolent, hideous thing. And then, Syd remembers she probably killed Lenny.
Note: This scene had some awesome editing, from the memories of Syd about what happened in the hospital to the quick cut to Lenny reciting a line David is saying to Syd. I mean, Hawley & Co are pulling out all the stops to make this series work. Dig it!
Finally, David steps in with Mr. Loudermilk for a CT-scan-type test. Well it looks like Cary’s a bit of a character himself. There’s two Loudermilks: Cary and Kerry. Hmm, I’m intrigued now, especially seeing as how he said he was talking with Kerry, and she’s nowhere to be found. Either way we tumble back into more of David’s memories, now one in which he and Amy sit together chatting about her personal life. Memories slip by quick and we’re over with David and Lenny once again; she’s trying to trade an oven for drugs. Meanwhile David is having aural troubles. When they get their drugs it’s back home to get high! Only, should someone like him be experimenting? What I love most about Haller’s issues is that we see a genuine depiction of mental illness: he hears things, sees them, he’s not sure what’s real or what isn’t, and it’s as if we’re watching a documentary sometimes on the nature of schizophrenia. Inside the sci-fi trappings is a genuine depiction of a struggle with a disease of the mind.
We’re actually watching more of the memory work with David, Ptonomy, and Melanie. They try getting to the bottom of his visions. Particularly once the eerie, dark entity shows up and it freaks him out. Then the memories are glitching, jumping time. They dig up one of David’s flashes, in his apartment when he blew the place near to pieces.


Loudermilk is trying to help David figure out where his “memories are stored.” Stubborn little things. They head back into another one and try again. He goes into a dark place of his memory where things fold back onto themselves, the voices overcrowding his thoughts. Then there’s Amy, who can’t find David at the old facility anymore. She’s distraught, wanting to understand where her brother’s been taken. And Amy winds up being found by none other than The Eye. Uh oh.
Has David discovered a further power? Can he hear and see things from across time and space? Oh, I wouldn’t doubt it.
After Loudermilk leaves him alone, amazed by what he’s seeing on his readings, David’s greeted outside the machine by that grotesque entity. Another second passes and he’s not even in the machine anymore. It’s because he blew the thing right outside and into the yard with his powers. A truly disturbed individual, frighteningly powerful.
Alas, David’s decided to leave for a couple days and figure out what’s going on with his sister. At the same time, Amy is stashed away somewhere being held by The Eye and his associates, in a dreary basement akin to an old mental hospital. What is he planning for her?
screen-shot-2017-02-16-at-3-35-05-amWhat a spectacular follow-up to the first episode. The next ought to be a thrilling experience, just as these two have been! Loving this series. Hawley is an impressive writer, showing us more of his talents here with every passing chapter.