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Bates Motel – Season 5, Episode 7: “Inseparable”

A&E’s Bates Motel
Season 5, Episode 7: “Inseparable”
Directed by Steph Green
Written by Freddie Highmore

* For a recap & review of the previous episode, “Marion” – click here
* For a recap & review of the next episode, “The Body” – click here
Pic 1Now that Norman (Freddie Highmore) has killed Sam Loomis, there’s a little of issue of disposing of the body with which he has to deal. Luckily he’s got Mother (Vera Farmiga) to help. She’s old hand at these kinds of things. The two split psyches each take their own respective duties, as she handles all the bloody, messy bits. To help protect her boy from the nasty truth. Regardless, he’s having trouble with the entire situation.
Norma: “You wanna play with the big kids, you gotta act like the big kids.”
Worse is the fact the pair find that in the nearby lake, their dumping grounds, a body’s pulled from the water. Norman worries about Jim Blackwell’s corpse being found, that Sheriff Jane Greene (Brooke Smith) will catch them. While Mother and her boy argue, they slap one another across the fact, and the large wedge between them opens up, as Norman finally figures out this isn’t the first time they’ve been out dumping bodies under cover of night. They dump Sam in a well in the woods, but it feels too rushed.
Pic 1ABack at the motel Norman runs into none other than Sheriff Greene, who’s there to talk about what they found in the lake. “Multiple bodies” and one of them Mr. Blackwell. So Norman plays his game trying to keep his secret life under wraps, as the sheriff’s still wondering about all the connections, as well as whatever Alex Romero (Nestor Carbonell) is up to since his escape. A tense conversation between Greene and the young man. He’s just barely hanging on to the mask.
Speaking of Romero, he’s recuperating in bed at the home of an old friend. She’s taken care of his wound, now he’s on bed rest and eating breakfast. Lucky for him he has anyone, particularly after his early exit from jail.
More every minute, Norman worries about what’ll happen if the authorities come snooping around. He has to figure out what to do with Mother, so that nobody finds her body. An awkward moment; almost like the roles have reversed temporarily, and Norman is shielding Mother from the harsher truth of having to move her body. Such a strangely compelling scene. And of course any time we see the body it’s a – I swear this isn’t meant to be a pun – cold reminder of what is really going on inside that creepy house. Either way he takes Mother’s body out to a special place in the woods where the ground is nice and cool, to preserve her until she can come home.


Dylan (Max Thieriot) has come back to White Pine Bay, after hearing of his mother’s supposed suicide. Being back in the house is like a punch in the gut for him, knowing there is more to the story of her death. Walking around the house, he can feel his mother there. Her presence isn’t gone, barely even a bit. The place is a mess, dishes in the sink, and Norma’s high heels are kicked off in front of one of the chairs. One truly eerie shot there. Dylan tries to act normal with his brother, not immediately throwing suspicion and guilt around. They actually act like brothers, for a moment. Until Mother comes lurking in the background. Big brother does express his worry for little brother living alone, not seeing his doctor, and he wants to stay a few days to help Norman smooth life out. Hmm, not sure how that’ll play out with Mother creeping. Her room is virtually untouched, like a shrine.
In his friendly hospice, Alex wants to find his gun, but his friend hides it from him. She doesn’t want him running off and doing more stupid shit to dig his hole deeper. They’re friends from growing up in White Pine Bay, she knows him through and through. And she can tell this has to do with Norma Bates.
At home, Mother worries about having Dylan around. She calls him “misguided” and plays the Him v. Us card. That he’ll make things too difficult, he can’t be part of their life now. Just Mother and her little boy, that’s the way it was intended. Will he go along with it? Can he convince Dylan that everything’s swell and he can go on back to his life with Emma and their new baby?
Out trying to get his brother more medication, Dylan discovers Norman’s doctor has been missing for over a year; there’s no way his brother had coffee with him recently. Yikes. Everything gets trickier when Dylan also runs into Madeleine Loomis (Isabelle McNally). She’s looking for Sam. The missing people on the possible list are piling up.
Pic 3Norman’s cooking a nice dinner for he and his brother. Life seems grand, music plays. All appears right. Certainly Dylan can’t shake what he knows, or what he thinks he knows. He brings up Sam Loomis, they have a conversation about what Norman remembers. He makes up a little(/tall) tale. It all devolves as the younger of the two gets upset over his older brother “meddling with the truth.” All Dylan wants is to protect him, to help him heal and get better. He tries convincing Norman to take his pills again.
Then it all goes haywire. Mother comes out to speak with her oldest boy. She doesn’t want her baby taking the medication, effectively making her go away. Unfortunately, there’s only room for one of Norma’s children. She tries to kill Dylan, Norman holding back the knife in her hand. The two personalities wrestle, as Dylan watches on in horror. Norman manages to overcome her.
He goes to the phone. Dials 911. And he reports himself for the murder of Sam Loomis before Mother can stop him.
Pic 4WOW! Just, damn. I didn’t see that ending coming. This puts the last few episodes into a wild frame, not exactly positive what the endgame is but I’m excited to watch it unfold. The next episode is “The Body” and I’m wondering if we’re about to see some truly disturbed, insane acting from Highmore once he and Mother are under lock and key.

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About Father Son Holy Gore

I'm a B.A.H. graduate & a Master's student with a concentration in pre-19th century literature. Although I've studied everything from Medieval literature onward, spent an extensive time studying post-modern works. I completed my Honours thesis on John Milton's Paradise Lost and the communal aspects of its conception, writing, as well as its later printing and publication. I'm starting my Master's program doing a Creative Thesis option aside from the coursework. This Thesis will eventually become my debut novel. I get to work with Newfoundland author Lisa Moore, one of the writers in residence at MUN. I am also a writer and a freelance editor. My stories "Funeral" and "Sight of a Lost Shore" are available in The Cuffer Anthologies Vol. VI & VII. Stories to be printed soon are "Night and Fog", and "The Book of the Black Moon" from Centum Press (both printed in 2016) and "Skin" from Science Fiction Reader. Another Centum Press anthology will contain my story "In the Eye of the Storm" to be printed in 2017. Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I was edited by me, too. Aside from that I have a short screenplay titled "New Woman" that's going into production during 2017. Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I also write for Film Inquiry frequently. Please contact me at u39cjhn@mun.ca or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!

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