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Bates Motel – Season 5, Episode 8: “The Body”

A&E’s Bates Motel
Season 5, Episode 8: “The Body”
Directed by Freddie Highmore
Written by Erica Lipez

* For a recap & review of the previous episode, “Inseparable” – click here
* For a recap & review of the next episode, “Visiting Hours” – click here
Pic 1Norman Bates (Freddie Highmore) has turned himself in, as Dylan (Max Thieriot) was nearly consumed whole by his psychosis. Now Sheriff Jane Greene (Brooke Smith) is at the house, asking questions, while Norman begs for his medication, to be taken away from that place where Mother (Vera Farmiga) lurks in the shadows. He is all but literally screaming out for help. This is another reason why I love the adaptation of Hitchcock and Bloch’s Psycho(s), because it’s twisted into something very familiar yet wholly unique. Whereas the Norman we saw in Hitchcock was utterly insane, his life as Mother basically hidden from his own view, Highmore’s Norman is one who recognises he is crazy and wants that to change, or at the least be contained.
So on he goes to the station where Sheriff Greene interrogates him about Blackwell and an unidentified corpse of a woman. The young man’s mind is fractured into so many pieces it could take years before all of it comes as a proper puzzle. But right now, he can’t even get help. The sheriff thinks he’s a “child” who adopted an “adult affect” and that this story’s a made-up, tall tale.
And what a microcosm of modern mental health! The guy is calling for someone to aid him in combating his own thoughts, his own dark mind. All she can do is believe it’s a cry for attention. Norman knows, though; he knows that he has killed, more than once.
Pic 1AThey lock him in a cell for the night. He gets his medication, thankfully. I only wonder, how will even a night play out stuck in such a tiny space with Mother yapping? Well, she antes up and sticks her fingers down her boy’s throat to make him spew the pill. Can’t have him being medicated, away from her influence. Then, as Mother, he bashes himself unconscious; or at least that part
Note: Highmore directed this episode, and right away in this scene he does this interesting shot where Norma cradles Norman, and they’re framed through the upright toilet seat, as if the world is enclosed with the frame itself, a world where only the two of them exist.
At the diner, Dylan talks with an attorney, Julia Ramos (Natalia Cordova-Buckley), about his brother. He mentions that Emma’s (Olivia Cooke) mother showed up at the motel, then suddenly disappeared. Highly suspicious, to any eyes.
With Mother calling the shots she’s out demanding to leave the station. Using all her powers to persuade Sheriff Greene. This doesn’t work. The sheriff puts Norman under arrest, and Mother’s LIVID!


Ah, my man – Charles ‘Chick’ Hogan (Ryan Hurst). He’s back and listening to John Denver. He sees that the Bates Motel is awash in law enforcement of all kinds: “Oh, deary, deary me,” laments the big guy. He was there to bring over a bit of taxidermy, only to find the place in upheaval. He’s glad to hear Norman isn’t dead, that’s one good thing.
Julia goes to speak with Norman, hired by Dylan. Things are difficult due to his apparent confession. Compounded by the fact he gave them places to look specifically for bodies. Norma’s still operating the controls, hoping to figure out how she and her boy can weasel out of the confession; you can see the wheels turning, as Mother smiles back through Norman’s eyes.
And Dylan; oh, Dylan! I want him to get back home to Emma and the baby. It scares me the longer he’s in White Pine Bay, away from his family… too close to Norman, and Mother.
So we’ve got Julia doing her best to represent Norman. He’s so different when in his Mother persona, even Sheriff Greene sees that but just can’t explain it. Norman talks a good game about being in love with Madeleine Loomis (Isabelle McNally), then seeing Sam cheating behind her back. He says Madeleine came to her one night, telling him Sam was dead, out in the woods. WOW! Mother’s actually trying to pin this on the innocent wife, shedding tears through Norman and everything. What manipulation.


The sheriff goes to speak with Madeleine about her husband. To investigate the bizarre claims of Norman. Things are about to get quite interesting, especially once the cops go looking around at the old well in the forest.
Dylan gets a visit from Sheriff Greene. They’ve identified the corpse of the woman in the lake – Audrey Ellis, Emma’s mother. His worst suspicions confirmed. “I understand loyalty,” the sheriff tells him, advising that families can be destroyed by far less than the darkness that’s swallowing his whole currently.
In other news, Alex Romero (Nestor Carbonell) is leaving Maggie’s (Jillian Fargey) place. He found his gun. Only, what’s next for him? What is his endgame? He’s already back at the motel, staring up at that creepy house. He goes inside, seeing the ghost of Norma on the stairs, the painful memories everywhere.
When he goes downstairs he finds Chick, typing away working on his book, listening to the tapes he made of Norman. Alex demands to know why he’s there, so Chick explains the friendship he had with young Bates. After their talk, Romero’s curious where Norman put Mother’s body. Then he puts a bullet in Chick’s brain.
Police have come across the well Norman/Mother spoke of, where he says Madeleine rambled about putting her husband’s dead body. Sure enough, there it is, right where they left the thing. Too many weird pieces for Sheriff Greene to understand yet. She goes back for another chat with Norman; only brief, to say he’s been charged with killing Blackwell and Emma’s mother, as well.
Shit. Mother’s plans didn’t work out like she expected.


This was a fantastic episode directed by Highmore! A talented young gentleman, I hope he directs some films eventually. Lots of promise in the direction here, a good eye.
Up next is “Visiting Hours” and we’re getting so close to the grim finale. I can’t even imagine how it’ll play out at the end.

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About FATHER SON HOLY GORE

I'm a B.A.H. graduate & a Master's student with a concentration in pre-19th century literature. Although I've studied everything from Medieval literature onward, spent an extensive time studying post-modern works. I completed my Honours thesis on John Milton's Paradise Lost and the communal aspects of its conception, writing, as well as its later printing and publication. I'm starting my Master's program doing a Creative Thesis option aside from the coursework. This Thesis will eventually become my debut novel. I get to work with Newfoundland author Lisa Moore, one of the writers in residence at MUN. I am also a writer and a freelance editor. My stories "Funeral" and "Sight of a Lost Shore" are available in The Cuffer Anthologies Vol. VI & VII. Stories to be printed soon are "Night and Fog", and "The Book of the Black Moon" from Centum Press (both printed in 2016) and "Skin" from Science Fiction Reader. Another Centum Press anthology will contain my story "In the Eye of the Storm" to be printed in 2017. Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I was edited by me, too. Aside from that I have a short screenplay titled "New Woman" that's going into production during 2017. Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I also write for Film Inquiry frequently. Please contact me at u39cjhn@mun.ca or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!

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