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Hap and Leonard – Season 2, Episode 6: “No Mo’ Mojo”

SundanceTV’s Hap and Leonard
Season 2, Episode 6: “No Mo’ Mojo”
Directed by Tim Southam
Written by Nick Damici & Jim Mickle

* For a recap & review of the penultimate episode, “Pie a la Mojo” – click here
Pic 1The finale of Season 2 opens, years ago, as a boy – little BB with the red shoes – is chased into the old church, past that familiar gate. Someone grabs him and smashes a rock into his head. The man removes the gate, takes the kid, then at the lake tosses him in tied to the thing. Others watch on, then they leave, disappearing into the mist. Are they spirits? Watching on as history is repeated and repeated?
I have a feeling we’re soon going to learn more in this last episode.
Pic 1AHap and Leonard (James Purefoy & Michael K. Williams) reminisce on religion’s “strong medicine” v. its “strong poison” in relation to Rev. Fitzgerald (Dohn Norwood), his insane murders. A devastating thing for their East Texas town to wallow in, as the church holds a ceremony for all the boys lost. Everybody’s there, from Sheriff Valentine Otis (Brian Dennehy) to Florida Grange (Tiffany Mack), Dt. Hanson (Cranston Johnson), and many more. The greasy, insincere Sheriff takes the pulpit, shelling out verbal sympathy for the families. Blah, blah, blah. And certainly our heroic pair get no thanks or recognition for their role in, essentially, solving the case on their own. Best of all, in this scene we get to watch Hap and Leonard do their BEST buddy comedy routine, with a lot of pitch perfect dialogue.
Hap: “I aint never been more proud to be an atheist than I am today
Leonard: “Amen to that
Stella and the other mothers who lost their boys do know the truth, that the eponymous duo are the ones who actually figured out what happened, giving them all closure.  Sadly, Hap still has one worry – that Hanson and Ms. Grange are getting together. Likewise, Leonard comes home to find Raoul, who’s tracked down Ivan’s (Olaniyan Thurmon) father; the kid is going home. And much as our man tries to pretend like he’s hard, Leonard is going to miss him; their bonding over Huck Finn and his adventures was sweet. Also, I’d love to see Raoul and Leonard get back together. They’re good.
AND POOR MEEMAW! I miss her. In her wake, Florida and others are left reeling with the news of the reverend, a man who pulled the wool over all their eyes. Left without Meemaw’s wisdom to get through it all.
Florida drops a bomb on Hap: “I always saw myself with a black man.” This is a gut punch. Whoa. Poor fella.
Hap’s got other things in mind, though. After seeing a curious number of angel figurines at Meemaw’s place while he and Florida pack everything up. Across the way, Leonard hears Chester speak to him from somewhere else, saying that the work isn’t done. Hap and Leonard now believe that BB was killed by someone other than the reverend. And I’m pretty sure we all know that someone was Sheriff Valentine Otis, who’s receiving a visit from Dt. Hanson about those red shoes and the very same line of questioning as our duo have on their minds.


Hap and Leonard get talking to Hanson’s partner Charlie Blank (Douglas M. Griffin). He’s reluctant to say much, after his trouble from shooting TJ. But they’re further on their journey now. Towards the truth. They’ve got their eye on the big bad sheriff. Only he’s got his eye on them, too. He’s much too craft. Then, at the diner, they notice the waitress Miriam has a chain: it reads BB.
The boys go see Miriam at home. They show her the BB chain, which shocks her. Such a sad thing to watch, especially when she’s been serving that old bastard every day at the diner. All that’s left is what Hap and Leonard will do, while they try to figure out how to handle Valentine, and when’s the best time for that. Not only is the history of BB with them, the history of the deaths of their fathers, covered up and forgotten is at their backs.
Leonard: “Things change, Hap. People dont.”
They lay what they know at Valentine’s feet. They want to know the truth, about everything. He acts nonchalant about the entire thing. A revelation comes: BB was Valentine’s son, he wears the same chain with the initials around his neck. The mystery thickens. “That boy was the most beautiful thing that ever happened to me,” he explains, and how he couldn’t claim the kid because of the “colour of his skin.” Then they reveal that Fitzgerald never killed BB, which disturbs him terribly.


And who killed him? Just as it’s revealed, we see Judge Beau Otis walk in. He’s visibly upset by the talk. We know now, it was the rightful son upset over the illegitimate child his father had with a black woman who killed the boy. WHOA! Holy fuck, did not see this coming. Great suspense and mystery in the writing led to this moment. The father knocks his son into an empty pool nearby, splitting his head open wide. A sort of strange, bittersweet moment as Hap and Leonard watch the man who killed their fathers die at the hands of his own.
In the meantime, Hap his dad’s old repair truck fixed up with the nice, fresh decal on the side for Bud Collins’ business. He and Leonard head out for a drive, where they bring the old gate back to the church and put it in place again. Full circle, as the two put it.
Leonard: “Yknow, in the end, its always me and you.”
Hap: “Just like the Lone Ranger and Tonto
Leonard: “Yeah, wellcmon Tonto.”
And as they leave the church, the spirits of those who died there, the boys, those taken by the KK, and sweet Meemaw, they appear again in their rightful places, able to move on from the darkness.

Pic 4CAn amazing Season 2! With a distressing, dark cap at the end where we see a tree with a noose in it, and in the yard a woman finishes putting KKK linens on the line. OH, baby. Give Joe Lansdale, Nick Damici, Jim Mickle & Co. the greenlight, SundanceTV! We need a Season 3. Pronto. With plenty of mojo.
Pic 4D

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About FATHER SON HOLY GORE

I'm a B.A.H. graduate & a Master's student with a concentration in pre-19th century literature. Although I've studied everything from Medieval literature onward, spent an extensive time studying post-modern works. I completed my Honours thesis on John Milton's Paradise Lost and the communal aspects of its conception, writing, as well as its later printing and publication. I'm starting my Master's program doing a Creative Thesis option aside from the coursework. This Thesis will eventually become my debut novel. I get to work with Newfoundland author Lisa Moore, one of the writers in residence at MUN. I am also a writer and a freelance editor. My stories "Funeral" and "Sight of a Lost Shore" are available in The Cuffer Anthologies Vol. VI & VII. Stories to be printed soon are "Night and Fog", and "The Book of the Black Moon" from Centum Press (both printed in 2016) and "Skin" from Science Fiction Reader. Another Centum Press anthology will contain my story "In the Eye of the Storm" to be printed in 2017. Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I was edited by me, too. Aside from that I have a short screenplay titled "New Woman" that's going into production during 2017. Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I also write for Film Inquiry frequently. Please contact me at u39cjhn@mun.ca or hit me up on Twitter (@yernotgoinatdat) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!

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