Cora's fate is determined, as final secrets are unveiled.
Coop and Diane head off into the sunset together.
Except it's never that simple, is it?
When Hap & Leonard think they've finally found BB's killer, another twist shocks them in the end.
When Cal challenges Eddie trying to convince him he isn't ready to lead, the latter responds in an audacious way. At the same time, Sarah struggles with who she really wants Eddie to be.
FOX’s Scream Queens
Season 2, Episode 10: “Drain the Swamp”
Directed by Ian Brennan
Written by Brad Falchuk & Ian Brennan
* For a review of the penultimate Season 2 episode, “Lovin the D” – click here
Chanel Oberlin (Emma Roberts) is confronted by the Green Meanie again. She’s trapped in one of the hospital’s dark hallways, as the killer has a baseball throwing machine aimed right at, running full speed. Chanel ducks and dodges, until one of the newest Chanels takes a ball right in the head. Luckily, she’s not dead. Chanel #1 gets away, and we see it’s Ingrid Hoffel (Kirstie Alley) behind the mask.
At the same time Chanel #3 (Billie Lourd) is sneaked up on by the remaining Green Meanie, Cassidy Cascade (Taylor Lautner). But he doesn’t kill his love. They both want to try and convince his mother Jane (Trilby Glover) otherwise. So #3 runs off for a “whore‘s bath” so they can bang, and Cascade threatens Hoffel: leave his girl out of it, or face his wrath. Things between the Meanies aren’t looking good. Uh oh.
Dr. Brock Holt (John Stamos) apologises for the hand’s actions, nearly strangling her to death, although Chanel doesn’t think much of it, other than it’s progress in their relationship. Yikes. Meanwhile, Hester (Lea Michele) is still kicking around. She’s scheming over Cathy Munsch’s (Jamie Lee Curtis) fortune, who is on the verge of dying. Hester wants Brock to help her steal all her money, then they’ll run off together: “Just two murderers with no one to murder except for each other, but we never will because we love and trust each other.” What could go wrong, right?
Out in the garden, Ingrid gets some nasty ideas when one of the new Chanels is fertilising the tomato garden. Explosive substances. Green Meanie. Murderous impulse. You know what’s coming.
Also, Chanel mixes up the fact Brock is looking at engagement rings for a pending marriage proposal. Only when Dr. Holt calls everyone to Cathy’s room, where she’s lying waiting for death to come, he proposes to the former Ms. Munsch, soon to be the new Mrs. Holt. But he works on Chanel behind the scenes, too. He strings her along.
Cassidy and #3 talk with his mother Jane. He tells her that the “killing and revenge stuff” is all her thing. However, mom isn’t so willing to let all that go. She doesn’t want it to stop until the job is done.
So the wedding of Brock and Cathy goes ahead, right there at the CURE Institute. They’re now officially husband and wife. Then as they snuggle later, Chanel #5 (Abigail Breslin) comes in with information saying that maybe Munsch isn’t dying. She wants to get a sample of her brain, to test for sure. And though Brock isn’t thrilled, Cathy wants more time to be with her new husband.
Downstairs, Denise Hemphill (Niecy Nash) is still in cryogenic storage. And Ingrid is down snooping around. She gets a call from Jane, who has her own secrets with Zayday (Keke Palmer) trapped in her cellar. “Now it‘s just you and me,” she says. But Ingrid’s more interested in her latest plan to kill the Chanels.
Things at the hospital are getting tense with Hester wanting Brock to kill Cathy. She doesn’t want to go back to prison where she has to “draw porn” so she can masturbate. Not to mention Chanel can’t deal with Brock and Munsch together, no matter what fairy tale he spun for her earlier. Later, the biopsy goes ahead. Cathy sings “Smoke on the Water” while Chanel plots on throwing her pumpkin spice latte into Cathy’s open skull, which doesn’t work as planned.
Now the verdict: no evidence of the nasty disease, but it’s inconclusive. And she’s still going to die. Maybe. Could even be extreme dehydration. Silly, no? “I only drink scotch, or vodka,” Cathy gasps in a hilarious moment of revelation. She even rinses out her toothpaste mouth with scotch. She goes on to find out the brain eating wasn’t human brain; it was lamb. She’s not going to die!
Everybody heads to the basement for a celebration, champagne included. But it’s all a trick by Ingrid. She traps them in a cage downstairs. She reveals to them all her identity, sister of Agatha Bean who was accidentally burned alive in the deep fryer during Season 1. Out of nowhere Zayday arrives, alongside Jane who doesn’t want to keep on killing after seeing the CURE Institute’s good work. Only Ingrid guns her down, and they’re all left in no better position than before. She further reveals a huge fertiliser bomb, leaving them to die. Afterwards, Denise is alive! And she’s hilariously missed a few things while in her cryogenic coma. Waiting for Denise to defuse the bomb, #5 finally admits she does have teeth in her vagina: “I didn‘t want to die a liar.”
Upstairs the crew chase down Ingrid. They head out back into the swamp. There, Cascade takes a machete right in his torso trying to save #3. In the forest Ingrid runs through a patch of muddy ground which slowly sucks her into the earth. Nobody helps. Until Munsch suddenly feels her conscience tug. She tries to save the woman, but the mud suffocates her and sucks her to the bottom.
Everything is over, and the Chanels have made it through alive. A little worse for wear. You know them, though. They’re bouncing back. #5 is doing her thing at the hospital; she and Zayday are essentially running the place. Munsch hit a rough patch when she finds out someone cleaned out her bank accounts – Hester, of course, who took off with Dr. Holt to an exotic beach on Blood Island. Where they play The Most Dangerous Game. Munsch went on to become a sex expert, like you didn’t see that coming after all her friskiness.
And Chanel, she went on to become a TV doctor with #3 as her executive producer on Lovin the C. So it looks like things have progressed for them after being hunted by the Red Devil killer, the Green Meanie(s). Things are back on track in their lives.
Or are they?
One night as Chanel leaves the television studio, she finds a small broach in her car inscribed KKT. Who’s that in the backseat? It’s the Red Devil.
Wow, loved this episode, and loved that final scene! Didn’t expect it, honestly. Works great and maybe gives us something to expect for Season 3, which hopefully is on the radar for FOX. What did you all think about Season 2? I thought Season 1 was spectacular, and I’ve felt that Season 2 got even funnier, weirder, and wilder. Overall, a solid season.
Let me know your thoughts, and if you want another season with the Chanels, Cathy Munsch, and that sneaky Red Devil.
Pazuzu attempts, one last time, to destroy Regan a.k.a Angela Rance and her family, too. Meanwhile, Pope Sebastian's arriving and his enemies are legion.
Season 1, Episode 10: “The Bicameral Mind”
Directed by Jonathan Nolan
Written by Lisa Joy & Nolan
* For a review of the penultimate Season 1 episode, “The Well-Tempered Clavier” – click here
* For a recap & review of the Season 2 premiere, “Journey Into Night” – click here
We begin as Dolores Abernathy (Evan Rachel Wood) is put together. Her skin is attached to the robotic skeleton, Bernard Lowe a.k.a Arnold (Jeffrey Wright) assembling the pieces. She comes online, not full yet physically but mentally put together as a whole. “Welcome to the world.”
In the present, she shaves The Man in Black (Ed Harris) with the blade of a knife. He continues on about the centre of the maze, how she brought him there once. For a long while the town was buried, after which Dr. Robert Ford (Anthony Hopkins) resurrected it. She still sees Arnold, too. And off she goes after him, Black behind her following.
William (Jimmi Simpson) continues on with former buddy Logan (Ben Barnes) tied up. He wants to find Dolores. He needs to find her. Now he’s looking for an army to help him: the Confederados and Lawrence (Clifton Collins Jr) will do just fine.
Poor ole Teddy Flood (James Marsden), he wakes up after another day of being murdered only to start the whole Sweetwater experience over again. Except time starts slowing down. He sees corpses everywhere he turns, remnants of his former life. Then he sees Dolores in her blue dress, a wolf running past the dead. And then all returns to normal, as Teddy ends up in a quick draw with a stranger. Life carries on. But he’s intent on finding Dolores. Seems like all roads lead to her.
She finds Arnold kneeling in a pew of the church we see over and over. “I know where your maze is,” she tells him gladly. We switch back and forth between her with Arnold, and her with Black. She’s lost between the two spaces somewhere. At the church’s graveyard, she uncovers her own grave. A cross with her name on it. When she digs into the earth she finds a tin, and inside it is the maze’s pattern. Arnold tells her about the maze. It concerns consciousness. First, it started with a pyramid, then it became the maze: “Consciousness is not a journey upward, it‘s a journey inward.” Arnold hasn’t been pushing her towards hearing his voice. He’s been pushing her to hear her own. But how does Dolores give Black his answers when she hasn’t quite figured them out for herself?
What we see more of is how Arnold wanted the hosts to be, versus what Ford wanted for his vision. Then there’s Arnold and his plan: he wanted Dolores to kill all the other hosts to prevent Ford from doing his will with the park. Is that why Teddy killed everybody in that town? Did she enlist his help?
Well we also come to find Black has bought Westworld. “This place feels more real than the real world,” he says, mocking the place for all its lies. He wants to make the place very real; “one true thing.” But she believes in William, that he’ll come to find her.
Ole Will. He and Lawrence are scoping out the next move ahead. This is going to involve a good deal of violence. More with each episode now, each scene almost, we see William is turning his back on that former nice guy persona. He’s really getting into the swing of things. Out in the real world, Lee Sizemore (Simon Quarterman) and Charlotte Hale (Tessa Thompson) discuss her plans of nudging Dr. Ford away from Westworld. I just keep thinking everybody’s underestimating the old guy.
In other parts of the company, Maeve Millay (Thandie Newton) is taking things up a notch. She’s making adjustments to park security, as well as her “friends” such as Hector Escaton (Rodrigo Santoro) and Armistice (Ingrid Bolsø Berdal). Oh, this I can’t wait for!
Charlotte reveals to Ford the board has voted for his retirement. After he premieres his new narrative. Things are changing at Westworld.
The creepy lab tech who has sex with the hosts is tasked with taking care of Hector. This dude is a serious weirdo. He puts in some earbuds, ready to rock. Now you know something bad’s about to happen. One tech has to slip his hands in Armistice’s mouth, which gets him a digit bitten off. Meanwhile, rapey tech is greasing up for a session with Hector, and the other guy gets his finger fed to him. No longer can the techs contain the hosts. More people are about to die. “They don‘t look like gods,” says Armistice of the real people when Maeve arrives to round them up. The hosts then finds who revised them to be able to wake from their sleep manually: Arnold, or so it seems. It’s a lot of fun to see the humans frightened of the technology of whom they assumed to be masters.
Dolores takes a bad beating from The Man in Black, as Flood and William are both headed for her. Who’ll get there first? Right now, anybody would do. Or, can William actually find her? Black knows about William, and where his path actually took him. Is he really The Man in Black? IS HE? TELL US WESTWORLD! You’re sure teasing us well. I can dig it.
We see William, becoming more violent as time passes. Getting a taste for murder. Sure wouldn’t surprise me at this point if he and Black were one and the same. Then, we finally get to see him pick up that black hat. After so much speculation, here we are at a definitive identity. We watch as William went back to Sweetwater, searching for Dolores, as he couldn’t stop thinking of her for a second. And she didn’t remember a thing, not like the love that existed in him. He saw it for what it was: all a game.
And now Dolores sees nobody is coming for her. Not like she thought. Black wants to go further, to find what lies at the centre of the maze. Even better? Dolores needs no man, no one to save her. She has discovered herself. She’s heard her own voice, like Arnold hoped. Everything has changed. When Dolores takes a knife to the gut, she does get a little help from none other than Teddy; the one man in her life that won’t ever change.
Dolores: “Time undoes even the mightiest of creatures. Just look what it‘s done to you.”
Outside in the Westworld facilities, Maeve and her band of merry hosts head for the basement, filled to the brim with inactive robots. Also where Arnold a.k.a Bernie lies in a pool of his own blood. And now he’s being brought back online, with intense purpose.
On the plains of Sweetwater, Ford and William meet. The doctor says there is nothing at the centre of the maze, not for the guests. It’s just a game. William needs more, to validate himself and his life’s meaning. “This is your petty little kingdom, Robert.”
What exactly will Ford’s newest narrative be? I feel like everyone’s in for a damn big surprise.
Someone altered Maeve’s storyline. She’s been tasked by somebody to escape. “These are my decisions, no one else‘s,” she claims. Someone has been controlling her. But WHO? WHO? Nevertheless, the hosts are rising up, they’re manipulating people and the system. Westworld’s soon going to have major trouble on their hands.
Dolores tells Teddy about being trapped in their world, forcibly, made to feel and think everything, made to do what their makers want. Then she dies in his arms. One of many deaths she’s already experienced, and surely will experience again. Unless the uprising changes all that for good.
Then we pause a moment. It’s all part of the new narrative “Journey Into Night” by Ford. A new beginning, for him, for the park. Charlotte, Lee, they all assume this is the end for Dr. Ford. I don’t see it. There’s something left up his sleeve. He has Teddy taken off to be cleaned up, but Dolores, she’s sent to the “old field lab.”
And just as the techs of Westworld track down their problems, the place locks tight. Security measures in full force. Maeve, Armistice, Hector, they head up to the higher floors. Their plan all but in full action. Men with guns show up, and that’s only the beginning of what’s sure to be a wild fight. With real guns in hand, there’s no telling what the hosts can accomplish. And they’re loving it. At a certain point Armistice stays behind to let the others go ahead, taking on armed men likely to gun her down. Hector gets left as well, as Maeve prefers to go it alone.
Oh, these violent delights indeed have violent ends.
Hector (to Armistice): “Die well.”
In the lab Ford takes care of Dolores. He talks about her love of painting; Arnold encouraged it with a painting of “The Creation of Adam” by Michelangelo on the wall of the lab. Then Ford introduces the second coming of Arnold in Bernard. This rocks her world. We see a little more on Arnold, his maze. We see more of Ford and his argument with Arnold about the park, Arnold’s loading of the Wyatt narrative. So much to absorb, but incredibly written. This leads to Dolores killing Bernie a.k.a Arnold, and Teddy, as well. Before putting a gun to her own head. This was Arnold’s plan, although it didn’t work. The park still opened. Life went on. Fitting how Ford quotes Oppenheimer in this scene, worth mention.
Arnold: “The stakes must be real. Irreversible.”
Maeve goes on ahead, further into the real world. She further discovers her daughter is alive, in the park, of course. And out she goes, into the world of human beings, walking amongst them unknown. She boards a train and leaves Westworld, headed anywhere. Or will the desire to be with her daughter change that?
We find out more about Ford. He isn’t all bad. He encourages the hosts, particularly Dolores and Arnold/Bernie, to discover themselves. To escape. And then he too leaves the fake world behind. His narrative is the narrative he’s created to set the hosts free.
Dolores has discovered the voice inside herself, the guide. She is at the centre of the maze: consciousness, personhood, humanity. “Who I must become.” Who every host must become.
In the last moments, those numerous hosts from the basement of discarded people encroach on the people listening to Ford speak, coming out of the darkness. And in front of the crowd, Dolores shoots Dr. Ford in the head. Even William in his tux takes a bullet. And the hosts start their massacre of the onlooking crowd with their drinks and their fancy finger foods.
Thus ends the first season of an amazing series.
In a scene after the credits we watch Armistice cut her own arm off then attack a group of soldiers. Bad ass.
Wow! I saw a lot of these things building, but holy shit. This was an impressive finale that held me from moment one. I really need Season 2 already. The story can lead so many places. What will Westworld become at the mercy of the hosts? Will we see them lead an army out of the park, or will they stake a claim for their world as their own? We’ll just have to wait and see.