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Outcast – Season 2, Episode 4: “The One I’d Be Waiting For”

Cinemax’s Outcast
Season 2, Episode 4: “The One I’d Be Waiting For”
Directed by Alrick Riley
Written by Rebecca Sonnenshine

* For a recap & review of the previous episode, “Not My Job to Judge” – click here
* For a recap & review of the next episode, “The Common Good” – click here
Pic 1Patricia (Melinda McGraw) still lives life expecting her boy to come home. She wonders where he is, laying a sandwich and cheesies out on the table in case he comes home. She reads the Holy Bible before bed. She doesn’t know the truth, about Reverend Anderson (Philip Glenister), not about Sidney (Brent Spiner).
Then Aaron shows up in the shadows. All burned up. Pissed off. I’m concerned now for his mother. The closer he remains, the closer she is to the devil himself.
Kyle (Patrick) and Anderson are talking with Junkyard Bob about Kyle’s father. He was a man wrapped in mystery, it seems. At the same time Aaron calls the Rev with ominous warnings. When he rushes to her place he and Kyle find Patricia bled out on the carpet viciously. On the wall in blood is a pentagram. She dies before Kyle can finish calling 911.
Pic 1AMegan (Wrenn Schmidt) and her daughter Holly (Callie Brook McClincy) sit in a restaurant eating. Mother not sure of what she’ll do next. When she sees the young man bussing her table she remembers a quick piece of her possession, meeting him in her early demonic trance. Now that’s eerie. Megan and Holly head back to their motel room, throw on some television. Things are okay… for the time being.
Things for Anderson ain’t ever getting easy. He’s got Kyle, even Chief Giles (Reg E. Cathey). But he’s falling further into a hole, farther away from his faith. If he isn’t careful he might fall and never be able to get up. Instead of sitting on the sidelines, he takes Kyle in the car and calls Aaron to tell him they’ll be waiting at the church.
Officer Nunez (Briana Venskus) goes to see Sidney about what Aaron’s done to his mother. She also found Evelyn Bailey (Claire Bronson), who escaped the junkyard cage she was put in. She likewise tells him that Kyle let her go, which interests Sidney a great deal. They’ve got lots of work to do, too. Big, big plans afoot.
At the church, Rev says the man he was is “useless” to him, to anybody. Kyle says they’ll lose themselves if they go too far, then what’s the point of it all? None. He wants to be a husband, a father. He wants a life. Then, they’re trapped as a molotov cocktail flies in the window lighting the place ablaze. Luckily they get out alive.
Kyle: “No matter what this fight looks like in the end, I wont let my family hate me for it.”
Pic 2Megan wakes in the motel: Holly’s not there. She is down a nearby hallway getting change from some stranger. Turns out the girl told him mom’s a murderer. Now that could be trouble. All the same, how long can Megan run from what she did to her husband? Yes, it was under possession. But still, to have it all go down like it has, his death the way it looks to others. A sad story.
Awhile later she and Holly end up at grandma’s house.
Meanwhile, Giles isn’t happy about the lack of trust between him and the Rev. He doesn’t want to lose him as a friend, and wouldn’t like to see him end up dead, or worse. Kyle is the only cool head to prevail. He knows they’re all in it together. If not, it doesn’t work.
The Mayor of Rome (Toby Huss) receives a little visit from Sidney after hours. They’re in league together after all. He’s supposed to be helping those demons, as part of the deal with the devil the previous mayor made. Looks like Giles is next on Sid’s chopping block.
Sidney: “I guess youll have to decide how much more blood on your hands you can live with
And what about ole Junkyard Bob? He knows the history of the place, probably more than that foolish mayor. Still, like Kyle he doesn’t know much more about the demons than what he’s seen. He also realises what he and Kyle’s father were doing did nothing whatsoever. All it did was lose him his life, essentially. He talks about a place Mr. Barnes owned over on Shadow Lane, too. Maybe this will unlock further clues, toward understanding himself, his family, the demonic predicament of Rome, West Virginia.


Jeanne (Kathleen York), Megan’s mother, gets her daughter and granddaughter ready for a night’s stay. They have troubled history, seeing as how Megan feels her parents loved their fosters more than their real children. Those are the least of her worries right now, though. Family trouble means shit when you’re up against the devil’s army, and one of those soldiers is right up in her head probably still kicking around somewhere.
After a call from Aaron on his mother’s phone, the Rev takes off from the station. Another dumb move. I can understand why, he loved Patricia. And the fact he went through so much guilt feeling he killed the kid, only to have the kid return and stab his mother, leaving her dying in her own blood. It’s rough to be Anderson at the moment.
Over at Shadow Lane, Kyle gets into the trailer his father kept. A whole ton of research lining the walls, in boxes. Books, papers, maps with INCIDENTS OF VIOLENT OUTBREAKS circle and lined off everywhere. He also finds a purse with an ID inside for one Helen Devere; the woman in the ground. He finds a door in back where there’s a chair, restraints on its arms, tarps surrounding the room and blood streaked on them.
And Anderson, he finally faces down Aaron as they meet where Sidney’s old lurking ground was burned to rubble. The Rev tries to pull the boy out of a “river of shit” by using faith rather than more violence. Only the young man has a different idea, pulling a gun. He promises something big and bad is coming. He also instructs Anderson to pour gasoline all over himself.


Before the Rev gets lit on fire Kyle makes it there in time, and Aaron takes off into the woods. He takes a tumble, but he’s far from them. He’s back in the devilishly loving grave of Sidney. To do more terrible things in the dark of night.
Downstairs at Jeanne’s place Megan says goodnight to her daughter. They have a little better of a conversation than they did before. Megan promises Holly that she is the most important thing in her life; Holly now believes in the power of prayer to keep “the monster” away.
Over at Patricia’s house, Anderson goes on, forging forward through the darkness. He starts by cleaning the bloody pentagram from the wall.
Pic 5What a great chapter. Man, this series is fascinating! Every episode is another surprise, a a genuine great progression of writing and character together. Dig it.
Next is “The Common Good” and I’m itching to see more of M.C. Gainey’s Junkyard Bob. I want to know more of the past, in Rome, of Bob’s relationship with Kyle’s father, and more on the father in general. Excited!

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About FATHER SON HOLY GORE

I'm a B.A.H. graduate & a Master's student with a concentration in pre-19th century literature. Although I've studied everything from Medieval literature onward, spent an extensive time studying post-modern works. I completed my Honours thesis on John Milton's Paradise Lost and the communal aspects of its conception, writing, as well as its later printing and publication. I'm starting my Master's program doing a Creative Thesis option aside from the coursework. This Thesis will eventually become my debut novel. I get to work with Newfoundland author Lisa Moore, one of the writers in residence at MUN. I am also a writer and a freelance editor. My stories "Funeral" and "Sight of a Lost Shore" are available in The Cuffer Anthologies Vol. VI & VII. Stories to be printed soon are "Night and Fog", and "The Book of the Black Moon" from Centum Press (both printed in 2016) and "Skin" from Science Fiction Reader. Another Centum Press anthology will contain my story "In the Eye of the Storm" to be printed in 2017. Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I was edited by me, too. Aside from that I have a short screenplay titled "New Woman" that's going into production during 2017. Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I also write for Film Inquiry frequently. Please contact me at u39cjhn@mun.ca or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!

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