Season 1, Episode 3: “The Guy with Fire in His Eyes”
Directed by April Mullen
Written by Jane Maggs
* For a recap & review of the previous episode, “He’s Back” – click here
* For a recap & review of the next episode, “Hello Little Light” – click here
Now that Annie’s (Anna Paquin) found the body of Jesse Sweetland, and Virginia (Sharon Taylor) found out about the boy’s boyfriend Danny (Cameron Roberts), among other things, there’s so much going on in Bellevue. Welland (Shawn Doyle) isn’t particularly impressed that Annie has been running around investigating on her own, not telling him things. All the same she’s found some intense, very possible connections to the Sandy Driver murder. The relationship between Annie and Welland is not doing well. Still, he knows she’s good at her job, he’s just worried.
Welland: “So tell me that you understand that you may be talking to a killer right now”
What we have now is Annie reverting to the old games she played with the mysterious man in her past, leaving notes in the mailbox at the tree in the woods. Christ, it makes my skin crawl. In the best sort of way.
Bellevue’s been rocked with the death of Jesse. Even Dt. Brady Holt (Billy MacLellan), usually a bit of a hard man, seems to feel it. However, they’re police, and they’ve got to keep on investigating, to figure out who killed the young man. He was killed with blunt force trauma, then tossed into the water.
Biggest clue so far? Danny’s mention of a white truck.
At church, Maggie Sweetland (Victoria Sanchez) mourns her son, as Father Jameson (Joe Cobden) tries comforting her. She laments in the belief of God, that he’s only about “punishment” and nothing more. Then they’re shocked to discover one of the paintings on the church walls has been defaced. More religious iconography, a hand with a knife drawn on in red paint.
Young Daisy Ryder (Madison Ferguson) has a fixation on Sandy Driver. She’s actually doing weird rituals in the attic, cutting her hand to drawl blood. Afterwards, she sees a man yelling through the darkness: “There‘s no point in coming back to life. We‘ll just kill you again.” Real? Or is she seeing things? It was Neil Driver (Andreas Apergis), scaring the shit out of her.
Possibilities become real when Annie sees a picture of coach Tom Edmonds (Vincent Leclerc) with Jesse, and his white truck. Hmm. There’s definitely more to this guy. He wanted more for Jesse, wanting him to focus on hockey instead of his identity. Not realising that for so many who struggle with gender identity, wondering if they’re transgender, identity is everything.
After Daisy gets in trouble for her little seance, Eddie (Allen Leech) is pissed with Annie. He feels she’s starting to become “obsessive” as her father started out, apparently. Did the mystery of Sandy Driver’s murder all those years ago drive him mad? It’s all certainly threatening to push his daughter over the edge in present day.
Someone I find a bit repulsive is Mayor Lily Mansfield (Janine Theriault). Very opportunistic, a cold person. She worries more about investors than the killing of a boy. Don’t think she’s guilty of any crimes. Just of being a terrible human.
In the woods, Tom has his boys fighting over beefs. Jacob (Robert Naylor) and Max (Ryan Doherty) are called into the middle of a circle where they beat the shit out of each other. Primal and nasty, hypermasculinity in its ugly glory. But what’s most apparent is that Tom is a bit insane.
Annie finds out that the coach was destined for an NHL career, sidelined by an accident. Ah, broken dreams. Surely has something to do with his aggressive way of handling the team. The story familiar to many who’ve played sports when they were young, myself included.
Most creepy is the continuing game between the mystery man and Annie. She comes across Welland on the road, they then run into Tom and the the team, smearing their faces with some “Lord of the Flies blood shit.” Certainly does not help the case for the coach. At the same time, I wonder about Welland. I’m not sure if he’s got his own secrets, or if he’s mainly just angry with Annie. Either way he goes overboard chastising her for being like her father.
The relationship between her and Eddie isn’t good, either. They get in a fight, she runs out to a bar dancing with another man, and he goes straight for her. They’ve got a love-hate thing going on, exacerbated by the fact she’s wildly unpredictable. So is he, though. No shortage of issues between these two, from emotional to drugs and alcohol. Also doesn’t help that Annie is obsessed with her job, the past, all of it mixed in a mess together.
AND WHAT THE HELL IS WELLAND DOING? He’s tossing the fingernails into a bonfire he sets in the shed on the old New Horizons grounds. What the fuck? This is beyond suspicious. Does he have a connection to Sandy Driver? Shit.
Annie and Victoria chat with Danny, hoping to find out more about Jesse. There’s connections to the reservation, so Victoria takes the lead. Danny talks more with Annie about coach Tom, how the relationship changed between him and Jesse. They went to a motel somewhere to meet a scout. After that, hatred. Doesn’t sound good, at all. Tom’s wife further confirms questionable behaviour.
Tom sees a prostitute, where he brought Jesse to have sex with her, as well. At the motel. He wanted to make Jesse into a star hockey player, seeing his identity as a barrier to that. But, is it motive? Did he feel it wasn’t panning out? Annie thinks he’s got “motives buried deep” and he’s one of those quiet types, capable of snapping loose.
Annie and Welland question Tom, about the hooker and everything else. His masculinity is incredibly fragile. He thinks men are meant for “another world” like we’re cavemen. He’s definitely insane, in his own way. Did he kill Jesse? Tough to say.
Something else to add into the investigation: a large quantity of MDMA, half a pound, in Jesse’s closet. Perhaps a distributor for a local drug dealer. More clues to lead them in other directions. Good, especially for the fact they can’t pin anything on Tom as of yet.
Then the working girl Tom sees lets slip more information: he may have “walked into traffic” suggesting his long ago accident was not so. And only days after the death of Sandy Driver. He keeps a sign in the arena basement, a Bellevue sign with his name on it. The boys… like to see it.
So this connects to the latest riddle about a hero’s fall from glory. Annie goes to the arena, she finds a picture of Tom as Joseph in a pageant back then. More religious symbolism and iconography combining, in regards to the pageant with Sandy back then.
And Annie’s been locked in the basement. Someone pours gasoline into the room. Ready to light the place on fire. She pleads for her life, to be trusted again. Such twisted shit.
“Don‘t trust the guy with fire in his eyes,” says the man with the riddles. Is he speaking of Welland, who himself recently lit a fire? Indeed. Plus his house is on fire, as he looks on. What exactly is his secret?
So many things to ponder. I already know that Bellevue won’t return for another season; I hope they finish on a good note at the end of this one. Pity, because I’m really into it. Lots of mystery, intrigue, so many characters with their own lives and deep secrets. Great stuff from CBC. A true shame this won’t be renewed, I guess it didn’t impact others as it did me.
I'm a Bachelor of Arts (Hons.) graduate and a Master's student with a concentration in early modern literature and print culture. Although I've studied everything from Medieval literature onward, also spending an extensive time studying post-modern critical theory; I have a large interest in both Marshall McLuhan and Jean Baudrillard. I completed my Honours thesis on John Milton's Paradise Lost + the communal aspects of its conception, writing, and its later printing/publication. This thesis will serve as the basis for a book about Milton's authorship and his influence on pop culture (that continues to this day). My Master's program involves a Creative Thesis, which will be a full-length, semi-autobiographical novel. Author Lisa Moore is supervising the writing of this thesis. I'm already looking towards doing a dissertation for a PhD in 2019, focusing on early modern print culture in Europe and the constructions of gender identities. - I'm a film writer, author, and a freelance editor. My short stories have been printed in Canada and the U.S. I edited Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I. Aside from that I have a short screenplay titled "New Woman" that went into post-production during early 2018. I was part of a pilot episode for "The Ship" on CBC; I told a non-fiction story of mine about my own addiction/alcoholism live for an audience with nine other storytellers. - Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I used to write for Film Inquiry frequently during 2016-17. I'm currently contributing to a new website launching in May 2018, Scriptophobic; my column is titled Serial Killer Celluloid. Contact me at firstname.lastname@example.org or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!