Alias Grace – Part 3

CBC’s Alias Grace
Part 3
Directed by Mary Harron
Written by Sarah Polley

* For a recap & review of Part 2, click here.
* For a recap & review of Part 4, click here.
Screen Shot 2017-10-11 at 6.53.22 PMDr. Simon Jordan (Edward Holcroft) considers the sanity of Grace Marks (Sarah Gadon), speaking with the Reverend (David Cronenberg). He thinks about the death of Mary Whitney (Rebecca Liddiard), how Grace had an auditory hallucination, had amnesia later. Quite the enigma, this woman. Plus, he’s only got half the story. We, the audience, have seen how she withholds certain bits of information, telling him what she thinks will be best, or will serve her best.
Meanwhile, the doctor’s got his own troubles, mental ones. Navigating Mrs. Humphrey (Sarah Manninen) at the house where he stays, his daydreams of longing for his current patient, the so-called murderess Ms. Marks. When the doc sees her again, she speaks of being mistreated by the guards, but she’s more interested in the “dark circles” under his eyes, why he’s not sleeping. It’s a case of the doctor becoming a patient, patient becoming doctor, if only briefly.
Love all the visual stuff going on, the quick edits of Grace’s ACTUAL memories, as opposed to the edited ones she presents to her doctor. We see the various acts leading up to the death of Nancy Montgomery (Anna Paquin), her body being tossed down into a cellar. Then we’re back to her and Dr. Jordan, talking about Mary, the poor young woman’s death. As well as what later went on at the Parkinson house. Mrs. Parkinson (Martha Burns) herself making her “swear on the Bible” that even if she knows who impregnated her friend, she will not tell; this comes with better wages, and a shining reference wherever she might find employment when she leaves that house.
Screen Shot 2017-10-11 at 6.53.54 PMBut goddamn George (Will Bowes) still lurked, his mother knowing silently he was the one who effectively sent Mary to her grave. He tried hard to get in bed with the girl, sometimes trying to open her locked door at night. Most of all Grace knew that “once youre found with a man in your room, youre the guilty one, no matter how they got in.” And sooner or later, George was going to get inside. Terrifying.
Now we come to see Grace first meeting Nancy. Her master is Thomas Kinnear (Paul Gross), she’s looking for someone else to work up there, also to keep her company as a single woman with a man around. Y’know, people talk. She also says Mr. Kinnear is a “liberal master,” which feels like an oxymoron.
Grace takes the offer, though she’s warned cryptically about the man. However, thus is the choice of women, especially back then but still today: take what appears the lesser of two male evils in order to escape one male presence. It’s one way of escaping the creeping assault of George.
She gets quite the greeting, when a man accosts her as a “whore” and Mr. Kinnear knocks him out in the road. Oh, so valiant, no? Well, we’ll see. There’s certainly a foreboding, ominous sense of his character, even before he showed up onscreen. Soon Grace arrives at the Kinnear place, where several people work the grounds, including a man named James McDermott (Kerr Logan), and the whole thing just feels uneasy.
More of the divide between what’s said and what is seen, just as it was in the Atwood novel. Grace tells Dr. Jordan about the new house, the cellar, her duties, the others like McDermott employed by Kinnear.
Amongst all this we’re shown a bit of the later horror in a shot of a hand taking the earring out of a bloody ear, no doubt belonging to Nancy at the bottom of the cellar.
Screen Shot 2017-10-11 at 7.15.21 PMAnd so forth is all youre entitled to
At the Kinnear house, Grace is introduced into the little world of that workplace. She sees both temptation and danger in various places, from Nancy’s strange demeanour to the master himself as a bit informal to McDermott seeming like a sensitive Irish dancer out in the barn. An odd place, indeed.
Note: The picture concerning the “apocryphaltale of Susanna, an addition to the Book of Daniel, is an interesting reference. A story of a falsely accused woman. Lying, lecherous old men. Everything ends swell for Susanna. But as it is in the Bible, so it is not in real life; virtue does not always win in the end. Grace is like Susanna, only left in the lurch in her current state after a lifetime of taking men’s shit. There’s also an interesting dichotomy of religion: a working class woman like Grace is unaware of the apocryphal Bible stories, versus Kinnear, a bourgeois man of privilege with access to knowledge, even so far as having a piece of art depicting the story on his wall. This is also where we begin seeing a divide in the house, where Grace starts getting to know James, seeing his view of the world separated into a class hierarchy. Although for all his Marxist ideals, he’s a bit of misogynist bastard, as well.
McDermott: “Never one to lick the boots of the rich
Screen Shot 2017-10-11 at 7.25.18 PMAnd so it all went for Grace. Work, work, work. In between, bits of intrigue. she also found herself watching McDermott, interested in him when she knew full well he was only trouble, in many shapes and forms. Likewise, Nancy kept her close, in a sort of dominant way of her own. All these forces tearing a woman apart.
Loved this episode! The mini-series gets better with each one. Part 4 comes next, and I’m excited already for more. Sarah Gadon is a revelation. Bless her, and bless the directing-writing team of Mary Harron and Sarah Polley. Fantastic adaptation.

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Bellevue – Season 1 Finale: “You Don’t Understand Me at All”

CBC’s Bellevue
Season 1, Episode 8: “You Don’t Understand Me at All”
Directed by Adrienne Mitchell
Written by Jane Maggs

* For a recap & review of the penultimate episode, “The Man Behind the Curtain” – click here
Pic 1On the lonely road in the woods, Brady’s been run down; dead. Annie (Anna Paquin) is left relatively unscathed. The driver of the other vehicle? Adam (Patrick Labbé), of course. He’s saved his estranged sister, keeping her safe from near death. He says he wanted to “end the cycle.” But what does this mean? He still isn’t satisfied, and he’s off running into the woods once more, away from her. The mystery still churning.
Welland (Shawn Doyle) and the others arrive not long after, carting away the body, left with the aftermath of Brady’s revelations concerning his incestuous feelings for his sister Briana (Amber Goldfarb), which eventually led to him killing Jesse. Afterwards, Eddie (Allen Leech) begs Annie to walk away from the job, if only for their daughter Daisy (Madison Ferguson). But we know there’s too much obsession in her veins for that. Especially now with her brother’s mysteries still floating in the air.
Pic 1APoor Briana, having to deal with her brother before and now with his death. All upsetting, despite the circumstances. She tells Annie about their abusive father, that Brady came to bring the worst of it on himself to save her from it. A troubled past, no doubt. Doesn’t change the ugliness which came later.
Coach Tom (Vincent Leclerc) gets a call about his daughter in trouble. He rushes into the woods, calling for her. His leg winds up caught in a bear trap. The police get there and hear the calls of a girl; it’s a recording, tied to a tree. They also see SANDY carved bloody across Tom’s chest. Ah, this is the heart of the whole thing.
They find more info from Maggie Sweetland (Victoria Sanchez), about the shack in the woods around New Horizons, about Tom when they were younger, all sorts of things. Father Jameson (Joe Cobden) was involved, too. As was Lily (Janine Theriault). Some more cruel than others, such as the priest. He “had a habit of humiliating.” Suddenly Welland and Annie decipher the LION clue from in front of the church, which leads them to find Jameson strung up, though not dead; SANDY carved into his forehead.
All those years ago, they tortured Sandy, locking her in the shack. Because Lily wanted the part of Mary in the school pageant. And one question remains: where’s Lily? They’ve found the other two. She must be out there, somewhere.
Pic 2Answers lie with Adam, his few clues that he left Annie. What’s driving him? What is the ultimate goal? Go back to the beginning, with the murder of Sandy. Immaculate conception, without sin, Mary. Did he help Sandy die because she wanted to be free? Was it “mercy“? Maybe something darker.
The idea of mercy leads them to a street of the same name, an old brewery. They find a lily on the floor. Further on are boot prints. Welland the rest dig out a pile of dirt and locate Lily in a coffin underneath. Each of the three culprits of Sandy’s humiliation not killed yet tortured to a great extent.
Adam turns up to see his niece Daisy. She opens the door for him bravely. “Youre the one who leaves the riddles,” she says without fear. They sit and talk about their family, their shared history, dear ole grandpa, and certainly mom. He speaks of Jesse, how he was treated like Sandy and driven to bad places by the bullies in their lives. Only I worry about his intentions with Daisy, I hope he’s not playing any dangerous games.
When Eddie and Annie can’t find their daughter, they’re frantic. Looking for clues anywhere possible. They see cutout paper people holding hands, posted on the trees. This leads her out into the woods alone, just as Sandy Driver once ran through the same path being tormented by the three torturers. Annie finds Adam, sending Daisy back to her father.
That day long ago, Adam found Sandy locked in the shack. He broke her free. They bonded instantly. Both of them feeling cast out by the world, their families, their friends. She pulled off the bloody fingernails loosened from scratching at the shack’s walls, then put his hands around her throat. A terrifying and subtle moment, it’s actually so powerful. Dark, but powerful.
Screen Shot 2017-06-20 at 1.04.32 AMAdam (to Annie): “I am you. You are me. Dont you get it?”
The brother and sister confront their past, all those ugly pieces of their life that fell in whatever place they were able to fall. Adam embraces Annie, feeling somehow elated by all the confession and the revelation. But she laments him, the fact their father is dead because of him. Then he puts his hands around her throat, the same as he did Sandy. She puts a shot through him just before Eddie and Welland and the rest track them down.
Once things settle down, Annie’s planning on leaving. She needs to move on. Although Welland doesn’t think she’s okay, that she needs time to heal and grieve. Eddie wants to get his family out of Bellevue, for all their sake, particularly that of his daughter. There’s a lot of history, though. Welland is like a second father to Annie, he feels responsible for her after Clarence killed himself. Maybe feels more, confirmed by the conversation in the confessional which he had with Adam, one we see again briefly. Wow.
Regardless, nothing is easy. Definitely not goodbyes. Yet it’s a new beginning, as well. For everyone. No matter how tough.
Screen Shot 2017-06-20 at 1.17.31 AMWhat a fucking show. I’m so sad this has been cancelled, it would’ve been nice to see a Season 2 and find out where Welland ends up, where Annie and Eddie do and if they last, if Bellevue would keep calling to Ms. Ryder. Even so, Season 1(and only) ended with a bittersweet note that does feel of finality.

Bellevue – Season 1, Episode 7: “The Man Behind the Curtain”

CBC’s Bellevue
Season 1, Episode 7: “The Man Behind the Curtain”
Directed by Adrienne Mitchell
Written by Morwyn Brebner

* For a recap & review of the previous episode, “The Problem with the Truth” – click here
* For a recap & review of the season finale, “You Don’t Understand Me at All” – click here
Pic 1Annie (Anna Paquin) and Eddie (Allen Leech) aren’t on speaking terms at the moment. She actually takes a spill in the road chasing his car because he won’t say a word. She apologises for the previous night, his run-in with Brady (Billy MacLellan), though her ex isn’t totally in the right, either. She tells him about having a brother, named Adam (Patrick Labbé), that he’s lost, “messed up” and such. So, is her long lost older brother her Riddler? All these years?
Meanwhile, Virginia (Sharon Taylor) has poked holes in the alibi of Coach Tom (Vincent Leclerc). She and Annie interrogate him. Although he’s a bit drunk. They probed further about the night Jesse was murdered. Turns out he DID pick the kid up, and others were involved. Lily (Janine Theriault) and Father Jameson (Joe Cobden), to be exact. Welland (Shawn Doyle) asks his detectives to bring the priest and the mayor in for questioning.
And what about Adam out there in the wilderness? He gets a call on his radio from… Brady (Billy MacLellan), or is that someone else’s voice? Then at the station, Dt. Holt interrogates Father J, as Annie and Welland are in a room with Lily, and Victoria stays with the coach.
Screen Shot 2017-06-19 at 11.58.03 PMThe three were “worried about” Jesse, supposedly. They wanted to convince her to play the game, not rock the boat in their little town; that’s all it was, not some altruistic intent on their behalf. Only problem is that Jesse took off from the church, not leaving with either of the three. They lied to save themselves the embarrassment, to not look weak in front of their town. Bunch of dummies. And why go to the church, simply to talk? Suspicious, if you ask me.
Furthermore, Annie goes to the church, determining someone else was there lurking behind the three and Jesse that fateful night. Afterwards when they’re alone together, she and Welland discuss Clarence possibly having another child. There’s no record of an Adam Ryder in the system, as if he’s invisible; or he does not exist. A ghost. But he’s very real. He’s keeping an eye on the mayor, the coach, and the priest. Was he the one in that church? If so, what is the ultimate connection? WHY Adam?
Annie and Welland are searching for their mystery man. Nobody seems to have seen him around Bellevue. Suddenly, Welland remembers a clue about “this mess” from Sid hearing the man talk. It was in fact a man called Bobby Storms, a military school boy; this is the mystery man, Adam. Psychological issues abound, sent away at a young age.
The two cops together go into the forest, they find Adam’s makeshift lodge. Annie sees relics of her youth, the clown statue, the doll. She remembers lost memories of her and Adam. He was strangely possessive about her: “Youre mine.” Such an eerie moment.
Pic 4A bit of a break comes when Daisy falls in the lake where Jesse washed up. She gets an antibiotic because of bacteria in the water. Thus, the killer might very well have some kind of infection requiring medication.
Annie and Eddie connect again, a little, as she tells him about Adam and what she can remember about their past. “Maybe he just wanted me all for himself,” she rationalises. Even if it wasn’t a paedophilic thing, it was still unsettling. A dangerous thing, possibly. It’s no wonder Clarence reacted by sending him away, I don’t exactly blame him. Either way, through the prism of Adam we watch Annie discover things about herself, her own possessive tendencies towards love. I’d like to think she can change.
With a clue from a note in the woods, Welland goes to the church where he sees Adam in the flesh. They casually sit in the confessional – a great little piece of symbolism – talking about the past, Peter saying he wants to take him in the woods and shoot him in the face. So the long lost brother has a few final things to say before running off. Only we don’t hear the words ourselves.
Virginia and Annie come across new information about Brady, his confidential informants. He’s also acting strangely. This sets Annie off, and she finds an empty bottle of antibiotics in his bathroom. Holy shit. There’s a white truck in the garage outside, too. Now he’s on the run from her, off into the night. Or maybe not. He pulls a gun on her from out of nowhere before she can contact Welland. He threatens that if she doesn’t play along, he’ll kill her daughter.
Pic 5Dt. Holt was there that night, watching in the church. The three pressured Jesse, not to tell the police, to serve his community. They effectively blamed him for “freak urges” inside. What exactly drove him further? Why has it affected Brady so deeply? He has feelings for his sister Briana (Amber Goldfarb), he loves her more than a man should love a sibling. An improper, taboo love. And that’s what drove him to it. When he tried to reach out to Jesse, equating his feelings of incest with the transgender issues Jesse faced, the kid called him “sick” and it drove him over the edge. Oh, god. Such devastating things we could’ve never seen coming.
Then, as he’s about to shoot Annie in the woods, someone hits him in their vehicle. Knocking his body bloody and lifeless onto the windshield in front of her.
Screen Shot 2017-06-20 at 12.22.50 AMHOLY CHRIST! What an episode, I never saw any of this coming personally. Such intense, deep revelations. Just spectacularly dark writing, and comes together in a neat little package. Although there are still things to uncover.
“You Don’t Understand Me at All” is next, the final episode of the season and series as a whole.

Bellevue – Season 1, Episode 6: “The Problem with the Truth”

CBC’s Bellevue
Season 1, Episode 6: “The Problem with the Truth”
Directed by Kim Nguyen
Written by Waneta Storms

* For a recap & review of the previous episode, “How Do I Remember?” – click here
* For a recap & review of the penultimate episode, “The Man Behind the Curtain” – click here
Pic 1If it wasn’t obvious by now, Annie (Anna Paquin) is obsessed. She’s whittling away at the similarities between the deaths of Jesse Sweetland and Sandy Driver. Eddie (Allen Leech) grew up with Jesse’s mother Maggie, so he gives his two cents. Even young Daisy (Madison Ferguson) has opinions.
There are no clear answers, though. Everybody has some sort of dark secret in Bellevue. There’s a muddy past behind every door. Welland (Shawn Doyle) has his big secrets, some of which our lead detective has already figured out, resenting him for, obviously.
Moreover, Annie wants to see her father Clarence’s (Patrick Labbé) notes from before he died, concerning the case of Sandy’s murder. She starts digging into the details, starting with Randy Oldring (Kent McQuaid) whose entire life has been shaped negatively due to finding the girl’s corpse, fingernails missing, all that. Something we don’t often see, aside from the murder victim – the people who’ve seen the remnants of brutal murder, corpses left in the woods like garbage, they must go through difficult psychological issues. Still, they weren’t murdered, and no matter how bad Randy seems he’s alive; unlike Sandy.
Pic 1AWe see that young Ms. Driver was Mary in the school play, same as Bethany Mansfield (Emelia Hellman) is now. Mayor Mother Mansfield (Janine Theriault) is in a photo, also in the play. What’s her connection to Sandy, I wonder?
Annie finds a cut out page in her father’s notes. Something involving a 9-11 call and Lily Mansfield. When she listens to the call on a tape, Annie discovers mentions of an intruder at the house who left “fingernails.” Yikes.
She comes across VHS tapes, as well. Trusty ole Brady Holt (Billy MacLellan) has a VCR at home, she heads over to watch the tapes with a few beer. They bond, chat. And on the tapes they find Lily as a girl, her answers to questions about Sandy. Lily says she’s an “old soul” and she clearly comes on to Clarence. Uh oh, I am seeing this heading someplace problematic. Starting to become apparent why dad tore out those pages.
Or is it? Part of why I love Bellevue – tragically, seeing as how it’s cancelled now – is that the mystery is always deep, incredibly palpable. In that, at times, you can never decipher whether things are headed where it seems. Although it looks as if maybe Clarence knocked up Lily, who on the hush-hush supposedly had an abortion years ago.
Annie goes to see the Mayor of Bellevue. The woman is less than forthcoming, acting like a real jerk. “I have a fucking alibi,” she crows through gritted teeth. No information coming out of this one, that’s for sure. When Annie brings it all to Welland, he confirms part of his trying to protect her was to avoid any awkward revelations about her father. Except, why did Clarence not file anything about the fingernails, the 9-11 call, everything else? WHY?
Pic 2Later, Welland gets a call from Sid Oak (Raphael Grosz-Harvey), saying he’s heard the voice of the Riddler again, down at the bar. Ah, a lead, and Peter actually invites Brady to go along, so it looks legit. Just another way to make himself look genuine? Hard to tell.
Meanwhile, Virginia Panamick (Sharon Taylor) is running down leads of her own to connect all the dots. She’s starting to wonder about their boss, what he’s investigating. He might’ve included Brady in helping round up men at the bar, but he certainly didn’t say much else.
A code of numbers written on Clarence’s notebook corresponding to his pager and the symbols on it lead Annie to another clue, leading back to previous pieces: New Horizons. She requests a patient list for the old mental hospital. At the same time, she’s becoming more and more suspicious of Welland, that it was possibly him involved with Sandy, not her father.
We see a flashback to young Lily, a younger Peter responding to her call and collecting the fingernails. She flushed the evidence down a toilet, not wanting the grief. Followed by seduction. Welland took the 9-11 call that night, prompting everything else. So it’s less a sinister act on his part, more the fact he’s a liar who made a mistake and let things snowball into a fucking avalanche. Now he’s lost the trust of Annie, too. In a massive way.
She has other problems aside from that. With Eddie. She wants them to be together, to finish all the nonsense between them. Yet he worries about her, constantly, about things going crazy. He can’t do that anymore. He wants a “calm, simple” life, one that doesn’t jive with her, so he says.
Eddie: “You dont have to feel pain to be with someone
Screen Shot 2017-06-19 at 11.06.07 PMWelland goes to see Lily, demanding to know more about the man who left the fingernails. He’s very serious. He’s pissed, and lashes out in anger. The guilt of Clarence killing himself over the case tears him to pieces. And Lily, she feels that Welland brings out the best in her, that she can’t be real with anyone else. It’s a dark thing they have together.
Virginia’s finding out more about Coach Tom. That his wife wasn’t home the night of Jesse’s murder, which then means she can’t alibi her husband. Hmm, curious, no?
In the woods at the cabin, Annie stumbles into a man as she rages in a drunk stupor. Who is he? Is it the Riddler? She almost believes it’s her father, at first. Then, back in the cabin, she finds another clue, about someone named Adam; his height etched into the door frame above her own.
Screen Shot 2017-06-19 at 11.10.33 PMAnother solid chapter, unravelling a bit of the mystery while still retaining the core, the darkness which makes the atmosphere of the series so interesting. “The Man Behind the Curtain” is the penultimate finisher. I hope that, despite its cancellation, this sole season can end on a good note story-wise. We’ll see!

Bellevue – Season 1, Episode 5: “How Do I Remember?”

CBC’s Bellevue
Season 1, Episode 5: “How Do I Remember?”
Directed by Kim Nguyen
Written by Jane Maggs & Thomas Pound

* For a recap & review of the previous episode, “Hello Little Light” – click here
* For a recap & review of the next episode, “The Problem with The Truth” – click here
Pic 1Talking through the surveillance system, Annie (Anna Paquin) talks to the Riddler, the mystery man. She thanks him, for helping with her father’s death. He helped give her purpose, in a strange way. He tells her now to “trust her instincts” about his identity. She asks him more about the murders of Jesse Sweetland and Sandy Driver, how they’re connected. It’s a strange relationship she has with the Riddler. To keep it going any further, she asks more of him. Although he doesn’t give her much more than before, only cryptic references and no promise of any concrete answers.
Maggie (Victoria Sanchez) goes to talk with Danny (Cameron Roberts), about how to remember Jesse at the funeral, what do for him; he replies only with the word “she“. At the same time, Annie’s figuring out more about Rainmaker Jed (Neil Napier), whose further information about his drug distribution sends the detectives in other directions. The package in Jesse’s room wasn’t done up like how Jed and his operation do things. So, there’s somebody else in the mix. Someone dangerous.
Not only that there’s trouble with Eddie (Allen Leech). Annie sees him punching his truck window, looking very angry. She knows’s something is up. Moreover, she starts believing he is caught in a bad place, possibly trafficking drugs. All the more troubling for the fact Daisy (Madison Ferguson) is around him. Could make for nastiness. Simultaneously, Annie believes the mystery man is suggesting things about her estranged boyfriend. He responds by telling her to wear Neil Driver’s watch during the funeral for Jesse. Hmm, why?
I dropped a stone, but youre not seeing the ripples.”
Pic 1AAt the funeral, tensions run through the crowd. Particularly when Danny comes in. But Bethany (Emelia Hellman) and others embrace him as a big part of Jesse’s life. Maggie talks about her boy, mourning his death; more importantly, she refers to Jesse as “my daughter.” Suddenly, Mr. Driver (Andreas Apergis) barges in saying she deserves everything that’s come to her family before cops pull him outside.
What’s the full history between Maggie and Sandy Driver?
Down by the lake, being morbid, Daisy hears a woman’s voice calling out in the woods. She runs into Bethany and Danny and Max (Ryan Doherty). They call out in grief to the woods, saying they loved Jesse, that it hurts having lost her. Finally they’re able to grieve, out in the open. A sad, tragic openness.
Eddie is tasked with doing something by the people for whom he’s working. While he’s doing that Annie finds their daughter’s dog in his freeze. Weird. He admits to her about owing money, but denies planting any drugs at Jesse’s place. He says the drugs were stolen from him. The dog was killed in retaliation for his debt, obviously. In way over his head.
Welland wants him to testify the drugs belong to him; they were stolen AFTER Jesse’s death. These two have history, the cop doesn’t exactly like him. Except he knows that Eddie, at heart, is a good man. So with it being a first time offence, a self-professed “one time thing” Peter is willing to give him a chance. Afterwards, he leads Annie on with more lies about the burning of the shack and the fire at his house Still playing towards something dark, unknown.
Pic 2Such a strange connection between the Riddler and Annie, like two strange souls linked together in the night. She’s starting to realise that, too. She believes he’s getting his kicks from watching her scramble, listening to his clues. Yet I can’t help wondering who he is, why he’s doing all this to her. She gets a trace on his line and finally something’s come back. Annie follows the signal out to the grave of Sandy Driver, where she finds a phone and a text message reading YOU’RE NOT CRAZY.
But she wants this relationship done, sickened by the manipulation she’s allowed.
Cali (Catherine Kidd) has ties to the drugs, whether she’s top dog I don’t know. Regardless of that, Eddie goes to her, he wants to be relinquished of their ties; it’s clear she wants Annie taken out of the equation. This requires he take a beating instead, which he does willingly.
Maggie tells Annie about the “retribution” she’s faced, for what she did to Sandy back then. Before she can tell her story, though… she passes out, having binged deliberately hard by herself on pills. No telling if she’ll survive, but the chances are good with Annie being there at the right place, the right time. We at least know there’s a strong connection between Maggie and the death of Sandy.
Annie goes back to talk with Neil, about the night his daughter die and where he was supposedly working. He kept the receipts of being on the road, all these years. In order to remember that he actually did not kill her. He gives them over to our detective, providing another bit of evidence from which she can work.
And later at home, Annie falls back to the relationship with the Riddler. Trusting in him more than she does herself, or anyone else for that matter.
Pic 3The building of character is as good as the plot development, all the backstory. Bellevue deserved better in terms of viewership. I think because of it being a Canadian show and done by the CBC, it might not have been eagerly watched by too many. Certain viewers likely didn’t expect the gritty, deep, mysterious (and weird) take on the typical crime-mystery series that we received here.
“The Problem with The Truth” is next, I’m looking forward to seeing further things about Eddie and his situation, and again – what is Welland up to? Need to know.

Bellevue – Season 1, Episode 4: “Hello Little Light”

CBC’s Bellevue
Season 1, Episode 4: “Hello Little Light”
Directed by April Mullen
Written by Jane Maggs

* For a recap & review of the previous episode, “The Guy with Fire in His Eyes” – click here
* For a recap & review of the next episode, “How Do I Remember?” – click here
Pic 1Annie (Anna Paquin) is setting her place up for surveillance, in light of recent events. And she’s not giving up on the case of Jesse’s death, either. Even though it’s all clearly weighing on her heavy. So many things surrounding the case, her own life, it’s a wonder she’s keeping her head above water.
She and Welland (Shawn Doyle) and the other cops go check out a house belonging to Rainmaker Jed. He’s a drug dealer, apparently. Brady (Billy MacLelland) comments that Jed is “so white” and that it’s a surprise he’s allowed to live on the reservation. Virginia replies that he’s married to a woman from the tribe, she doesn’t spend much time there. They find Jesse’s boyfriend Danny (Cameron Roberts) kicking around, he looks after the place from time to time. Inside they find fake eyelashes and size 13 platform boots. This leaves Welland and his crew wondering if he has a “sexual proclivity for young boys.” Moreover, we see that the boss man is slipping a bit in front of his detectives, he’s got his own issues going on. Still curious about what exactly he’s into, his secrets.
Virginia and Annie go to the Rattlesnake Bar, talking with Jed. He’s a sly one. They also run into Eddie (Allen Leech), his latest fling Briana (Amber Goldfarb) – sister to Detective Holt. To that Virginia replies: “Fuck him. Girl power.” LOVE THIS WOMAN! God, I hate that they’ve cancelled this already. I wanted more of her, more of the queer Native perspective through her character, among other good things about the series. Still, at this point in time in Canada we deserve more roles like this for Native actors, specifically women.
Pic 1ASo the question is now, what’s Jed got to do with Danny, Jesse, et cetera? They’ve found a pink Eiffel Tower earring on the man’s property. Belonging to the dead boy; buried. Virginia further digs up info on his past, that he was sexually abused as a kid and has anger issues. She and Annie interrogate Jed, whether drugs were stolen by Jesse, if there was a sexual relationship, a three-way thing between the two of them and Danny. Or, was it something more forcible? Was the earring a trophy of a murderer? Rainmaker Jed lawyers up, either way. And he says that all he was trying to do was help. Hard to tell. Suspicious and eerie nonetheless.
Annie presses Welland about the mystery man’s riddles, asking if he’s found out anything more. She further wonders about the fire at his place, knowing there’s something more to it than coincidence. Oh, my. Dig the dark tension that’s always lingering, the show has impressive atmosphere. Welland does some pressing of his own, talking with Sid Oak (Raphael Grosz-Harvey), the local sex offender. He wants to know about the Riddler, if he’s heard from him since, so on. Threatens to put false charges on him if things don’t go his way.
Part of a crime-mystery show like Bellevue, this dark and dreary-type stuff is the fact that we see the grey areas of the law. Where things aren’t always black or white, which they aren’t in life. Part of the intrigue is seeing how characters cope with being on either side. Annie isn’t perfect, far from it. But she’s miles from Welland, whose character is obviously a deep, scary kind of his own sort.
Pic 2Meanwhile, Annie is diving into the past of her father Clarence (Patrick Labbé), the psychiatric records and tapes of his sessions with a doctor, things she’s never heard before. It’s tough for her to hear, though necessary. It helps us come to understand her past. Also, it’s leading Annie to wonder if Neil Driver (Andreas Apergis) is her Riddler. He is, indeed.
Or, is he dissociating, and taking on the personality of the mystery man?
A man named Anthony Greene (Karl Graboshas) who works for Jed is in the interrogation chair now. Brady and Virginia ask him about Jed, using his sister as a bit of leverage. Anthony burned the white truck belonging to Rainmaker Jed. He’s officially the prime suspect in the murder.
Mayor Mansfield (Janine Theriault) has borderline psychotic tendencies, slapping herself in the face to stop a crying jag; her daughter Bethany (Emelia Hellman) sees it, though has her own issues with everyone at school texting her WHORE. And the small town itself seems at odds with Annie, who isn’t wholly sold on Jed’s guilt. She finds comfort drinking with Brady, talking about his sister and Eddie, the case; even if there’s an awkward moment before she leaves where things feel sexually charged.
But she heads out to sneak into the home of Mr Driver, seeing an almost shrine-like kitchen table with words carved into the wood, a paper with a front page concerning the death of Annie’s father, her name circled in the newspapers paragraph. And at her place later, she hears someone speaking through the surveillance system outside: “Hello, little light.” Was someone out there, or did they hack in? Becomes clearer Neil isn’t the Riddler. Poor guy thinks Annie is his daughter Sandy.
This means someone else is creeping about.
Screen Shot 2017-06-19 at 2.42.46 AMWhat’s the ultimate connection between Jesse and Sandy? Could the latter’s father have killed her, then years later killed the boy? Welland doesn’t think so, and Annie’s father never believed Neil murdered his daughter. Our fearless detective finds a note on a nearby swing, about a bracelet. This leads her to call up Daisy (Madison Ferguson), about the hospital bracelet  she found belonging to her grandfather. This and the watch together, the time of 12:13, adds up to more mystery.
When Neil is let out of the hospital, he finds Annie at his place. She’s asking about the references to 12:13, the time with links to his daughter’s death. We see a flashback of him yelling at her, fighting physically. His watch broke on that particular time. We find out more about someone being there with Sandy that day – Jesse’s mother, Maggie (Victoria Sanchez). Our detective goes to talk with the grieving mom, suggesting Jed may not be her son’s killer.
But the evidence stacks up against the guy. He acts as if he knew the real Jesse, as if he cared. It’s so difficult to cut through to the truth. At least, for Jed, he’s got Annie semi-rooting for him. She judges his character by him knowing Jesse and Danny were planning on running away, and that he didn’t tell anybody. This is a caring gesture, deeper than most anyone in town offered the kid.
Jed: “She was a good kid
Annie: “Jesse referred to himself as she?”
Jed: “She did at my house
Pic 4Solid episode that builds on the case itself, in favour of leaving some of the Riddler stuff as secondary. Not that I don’t dig Annie’s personal little mystery, I do. It’s just nice to see the development in Jesse’s case, seeing more of him as a character instead of him just being a trans victim. “How Do I Remember?” is next. Hoping to see more of the Riddler story this time, as well as how Welland ties in. He’s a sneaky one, that Peter.

Bellevue – Season 1, Episode 3: “The Guy with Fire in His Eyes”

CBC’s Bellevue
Season 1, Episode 3: “The Guy with Fire in His Eyes”
Directed by April Mullen
Written by Jane Maggs

* For a recap & review of the previous episode, “He’s Back” – click here
* For a recap & review of the next episode, “Hello Little Light” – click here
Pic 1Now that Annie’s (Anna Paquin) found the body of Jesse Sweetland, and Virginia (Sharon Taylor) found out about the boy’s boyfriend Danny (Cameron Roberts), among other things, there’s so much going on in Bellevue. Welland (Shawn Doyle) isn’t particularly impressed that Annie has been running around investigating on her own, not telling him things. All the same she’s found some intense, very possible connections to the Sandy Driver murder. The relationship between Annie and Welland is not doing well. Still, he knows she’s good at her job, he’s just worried.
Welland: “So tell me that you understand that you may be talking to a killer right now
What we have now is Annie reverting to the old games she played with the mysterious man in her past, leaving notes in the mailbox at the tree in the woods. Christ, it makes my skin crawl. In the best sort of way.
Pic 1ABellevue’s been rocked with the death of Jesse. Even Dt. Brady Holt (Billy MacLellan), usually a bit of a hard man, seems to feel it. However, they’re police, and they’ve got to keep on investigating, to figure out who killed the young man. He was killed with blunt force trauma, then tossed into the water.
Biggest clue so far? Danny’s mention of a white truck.
At church, Maggie Sweetland (Victoria Sanchez) mourns her son, as Father Jameson (Joe Cobden) tries comforting her. She laments in the belief of God, that he’s only about “punishment” and nothing more. Then they’re shocked to discover one of the paintings on the church walls has been defaced. More religious iconography, a hand with a knife drawn on in red paint.
Young Daisy Ryder (Madison Ferguson) has a fixation on Sandy Driver. She’s actually doing weird rituals in the attic, cutting her hand to drawl blood. Afterwards, she sees a man yelling through the darkness: “Theres no point in coming back to life. Well just kill you again.” Real? Or is she seeing things? It was Neil Driver (Andreas Apergis), scaring the shit out of her.
Possibilities become real when Annie sees a picture of coach Tom Edmonds (Vincent Leclerc) with Jesse, and his white truck. Hmm. There’s definitely more to this guy. He wanted more for Jesse, wanting him to focus on hockey instead of his identity. Not realising that for so many who struggle with gender identity, wondering if they’re transgender, identity is everything.
Pic 2After Daisy gets in trouble for her little seance, Eddie (Allen Leech) is pissed with Annie. He feels she’s starting to become “obsessive” as her father started out, apparently. Did the mystery of Sandy Driver’s murder all those years ago drive him mad? It’s all certainly threatening to push his daughter over the edge in present day.
Someone I find a bit repulsive is Mayor Lily Mansfield (Janine Theriault). Very opportunistic, a cold person. She worries more about investors than the killing of a boy. Don’t think she’s guilty of any crimes. Just of being a terrible human.
In the woods, Tom has his boys fighting over beefs. Jacob (Robert Naylor) and Max (Ryan Doherty) are called into the middle of a circle where they beat the shit out of each other. Primal and nasty, hypermasculinity in its ugly glory. But what’s most apparent is that Tom is a bit insane.
Annie finds out that the coach was destined for an NHL career, sidelined by an accident. Ah, broken dreams. Surely has something to do with his aggressive way of handling the team. The story familiar to many who’ve played sports when they were young, myself included.
Most creepy is the continuing game between the mystery man and Annie. She comes across Welland on the road, they then run into Tom and the the team, smearing their faces with some “Lord of the Flies blood shit.” Certainly does not help the case for the coach. At the same time, I wonder about Welland. I’m not sure if he’s got his own secrets, or if he’s mainly just angry with Annie. Either way he goes overboard chastising her for being like her father.
Screen Shot 2017-06-16 at 10.29.16 PMThe relationship between her and Eddie isn’t good, either. They get in a fight, she runs out to a bar dancing with another man, and he goes straight for her. They’ve got a love-hate thing going on, exacerbated by the fact she’s wildly unpredictable. So is he, though. No shortage of issues between these two, from emotional to drugs and alcohol. Also doesn’t help that Annie is obsessed with her job, the past, all of it mixed in a mess together.
AND WHAT THE HELL IS WELLAND DOING? He’s tossing the fingernails into a bonfire he sets in the shed on the old New Horizons grounds. What the fuck? This is beyond suspicious. Does he have a connection to Sandy Driver? Shit.
Annie and Victoria chat with Danny, hoping to find out more about Jesse. There’s connections to the reservation, so Victoria takes the lead. Danny talks more with Annie about coach Tom, how the relationship changed between him and Jesse. They went to a motel somewhere to meet a scout. After that, hatred. Doesn’t sound good, at all. Tom’s wife further confirms questionable behaviour.
Tom sees a prostitute, where he brought Jesse to have sex with her, as well. At the motel. He wanted to make Jesse into a star hockey player, seeing his identity as a barrier to that. But, is it motive? Did he feel it wasn’t panning out? Annie thinks he’s got “motives buried deep” and he’s one of those quiet types, capable of snapping loose.
Annie and Welland question Tom, about the hooker and everything else. His masculinity is incredibly fragile. He thinks men are meant for “another world” like we’re cavemen. He’s definitely insane, in his own way. Did he kill Jesse? Tough to say.
Screen Shot 2017-06-16 at 10.38.09 PMSomething else to add into the investigation: a large quantity of MDMA, half a pound, in Jesse’s closet. Perhaps a distributor for a local drug dealer. More clues to lead them in other directions. Good, especially for the fact they can’t pin anything on Tom as of yet.
Then the working girl Tom sees lets slip more information: he may have “walked into traffic” suggesting his long ago accident was not so. And only days after the death of Sandy Driver. He keeps a sign in the arena basement, a Bellevue sign with his name on it. The boys… like to see it.
So this connects to the latest riddle about a hero’s fall from glory. Annie goes to the arena, she finds a picture of Tom as Joseph in a pageant back then. More religious symbolism and iconography combining, in regards to the pageant with Sandy back then.
And Annie’s been locked in the basement. Someone pours gasoline into the room. Ready to light the place on fire. She pleads for her life, to be trusted again. Such twisted shit.
Dont trust the guy with fire in his eyes,” says the man with the riddles. Is he speaking of Welland, who himself recently lit a fire? Indeed. Plus his house is on fire, as he looks on. What exactly is his secret?
Screen Shot 2017-06-16 at 10.49.57 PMSo many things to ponder. I already know that Bellevue won’t return for another season; I hope they finish on a good note at the end of this one. Pity, because I’m really into it. Lots of mystery, intrigue, so many characters with their own lives and deep secrets. Great stuff from CBC. A true shame this won’t be renewed, I guess it didn’t impact others as it did me.

Bellevue – Season 1, Episode 2: “He’s Back”

CBC’s Bellevue
Season 1, Episode 2: “He’s Back”
Directed by Adrienne Mitchell
Written by Jane Maggs

* For a recap & review of the Pilot episode, click here.
* For a recap & review of the next episode, “The Guy with Fire in His Eyes” – click here
Pic 1At the old church, Annie Ryder (Anna Paquin) brings Peter Welland (Shawn Doyle) back to see the bleeding mural she found. She has pictures, from the one sending her riddles, and luckily because it’s gone now. As if it were never there. She also shows Welland the UR MY LIGHT message written on her back windshield.
Welland doesn’t want her going down the old path she went as a younger woman, when the mystery man and his riddles drove her to the brink of insanity. He wants to take care of it himself.
Annie’s whole life is in a mess. Her daughter Daisy (Madison Ferguson) isn’t feeling so great about her, and Welland’s constantly worrying about her psychological state. The two of them and Virginia Panamick (Sharon Taylor) and other police are investigating the scrapyard where the items belonging to Jesse Sweetland (Sadie O’Neil) were found. Not much to go on, but bits and pieces; such as a tooth and some skin.
Jesse’s mom Maggie (Victoria Sanchez) is keeping a keen eye on the other people in her town, to “look in their eyes” and see if she can figure out if someone’s done something to her boy. At the same time, she hears people disparage Jesse for wearing women’s clothes. The poor woman misses Jesse, and some people couldn’t care any less. It’s tragic to see.
Maggie: “Evil looks just like you and me
Pic 1AMaggie flips out on Father Jameson (Joe Cobden) about his relationship with Jesse, so of course Annie talks with him more. Wondering if someone connected to the church conducted a “violent form of conversion therapy.” With all the religious iconography and imagery connected, it has to be somebody of faith, right?
At the school, Annie and Virginia probe friends and acquaintances about Jesse, his problems, so on. Some girls suggest talking to people on the reservation, where he hung out. Welland talks to coach Tom Edmonds (Vincent Leclerc) and the rest of the hockey team, only digging up very surface-type things. Nothing too concrete thus far.
Note: Loving Virginia’s character, I hope they don’t bury her. She seems like a straight up, honest cop. Interested to see exactly how her relationship with the reservation and her people works.
Bethany: “Dont native people like wear dresses and dance around a fire?”
Virginia: “Yeah and every year we sacrifice a privileged white girl
When she sneaks around at night, Annie catches the Mayor’s daughter Bethany (Emelia Hellman) snooping in the scrapyard. Looking for something. The young girl plays it off with legal threats, clearly she knows more than she’s willing to let out.
Annie’s got bigger things to worry about, like who planted the creepy doll in back of her car. It’s one her father Clarence (Patrick Labbé) gave to her years before, to protect her when he’s not around. Moreover, the doll’s been dressed as the Virgin Mary.
Screen Shot 2017-06-16 at 1.55.27 PMAt the church, Maggie talks to Father Jameson and tells him that she knows Jesse is “who he is.” She doesn’t need him to be fixed. She kisses Jameson, saying: “When you put on your dress, I thought it was a phase, too.” Such a STELLAR line! I love that. Because religion is a fluid as identity, if you want it to be. To those of us who don’t believe. A way for Maggie to sort of say fuck you without having to actually say those words.
So, what does Bethany Mansfield have to do with Jesse’s disappearance? What was she looking for up there? Annie wants to find out. She tells her about finding the tooth, his skin on the fence. Bethany calls him “sick” and that Jesse didn’t want to be the way he was anymore. Except he did, it was his friends who wouldn’t accept him. They were holding the pictures of women’s bodies in front of the fence; he reached out and the photos were pulled away, giving him the shock, those cross-like burns.
Jesse later told Bethany he was leaving, that he cared about her deeply. She’s too repressed to feel anything for him, causing a scary confrontation between him and Bethany’s boyfriend, Jacob (Robert Naylor). When Annie susses things out, the boyfriends turns on his buddies who in turn start telling the truth. She and Brady Holt (Billy MacLellan) press Jacob, taunting about Bethany being with Jesse. Picking at his fragile, young masculinity. Until finally the kid says he saw his friend get into a white truck headed for the reservation.
Bullshit? Or no?
Virginia meets with Danny Debessage (Cameron Roberts), Jesse’s boyfriend; he isn’t honest about their relationship totally at first, before she shows him a picture of her wife. Ah, see, she’s even more interesting than I even thought before!
Meanwhile, Annie goes to see Eddie, feeling lost in the world. “These are my arms,” she says. They’re not together, yet there is a huge connection. Something’s been keeping them apart as a couple. They’re still very close. I think she lets her job and her past lead her life too much. Not easy NOT to do, but it’s obviously something driving a wedge into the relationship between her and Eddie.
Her mind is consumed, entirely. The past is everywhere. In the road Annie comes across a truck that backs away quickly, something between the vehicles. It’s an animal carcass, in its side is carved REMEMBER ME. She thinks about the memories of the past, the riddles, the doll. So she checks inside the doll and finds nasty fingernails wrapped in plastic stuffed in one of the legs. Disgusting, and so compelling.
Screen Shot 2017-06-16 at 2.02.37 PMThis all relates back to the death of Sandy Driver, those many years ago. He fingernails were never recovered. Bringing her back to those memories, that place in the forest. Where there hangs a mailbox, taking us back to the opening scene where she sees her own mailbox at home, hanging crooked. Great imagery.
Annie starts figuring out a riddle, connecting to an old mental hospital named New Horizons. A place in the woods now only a wreck, barely anything remaining. When she goes up to have a look, to “find a fish out of water” like the riddle says, there are scratches, blood. Is it from when Sandy died? One thing’s certain, it’s all fucking with Annie’s head.
Not long and she finds the corpse of Jesse, lying face down floating in the water close by. So goddamn sad.
Screen Shot 2017-06-16 at 2.14.40 PMClear now there’s a big connection between Sandy’s death and the tragic death of Jesse. But what is it? “The Man with Fire in His Eyes” is next, I’m hoping we’ll see a few more weird, exciting developments. Bellevue has got me hooked now, two episodes in.

Bellevue – Pilot

CBC’s Bellevue
Season 1, Episode 1: “Pilot”
Directed by Adrienne Mitchell
Written by Jane Maggs

* For a recap & review of the next episode, “He’s Back” – click here
Pic 1In the town of Bellevue, Annie Ryder (Anna Paquin) stumbles to her car out of a bar. She breaks a man’s car window, before the two of them head back to a motel to have sex. This guy’s Dwayne (Victor Andres Turgeon-Trelles), he’s a bit crazy, plus he’s got good drugs. They have some fun, they snort a little coke. Then the cops bust in – Brady Holt (Billy MacLellan), Virginia Panamick (Sharon Taylor), and Peter Welland (Shawn Doyle). Seems that Annie’s a cop, working undercover. Except she’s a bit… deep undercover.
She’s also a mom to a young girl named Daisy (Madison Ferguson). They live in Bellevue, Annie’s hometown, where she’s stayed to raise her own family. It’s a town like any other, it has all the bitchy neighbours, the drug issues, all of what you’d expect from a tiny community. We also find out about an old murder victim, whose death was being investigated by Annie’s father; it’s also the anniversary of his death.
Out at a scrapyard, Annie meets Welland and the others in relation to a missing kid from town. They have a bit of evidence, they’ve recovered a cellphone and a few other items belonging to Jesse Sweetland (Sadie O’Neil), the local star hockey player. He’s also contemplating his “gender identity” – in a small place, nothing is secret.
And there’s a spooky feeling in the air, as we simultaneously hear Daisy’s class presentation about the death of Sandy Driver. This show already has great atmosphere. Might not hold up every episode, but definitely intriguing from the get-go.
Pic 1AI like that they’re tackling a sensitive issue, including ideas of transgender identity, gender fluidity, so on. Don’t like that the trans community is often relegated to victimhood. However, we’ll see where Bellevue takes us in that regard. It’s nice to see some inclusion, and particularly from CBC here in my country.
The cops get a tip on a sex offender; a paedophile recently moved in near the reservation. Out at the bar, Annie confronts the man, made a bit more complicated when the bartender outs her as police. Then the guy hands over a note addressed to her. What the fuck? This is a creepy twist. He up and disappears before she can ask him anything further.
We get a glimpse of her past, after her father died. Young Annie (Habree Larratt) spent quite a bit of time in the woods by herself, a private getaway. Where she starts to find notes written by her father, little riddles left for her to solve. As if he was still alive. This caused problems between her and her mother, a lot of emotional issues for her, too. This story’s just become infinitely weird and just as unsettling.
Annie mentions the riddles to Welland, wondering if he knows anything more than he’s told her. He says he doesn’t, worrying more about her focus on the latest case. But she IS having a hard time. Mainly due to the anniversary of her dad’s death. Moreover, we see she and her estranged boyfriend-not quite husband Eddie (Allen Leech) clearly both have dependency issues, on drugs and alcohol. It’s a thing they share together. Deep history between them, obviously.
Pic 2During a conversation with her daughter Annie figures out one of her father’s riddles. She goes to an old, rundown church. There she finds a statue painted half man, half woman. A cellphone goes off nearby: Nature is calling, apparently. The sound echoes around her everywhere. Terrifying.
Who gave that paedophile the note? She goes to confront him, he says it was anonymously passed in the bathroom. Annie calls in an anonymous tip about what she’s found, then Welland and the others check out the church; it’s a hangout for teens. They find the statue. Clearly a message. Is Jesse “caught in the middle” of someone’s religious obsession clashing with the idea of trans identity? Or his own?
We start seeing the various opinions in town about Jesse, the trans aspect of his life. Father Jameson (Joe Cobden) believes he was a confused boy, as do the Bible thumpers. Maggie Sweetland (Victoria Sanchez) talks about her husband’s death, then about what she noticed in the days before her son disappearing. He recently, supposedly, stopped dressing feminine as of late. Only we know different, having seen him in the opening moments of the episode. Likewise, we saw a cross-like symbol on his hand. Like a burn.
Annie and Welland comb over the evidence they’ve uncovered so far. Nothing obvious, yet. She remembers seeing the statue as a child. Part of the nativity scene. Meanwhile, the town acts like they’re all hoping for the safe return of Jesse, everybody acting as if their hearts are bleeding when under the surface it doesn’t seem to be the case.
Screen Shot 2017-06-16 at 11.01.10 AMLater, Annie gets a call about Neil Driver (Andreas Apergis) out at the old church. Off his meds again. When she arrives she finds streaks of blood. From a wall hangs bags of it – red paint, not blood – leaking over a painting covered in barbed wire and a rosary. Spooky religious imagery. And that cross on Jesse’s hand? It’s a mark from an electric fence. Perhaps someone is trying to shock the femininity out of the young man wanting to transition? Either way, something connected to Annie is happening. She finds one of her childhood toys in the building. While her daughter sees someone crawling around on the car outside. He’s left a note, too: UR MY LIGHT on the back windshield.
Screen Shot 2017-06-16 at 11.09.45 AMThis opening episode did it for me! I’m in, Bellevue. Take me for a ride. It’s obvious there are many things swirling around Annie, now including the fact her daughter is nearly traumatised and I know it’ll get worse. I love the idea of imperfect parents, and she is definitely one. She’s an interesting character, as is the story compelling.
“He’s Back” is the next episode. Will be exciting to watch these characters and this gritty plot expand in the coming chapters.