AT&T’s Mr. Mercedes
Season 1, Episode 10: “Jibber-Jibber Chicken Dinner”
Directed by Jack Bender
Written by Dennis Lehane & Sophie Owens-Bender

* For a recap & review of the previous episode, “Ice Cream, You Scream, We All Scream” – click here
* Recap-reviews of Season 2 to come on release, as it’s been confirmed the show’s renewed!


A different opener for the finale. Suddenly, in the dark, former Dt. Bill Hodges (Brendan Gleeson) wakes to “Danny Boy” playing. Nearby is a trail of blood smeared through the hallway, out into the kitchen, everywhere. The side of the house is covered in a streak of crimson. Outside is a wheelbarrow with an eviscerated corpse in it. In the trees, a bloody leg. The Mr. Friendly jingle plays. In the driveway, Bill sees his daughter as a girl, Holly (Justine Lupe), and Jerome (Jharrel Jerome) all eating ice cream with the ice cream man himself, Brady Hartsfield (Harry Treadaway) who greets him with a pleasant, sinister smile.
Then there’s Ida Silver (Holland Taylor), she takes his gun, tells him to go “have some fun” while Mr. Mercedes serves him up his favourite fudge treat.
But then his daughter’s taken by Brady. When he goes back inside, everybody in his life is dead, murdered brutally. He’s quickly attacked by a rabid, beast-like Brady who tears him apart, ripping his flesh, eating him. Terrifying fucking nightmare.
Such a great contrast to the other episodes, all of those so similar, the same song, the record player, the breakfast. Now, we’ve come to the end of Season 1, and Bill’s in a vastly different, scarier headspace than he was before, worried for the safety of everyone near him.
IMG_0330At the police station, Dt. Pete Dixon (Scott Lawrence), Dt. Izzy Torres (Nicole Barré), Captain Brooke Hockney (Debra Monk), and Bill watch the confessional tape Brady recorded before the supposed end. As he rants about his delusions of grandeur, his mom, the “lead boots” of conscience against which his life raged, the lie that his mom died because she wanted to turn him in – he can’t even admit HE was the one who accidentally killed her, a pathetic human. He goes on about history as “scar tissue” and gobbles up a bottle of pills at the same time. Until it looks like he passes out, falling into the lens.
Bill’s thanked afterwards by Capt. Hockney for his involvement, as well as tasked with helping out more while they check for bombs at his place, other places Brady might’ve left a bomb behind. They also get a bit of help from Lou Linklatter (Breeda Wool) concerning where Robi might be.
At the electronics shop, corporate douche Josh (David Furr) realises the killer is the one who setup a display recently, to attract kids and their parents. Nothing’s found. However, better safe than sorry, right? Bill’s house is safe, too. He and Pete have a beer on the front step, chatting, the latter admitting they found an escape tunnel down in Brady’s lair. Quite possible he’s out, alive, plotting.
And yes, he is, of course. Like we all knew. So sinister. He’s got another bomb, he’s putting the finishing touches on it. He has a wheelchair, as well. Underneath which is where the explosives are neatly hidden, nobody any the wiser about its capabilities. Oh, shit.
IMG_0331Josh goes looking for Robi. When he notices his car’s there and nobody answering at home, he calls the cops again. Pete, Izzy, and Bill come to check the place. In the apartment they find no one, nothing. Although Josh notices after a moment there’s no rug near the kitchen like before. So Izzy begins doing minor forensics, spraying luminol around a few areas, locating the presence of some interesting fluids – a large splash on the wall, the floor, some reaching out to the kitchen cabinets. A macabre, fluorescent crime scene.
This is when they call the morgue, to confirm the corpses, and discovering that most likely it was, indeed, Robi left in bed with Mama Hartsfield. So Cpt. Hockney and the rest try determining what Brady’s next move is, what to do in the preemptive hope they can combat the killer.
Speaking of, Brady’s shaving his head, going with a new look. Is he planning on a suicide bombing mission in that wheelchair? Simultaneously, the cops are wondering which events might be targets, a gala, another career fair event, so on. Without a specific threat, they can’t cancel anything. So they add security, they’ll keep their eyes open. Problem is even the shaved head could throw them off his trail, for just enough time to detonate those explosives.
Poor Bill’s haunted, seeing the images of his nightmare over and over. He also believes there’s no way Brady is going for another career fair, just as WE see the killer in his wheelchair, wearing glasses, bald head and a suit to boot. Brady’s at the gala, same place as Holly. Dear lord, no. Bill knows something bad will happen, he rushes for the gala, calls Ida and tells her to get someplace safe; our former detective knows the killer’s going for people he cares about.
IMG_0332In a portable outhouse, Brady opens the wheelchair and produces the bomb. Out on a stage, a speech, a look at the Edmund Mills Art Center opening in the community. In the crowd Bill looks hard for his man, he stumbles onto Holly and asks her to get out of there fast. And Jerome, he’s there with his family. So many in peril.
Lou’s also kicking around, having a drink. Near the bathrooms, she runs into none other than Brady in his disguise: “Shouldve worn sunglasses,” he quips. He stabs her in the stomach before hopping back in his wheelchair. Right at the same time Jerome takes the stage, introduced for his achievements, his getting into an Ivy League college, as he himself introduces a young choir. THE TENSION IS KILLING ME!
The killer doesn’t finish Lou off, so she shouts for help. Bill hears her calls, finding her, and getting somebody to call for an ambulance. She tells him about the disguise.
And wheeling into the middle of the crowd Brady readies himself to detonate. Onstage, Jerome starts clearing people out after Holly alerts him. Bill points his gun into the crowd as they run, Brady holds the detonator ready. But before anything can happen, Holly cracks the killer in the face, beating him relentlessly, and Jerome grabs the device. All to “This Little Light of Mine” in the background. Amazing sequence.


In the aftermath, Holly and Jerome are heroes. Bill’s been vindicated already, as his hunches over the Mercedes Killer case turned out to be entirely warranted. Meanwhile, Brady’s a vegetable in the hospital, our former detectives goes to see him every day: “If he ever flatlines, Ill show up and cremate him myself.” He leaves the hospital after whispering into Brady’s ear, making clear he isn’t going anywhere no matter if the killer’s brain dead or what.
There’s still a flicker. We can hear The Pixies “Here Comes Your Man” playing, the radio in his brain hanging on and on. I wonder…
IMG_0336Loved this finale! Wow, just filled with atmosphere and suspense, tension to fill your boots. Season 2’s been announced already, so I’m very interested if they’ll take into account Finders Keepers, or if they’re going for a whole angle of their own. Exciting stuff to consider in the interim.

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I'm a B.A.H. graduate & a Master's student with a concentration in pre-19th century literature. Although I've studied everything from Medieval literature onward, spent an extensive time studying post-modern works. I completed my Honours thesis on John Milton's Paradise Lost and the communal aspects of its conception, writing, as well as its later printing and publication. I'm starting my Master's program doing a Creative Thesis option aside from the coursework. This Thesis will eventually become my debut novel. I get to work with Newfoundland author Lisa Moore, one of the writers in residence at MUN. I am also a writer and a freelance editor. My stories "Funeral" and "Sight of a Lost Shore" are available in The Cuffer Anthologies Vol. VI & VII. Stories to be printed soon are "Night and Fog", and "The Book of the Black Moon" from Centum Press (both printed in 2016) and "Skin" from Science Fiction Reader. Another Centum Press anthology will contain my story "In the Eye of the Storm" to be printed in 2017. Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I was edited by me, too. Aside from that I have a short screenplay titled "New Woman" that's going into production during 2017. Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I also write for Film Inquiry frequently. Please contact me at u39cjhn@mun.ca or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!

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