“The play’s the thing”: The Marxism & Metatheatre of LONG LOST

Erik Bloomquist's LONG LOST explores issues of class and performance through a psychosexual thriller.

Decadence & Heroic Human Hearts in Konstantin Khabenskiy’s SOBIBÓR

Sobibór was a testament to the human spirit's ability to survive amongst the worst horror man has to offer.

Capitalism, Colonialism, & Imperialism— Oh, My!: TUMBBAD as an Indian Gothic Fable of Greed

TUMBBAD is a unique piece of cinema that thrills & also proves to be a great sociopolitical allegory about modern India.

Father Son Holy Gore’s Interview with Larry Fessenden

C.H. Newell chats with filmmaker Larry Fessenden about his new film, DEPRAVED, Mary Shelley, the state of America, and more.

Destructive Legacies of Fatherhood in Larry Fessenden’s DEPRAVED

The newest film from Larry Fessenden is a fresh take on Mary Shelley's Frankenstein that takes aim at our violent patriarchal culture.

The Infectious Tentacles of Nationalism & Xenophobia in AWAIT FURTHER INSTRUCTIONS

A post-Brexit/post-Trump horror+sci-fi mashup critical of the media, nationalism, and old white men.

Jenn Wexler’s THE RANGER: A Punk Rock Manifesto for Women

Jenn Wexler's debut feature film examines what separates the city and the rural while also looking at how goddamn tough it is being a woman.

The Gruesome Line Between Art & Real Life in LORDS OF CHAOS

LORDS OF CHAOS tells the true story of Norwegian black metal band Mayhem and the tragic consequences of their dangerous art