Mr. Mercedes – Season 1, Episode 7: “Willow Lake”

AT&T’s Mr. Mercedes
Season 1, Episode 7: “Willow Lake”
Directed by Jack Bender
Written by Dennis Lehane

* For a recap & review of the previous episode, “People in the Rain” – click here
* For a recap & review of the next episode, “From the Ashes” – click here
Pic 1Again, love the repetition of each morning Bill Hodges (Brendan Gleeson) experiences. Every day is exactly the same. Shows how he’s just going through the motions. His only added change are the bits and pieces of the Mercedes Killer case he works on. Across town and then right into the neighbourhood is Brady Hartsfield (Harry Treadaway), working from afar yet right out in the open, too. A tense situation that’s bound to explode sooner than later.
The glimpses of Brady in his basement are the true views of his life we’re offered, we see him as a real person down there. We see his true self, the one he has to hide even right upstairs with his mother, from his spastic dancing to Radiohead to his bomb making and other eerie behaviour, facilitated by a cabinet full of explosives, discarded cellphones, and other treasures. Plus, he’s watching Bill. There’s nothing the old detective can do that’s out of view of Mr. Mercedes.
Another interesting note: Brady and Bill are each haunted by their past; for the former it’s his dead brother, the latter his estranged, alcoholic daughter. So to watch their parallel paths in life – one a serial killer, the other a cop, though equally damaged – is very compelling.
Pic 1ABill has to “eat shit” because he needs computer help, which means he needs young Jerome (Jharrel Jerome). He feels bad, but isn’t willing to totally eat that shit. However, he does well enough to fix things between them. He needs to dig through Olivia Trelawney’s laptop. He’s getting Holly (Justine Lupe) to help them out, too. Turns out the girl’s got computer game, she knows just about as much as Jerome. She’s both quirky AND smart.
Scary stuff now, as we see Deb (Kelly Lynch) at home, drinking, where she starts picking through her son’s things. Curious about his life. She finds one of his hats. And then finds his clown mask. Oh. Shit. Afterwards, she also digs under his mattress to find a journal with terrifying, sexual drawings on the front. A veritable horrorshow, his mind.
At work, Brady hears from Lou (Breeda Wool) there’s a shake up in the store. They’re all brought into a meeting where one of those douchey corporate guys Brady met at the restaurant gives them a verbal lashing. He berates them brutally, going “fullon fucking Mayan.” So, he decides on firing Lou randomly. Security even comes to escort her out of the building. Spineless Robi (Robert Stanton) looking on shocked. The guy’s lucky Brady didn’t slaughter them all.
Then there’s a semi-awkward situation over at the funeral parlour, Silver’s – yes, Ida (Holland Taylor). That puts Bill, Ida, and Janey (Mary-Louise Parker) in a room together awhile. Slightly uncomfortable.
Screen Shot 2017-09-21 at 11.44.00 PMDeb, along with the old journal she apparently stashed away, found a length of rubber hose. She wonders what Brady does with it, asking him face to face. She likewise shows him the clown mask, asking why he’s got it hidden in the closet. He goes on a rant about running away with the circus. She keeps on prodding, looking through the journal, lamenting not having him “committed” years ago. Deb wants her son to have changed, from the budding psychopath that clearly existed long ago. Problem is, he budded. Fully bloomed.
The next morning, Bill and Janey have a difficult discussion. She’s headed back to California after the funeral, which doesn’t sit well with him. He does his best to act normal. Clearly he’s wounded, believing their relationship to have been more meaningful. “If I stay Ill fall in love,” she says. Not something she’s prepared to do after having been deeply wounded herself once upon a time. Sad on both sides.
Screen Shot 2017-09-21 at 11.51.13 PMJust outside the funeral procession, Brady watches on. Janey gets up to do the eulogy. A really sick moment, Mr. Mercedes right there, watching the family of the woman he drove to suicide grieve over another family member. So twisty and turny and unsettling.
Scarier still? Brady has planted another bomb. In Janey’s car. As she drives out of the parking lot he sets it off, the car exploding while Bill and Holly sit not far off. The killer drives away, leaving the wreckage behind, as well as Bill, left there with the burning remnants of the woman he’d started to love on the street, in the car’s twisted metal.
Wow. Absolutely devastating.
This episode finally ratcheted the tension up, high as possible, before just drilling us, hard. I’m fascinated by this series. I expected an event like this, though didn’t see it coming here. Devilish, tragic. I wonder how Bill will ultimately deal with this, I know he’s going to feel responsible partly. He’ll blame himself for Janey being around him, he’ll be paranoid of everyone near him winding up dead.
“From the Ashes” comes next week. Be prepared.

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Mr. Mercedes – Episode 1: “Pilot”

AT&T’s Mr. Mercedes
Episode 1: “Pilot”
Directed by Jack Bender
Written by David E. Kelley

* For a recap & review of Episode 2, “On Your Mark” – click here
Pic 1We start in 2009, in Ohio. Extremely early in the morning at a City Jobs Fair. People are lined up outside through a roped walkway. Everyone waits patiently, some introducing themselves to one another. Others aren’t entirely happy to be there, not into the socialising. Regardless, everyone there’s starved for work, from the older folk to a young mother with her baby and every sort in between.
Suddenly, a Mercedes pulls up. Lights beaming onto the crowd. The driver slides on a clown mask, breathing heavy. Then he drives directly through the people, barrelling forward at top speed. People scream, running away fast as they can.
But some don’t escape. The driver ploughs over them, including the young mom and her child, a man helping her. Tons and tons of bodies lie bloody, crunched, smashed to bits in his wreckage. Holy christ, what a brutal sequence! When the smoke clears, Detective Bill Hodges (Brendan Gleeson) turns up on the scene to survey the carnage and begin an investigation along with fellow lawman Pete Dixon (Scott Lawrence). The senselessness isn’t immediately evident. Pete thinks the driver “lost control” of his vehicle. Hodges knows better.
Pic 1AWe jump ahead, two years later. Looks as if Dt. Hodges is a bit rough around the edges, lying in his own wreckage now. Mostly consisting of beer cans, cigarettes, and peanuts. Bit of a mess, in more ways than one. He’s got a lot of time to himself these days. Him and his friend Fred, the tortoise in the backyard. Seems they’re sort of at the same pace. He still has dinner with Pete, keeping in touch after his retirement.
One thing’s clear, though – Bill’s got unfinished business. Like many cops who’ve retired with unsolved cases. He doesn’t even feel like himself. While Pete and a local waitress named Sheila (Tuesday Beebe) try keeping him on track, as does nosy neighbour Ida Silver (the incomparable Holland Taylor), there’ll always be something not right with him. He just slides further into the bottle.
Bill: “Ever notice everythings upside down on a spoon?”
Sheila: “Maybe thats how life is, hon. Spoons just got it figured out.”
Perfectly with The Ramones playing “Pet Sematary” on the radio, we’re introduced to Brady Hartsfield (Harry Treadaway). He works at a store dealing in electronics, computers, all that sort of thing. He’s got a regular life, he and co-worker dealing with shitty customers and a corporate cut-out boss. And his boss, oh, man: a piece of work! He’s basically jealous of Brady’s talent with computers, cutting him down a peg at any corner possible.
We see that Ida’s nosy because she’s looking for a companion, at least a sexual one. But underneath all that – she’s a proud lady, after all – there’s a genuine concern about Bill. She doesn’t want to see him waste away, she’s seen it before. She doesn’t want him to have “retreated from the living” just because of retirement. So, despite her sort of snooty attitude at first, she’s genuinely worried the man doesn’t have any purpose. And without purpose, without telos, what IS a man?
Pic 2Well, there’s still a purpose. Deep down there somewhere.
Particularly after he gets an e-mail addressed from Mr. M. Subject line: Long Time. We see a clown mask briefly. Then the screen switches to a smiley face, speaking to him with an electronically disguised voice. Taunting about his retirement, his weight gain, and the fact he never solved his case. Up come a bunch of pictures of the victims driven down outside the City Jobs Fair. He even tells the former detective he wore a condom that night, for fear he’d ejaculate and leave evidence. The whole video is wildly disturbing, and totally terrifying.
So if there wasn’t purpose before, if he didn’t consciously care about it already, now Bill is paying attention. Now, he has something he must do. If not, he’ll likely suffer the rest of retirement in a haze of insanity.
We also cut back to Brady, his mother Deborah (Kelly Lynch) worrying he’s working too many hours. That he’s “all work and no play” – sound familiar, Stephen King fans? Similar to another fella named Jack. She worries more about him, that he’s never had a girlfriend, that he’s withdrawn, even if he’s a smart guy. Oh, and it turns out mommy has other things on her mind. Things no mother ought to be doing with her son, y’know, like incest. Yikes. Although Brady leaves before things go too far. Instead he spends time alone stroking one out rather than go all the way. Man, that’s unsettling.
If you didn’t know already, Brady is Mr. Mercedes.
Pic 3Pic 3AThe fun will-they won’t-they between Ida and Bill continues. She’s not happy she showed him a nude on her phone and he wouldn’t look at it. She insists he looks. He does, if not a bit reluctantly. I hope they continue this relationship, on any level, because Gleeson and Taylor together’s like some kind of sweet magic.
When Bill clicks a link on his computer with a smiley face, it goes to a short few clips of Mr. Mercedes driving through the people in the crowd that day, the clown mask, his distorted laughter. A fucking evil thing to witness.
Bill: “Now personally I think closure is overfuckingrated, but the nightmares, the panic attacks I could do without.”
So he’s poking around more, asking Pete questions about the case. His friend doesn’t want him to obsess anymore, like he did at the end of his career. Later, he ends up at the electronics store where Brady works. He’s looking for a surveillance camera, though he doesn’t come in contact with the young man. A slick moment of near chance.
Afterwards he heads to a towing lot. A place he’s evidently been quite a few times. There lies the bloody, beat up Mercedes kept in storage. Just seeing it leaves the retired cop in agony, imagining all the people being run over in those seconds of brutality. He sits in the driver’s seat, as if imagining himself driving.
Pic 5At home he gets the camera installed with help from a neighbour kid who does stuff around the house for him regularly, including with the latest e-mail business. And who else is rolling around the neighbourhood? It’s Brady. One of his other jobs is as a Mr. Friendly’s ice cream truck driver, serving up scoops for the kids, and fucking with Hodges, tossing a tennis ball with a smiley face into the yard for him to find.
Screen Shot 2017-08-11 at 5.15.26 PMMan, oh, man! I did not expect the first episode to be so damn good. Much as I love King, I’m always sceptical going into a film or television adaptation of his work. Which is a bonus when it’s actually fucking great. So much to love here, and not least is the use of punk rock in the soundtrack. Love it!
“On Your Mark” is next week, so stay tuned. We’re going to get deeper into this creepy little world of Mr. King’s together.