Season 1, Episode 10: “Alibi”
Directed by Allen Coulter
Written by Terence Winter
* For a review of the penultimate Season 1 episode, “Rock & Roll Queen” – click here
This episode begins with Richie (Bobby Cannavale) making a deal with two feds. He’s now to be an informant against Corrado Galasso (Armen Garo). Is life going to get any easier now? Highly doubt that.
Meanwhile, Clark (Jack Quaid) is in the clubs getting Indigo out to the nighttime crowds. Things are definitely going better, people are jamming to the record and disco seems to be taking hold quite well already. Love this opening sequence, as we see a guy like Clark coming up while someone like Richie is on his way down. Definitely speaks to a shift from rock n’ roll in the ’60s to the different forms of music that birthed in the ’70s.
At the same time, Kip (James Jagger), Alex (Val Emmich) and The Nasty Bits aren’t exactly doing the greatest. Seems perhaps the situation between Alex, Kip and Jamie (Juno Temple) has been making things into a mess. Like we didn’t see that coming. Poor Jamie, she’s really trying to make an honest go at being a manager or an agent, anything, yet the power of love, the attraction of power itself all makes things more difficult.
Zak Yankovich (Ray Romano) is uptown meeting with Corrado. They talk like buddies, then Zak moves into business. He wants to chat about Richie. Uh oh. This is starting to get dangerous. Zak and Richie’s personal troubles come out, now clear to Galasso. There may be some fallout from this conversation.
Over at American Century Records, Skip (J.C. MacKenzie) lets the gang know Indigo, somehow, is playing well. Julie (Max Casella) and the others are surprised. They’ve got no idea about what’s been happening. Also, Maury Gold (Paul Ben-Victor) brings up a problem with The Nasty Bits’ song “Woman Like You” – Lester (Ato Essandoh) wrote it while under contract with Maury, so they need permission from him as an artist to use it. Only Maury suggests to send “a few of Corrado‘s boys“, which is something Richie wants no part of. Especially now that he’s a federal informant.
All the while, Zak is planning on ousting Richie from ACR, he and Scott (P.J. Byrne) have already got things in motion, now with Galasso knowing their situation things are moving. Zak’s still trying to get the career of Gary a.k.a Xavier (Douglas Smith) going, the kid even has a ton of ideas for some space opera-style costumes and stage designs, so on. They’re juggling a lot, these two. Something about Scott is uneasy, though.
The Nasty Bits are being pumped up by Andrea (Annie Parisse) and Richie as the next big thing. Joe Corso (Bo Dietl) tries to put his two cents in. Then Galasso turns up, saying he has “bad news” for Mr. Finestra. This all leads to something Zak had never expected. Now it’s all out in the open. Corrado doesn’t like him being “rat fuckin‘ shit bag” against his friend and colleague Richie. Zak didn’t follow the old mob rules, which turns his latest plans on their head. “I don‘t give a fuck what your problems are,” Galasso makes clear before leaving. But the furthest divide is between Richie and Zak – the former admits everything’s his fault, though, he does at least have ideas about how to get through it all. Add to that the cops still have a bug in ACR, the local ones, and they’re trying their best to keep an eye on things, even if the feds are now playing their own games.
Kip and Jamie continue falling apart. She’s fallen for both him and Alex, too. This prompts Kip into quitting the Nasty Bits, throwing Jamie out, and likely he’ll be falling head first into some heroin soon enough. Can’t mean anything good for the label. At least Indigo is “charting“, again to the surprise of Skip, Scott, and Julie. Clark did a good thing by not sending out a later, he and Jorge (Christian Navarro) decided to pimp the record out to the clubs and have found an “untapped market” for this dance music.
Cut to Lester and Richie. The permission for the song is not coming easy, but Richie’s also not aware of Kip quitting. Not sure how that’ll play into things going forward. Either way, Richie tries his best to persuade Lester, even cutting a cheque, too. Their bridges keep mending then burning and falling to bits all over again.
Problems are happening for Zak, as well. He’s collected by a man belonged to Galasso – so fast his shoe is let in the middle of the street. So Richie gets a call, and down he goes to a meeting with Galasso and his men. A raid came down because of what was on that wire tap. It looks like Zak’s fault. No good, for anybody. They gun down Corso, all to make a point. “Now go make some fuckin‘ money,” orders Corrado. For now, the ACR boys make it out alive.
And sadly, Kip has done what we could’ve all predicted – Lester and Jamie find him, overdosing on heroin, and try their best to help out. Ah, the life of a rockstar in the 1970s. Glamorous.
Love the scene where Queen is playing and they’re amazed by his voice, as well as that his real name could be Freddie Mercury. Then there’s Zak, hiding in his office, drinking booze, taking pills. Like anyone would after witnessing a man get a bullet to the head. He takes out a nice pair of shoes, he looks sullen, remembering better times. Is he planning something regrettable?
Down at the venue, Richie and the gang try to revive Kip for his gig. They’re going to bang a bit of coke up his veins to get him going again. Rock n’ fucking roll. Nothing can sway him, though, even after coming back from the dead. Lots of their personal bullshit comes out in front of Richie and Lester. This gets Jamie fired, and Richie commands them: “Do your fucking job.” Plus he makes clear there will be tons of women. Turns out Jamie isn’t fired from the company, only “from them“, so she still gets to stay, just has to stay away from the Bits.
Out on the stage, above it hangs a disco ball. Almost as if threatening to drop on all the rock, to obliterate it, and pave the way for something else. But when The Nasty Bits come out, as the crowd boos and wants The New York Dolls, something in the air changes when Kip starts to rock out. As the music hits people, even with The Ramones in attendance, people start to enjoy the edge, the attitude, the bluesy punk. Everybody begins to get it, and maybe The Nasty Bits will make it after all, despite the odds, the girl troubles, the heroin, the jealousy. Richie adds a nice flair to things by calling the cops and having them rush the stage. Publicity is flowing already, journalists scribbling everywhere, people chanting for the band.
The reach and power of the music business is evident so hilariously when the feds talk with Richie, so interested in groupies, the nightlife of rockstars. Great writing by Terence Winter. For the time being, Richie’s giving up little bits of information to his handlers, though, nothing that meaty so far. He’s almost playing both sides of the coin, both gangsters and the cops.
But most interesting is the bar where Richie meets his fed. He ends up chatting with the owner, who tells him of his plans to have bluegrass, country, blues, all kinds of music at his new place after it revamps: CBGB, he has written on a pad of paper, trying to figure out a name for the place when it starts out. Love this little inclusion, and hopefully it means good things for Richie somewhere down the line.
At the ACR office, a party is raging a little while after The Nasty Bits blew everyone away at the Dolls’ show – now, the launch of Alibi Records. A speech by Richie leads into the explanation of choosing Alibi or the name of the new sub-label, as well as an impassioned statement about music, youth, and the future of rock n’ roll. They break out some spray paint then to get the spirit of punk flowing through their veins. The entire office gets chaotic in the most enjoyable way. Across the room, Richie catches Zak’s eye, and something is still not quite right, nor will it ever be, I can’t imagine.
Love this season.
Sadly, HBO has recently decided they won’t continue with their renewal. They’ve gone ahead and reneged on that renewal and cancelled the show. Too bad. Some others didn’t dig it. I thought there was lots of good things happening. Oh well, thems the breaks!