From Vinyl

Vinyl – Season 1, Episode 10: “Alibi”

HBO’s Vinyl
Season 1, Episode 10: “Alibi”
Directed by Allen Coulter
Written by Terence Winter

* For a review of the penultimate Season 1 episode, “Rock & Roll Queen” – click here
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This episode begins with Richie (Bobby Cannavale) making a deal with two feds. He’s now to be an informant against Corrado Galasso (Armen Garo). Is life going to get any easier now? Highly doubt that.
Meanwhile, Clark (Jack Quaid) is in the clubs getting Indigo out to the nighttime crowds. Things are definitely going better, people are jamming to the record and disco seems to be taking hold quite well already. Love this opening sequence, as we see a guy like Clark coming up while someone like Richie is on his way down. Definitely speaks to a shift from rock n’ roll in the ’60s to the different forms of music that birthed in the ’70s.
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At the same time, Kip (James Jagger), Alex (Val Emmich) and The Nasty Bits aren’t exactly doing the greatest. Seems perhaps the situation between Alex, Kip and Jamie (Juno Temple) has been making things into a mess. Like we didn’t see that coming. Poor Jamie, she’s really trying to make an honest go at being a manager or an agent, anything, yet the power of love, the attraction of power itself all makes things more difficult.
Zak Yankovich (Ray Romano) is uptown meeting with Corrado. They talk like buddies, then Zak moves into business. He wants to chat about Richie. Uh oh. This is starting to get dangerous. Zak and Richie’s personal troubles come out, now clear to Galasso. There may be some fallout from this conversation.
Over at American Century Records, Skip (J.C. MacKenzie) lets the gang know Indigo, somehow, is playing well. Julie (Max Casella) and the others are surprised. They’ve got no idea about what’s been happening. Also, Maury Gold (Paul Ben-Victor) brings up a problem with The Nasty Bits’ song “Woman Like You” – Lester (Ato Essandoh) wrote it while under contract with Maury, so they need permission from him as an artist to use it. Only Maury suggests to send “a few of Corrados boys“, which is something Richie wants no part of. Especially now that he’s a federal informant.
All the while, Zak is planning on ousting Richie from ACR, he and Scott (P.J. Byrne) have already got things in motion, now with Galasso knowing their situation things are moving. Zak’s still trying to get the career of Gary a.k.a Xavier (Douglas Smith) going, the kid even has a ton of ideas for some space opera-style costumes and stage designs, so on. They’re juggling a lot, these two. Something about Scott is uneasy, though.


The Nasty Bits are being pumped up by Andrea (Annie Parisse) and Richie as the next big thing. Joe Corso (Bo Dietl) tries to put his two cents in. Then Galasso turns up, saying he has “bad news” for Mr. Finestra. This all leads to something Zak had never expected. Now it’s all out in the open. Corrado doesn’t like him being “rat fuckinshit bag” against his friend and colleague Richie. Zak didn’t follow the old mob rules, which turns his latest plans on their head. “I dont give a fuck what your problems are,” Galasso makes clear before leaving. But the furthest divide is between Richie and Zak – the former admits everything’s his fault, though, he does at least have ideas about how to get through it all. Add to that the cops still have a bug in ACR, the local ones, and they’re trying their best to keep an eye on things, even if the feds are now playing their own games.


Kip and Jamie continue falling apart. She’s fallen for both him and Alex, too. This prompts Kip into quitting the Nasty Bits, throwing Jamie out, and likely he’ll be falling head first into some heroin soon enough. Can’t mean anything good for the label. At least Indigo is “charting“, again to the surprise of Skip, Scott, and Julie. Clark did a good thing by not sending out a later, he and Jorge (Christian Navarro) decided to pimp the record out to the clubs and have found an “untapped market” for this dance music.
Cut to Lester and Richie. The permission for the song is not coming easy, but Richie’s also not aware of Kip quitting. Not sure how that’ll play into things going forward. Either way, Richie tries his best to persuade Lester, even cutting a cheque, too. Their bridges keep mending then burning and falling to bits all over again.
Problems are happening for Zak, as well. He’s collected by a man belonged to Galasso – so fast his shoe is let in the middle of the street. So Richie gets a call, and down he goes to a meeting with Galasso and his men. A raid came down because of what was on that wire tap. It looks like Zak’s fault. No good, for anybody. They gun down Corso, all to make a point. “Now go make some fuckinmoney,” orders Corrado. For now, the ACR boys make it out alive.
And sadly, Kip has done what we could’ve all predicted – Lester and Jamie find him, overdosing on heroin, and try their best to help out. Ah, the life of a rockstar in the 1970s. Glamorous.


Love the scene where Queen is playing and they’re amazed by his voice, as well as that his real name could be Freddie Mercury. Then there’s Zak, hiding in his office, drinking booze, taking pills. Like anyone would after witnessing a man get a bullet to the head. He takes out a nice pair of shoes, he looks sullen, remembering better times. Is he planning something regrettable?
Down at the venue, Richie and the gang try to revive Kip for his gig. They’re going to bang a bit of coke up his veins to get him going again. Rock n’ fucking roll. Nothing can sway him, though, even after coming back from the dead. Lots of their personal bullshit comes out in front of Richie and Lester. This gets Jamie fired, and Richie commands them: “Do your fucking job.” Plus he makes clear there will be tons of women. Turns out Jamie isn’t fired from the company, only “from them“, so she still gets to stay, just has to stay away from the Bits.
Out on the stage, above it hangs a disco ball. Almost as if threatening to drop on all the rock, to obliterate it, and pave the way for something else. But when The Nasty Bits come out, as the crowd boos and wants The New York Dolls, something in the air changes when Kip starts to rock out. As the music hits people, even with The Ramones in attendance, people start to enjoy the edge, the attitude, the bluesy punk. Everybody begins to get it, and maybe The Nasty Bits will make it after all, despite the odds, the girl troubles, the heroin, the jealousy. Richie adds a nice flair to things by calling the cops and having them rush the stage. Publicity is flowing already, journalists scribbling everywhere, people chanting for the band.


The reach and power of the music business is evident so hilariously when the feds talk with Richie, so interested in groupies, the nightlife of rockstars. Great writing by Terence Winter. For the time being, Richie’s giving up little bits of information to his handlers, though, nothing that meaty so far. He’s almost playing both sides of the coin, both gangsters and the cops.
But most interesting is the bar where Richie meets his fed. He ends up chatting with the owner, who tells him of his plans to have bluegrass, country, blues, all kinds of music at his new place after it revamps: CBGB, he has written on a pad of paper, trying to figure out a name for the place when it starts out. Love this little inclusion, and hopefully it means good things for Richie somewhere down the line.
At the ACR office, a party is raging a little while after The Nasty Bits blew everyone away at the Dolls’ show – now, the launch of Alibi Records. A speech by Richie leads into the explanation of choosing Alibi or the name of the new sub-label, as well as an impassioned statement about music, youth, and the future of rock n’ roll. They break out some spray paint then to get the spirit of punk flowing through their veins. The entire office gets chaotic in the most enjoyable way. Across the room, Richie catches Zak’s eye, and something is still not quite right, nor will it ever be, I can’t imagine.


Love this season.
Sadly, HBO has recently decided they won’t continue with their renewal. They’ve gone ahead and reneged on that renewal and cancelled the show. Too bad. Some others didn’t dig it. I thought there was lots of good things happening. Oh well, thems the breaks!

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Vinyl – Season 1, Episode 9: “Rock and Roll Queen”

HBO’s Vinyl
Season 1, Episode 9: “Rock and Roll Queen”
Directed by Carl Franklin
Written by Debora Cahn

* For a review of the previous episode, “E.A.B” – click here
* For a review of the Season 1 finale, “Alibi” – click here
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Richie (Bobby Cannavale) is trying to get himself out of jail, drug sweats and all. He and his lawyer are in an interrogation room trying to work things out. But things are looking rough for Mr. Finestra. There’s a deal being worked out. If Richie will help the feds bring down Corrado Galasso (Armen Garo), then he’ll be all right. Otherwise it’s manslaughter, as well as a possibly tough god damn time in jail.
Over at American Century Records, Maury Gold (Paul Ben-Victor) is making things complicated for everyone. Zak (Ray Romano) is not too happy, but does what’s needed to get by. Maury’s an old school-type, also one who’s connected tightly to the mob. This is a messy situation for Richie.
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In a room with her new photographer friend Billy (Richard Short), Devon (Olivia Wilde) is embracing the photographer in herself once more. Also, they’re pretty much falling love. Or for the time being it’s a sexual release for her. Either way, she is free of Richie. For how long who knows.
Boardroom time. ACR is trying to get moving again, to start signing a few new acts and so on. In the mix, again, is Maury, which sort of makes everybody nervous. Julie (Max Casella), Skip (J.C. MacKenzie) and the rest are discussing business; The Nasty Bits, even the prospect of Hannibal coming back to the label, et cetera. Not everything is hunky dory, though. A bit of interjection from Maury causes a dull uproar over the direction of the label, the sub-label. All of it. And when things get too much for Richie, he goes to do some cocaine. Instead, he opts to toss it. Is this a new side to him? He needs his wit to deal with the cops. Better off without the coke.
Everyone’s in a bit of a hard spot. Jamie Vine (Juno Temple) is kicked out on the streets, though, she does have Kip (James Jagger) to take her in, to comfort her. Meanwhile, Clark (Jack Quaid) is attempting to get along with his new colleagues, doing a decent job so far; I feel there’s more to his story that’s coming, I hope so anyways.

 


Trying to kick the habit, Richie has to watch everyone around him snort to their heart’s content. Joe Corso (Bo Dietl) is around, too. Being an idiot. Is it realistic to believe Richie will be able to get himself clean?
At a photo shoot for The Nasty Bits, manager Lester Grimes (Ato Essandoh), Andrea Zito (Annie Parisse) and Jamie try to corral the band. When Kip gets a bit pissy, Danny (Rodrigo Lopresti) offers to chop off his long locks to make things balanced. Looks like there may be a future for this little punk outfit after all.
Julie goes to Richie, about some acts, all that stuff. Well, he ends up talking about Devon, seeing her at the bar during the last episode. The two men bond over broken marriages. But Julie has a few choice words for his boss and friend over all the things happening, personal life and business wise, every last bit of it. Nothing is sunny at ACR. No one is happy, especially not the guys who’ve been there longest like Julie, Zak, the others. Even Cece (Susan Heyward) – she’s got issues with Hannibal returning.

 


Richie: “Screaminyour heart out into a mic, it aint cheap anymore. And if you dont have $800,00 in the banktruth and sound, it aint available.”
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There’s a lot of things happening at the office. Andrea’s not pleased with the “stupid fucking twats” around banging the acts, from Cece – now pregnant – to Jamie, whose semi-management of The Nasty Bits is slightly jaded for the fact she’s sleeping with Kip.
At the same time, Lester is very unhappy. The sight of Gold in their boardroom absolutely crushes him. He is not impressed with Richie and his involvement with Maury/Galasso. So many things are basically crumbling around Finestra, from the actual label itself to the employee-employer relationships to, obviously, his shattered marriage. Speaking of which, Devon is supposedly living her “divorce fantasy“, but it’s anything other than that to her. “I dont know what Im doing,” she tells her friend desperately.
So Richie goes searching for her. He ends up at the apartment where Devon stays with Billy, just as the latter is trying to kill a bat flying around. This is a hilarious situation, after Richie whacks Billy in the face accidentally with a tennis racket, trying to help. Then, he realizes who the guy is, and they slowly shuffle away from each other. When Devon shows up, naturally, they argue. She makes clear the rift between them is not closing, not anytime soon, anyways. He loves her, but like everything else in his life there’s always this necessity to do the easy thing, not the right thing. Which only ends up making his life that much harder. At least he gets to see his kids for a bit.

 


Devon: “You stood in front of me coked out of your mind and told me you spent the week with a dead man.”
Richie: “Yeah, and you fucked a live one.”
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At Kip’s place, he and Danny and Jamie rock out together. Is this a burgeoning threesome situation? Could mean for some nasty band relationships. Right now, it’s as if Kip doesn’t mind a whole bunch. The three of them are enjoying themselves. Let’s see how long the Golden Age of their good times lasts.
Zak and Richie have a bit more personal time together. The former does his best to ensure Richie his marriage will get better. A good drunk, a nice fuck, all is forgiven. Then there’s Clark, who heads out for another night in the clubs with that good music spinning on the tables. He’s busy trying to get Indigo’s new album out for some play. Except it clears the dance floor after the DJ puts it on for people to hear. Not a hit. At least not immediately. A minute or two pass by and then people start grooving, dance circles form, and the music gets people to move.
On the phone, Zak gets a call from Vegas to fly him out, free of charge. Because of his “patronage“, what he says was only $800 at the table. He and Skip talk, but it’s not immediately evident to Zak what’s happened. Although, the seed is planted in his mind. It grows, quickly. The concept of Richie’s betrayal dawns on him. What an awful feeling and a terrible turn of events, particularly for Richie who has enough trouble already.
So Zak gives Richie a few whacks in the elevator. He takes out his rage, best he can. This is a true fracture, a possibly unfixable one in their relationship.

 


After his beating, Richie goes to the Chealsea Hotel. He sees Devon, admitting that he killed Buck Rogers, in self-defense, but also that he tried covering it up. This is what made him fall off the wagon. He comes clean to her about every last detail. Clearly shocks her to the core. Why wouldn’t it?
But where does this go from here? Will Devon somehow understand the plight of her husband? Will she help him? Or is Richie about to fade away into the muck and mire of addiction? Hard to tell. I’d like to think he’s going to face things head on. There’s no guarantee either way. One thing’s for sure: Richie has the spirit of rock n’ roll flowing through his veins, it’s only a matter of whether he can keep himself from going off the deep end. If so, American Century Records could turn things around.
Richie may not live to see that day. In the end, he decides to take the deal and help the cops take down Galasso. Uh oh.

 


Stay tuned for the Season 1 finale “Alibi”, which airs next week. Loving this series. Excited to see where the finale takes us and where Season 2 will begin from afterwards.

Vinyl – Season 1, Episode 8: “E.A.B.”

HBO’s Vinyl
Season 1, Episode 8: “E.A.B.”
Directed by Jon S. Baird
Written by Michael Mitnick

* For a review of the previous episode, “The King and I” – click here
* For a review of the next episode, “Rock & Roll Queen” – click here
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Richie Finestra (Bobby Cannavale), his boys Zak (Ray Romano) and Skip (J.C. MacKenzie) are out talking with a loan officer named Allen Charnitski (Michael Kostroff). Trying their best to woo him, which starts with Skip hugging the man as they come in the bank, to awkward reception especially from Richie. But life goes on. They do the best they can. Although, their best may not be enough.
Meanwhile, Richie needs some cocaine. He needs to get things done and that requires the boost he knows will work.
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Richie: “And besides, Sigmund Freud, Thomas Edison, Sherlock Holmesthey all thrived used cocaine.”
Zak: “Sherlock Holmes; not a real person.”
Richie: “Give me the fucking coke!”
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In other news, Andrea Zito (Annie Parisse) is trying to turn the company image around. She’s left dealing with Hal Underwood (Jay Klaitz), whom she eventually fires because he’s outdated like a dinosaur in a cheap shirt. Plus, this shows us how big her balls are, and that she can get shit done.
Lester Grimes (Ato Essandoh) is still going hard at managing The Nasty Bits. Kip Stevens (James Jagger) has all but completely lost his edge, as the band is now some sort of watered down bit of Brit Pop. Doesn’t seem like Richie’s too impressed anymore – they’re opening up for the New York Dolls soon. He tries to light a fire under the Bits. Jamie (Juno Temple) and Julie (Max Casella) watch on, as Richie talks about how their demo was the “soundtrack” for “all the madness of this city” and that they need to recapture that essence. “I dont need a hit, guys,” Richie explains: “I need a Nasty Bits song.”
Zak and Scott (P.J. Byrne) attempt to sign the singer from the Bat Mitzvah – Gary (Douglas Smith) – whose voice they hope to exploit, in order to get American Century Records back on track proper. And his voice is incredible, for sure.


At the office, Richie finds Joe Corso (Bo Dietl) waiting. He’s worried about the cops poking around concerning Buck Rogers. They know about the three of them together that night. There’s all sorts of animosity between the two of them. Corso all but threatens to out Richie to the police if he’s caught himself. Yikes. That situation might degrade faster than expected.
In studio, Lester decides a lesson in “foundation” is necessary for the Bits when they’re tapped out. He drops a bit of rhythm on them all, even singing slightly to a riff. Nothing like the blues to get things hoppin’. “Dirty it up,” Lester even suggests. This starts to get the blood flowing.
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Richie deals with a bit of Skip’s mutinous feelings. He knows that Skip is likely doing the skimming that’s alluded to on his part. But in bust the other two yokels, flying high about signing the kid from the Bat Mitzvah. Zak is willing to put a lot on the line to get the guy signed, even putting his personal finance on the line – all because he still thinks he’s the one who lost all that money in Vegas, unknowing that Richie was the one who did them in. Afterwards, up turns Hal who is a Satanist of some sort, and lays a hex or something on everybody in the office. A hilarious and also kind of sad moment.
Up on the rooftop for a smoke, Lester bonds a little with Kip. Until Kip tries to get Lester to teach them his song, so they can turn it into a Nasty Bits tune. No response from the manager. For now.
At the same time, Clark (Jack Quaid) is making better friends at his new position in the mail room. He and one of the other guys bond also, only over a bit of cocaine. They bump a little then get to talking. Then to dancing.
Across town at the Chelsea Hotel, Devon (Olivia Wilde) has troubles with some of the neighbours. Not the place for children, that’s for certain. To stay she needs to produce more work, as they cater to artists. Those dreams of hers don’t come easy.


Maury Gold (Paul Ben-Victor) receives Richie at his office. The younger of the two is admitting to trouble with ACR. He starts leaning towards going to the mob, but Maury knows the price of those decisions. Richie doesn’t want to see his friends, particularly Zak, go in over their head. “Have you ever seen somebody choked to death?” asks Maury, as a preamble into his advice about going to the mob for loans.
At a club, Devon goes with friends to see Bob Marley (Leslie Kujo), Pete Tosh (Aku Orraca-Tetteh) and the gang onstage. Beautiful reggae music flows over the crowd, as everybody jams to the gorgeous rhythm. She sees John Lennon at a booth, but across the place Julie spies her. Interesting. Even more so because she ends up getting Lennon’s picture, as well as finding herself getting close to another man.
Richie and Zak head to see Corrado Galass0 (Armen Garo), whose disposition is scary to say the least. They manage to get a cash guarantee. Then there’s also a request to share office space. Naturally, the boys don’t push their luck and accept readily. Without admitting to any guilt, Richie tries assuring Zak things will be fine, and that he takes responsibility for the mess they’re in currently. Not long after Richie’s picked up by the police.


The cops try grilling Richie, but he’s a fairly cool cucumber under pressure. They’re very convinced of his guilt. Yet he manages to keep them off his back, for the moment. Then they bring up Corso’s name. They throw suspicion, doubt onto the fire. A tape is played for Richie. No surprise – they’ve bugged his office.
And so the plot thickens.
We end on the finale of this episode with The Nasty Bits playing a new tune. Their manager has come through big time. Zak and Scott each fantastize about the potential of Gary’s career. A nice little montage culminates with Richie in his jail cell, and a cut to Clark joining his new buddy on an excursion to a club somewhere in a big building, people dancing everywhere. Amazing. Like Clark stepped into a brand new world.


Excited for the penultimate episode of this season. A great show. Not my favourite episode, but a good one. Stay tuned with me for “Rock & Roll Queen” next Sunday!

Vinyl – Season 1, Episode 7: “The King and I”

HBO’s Vinyl
Season 1, Episode 7: “The King and I”
Directed by Allen Coulter
Written by David Matthews

* For a review of the previous episode, “Cyclone” – click here
* For a review of the next episode, “E.A.B” – click here
COVER
After the literal and titular “Cyclone” of last episode, Richie Finestra (Bobby Canavale) is back!
This episode begins as Richie reads The Farther Reaches of Human Nature by A.H. Maslow. He’s having Cece (Susan Heyward) cart out all the alcohol. He’s “on the wagon” apparently, so everyone else is excited to get the runoff. In the American Century Records boardroom, Zak (Ray Romano), Scott (P.J. Byrne) and Skip (J.C. MacKenzie) are trying to help Richie get things running “lean“, which includes cutting up the company cards and such. They discuss how to trim all the fat, including getting rid of their plane, et cetera. Then up turns Andrea Zito (Annie Parisse). She’s doing her best to keep her end of the ship above water. Nevertheless, Richie’s still having trouble keeping it together. Being sober and dealing with everyday problems, plus ACR’s bullshit, can’t be easy.


On their plane, while they’ve still got it, Richie talks to Zak about Devon (Olivia Wilde). Although, it’s pretty clear that Zak has problems with him. He doesn’t have much sympathy for Richie and his broken marriage. Still pissed about his daughter’s Bat Mitzvah, and Richie showing up stoned, very, very late, and so on. Their issues all come out over the ride. It’s obvious Zak is more than offended, he is genuinely hurt by someone whom he thought was a close, dear friend. A slight discussion about Maury Gold (Paul Ben-Victor) and Corrado Galasso (Armen Garo) comes up. Yet Richie does his best song and dance to let this slide by without much talk. And his addiction, the want for booze, for anything, is certainly clear.
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Zak: “Because youre an infant, Richie. I trust my wife, naked, in bed with Burt Reynolds before I trust you with a hundred grand in cash.”
Richie: “I partly see your point
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In the life of Jamie Vine (Juno Temple), her mother is trying to control her life. But Jamie’s one strong lady, and she’ll do whatever it takes. Meanwhile, Clark Morelle (Jack Quaid) is busy out doing his new duties, getting dogged by a bunch of black employees, which is damn hilarious. He’s trying, anyways. There’ll definitely be more to come out of his little situation.
Zak and Richie get their plane off-loaded, with Lou Meshejian (John Ventimiglia), who’s very happy to have it, lots of plans. But the boys from ACR aren’t feeling so hot, as they’re looking like the ones on the block who can’t get things done right.
At a big lavish party, Richie decides he’s going to try and lift some clients for Lou’s sassy behaviour. He passes by a few people, such as Mama Cass, then Zak introduces him to Gram Parsons (Wesley Tunison), and then there’s Stephen Stills (Brett Schneider) whom Richie already knows. “Pheasant just lands on your shotgun, doesnt it?” Zak quips when a woman feeds Richie pineapple out of nowhere. A little later, we see Crosby, Stills, and Young in the same spot. Awesome little drop in the bucket of the massive universe within Vinyl.
Above all else, Richie realizes the word on ACR is out in the air and he has to do something to change that soon. At the party there’s a bit of talk Zak hears, which prompts him to suggest to Richie they ought to try signing Elvis Presley, whose unhappiness at his label is a hot topic in the rumour mill.


Jamie and Clark bond a little. Turns out, Clark had her job several years ago, now he’s back down in the trenches. “Hustle and moxie,” Jamie suggests as what the ACR heads want in their people. There’s simply something missing in Clark. He fits in, slightly, but he doesn’t push, he doesn’t go for broke on the right things, and above all else he is fairly spineless. Especially after breaking down crying in front of Julie (Max Casella) a couple episodes ago. Still, though, Jamie tries to help him keep his spirits up because she is a good soul. Bringing a bit of marijuana to work might help Clark bond with his new co-workers in receiving.
At a hotel, Zak and Richie meet with legendary Colonel Tom Parker (Gene Jones) – manager of the famed Elvis. The whole thing is like a clandestine meeting, off the books, but it’s whatever it needs to be. They’ll do anything necessary.
In other news, Joe Corso (Bo Dietl) is out doing his thing, throwing money and orders around. “Stop beina cock,” he tells one radio man before shelling out even more money. Even further, Corrado and Maury arrive. Nothing looks too friendly, particularly when it concerns Corrado’s name getting tossed around willy nilly. “Think before you talk,” Maury advises Joe. And just around the corner sits one of the police investigating Rogers’ murder. Hmm.
Waiting around to their deals, Zak and Richie strike up conversation and drinks with a couple pretty ladies. Only problem? The cocaine comes out. Instead of doing it, he skips a bump, tosses one of the women in the pool then jumps in himself. Smart move, Rich. Can he last? Can he turn away from the lure? Only time will tell.
A little bit of Elvis (Shawn Wayne Klush), too. He rocks onstage, as Zak, Richie, the women, and a huge crowd watch on. Zak isn’t impressed for his part, not with the new Elvis Presley. “This isnt Elvis,” shouts a drunk Zak.


Zak (watching Elvis): “This is a tragedy. Fuck JFK, MLK, Vietnamthis, thisI cant. Rock nrolls died tonight.”


In the hotel room, Richie leaves Zak to the two women.
He goes to meet Elvis instead. They have a down to earth chat. Seems they’ve both been reading the same material, re: Maslow. Then Richie gets to talking him up, though, not a hard sell. He merely gives Elvis compliments, genuine ones, and plays on the King’s love of the form of rock n’ roll. It’s a great scene, the whole thing is intense, weird, and well-written. These appearances of people playing music gods since the first episode have been interesting. They don’t come off at all as gimmicks or inorganic. Dig every last one of them. Perhaps Elvis is my favourite thus far. Furthermore, we see the grip the Colonel seemed to have had on Presley, acting almost like an abusive master than a manager.
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Elvis: “I want them to feel the music, yknow, I want them to live in the music. Thats where I live; in the music, man.”


Back at the room, the girls cleaned Richie and Zak out. Big time. Including their safe, the cash inside. Looks like Zak fucked them even worse than anything he perceived Richie’s done. Well, at least it’s on par. For all his faults, Richie mostly drained their wallets with his coke habit, which is no more. Now it’s Zak making things into a mess: “I wanna die,” he weeps to Richie. “Everyone fucks up, okay?” he reassures in reply. Through thick and thin, these guys.
Or is that the case? We skip back a little. All the number 18 moments hit Richie. So he went to the room as Zak got his three-way on, and he took the money downstairs: all on 18 at the craps table, over and over, loss after loss. So on the plane home, he naturally has a drink. So much for being off the wagon. Then, the symbol of the two travel bottles of vodka leave stains on his book from earlier, as if the inescapable nature of his addiction leaves an imprint on every little aspect of his life; that’s his human nature.


Excited for the next episode. This has been an amazing season, better and better as time wears on. Next up is “E.A.B”, so stay tuned with me!

Vinyl – Season 1, Episode 6: “Cyclone”

HBO’s Vinyl
Season 1, Episode 6: “Cyclone”
Directed by Nicole Kassell
Written by Carl Capotorto & Erin Cressida Wilson

* For a review of the previous episode, “He In Racist Fire” – click here
* For a review of the next episode, “The King and I” – click here
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With everything all but falling down around Richie Finestra (Bobby Cannavale), the first season of HBO’s Vinyl moves further towards the finale.
This episode starts with “Tequila” by The Champs playing on a radio outside the home of Mr. Finestra, as he sits inside railing cocaine in a craze. This guy is seriously developing more of a habit each day. He’s hanging out with old pal Ernst (Carrington Vilmont). He isn’t much of a good influence, pretty much egging Richie on about Devon (Olivia Wilde) and what she might be up to. At the same time, in come his kids while he’s high as fuck. What a father. What a dude.


Richie: “I should freeze my accounts
Ernst: “You should fuck!”
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Meanwhile, Devon’s off on her own at the Chelsea Hotel. Seems there’s a bit of plaster casting going on, in which she’s involved. And then she gets even more involved when the shoot gets troublesome, offering to take off some clothes and jump in, head first. If Richie can have fun, why can’t she? Nobody should be judging her any more than him. All around a very provocative scene. All the same, nothing makes her feel full. Like Richie, constantly chasing a bigger, better, high.
Off the rails spins Mr. Finestra. He rampages through American Century Records like the titular cyclone, shouting orders, talking to himself.
Zak Yankovich (Ray Romano) welcomes Andrea Zito (Annie Parisse), and she seems ready to do business. Everybody’s happy to see her, from Skip Fontaine (J.C. MacKenzie) to Scott Levitt (P.J. Byrne). Then there’s the bossman who is a bit too over-the-top for everyone, clearly higher than Jesus. He leaves a little later, and it makes things easier for all involved. He heads off to cheat on his wife, but that doesn’t work.
Zak asks a little about Hannibal, to which Richie replies: “Because he tried to shove his dick inside my wife. Any other questions?” It’s just all out madness around the office. Richie’s falling apart, completely, right in front of everyone’s eyes.


Elsewhere, Julie Silver (Max Casella) requires Richie and his presence, concerning The Nasty Bits. “You kissed this broad not me,” says Julie. The problem is there are too many hippies at the auditions for a new guitar player. Richie trips out in front of everyone. We literally watch his tragic descent in front of the room. Then there is Ernst, reporting on Devon and her whereabouts. It’s all too much for Richie to handle right now, on top of the mountain of cocaine in his head. He takes off on the auditions leaving Jamie (Juno Temple) with Julie, the band, and no coke of her own.
Andrea takes Zak with her to go see David Bowie (Noah Bean), who jams onstage: “Is that Andy fucking Zito?” he calls down between jams. The guy playing Bowie looks SO MUCH like him, particularly in that era. Great sequence including him. Love the inclusion of all these musicians played by actors. Also gives Andrea lots of credibility, introducing her as a character quickly and efficient. But then Zak goes too heavy at Bowie and drives him away. Hilarious.
Outside a club, Richie ends up assaulting Andy Warhol (John Cameron Mitchell) by tossing him to the ground, then getting tossed into the road himself. His paranoia is building, especially after he finds out Ernst knows about what happened to Rogers – because Richie told him. The pair hotwire and steal a car, heading out for a little nighttime drive. Where to? Probably to track down his wife.


Devon is enjoying herself, blowing off steam. They talk about Ernst, Richie, all kinds of things. But Devon would rather not talk of her husband, his “bender” and such. Or is it more than that? She’s more drowned by the monotonous life at home, stuck with a husband, children. It isn’t exactly what she wanted, yet that life was forced upon her. This whole thing brings up the idea of artistry, what it means to be one, when you are one, who says, and so on. Love this whole sequence. Because then there’s the side of Devon which knows she’s bringing chaos to her kids, the family, and it pains her. Not all her fault, though. “Im so lonely,” she says: “Its pathetic. Im not myself anymore.” And that’s what it’s about: losing herself in the life of her husband, giving him everything with nothing left for herself.


Devon: “Day after day in that house I hear this creaking, back and forth, its the sound of me hanging myself from the rafters.”
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While his wife is pondering the big questions, Richie’s sleeping off a bender in the car. And forgetting important things. Simultaneously, in a guitar shop Kip (James Jagger) might’ve come across someone worth having in the band. Not only for his guitar player skills, but his scheming initiative. They both take off with guitars from the shop, and eventually Kip turns it into an offer.
Devon heads home, and almost instantly the sad quiet of that life returns, smothering her. Before she hears the kids, the one thing anchoring her there at all.
At the Bat Mitzvah, things are pretty much over. Zak isn’t overly happy to see Richie, after a six hour party. Such an awkward scene, as Richie makes a fool of himself, higher than the sky itself. He tries to apologize for everything over the past few months. Is it enough? Not so sure. “You ruined my life, and my familys life,” Zak yells at his boss. And Richie gets the toss, naturally. High and yelling at a Bat Mitzvah. Not a pinnacle of good living.


Worst of all, though, Richie knows he’s responsible for his problems, all those issues plaguing his life. He recognizes it all too well. Likely why he huffs down the drugs at such an incredibly dangerous rate, why he’s pretty much intent on self-destructing.
At home he finds Devon. He talks a good game – “Im gonna fix this” – but will anything truly change? He says the right things, makes the right moves, only she knows there’s more behind it all. Then he goes way too far and pushes her past the point of no return. She quickly grabs a few things, as well as the children. She finally decides to get out of there, recognizing the cyclone that is Richie, fueled by rage, ego, and cocaine.
Great montage of scenes as Trey Songz sings Bowie’s “Life on Mars?” and Zak mulling over his life, plus Richie discovers Devon and the kids gone.
Then we discover Ernst is dead – a hole in the back of his head. Has been all along. Could’ve guessed it, yet I still love this episode. A great bit of writing. What follows is an eventual car crash, as Richie hallucinates his long dead friend and gets totaled by another car in the road. A massacre to end such a wild, frantic episode. Then out steps Buddy Holly (Philip Radiotes) for a quick jam. And then Richie sits in his car, totally fine, staring at the Cyclone rollercoaster in front of him. Psyched out, man. Did he kill Ernst in a crash, is that how he died? Pretty sure. Love the intricacies. It becomes more and more clear with each passing episode that Richie turns everything to shit once it comes into his life, one way or another.


This was a whopper of an episode. Fun writing, excellent direction, and dedicated to the memory of David Bowie. Looking forward to “The King and I” next. Stay tuned with me, fellow fans!

Vinyl – Season 1, Episode 5: “He in Racist Fire”

HBO’s Vinyl
Season 1, Episode 5: “He in Racist Fire”
Directed by Peter Sollett
Written by Adam Rapp

* For a review of the previous episode, “The Racket” – click here
* For a review of the next episode, “Cyclone” – click here
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Moving further through 1973, we’re back with Richie Finestra (Bobby Canavale), as he tries to juggle professional life, his family life with Devon (Olivia Wilde), and at the same time does his best to keep his involvement in the murder of Buck Rogers under wraps. Seems tough, right? Well, a little zip of cocaine and Richie can face the insurmountable odds no problem. Or can he?
This episode begins with a part Led Zeppelin-part Jethro Tull knock-off, wearing costumes and all – Wizard Fist. What a name. They perform at Renaissance fairs and such. Brutal. A bunch of other bands go on and on, as Richie listens, alongside an unimpressed Julie (Max Casella), and the ringleader of this apparent night out, Clark Morelle (Jack Quaid).
Heading off, Richie gets a call from his father Vince (David Proval). He chews his son out a bit over the alibi Richie requested. “Fuckinbig shot,” Vince eggs him on.


Richie: “Theres more than one way to be dead, pop.”
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Julie calls Clark in for a talk. There are firings going around, and Clark starts to suspect he’s gone; he’s right. “Youre fired, kid,” Julie tells him. The show the night before was certainly that one last nail in his coffin. But poor Clark’s left in tears, begging for his job. Instead he ends up with a pay cut – taking the job of Jamie Vine (Juno Temple). Because nowadays Jamie has other things to do. Meanwhile, Cece (Susan Heyward) appears to have a whole other thing going on, showing up “in a limo” in the morning, as well as other things. Damn, girl.
In the board room, Lester Grimes (Ato Essandoh) and his new client Kip Stevens (James Jagger) about promotional label “bullshit” for radio stations around the country. Kip wants Jamie in there with them and tells the whole room: “Im Kip Stevens, fuck your mom; theres my bio.” Richie and the label are doing label-type things, attempting to break apart The Nasty Bits. Almost the way Jim Morrison, and other lead singers, found themselves attacked by label dudes who “groom” talent and try to take the supposed star onward, upward, away from their bands.
One thing I’m starting to love about Vinyl is how Jamie has really, despite all odds, carved a niche out for herself, amongst all the sexism and the nonsense around her. Temple is a solid actor anyways. Here, she gets to show lots of that.
Cece lets Richie know about Hannibal (Daniel J. Watts) possibly being lured to another label, by the greasy Jackie Jarvis (Ken Marino). This clearly worries Richie, and shakes him up. Just as he seemed to be doing all right. He calls Devon and cons her into a date, which is actually him trying to “impress” a client.


Richie: “You up for some fondue? If not we can fondont. Go somewhere else.”
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Jamie’s worried about her job, as Clark is in her position now. No promotion for her, though. I suppose at least she’s still got a job while others are being sacked. Still, raw deal for bringing in a new act.
Out on a photo shoot, Richie goes to see Andrea Zito (Annie Parisse). They’ve got a complicated past. It’s clear Richie abused their relationship in some ways, giving too little while taking too much. He wants her to help the label, but she gives him options on how to bring her into the fold. Richie tries to sell her hard: “Youll have a voice, okay. Im different, Andy.”
At a high class restaurant, Jamie meets with a woman, obviously her mother, who she lies to about a promotion with American Century Records. But she gets the reply: “Youre an embarrassment.”


In the office, Richie finds his father laughing and drinking with employees. Vince calls himself “just an old horn player“, yet it is extremely clear that Richie cares about his opinion. And things go on devolving until they’re basically at each others throat. But Vince is at odds even more now with his son needing that alibi. After discovering the nefarious shit Richie’s involved with, Vince is feeling worse.
A brief Little Richard (CJ Lacey) interlude, as he woos and wails his way away. Beauty.
In the studio, Jamie listens to The Nasty Bits rock hard. It is super raw and sounds a bit brutal. Eventually, Kip gets into an argument with his guitar player, calling him “lazy“; Jamie’s rubbing off on him. Yet after the session when Lester arrives, there’s trouble – he fires the guitarist, tough and to the point.
Out at dinner, Richie’s entertaining Hannibal best he can. Lots of fun, some laughs. The title of the episode comes from an anagram of Richie Finestra out of Hannibal, displaying a talent for coming up with them.
There’s still the problem of Kip and his heroin. He has the addiction and he’s afraid nobody is around to “take the knocks” with him. In comes Jamie, promising just that.


While Devon and Hannibal dance, Richie snorts some coke in the bathroom. He joins everybody and they’re all having fun. Just like normal people. Things get a little too sexual, as Hannibal and Devon dance with lust. Richie hauls Cece into his lap forcibly, which she doesn’t appreciate much. Soon enough, you can see the look in Richie’s eyes go dark while Devon enjoys Hannibal, quite a bit. The night ends abruptly. But Richie brought her there to impress, for the purpose of business, and he got upset when things went south. I don’t blame her. I blame him. Maybe Hannibal a bit, as well. Either way things get hot and heavy in the elevator before getting complicated. She knows she was “bait” and then reveals there was no plan to bang Hannibal, just a blow in the bathroom for Richie from a faithful wife. He goes way too far before getting smacked.


Richie: “Want a bump?”
Hannibal: “I dont need a bump. I got a bump.”
Devon: “Why yes you do, sir.”
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The cops have got Richie’s place bugged. They heard the conversation between Papa Finestra and his son. With further and further evidence, how long does Richie have before cuffs click on those wrists?
Richie gets a call later from Jarvis, who’s just signed Hannibal. Wow. Just, wow. Not particularly impressed with Hannibal at this point, either.
We get a great Lou Reed (Connor Hanwick) scene, “White Light, White Heat” rocking over the crowd. At the same time, Devon heads into the Hotel Chelsea, while Richie’s at the club with Lou onstage and talking to Andrea. Their history becomes clearer with each conversation. He has really insulted two important women in his life in this episode, though, Andrea gets a slight satisfaction out of Richie’s revelations. Regardless, she gets in on the label. Another extra dimension to Richie and his life filling up with madness. Lots of things are adding up. Will he go too far, again, and cheat on Devon?

This was an intense episode. Can’t wait to see “Cyclone” next! Stay tuned with me, fellow fans.

Vinyl – Season 1, Episode 4: “The Racket”

HBO’s Vinyl
Season 1, Episode 4: “The Racket”
Directed by S.J. Clarkson
Written by Debora Cahn

* For a review of the previous episode, “Whispered Secrets”  – click here
* For a review of the next episode, “He in Racist Fire” – click here
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This episode opens on Otis Blackwell (Gregory Bastien) singing “Please Help Me Find My Way Home”, crooning in lights, surrounded by colours. Only we morph into a scene at a funeral for the dead and gone Buck Rogers (Andrew Dice Clay). In the pews watching on sit a few of the American Century Records crew, such as Zak Yankovich (Ray Romano) and Skip Fontaine (J.C. MacKenzie).
Meanwhile, Richie Finestra (Bobby Canavale) and Devon (Olivia Wilde) are having couples counselling. Except using a tennis racket to smash a pillow, prescribed by their doctor, gives us edits of Richie from the couch to the memory of smashing Buck’s head in savagely. A great bit of writing and editing combined. “I dont want him to feel better, I want him to feel worse,” Devon makes clear to her therapist and Richie.


On the way back from the funeral, Zak, Julie (Max Casella) and the others chat about the situation at their label. Everyone’s worried. For his part, Julie sticks on Richie’s side; out of loyalty or the need of a job, that’s another story. Then there’s Richie snorting coke, ordering everyone around. Zak gets more and more pissed off with everything that’s going on. “Bunch of whiners,” screams Julie after the bitching gets too much for him. One great mention: Julie is headed into the studio with Mr. Robert Goulet (Matt Bogart).
Cut to the ACR office. Hannibal (Daniel J. Watts) shows up to fanfare, and a bit of racist leaning dialogue from a trying-too-hard white guy stating there’s “ribs” and all kinds of food for them. Only they’re “vegetarians now” so the white dude says: “Get this shit outta here.” Hilarious moment. Afterwards, Richie does his best to make Hannibal and the crew feel at home. In other news at the office, Jamie Vine (Juno Temple) and Clark Morelle (Jack Quaid) butt heads a bit, as the latter is trying to work his ass off and sign an act; Jamie’s beating him with The Nasty Bits so far.


Devon skims through a bunch of photos she took, specifically the mess Richie left, the guitar through the television. She resents Richie for going back to their old life, the one they agreed to leave behind, and that she gave up her old life, essentially, for nothing.
Over at the office, VIP-treating Hannibal, Richie attempts to spin him and his label as the best of the lot. He does give a good sell, maybe a bit of a hard one. Either way, people love to party with Richie, especially when he busts out a nice load of cocaine for them to start railing. A nice jazzy record goes on. Despite his faults, Richie knows damn good music. They vibe and get high. So Richie’s not particularly dedicated to doing better for his marriage. He’s more concerned with business than his relationship, the love of his life. And then there’s the fact Hannibal, as well as others, look at Richie (and ACR) in a different light because of the non-sale of the label. Richie does good for now, though. He knows what Hannibal digs.
In the midst of all that, Lester Grimes (Ato Essandoh) arrives to see Riche. As do The Nasty Bits. Yet even though Lester arrives later than them, he goes in first. “Welcome to American Century,” Lester tells the boys: “Get ready to take it up the ass.”
Zak and Scott Levitt (P.J. Byrne) each reminisce, as well as lament, their time at American Century Records. They don’t like how Richie treats them. All the same, even if they’re decent at their jobs, they don’t fit well with the music business. Rock n’ roll Richie does, faults and major flaws aside. “Im a relationship person,” Zak declares – then complains about his steak being “too rare” and sends it back. Moment full of irony there, as he bitches saying Richie is only all about himself. Found it worth a chuckle.
Then there’s Skip. He heads down to a factory pressing records. There are problems with some of the shady shit they do at ACR. Turns out there are issues with one of the latest shipments. Will this bring legal troubles? You can be sure it’s nothing good. God damn Donny Osmond.


With Curtis Mayfield playing over the scene, Richie receives Lester Grimes, as Hannibal still kicks around, then Goulet shows up with questions. So many things happening at once. At least Hannibal finds himself busy with the beautiful black secretary in Richie’s office. In the lobby, The Nasty Bits aren’t happy with waiting around so long, and Jamie has to fund their dinner.
Lester’s not happy with the tapes. He can’t sing anymore and it hurt him. In front of Richie, he burns the tape and tosses it in a wastebasket. This starts a little fire that sets off the sprinklers. Janis Joplin (Catherine Stephen) shows up in another one of those cutscenes, singing her heart out.
Busy with a possible divorce, Devon talks to a lawyer. That’s what the pictures are doing now, serving as evidence of Richie’s unstable nature, his drug abuse, et cetera. The conversation gets out of hand for Devon and she ends up with a lot of advice from the lawyer, plus a big charge. The lawyer says she’s not getting a divorce apparently. We’ll see about that.


The Nasty Bits and Lester end up chatting, drinking at a bar. He has lots to say about signing with a studio, all the downsides of the supposedly glamorous life. He’s almost hellbent to destroy any further acts from signing with Riche. Wouldn’t you be? Raw deal for Lester. He explains the royalties and “all that shit” which end up going to the label, everything the artists who are dying to sign contracts don’t know or understand.
Richie gets ready then has to go sign The Nasty Bits. Or try, anyways. Much of what Lester warned begins to happen. Lead singer Kip Stevens (James Jagger) then introduces their new manager: Lester fucking Grimes. “You two go back, dont ya?” Kip asks with a tongue firmly planted in cheek.
Skip’s not having much of a good time. At a store, he finds his Donny Osmond marketing isn’t going so hot. Their old operation does not fly anymore. It’s slipping through their fingers and Skip doesn’t feel too calm.
In the office, Lester battles it out with Richie. He’s not pleased with Lester, for the office burning up, gold records damaged, as well as the demands he is making for The Nasty Bits. An offer gets laid on the table. But the conversation turns to the young man whom Richie heard at the club in the first episode, where he finally encountered Lester again; the turntable guy from Lester’s building. Maybe Lester might become the manager for his early hip hop DJ act? Hopefully so.
Bit more friction at the label. Clark runs afoul of Marvin (Ephraim Sykes), claiming there’s talk that he’s only a token black guy, to bring in black artists, “the brothers” and all that. Is Clark playing games? Trying to find an angle in on keeping/securing his job? The record business is getting ruthless.


Hannibal runs into the sleazy Jackie Jarvis (Ken Marino), who puts a negative spin on anything Richie-related. He claims to be a “fan” of Hannibal’s music, no matter what label the band is on. Big show, and backstage Cece (Susan Heyward) the secretary watches on. Will Richie make it in time? Perhaps another brick in the wall of ACR’s mausoleum, unless things turn around. Their negative look could definitely be their downfall, especially with people unhappy working there.
Plus, Richie gets word of Jarvis at the show. While he snorts more coke in the low light of his office. Always something. And at his door, up show some detectives. Neither of them appear too impressed with Richie, though, they seem to dig Robert Goulet and want to know more about his latest Christmas album. Richie’s presence was expected at the funeral, casting suspicion on him. All the while, he has flashbacks of Buck, both alive and while being killed. The editing again is awesome here. Things get dicey for Rich, being the last number called from Rogers’ place the night of his murder. Uh oh.


Bit of Goulet in the studio recording his holiday songs. Although, Zak and Julie sit in the back, disgusted with how low they’re supposedly stooping. Then Skip is across town offloading a ton of Donny Osmond records in some building, somewhere. All the wheels of ACR turn rusty and with a ton of grease. Richie spins out of control, wondering what’s next to fall apart. The Nasty Bits celebrate with Jamie upstairs outside the office, punking it out on the fire escape drinking. Everybody’s in their own little pocket, troubles abound. Even the good situations are lined with an ominous tint.
At home, Devon gets a call from Richie. She tries to tell him about the divorce lawyer. He doesn’t hear anything, though. He only says he’ll be home “tomorrow” and hangs up. She goes back to scrubbing dishes in the dark, nearly scrubbing right through a pan. He treats her terribly. When will Devon finally break completely? Soon enough, no doubt. Right afterwards she starts hammering the window with the pan until it breaks.
Down the basement steps somewhere, Richie heads through a dimly-lit hallway and into a club with jazz playing, smooth and beautiful. Sitting there playing the trumpet, as it turns out, is Vince Finestra (David Proval) – father to Richie. They sit at the bar together. “You still dry?” asks Vince. Richie replies no, then some attitude comes out of dear old dad. There’s clearly bad blood there, too. They obviously don’t have a great relationship, which comes out in their conversation. “I need an alibi,” Richie tells his father.


Nice close to this episode with Nina Simone singing “Sinnerman” over the credits. Can’t wait for the next chapter, “He in Racist Fire”, so stay tuned with me next week.