Tagged Annabelle Wallis

Peaky Blinders – Season 1, Episode 3

When Freddie won't leave town, Tommy's got to figure out a way to settle things down. For himself, for Ada, and for the sake of their business.

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Peaky Blinders – Season 3, Episode 2

BBC Two’s Peaky Blinders
Season 3, Episode 2
Directed by Tim Mielants
Written by Steven Knight

* For a review of Episode 1, click here.
* For a review of Episode 3, click here.
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After a whopper of a premiere, Season 3 keeps on ramblin’. Tommy Shelby (Cillian Murphy) is out taking meetings. He’s talking with Connor Nutley (Ralph Ineson) about a little business. He needs some keys, evidently to some storage. But you know it’s more than for a place to store a few things. Either way, it appears Nutley is reluctant to take money from a Shelby, Tommy specifically. He takes it, though.
And a little later, he ends up speaking to Father John Hughes (Paddy Considine), as the two sit and have a smoke. They talk of choosing sides, so on. And without a whole lot of effort, Considine makes Father Hughes and his talk of “little creatures” into an eerie sort of chap. I’m a fan of his for a long time now, but this is immediately an effective performance. Interested to see where this relationship goes from here. Hughes is a crooked priest with irons in the criminal fire, so there’s no doubt a further end to having a great actor like Considine playing the part. The tension between Hughes and Tommy is excellent, too.
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Now I’m blown away. Because an excellent actor I didn’t realize was part of this season shows up – Jan Bijvoet, as Grand Duke Leon Petrovna. This character is also quickly intriguing. Seems things aren’t as lively in terms of social engagements and business asthe Duke had hoped. He’ll be an interesting addition to the cast, as well.
Arthur Shelby (Paul Anderson) and brother John (Joe Cole) are sitting for a meeting of their own. However, not everybody’s too happy living under the rule of Shelbys like Arthur and John. As much as Tommy can get psycho when needed, Arthur and John are most certainly a little less subtle, and perhaps a little less respectful, than their brother. Vicente Changretta (Kenneth Colley) ends up literally spitting at them, making clear they’ve gone too far this time. Nice tense scene that’s sure to bring about a little trouble.
I’m always interested in what Aunt Polly (Helen McCrory) is up to. Because as greasy as she can be like any of them, Polly doesn’t get enough credit. They often walk all over here. But then again, none of them are saints, so what does it matter? Regardless, she doesn’t back down, and always gets her two cents in. Despite getting ignored or flat out mistreated, Polly manages a degree of strength in her male Shelby dominated world. Except right now all she manages to do is rile up her son John over Lizzie and her messed up situation.


Meanwhile, Tommy is making sure he’s on the special list at a swanky hotel. He’s dining and chatting with the Grand Duke Petrovna, who for his part is a bit of a disgusting man eating and drinking and talking in unison. Petrovna makes a bit of a dirty remark about Russian women v. English women, one which doesn’t appear to strike Tommy as very funny. But they get on talking. The conversation has its… ups and downs, including the Grand Duke crushing a glass in his hand, so obviously stressed yet completely composed at once. Another really impressive scene, both in writing and in the execution of the actors. Of course we find out more about what happened in the first episode of the season, re: the killing of the supposed Russian. Now, there’s further business ahead for the Russians and Shelbys. Serious business at that.
And John, he’s busy kicking the shit out of people. That’s one thing that constantly drives the fear of the Shelbys is that they’re very up close and personal fighters. Yes, they use weapons, guns sometimes. But they’re mostly brawlers. This is part of why many fear them. They don’t have to resort to guns in the night, or at least not all the time. These are blokes that’ll take you on, head to head.
When the Shelby brothers come together, along with Aunt Pol, there’s problems over John’s actions. He listened to nobody, and now there’s hell to pay. All the same, Tommy will have nothing but solidarity. It’s his way, or the fucking highway.


The Grand Duke sees his Grand Duchess Izabella (Dina Korzun). This reveals the fact they’ve likely got sinister intentions within their dealing with the Shelbys. She says it’s possible he may have to kill Tommy, with his own hand. Something the Duke is apparently ready for, one way or another. But is he? Without the possibility of death, any show’s characters become stagnant. So while Tommy is strong, all powerful with a wide reach, there is always a possible murder lurking around the corner, an assassination close behind or being brewed in the dark corners of Birmingham, maybe even further than that. Yet what I know for sure is there’s a nice showdown coming for the Petrovna and Tommy.
At the same time, Tommy is giving his wife Grace (Annabelle Wallis) the sapphire Petrovna gifted him for the murder of the Russian (spy) from last episode. And he’s got so much to worry about now with a wife, the child, it’s more to be used against him. Aside from that there’s Arthur trying to fight his demons, aided by his overbearing wife Linda (Kate Phillips). It’s only a matter of time before something in the Shelby clan breaks, snapping like a twig. Violently, I would imagine.
More Radiohead in this episode with “I Might Be Wrong”, a personal favourite of mine out of their catalogue. We see Arthur out on “business” as he tells his wife. But really it’s shit kicking time. So put on your shit kickers. Although, give it to Arthur: he goes home like he said he would. Even if his brother isn’t happy.


Tommy gets scooped up by the coppers. Then up shows creepy Father Hughes with an equally unsettling dog to see Mr. Shelby in his cell. The priest brings news about having Scotland Yard in their pocket. Veiled and open threats at once. Except Tommy is a hard bastard. A fighter to the bone. The two stand toe to toe, might as well be butting heads. Still, there’s a scary element to Father Hughes: “We can reach anyone. Anywhere.” And this puts a proper spook into Tommy, who rushes home to find a further threat. Proving that Hughes and his people really can get to anybody. A highly unsettling moment. Both in its own right, as well as for the fact Tommy is such a powerful man and someone can still go above and beyond his grasp.
As things go on of which she has no idea, Polly is ready to be painted soon by Ruben Oliver (Alexander Siddig). These two are fast becoming a little romantic. Wonder how far that will go, or what more trouble that might get Aunt Pol into with her boys. Because you know there’s only so far happiness goes for her. Mostly it’s a bleak and dreary ride through life for her among the Shelby clan. “A woman of substance and class,” she repeats to herself in the mirror before a party, the words Oliver had said about her earlier.
And at the party, Tommy’s not pleased to see Father Hughes, along with MP Patrick Jarvis (Alex Macqueen). In the dark behind closed doors, the three meet, and Tommy smokes his way through another tense encounter. They discuss an upcoming job, a bit of business. And Tommy really has no time for anybody else’s shit. The MP and the priest have their own ideas about how things will go. Even with the force of their power against him, Tommy will not lie down and take it for anyone.


Tommy: “You know gentlemen there is hell, and there is another place below hell. I will remember everything, and forgive nothing.”
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Tommy doesn’t want to bring Princess Tatiana Petrovna (Gaite Jansen) through for a factory tour while the place is being watched. Also, Princess Tatiana is a bit of a bitch. She even goes so far as to play on the whole gypsy angle, saying the sapphire from the Grand Duke has been cursed by one. So Tommy rushes to his wife, asking her to take the thing off.
But it’s too late. A man barges in through the crowd and takes a shot at the happy couple, hitting Grace right in the chest above her heart. As Tommy holds his bleeding wife, the other Shelbys beat the shooter, likely to death.


What a finish! Christ. I am sweating. Looking forward to the next episode, which will undoubtedly bring a ton of exciting developments. Much trouble on the way between the Irish and the Russians. Plus, plenty more amazing cinematography, acting, and lots of fun music. Stay tuned with me.

Peaky Blinders – Season 3, Episode 1

BBC Two’s Peaky Blinders
Season 3, Episode 1
Directed by Tim Mielants
Written by Steven Knight

* For a recap & review of the Season 2 finale, click here.
* For a recap & review of Episode 2, click here.
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Longtime fan since the beginning, I’ve started up on my recaps/reviews for Season 3 of Peaky Blinders! So stick with me, fellow fans of the show. This has been a favourite of mine since its pilot.
The third season opens with a flash of 1922, as Tommy Shelby (Cillian Murphy) kneels ready to take a bullet. Before one of the men holding him at gunpoint shoots the others, letting him go. But with the stipulation that Mr. Churchill will request a meeting with him, at some point. Some day.
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Cut to two years later, 1924. In a packed church, Tommy is ready to be married. All the Shelby clan is at the ready. There’s even a black priest, which amazes some onlookers from the more regal side of the church (Grace’s family). Grace Burgess (Annabelle Wallis) – soon to be Shelby – makes it down the aisle. Afterwards and forever more, the new Shelby family is whisked away to Arrow House in Warwickshire. Life is rambling on. Man and wife. Except there’s always a dark cloud looming over the Shelbys. Hard for anything to go right, so we’ll see how long the happiness lasts. I’ll bet not overly long before something comes up to make things difficult for Mr. and Mrs. Tommy Shelby.
The wedding reception is quite a trip. All the Shelbys are up to their own things, from Arthur (Paul Anderson) trying to make sure Isiah (Jordan Bolger) isn’t getting into the “snow“, while Aunt Polly (Helen McCrory) frets over the little things Tommy needs taken care of. A meeting is called for everyone in the kitchen, as Tom lays down the law: no bad behaviour in front of all the uniforms on Grace’s side of the wedding. Wicked little scene that has Cillian Murphy put on a damn good show, proving time and again his worth as an actor.
Tommy and Grace are at odds, though. He’s not impressed with all the red coats out there. More than that she knows he will always be a part of that dangerous world. Meanwhile, the angry behaviour Tommy shows is because he admits to her that it all scares him; worrying for her, the child, all of it. At least he’s honest. “Tell me what it is youre afraid of?” Grace questions him. To no answer. Until he jokes it off about being scared of the speech Arthur will be giving afterwards.

 


Out at the table, Polly and Lizzie (Natasha O’Keeffe) are busy trying to get away from the gaze of unwanted men. Well, at least Lizzie gets away. Anton Kaledin (Richard Brake) winds up weaseling his way in next to Polly. After a few moments, though, Polly warms up and they chat. Kaledin is a Russian there to do some business with Tommy it seems. And she’s not totally receptive, either.
At the same time, nervous Arthur gets his brother out of bed with his wife. Then he starts to drink. A little too much maybe. And Lizzie’s got her own problems, too. Except Arthur and John (Joe Cole) shut her down hard
Back to the table, including the bride and groom finally. Speech! Speech! Arthur gets up to do his thing, but everybody gives him a bit of a hard time. He gives a slightly emotional speech, which doesn’t particularly make Tommy so happy. He quickly interrupts his brother, awkwardness and all. This sends Arthur off, unhappy with himself. Tom and his brother have a chat about some of the inappropriate things during the speech. This starts a proper brother argument. What comes out is the business with the Russians and Tom’s need for his brother: “Fuck speeches. Fuck weddings. Youre my best man everyday.” Inside, Polly’s serving as the go-between for Tommy and Kaledin. He reveals the code to set things into further motion: Constantine.

 

 

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Kaledin is spinning a good game between all the members of the Shelby organization. Only Arthur particularly is a little too hard for that. So Anton comes face to face with Tommy. Pretty ballsy indeed for the Russian to make contact with him on his wedding day of all days; very Godfather-esque. Anyways, the business is being bandied about in the dark between the men. And as usual, Tommy stands firm: “This is our city.”
Love the interesting look at the early days of cocaine’s rise in popularity. All those rich, high class types looking for some snow to cut up in the back room. Classic. Things haven’t changed, not too much.
The party keeps on raging, despite all those little things happening behind closed doors. Grace lays it all on the line with Polly, telling her how she now knows everything. This does not make Polly happy – further and further she finds her power slips. Although, she is tough. No telling what she could get up to in order to secure more power.
Tommy promises a degree of safety from his business to his new wife Grace, their child. But is that really a promise the man can keep? Not so sure about that. Because as his wedding goes on there’s business afoot. Apparently, Anton gave the wrong code when asked. Now Tommy is meeting Princess Tatiana Petrovna (Gaite Jansen). “No variations,” says Tommy in regards to Churchill’s own instructions. No taking chances. The business gets worked out, but on shaky grounds. Nevertheless, Tommy’s always confident even if Arthur is pissed off. He lays the deal down for his older brother. For now, things go along.
I have to mention the cinematography of Laurie Rose. He is fascinating. Everything here is draped in shadow, which matches the plot, as everything sits below the surface, under cover of darkness. So well done, and a great addition to this third season in terms of its crew.

 


Arthur is the one who ends up with the gun in his hand. He finds Anton saying there’s a woman to see him. Simultaneously, Tommy tees the band up for a big number, as the party really kicks up a notch. Lots of noise. You see?
With Arthur leading Anton outside the atmosphere is ominous. Right as the oldest Shelby takes action. Outside, Tommy watches on as fights are punched out in a circle, one red coat vs. one of the Shelby organization. And Arthur fights, too. For his life. He and Anton go tooth and nail. A wonderfully edited sequence with so many things going on at once. The intensity rises from one second to the next until the gun goes off with a hard bang.
And while wife Linda (Kate Phillips) believes her husband Arthur’s only trouble is trying not to drink, worrying about his flubbed speech, the man is left with the burden of guilt over a cold blooded murder he only just committed. A horrible, tense situation for Arthur.

 


A great little finale to the episode with Radiohead’s “You and Whose Army?” playing throughout. The Shelby organization is running smooth, the body of the Russian burned and gone now. Everything’s on the right path, eh? Well, we’ll just see about that. On the verge of a robbery, Tommy has got more confidence than ever. Hubris? Or just a bad ass with everything in its right place?
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Stay with me. Can’t wait to watch the next episode. Loving this season off the bat!