When Freddie won't leave town, Tommy's got to figure out a way to settle things down. For himself, for Ada, and for the sake of their business.
Episode 7: “Soldier Boy”
Directed by James Kent
Written by Bridget Carpenter
* For a review of the previous episode, “Happy Birthday, Lee Harvey Oswald” – click here
* For a review of the next episode, “The Day in Question” – click here
The penultimate chapter begins, with Jake Epping (James Franco) having been left in bad shape at the end of last episode, as well as Bill Turcotte (George MacKay) being committed to a mental ward.
Seventeen days before the assassination of JFK, we find Jake coming in and out of consciousness. He sees Anderson Cooper on the television, a man on his iPhone. All these modern things. Then his ex-wife. Even Al Templeton (Chris Cooper) appears as the doctor. “I know this isn‘t real, I just want it to stop,” plead Jake. “Sometimes we don‘t get what we want,” replies Al. He expresses disappoint over the entire mission. The whole thing is nightmarish. Once things settle down, there’s Sadie Dunhil (Sarah Gadon) and Deke Simmons (Nick Searcy). But as Jake puts it: “Everything‘s mixed up.” Will the past take a toll on Jake, or is this simply a bump in the road?
Al: “You‘re not the man I thought you were”
Worst of all, Jake’s memory is troubled. His brains are all jumbled. There’s even a great little joke by the writers, as Jake asks whether the man he worked with was named George; in fact, the name of the actor playing Bill. Love it. But feel terrible for Jake and his poor brain.
Meanwhile, Lee Harvey Oswald (Daniel Webber) is out to talk with an agent of the FBI. He’s concerned about the bug in his home. But nobody takes him seriously. Likely part of why he gets crazier and crazier.
With Jake and his memory all mashed, he missed the passing of Mimi. So sad, even sadder for Deke. But after a few moments, Jake starts to get bits of memory back. He remembers “where Bill is“, and oh… is it ever a nasty place, the darkened mental ward of a hospital in the early 1960s – a place for “people who can‘t pay“, a proper dungeon. They go to find him. His mind is almost no better off than Jake’s, though, it comes as a result of being subjected to psychiatric treatments that only served to make people worse decades ago.
But before they can take him away from the hospital, Bill slides out a window and plummets to the parking lot below.
For her part, Sadie tries to help Jake remember his mission. She breaks out newspapers touting JFK’s tour of Texas cities coming up soon, she brings up the Russian on those tapes in his basement. He gets a little frustrated, but Sadie’s determined to keep him on track. A good, loyal woman. A loving one.
In other parts of Texas, there’s Lee and his mother Marguerite (Cherry Jones). They have a nice relationship. She clearly loves her son, and doesn’t want him mixed up with anything crazy. Any sane mother would worry about her child, if her child were spouting out the things Lee thinks. Leading up to the assassination, it’s creepy to see them together. Not sure why. Even creepier still is Lee sitting on a park bench, enjoying a Babe Ruth. Almost like seeing some odd, rare, dangerous animal in the midst of the forest. When he spies a newspaper about Kennedy in Texas, even mapping out where the President will be going, an idea dawns in him; a purpose. What a powerful moment. The way it’s filmed is full of weight. Plus, Webber plays Oswald incredibly well.
But still, while the grimness lingers on, life goes on, too. Jake finds his memory slipping back in slices. He remembers living on Madison Street, the old place where he and Bill shacked up. Slowly, they retrace his steps. And then they run into Lee Harvey Oswald himself. What a turn of events! And more memories come back to Jake, all of Oswald, after he spies a newspaper in a pile, a pro-communist paper called The Worker. Excellent scene, especially the editing. But this whole twist, to send Jake back there recovering his memory, it’s a real treat.
Marina (Lucy Fry) and Lee have all but grown completely apart. This does nothing to help his deterioration. With Jake remembering now, is it fast enough to get the job done? Having Sadie alongside, Jake certainly has a leg up on things. They weasel their way into the garage of Marina’s friend, looking for the equipment Lee will use to kill JFK. No such luck in finding anything, though.
Only twelve hours left. Jake and Sadie do what they can to prepare for what will come next. And then the past starts to come out, pushing back against Jake. All of a sudden the Yellow Card Man (Kevin J. O’Connor) is in the car with him. Everything is eerie, strange now, with the man telling him a story, recounting how he “can‘t stop the past“, and weeping. It’s a sad and tragic exchange, as the man reveals his daughter drowned, and that he keeps repeating it, trying to save her but only watching the past repeat itself. He warns Jake. Then he’s gone again.
While Jake wants to abandon the plan, Sadie urges on, not wanting him to give up. She is his rock. But the past continues to push, not letting Jake start his car in the morning. So it begins. Because at home, Lee is upright, alert, ready to do whatever it is in his mind to do next. He leaves Marina in bed with something long, wrapped in paper under his arm.
We watch the final scene and find Lee setting up, in the window at the Book Depository. He looks chilling, a sentinel on high.
Amazing. Looking forward to the finale of this amazing mini-series, “The Day in Question”, which should hopefully nicely cap off these 8 episodes. Stay with me, folks!