School teacher John Grant experiences an unfortunate day in the Outback of Australia, getting stuck in the tiny town of Bundanyabba.
HBO’s True Detective
Season 2, Episode 1: “The Western Book of the Dead”
Directed by Justin Lin (Better Luck Tomorrow)
Written by Nic Pizzolatto
* For a review of the next episode, “Night Finds You” – click here
To start, this is NOT a repeat of True Detective True Detective Season 1 – the show is trying to do a new story, new characters, the whole shebang. Of course the whole thing is still very existential, regardless if Rust Cohle is not spouting out Nietzsche rehashes and what not [which I loved but come on – they weren’t anything groundbreakingly new outside of philosophical circles]. I mean, Colin Farrell’s low-down-and-dirty Ray Velcoro already gave the beauty line “We get the world we deserve” in the second episode of this season, so there is definitely still an existential element kicking around inside of Nic Pizzolatto’s second season. However, this time around there’s much of a demon-within type of vibe going. Whereas the police detectives Rust Cohle and Marty Hart were truly trying to serve justice for the sake of the victims, all those poor young girls taken and killed by vicious, hateful men, the second season of True Detective seems to be focusing on how some of those same police get lost along the way, how they bend the law to work for them, and even though they’re ultimately trying to do good, they end up doing a lot of bad along the way.
Starting off, we get to see Ray Velcoro [Farrell]. His tale is a rough one – his wife was raped, they never found the attacker, and neither she nor her now ex-husband Ray know if their boy is his or not. Certainly Ray does the true blood thing to do: he raises the kid as his own. He doesn’t want to know anything about DNA, he just wants his son to be his son. Problem is ole Ray has vices – the drink and the drugs – and his temper is fierce. Like anyone, Ray wanted revenge for what happened to his wife, and as an officer of the law, he naturally felt stuck when even the law let him down. In comes Frank Semyon [Vaughn] who facilitates the revenge Velcoro needs by tracking down the man responsible, which coincides with Ray’s wife and her statement. This puts Ray deep in with Semyon, who uses him as a man on the inside, and as Ray climbs the ranks to detective, of course Frank reaps the benefits.
I think Ray is going to be one of the most interesting of the bunch in this season. There’s a scene involving Ray and a kid who bullies his son at school, plus the boy’s father, which really takes you from “Okay, Ray is a normal guy in a bad situation” to “Wow, Ray is a bad dude”. Even while you side with him, he takes things much too far. Not hard to see the booze and the cocaine, and the more booze, doesn’t help his natural temperament. At the end of the tunnel, for Ray I see a bit of redemption. Now, whether or not Ray will have to die for this, it is way too soon to tell [even in light of Episode Two’s events]. We will see.
Next is Rachel McAdams as Detective Ani [Antigone] Bezzerides who has more than her fair share of issues, as well. First, her estranged father Eliot [David Morse] is a New Age guru-type who runs a sort of 1960s style institute or commune, and clearly is a narcissist. Then her sister, Athena, is a webcam girl doing porn who is off her medication and living free. Not to mention the fact their father named both her and her sister Antigone and Athena. So, Ani drinks, gambles, and raids houses to find out where her sister is when she feels like it. Also, her boyfriend is not exactly the sexually adventurous type when Ani clearly surprises him with something in the bedroom he couldn’t handle straight away. She is a dominant woman; she carries knives all over her, making clear in the next episode this is because she has no illusions about certain female-male situations where she will be physically smaller than a larger man in which the knives will come more than in handy. There is no doubt the years living in the cult with daddy brought on issues, most likely from some kind of abuse, but we can never be sure. Perhaps she’s just a smart, cautious woman who has seen too much. Either way, I’m excited this season has a lead female character and one who is also in the police. Offers a great new perspective for the show.
Officer Paul Woodrugh [Taylor Kitsch] is another interesting character. Clearly Paul is a troubled man. He worked for Black Mountain Security in Iraq, obviously mimicking a similarly named military contractor, and has issues from what he calls “the desert”. It isn’t hard to see Woodrugh has issues with his sexuality; he sneaks a blue pill while claiming to be showering and taking far longer than necessary before trying to have sex with his girlfriend, then when she is going down on him Paul looks off into space as if troubled, maybe trying to concentrate so that he’s able to get an erection. This becomes even more clear in the second episode with a comment he makes to another detective. Furthermore, Paul obviously has deeper issues – he speeds out on the highway on his motorcycle, flicking off the headlight and rushing through the darkness, almost daring death to come and get him. I can’t wait to see more of him. Kitsch is a talent, and I don’t care what anyone says. Given the right material with this character I can see Kitsch doing excellent work this season.
Vince Vaughn as Frank Semyon spit out the worst line by far of the entire show since the first series began, along the lines of “don’t do anything out of hunger – not even eating”. Now I’ll give it to you – some of Rust Cohle’s lines, which personally I loved, were equally batty, but Matthew McConaughey was able to let them roll off his tongue and out of his mouth like they were natural to that character. Vaughn is good, I dig him, even as Semyon. I just didn’t dig that line. I can buy Vaughn as that character, totally, because he isn’t an outright psychotic gangster type like something out of Goodfellas with Henry Hill’s outbursts or the violence of Joe Pesci – I buy Vaughn as a collected, calm business sort of crook, and sure, he’s a big guy, I bet he can lay hands. Mainly, I think his attitude suits the part. However, that line in his mouth sounded like garbage. Moving past that point, Vaughn was great, and he does the dark/brooding thing well. Given more time the character of Frank will grow on people, I believe.
Mainly people need to lay off this season, and forget about the first, in the sense that this is an anthologized show. There is no continuity other than it involves police work; that’s it. Once again, there are existential themes at play here, heavily. We just need to keep in mind – existential doesn’t mean that people have to constantly spout philosophical musings. That was a character Pizzolatto used, and it worked. This season is different. Existentialism has to do with human beings, the experience of existence and reality, and the touch of humans on existence. So we’re going to see how human beings deal with their terrible inner demons, and this season we’re going to see more about the abuse of power from the perspective of those abusing it mainly instead of solely from the perspective of those outside and looking in. The police here are good police, but they toe a dangerous lines, more so than anything Rust Cohle did in Season One. I can’t wait for the next episode.
Stretch. 2014. Dir. Joe Carnahan. Screenplay by Carnahan from a story by himself, Jerry Corley & Rob Rose.
Starring Patrick Wilson, Chris Pine, Brooklyn Decker, Ed Helms, Jessica Alba, and James Badge Dale. Universal Pictures.
Rated R. 94 minutes.
When Stretch opens up, you see Patrick Wilson, playing the titular character Stretch (get it? – he drives a limo), come flying out of a car window. He does a bit of a flip and comes skidding down the pavement. When he rolls upright Stretch is still smoking a cigarette. He gets up, has a puff, and walks away. Right off the bat, Joe Carnahan is letting you know this is another adrenaline fest already with a similar feel to his 2006 bad ass action flick Smokin’ Aces. That’s nothing bad because I personally loved that film.
And things only get wilder from that opening moment on.
Stretch isn’t having a particularly great day. After he catches us up on life as he knows it, a bad year or two really, we see him try to carry on and get through the day.
See, Stretch gambles. He owes about $6,000 to some fairly tough looking dudes. And he owes it by midnight. Luckily, a friend at the limo agency where he drives for a living, Charlie (Alba), agrees to send big business his way to help him seal off the debt. A big fish lands in his lap: Roger Karos (played hilariously and wildly by Chris Pine). This is where things really get interesting.
Stretch feels similar to Smokin’ Aces mainly in how it has a lot of interesting characters. Not only that, the characters are outrageous. For instance, the first time we meet Karos he lands on top of Stretch’s car. Then he slides down onto the hood. For those who’d like to be prepared, you get a nice view of Pine’s scrotum. I laughed so damn hard. Karos continues to entertain – over and over.
Then, of course, there’s Ed Helms who plays Karl (with a K), another limo driver. He literally haunts Stretch, after previously having taken his own life. He shows up at just the right time, every time. My favourite is at one point when Stretch’s limo gets commandeered for a quick little joyride; Karl shows up just to have a nice hearty laugh at his still-living buddy. Dig it.
There is a lot to enjoy about Stretch as a film. The action, no surprise as this is a Carnahan joint, is really exciting. A lot of it feels really spontaneous, which I love. And the same thing goes for the comedy. There were times I wasn’t expecting it, then all of a sudden a string of great joke comes out of the woodwork, and I’m killing myself laughing. Even just some great little throwaway lines end up coming off as real comedy gold. Wilson alone has about a baker’s dozen worth of one-off lines that really did me in. Absolutely hilarious writing, and great delivery on the part of several of the actors.
Another little bit about Carnahan’s style in this film I really enjoyed were the onscreen visuals he added in like the timer on the watch, the massive Arab’s (if he isn’t Arab I apologize – I’m only guessing) speech while he screams at Stretch, the text conversation between Stretch and the woman he met trying out online dating. These tiny pieces just add a lot of flavour to Stretch, making it something really fun.
All in all, I have to say Stretch is a fantastic and thrilling ride of a film. It isn’t often an action comedy-style film really gets me. I’m more a horror-thriller type, though I enjoy all style and genres. But it’s not regularly I see something in the same category as Stretch that really prompts me to get excited, laugh out loud, and enjoy myself thoroughly.
That being said, the ending stinks in this one. I was actually crossing my fingers, praying out loud, that the end wouldn’t finish on the note I’d been predicting. Then the last few minutes played out, it was exactly what I’d predicted, and it automatically took things down a notch. Really, really did not like that ending. Totally shifts gears and breaks the tone of the film. Things go from crazy to feeling like a sappy romantic comedy in the final moments.
For that reason, I’m only giving this 3 out of 5 stars. I really wanted to give it about 4, maybe even 4.5, but the ending plants it firmly at 3. If Carnahan opted for another way to finish it off, I would’ve really been happy. However, this end took the wind out of a truly solid action thriller with tons of comedy and a really unique, adrenaline-filled tone. Regardless, I say check it out! The ending doesn’t totally ruin the film or anything, I’m just not a fan. The rest of the film? Absolutely worth seeing.
Stretch is now available on VOD, as well as through iTunes & Amazon, and now on Blu ray/DVD. Get a copy and have some fun.