Tagged Lorenzo James Henrie

Fear the Walking Dead – Season 2, Episode 14: “Wrath”

AMC’s Fear the Walking Dead
Season 2, Episode 14: “Wrath”
Directed by Stefan Schwartz
Written by Kate Barnow

* For a review of the previous episode, “Date of Death” – click here
* For a review of the Season 2 finale, “North” – click here
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Here we are at the penultimate episode of Season 2! Can’t believe it’s here so quick, honestly.
Ofelia (Mercedes Mason) is off on her own still, only the truck she’s driving breaks down on the road. As she takes care of it a couple walkers sneak up on her. She manages to get out of a jam, but now she finds herself on foot, walking down across a long wall in the middle of the desert. Is she headed back into the U.S. or what is the plan? I only hope she doesn’t get eaten alive.
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Nick (Frank Dillane) and Luciana (Danay Garcia) lay in bed together, having gotten closer with each episode as of late. Except he and his buddy Reynaldo (Cuauhtli Jiménez) are sneaking around under the nose of Alejandro (Paul Calderon) trying to make sure things go smoothly for the colonia.
At the hotel, Madison (Kim Dickens) watches over her newly returned husband Travis (Cliff Curtis) sleeping. They’re not doing well since his fateful last moments with Chris (Lorenzo James Henrie) before he callously left his father behind. “Hes safer with people who understand him,” Madison tries to explain. Not going to fly right now. It’s hard, no matter how shitty of a person they are, to let go of someone you love, especially a child.
At the overtaken supermarket, Nick and Reynaldo head in with the oxy. Not only that, they want to see Marco (Alejandro Edda). They offer him oxy, every week, for a promise to be left alone to their own devices. Turns out Marco doesn’t need them any longer, and that spells trouble for their little colonia. ‘Cause this Marco, he’s fucking ruthless.
Serving up a bit of breakfast, Alicia (Alycia Debnam-Carey) tries to bond a bit with Travis. She feels as if she pushed his son away because of his behaviour. Rightfully so, which he readily admits, too. “Hes sick,” Travis tells her. He knows, it’s just a damn hard thing to accept as a father. He further apologises not for protecting her when Chris went haywire on them.
Worse than anything is the fact Brandon (Kelly Blatz) and Derek (Kenny Wormald) have wound up in the hotel. And when Madison asks about how they got there, they make it sound like their friend driving, who we assume is Chris, didn’t make it. Shit. That’s going to devastate Travis if and when he finds out. Madison goes to tell Strand (Colman Domingo) about what she’s discovered. He thinks they’ve got to try and keep it from Travis, at least until they can figure out what to do from here. He worries that if Travis finds out Chris is gone for good, it may do terrible and irreparable harm. “Hes already broken, thatll kill him,” confirms Madison.

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Back at the colonia, Nick lets Luciana know about their new predicament, advising they tell Alejandro. The head honcho isn’t pleased; not about the whole thing, nor about Nick going out on his own. There’s a bit of zombie trouble first, though. A walker stumbles in, about to bite Nick, and Alejandro takes a CHOMP right in his forearm. Nick tumbles over a railing with the living corpse, and this puts it right in the hospital bed of unsuspecting patient – whose nose gets bits off – then a nurse gets her fingers eaten. All before Nick puts an end to the zombie by pushing his fingers into its eyeballs until POP! What a god damn mess, every bit. Tragic, yet an awesome scene of chaos.
Along the border fence, Ofelia finds a hole cut, and starts in through the desert on the other side. At the same time in the colonia, those bitten – excluding Alejandro – head through the bus, into the wall of undead. Now Nick is worried that soon the “shooting starts” and he knows “faith is not gonna protect us.” He wants Luciana to go, although she isn’t as willing. Until Alejandro reveals to her he isn’t immune, that he was bitten by an addict, then the story went wild. She won’t leave with Nick, no matter the lie.
The hotel turns into chaos, as well. Refugees there in the parking garage aren’t happy that Brandon and Derek are being treated first. Little do they know this is a ploy for Madison to get them out of there without Travis knowing. Only he sees this from upstairs, spying the men who were with Chris. He manages to get down there before they’re tossed out.
Out of nowhere Ofelia gets bullets fired near her feet. She takes off to find what little cover she can. A man (Dayton Callie) with a rifle stalks her down, removing her knife: “Welcome to America.”

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Travis has Brandon and Derek taken back inside. He wants to know about Chris. Things get very, very tense. They tell him how it all went on the road. When Chris volunteered to drive, he dozed off and flipped their truck. Instant death through the windshield. Or is it really how things went down? Travis starts noticing their stories don’t add up. Little slips of the tongue. So he locks everyone outside, then starts in on beating the two young men. He kicks the living shit out of them before Brandon confesses: “We killed him.” His injuries were too bad and they decided to put him down. No surprise there. And that’s all Travis needed to hear. He cranks Brandon’s arm back out of its socket. Derek tries to fight him off, but Travis lets the beast out and demolishes what’s left of them both. Even stomps Brandon’s head in leaving him dead like Chris was on the road. Savage.

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What a whopper of a penultimate episode. Can’t wait for “North” up next.

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Fear the Walking Dead – Season 2, Episode 10: “Do Not Disturb”

AMC’s Fear the Walking Dead
Season 2, Episode 10: “Do Not Disturb”
Directed by Michael McDonough
Written by Lauren Signorino

* For a review of the previous episode, “Los Muertos” – click here
* For a review of the next episode, “Pablo & Jessica” – click here
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This episode starts with a wedding reception. Might look familiar, as it’s likely the one that happened right before the zombie apocalypse broke out. Everyone is happy, having a good time. Or at least most people are, anyway. Such is life. The world went on turning while the infection came on strong. And some guests start to get wary of sticking around too long, no matter if it’s a wedding. When the bride’s father collapses mid dance with his daughter, the phone lines go dead, nothing’s looking too good for any of the guests. Dear ole dad comes back to life from the dead, and then one of the women from the hotel locks everybody inside the reception hall to let things take effect. Nasty, creepy opener.
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We’re finally back with Travis Manawa (Cliff Curtis) and his son Chris (Lorenzo James Henrie). They’re not exactly bonding, as you can tell Travis has trouble relating to his boy. Nevertheless, he lets Chris head off on his own to check out a nearby building. Voices and walkers send him into survival mode. Several men inside are shocked to see Chris, who takes off with his father quickly, not waiting to find out what the men were up to, or what they were like. With a new-to-them car they’ve stolen, Travis takes his son “away,” he says, wherever they can manage. He lets Chris take the wheel to learn to drive.  They have a normal moment for once.
After their car runs out of gas, Travis and Chris start a fire, camping along the highway. They start to figure out what’s next. At least Travis tries to make it seem positive. “It might not be perfect, but itll be ours,” he tells his son. “And then what?” Chris replies hopelessly. Soon, a truck comes by; the men who Chris ran into earlier. They don’t seem dangerous, although they do feel sketchy. For the time being they all relax.
Back with Alicia (Alycia Debnam-Carey) in the hotel, she watches zombies stumble through the hall. Waiting for her time, counting how many of them there are nearby. When she feels ready Alicia walks out into the dark hallway, undead lurking not far. Ofelia (Mercedes Mason) is nowhere to be found. So Alicia goes it alone, down an elevator shaft. Narrowly missing being eaten. The hotel employee from the wedding helps her up, then questions Alicia frantically: “Where is he?”
Where is who?

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Chris and Travis get to chatting with the trio. Lots of tragic stuff, as they recount to the men about how California’s basically been decimated. They roast Spam over the fire, talk about killing the “wasted” – what their group calls the zombies. But Travis doesn’t like having his boy around people like them, eager to trade tales about murder and mayhem in this new world. More and more, the father-son duo bump horns.
The hotel employee, Elena, let zombies into the halls. To contain the problem, so she says. She’s searching for a man named Hector. Only Alicia wants to get to her mother, Madison (Kim Dickens), who’s trapped with Strand (Colman Domingo) in the bar. Trouble is this woman seems pretty dead set on keeping Alicia right where she is, and until Hector comes back she isn’t totally thrilled about going anywhere else.
Father and son can’t get on the same page. Travis wants to keep his son non-violent, he doesn’t want him swept away in the carnage of their new existence. “I want to take care of you,” he tells Chris. But the kid doesn’t care. He wants to be with who he sees as strong people. However, Travis finds them too dangerous. And they are, you can just tell.
Alicia and Elena take their chances together. They lure walkers into a room then trap them inside. What I dig in this episode is how Alicia is becoming a big time bad ass. She’s stabbing walkers, dangling from hotel room balconies, she’s just owning it. This is how things are now, and she doesn’t hesitate anymore. Well, Elena and Alicia get downstairs, first to the reception hall. Elena’s no slouch, either. She “contained” that problem and she will continue to contain them all until she’s dead or there are no more problems left to worry about (like that’ll ever happen). “Ive seen worseWeve done worse,” Alicia assures her.

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Meanwhile, Travis is still highly unsure about being with these new men they’ve met. Chris is right at home laughing and talking with them. His father’s uneasy. “The end times made us gods,” one of them says to Travis. They’re somehow pleased with the evening effect of the apocalypse. Seriously? Fucking idiots. Coming across a farm, Travis suggests they stay there, but Chris thinks they need to be with a group.
Things at the hotel get tense. Other survivors have a hold on Hector and they want Elena out, along with Alicia if she’s on her side. But the sly women make their way out of the situation, down into the bowels of the hotel. There, they find Strand and Madison hiding behind a locked door; reunited and it feels so good!
At the same time, Travis realises someone owns that farm and he’s still around. He has a shotgun, too. Now the men they’ve met want to take the farm. Travis can’t let that slide, even if his son isn’t too bothered. And then Chris shoots the guy, killing him. He and his father have officially been separated, this act made sure of that. There’s no telling what happens next for them.

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What a great episode. I often say that, but this one really put the screws to us, emotionally and viscerally. A couple nice zombie kills, plus lots of intrigue. The drama between Travis and Chris is what interested me most, and of course the unstoppable Alicia.
Next episode is “Pablo & Jessica” and I can only imagine what we’ll have in store for us.

Fear the Walking Dead – Season 2, Episode 9: “Los Muertos”

AMC’s Fear the Walking Dead
Season 2, Episode 9: “Los Muertos”
Directed by Deborah Chow
Written by Alan Page

* For a review of the previous episode, “Grotesque” – click here
* For a review of the next episode, “Do Not Disturb” – click here
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After checking in with Nick Clark (Frank Dillane) last episode back from the break – where is his mother Madison (Kim Dickens), his sister Alicia (Alycia Debnam-Carey)? What about the others?
Well, Nick’s enjoying a bit of peace and quiet in the Mexican commune where he’s found shelter. Although not everybody there’s having a great time. There are still those who are ill, those injured, and so on. For the most part it’s a paradise compared to where he’s been since the zombie apocalypse began.
Except for when it isn’t. Everyone has their own way of dealing with things. Mexicans are no different than the rest of us. Let’s just say the first 5 minutes opening this episode are intense. Looks like south of the border human sacrifice has come back.
This is my favourite Fear the Walking Dead opener yet, out of both seasons. Chilling to the bone. I love it.
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We catch up with Madison and Co. She and her daughter ride in the back of a truck, scoping out the horizon with Strand (Colman Domingo) and Ofelia Salazar (Mercedes Mason). The mother is the only one dead set on continuing to search for her son. She knows he’s a survivor. And indeed he is, help or no help. He’s doing her proud, though. Helping out in the village where he’s been taken in, not sitting by idly while others work. A good man.
When Strand and their small group go back to the coast his boat is gone. The military’s taken it. Totally different situation for them at this point. “Its me and you now, whether you like it or not,” Alicia tells her mother when Madison worries Nick won’t find them without the boat. They do the smart thing now and leave a message in the sand, just in case.
Then they head off to scope out a hotel by the beach. Shelter is a must. After watching the place awhile they head on inside. Not expecting to find anything other than a roof over their heads. In the building there is a barricade against the door; a last stand was taken, no doubt.
Will they find humans? Walkers? Both? Strand, with his big ole balls, starts ringing a service bell. Not a sound, other than the ringing. Safe for now.
In the village, Luciana (Danay Garcia) does a lot of the boss work. She keeps an eye on Nick, enlisting him for a bit of help. She knows what he’s capable of after seeing him on the road, caked in blood, walking amongst the dead. I wonder what she has in store for him. Out in the sacrifice pit she starts killing zombies, laying out rules: “You stay absolutely quiet.” They cover themselves in blood then get going.
Strand and the crew find a wedding inside, left with the cake barely cut into. They share a bit of personal information, as Ofelia talks about a near marriage. “The pastitll make you sick,” Strand tells her deciding the chat is over. Smart move.

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When Nick asks about the morning ritual, Luciana talks about faith. There’s lots of superstition in the way she, as well as many of the Mexicans, understand the apocalypse. She and many of the others, such as the doctor Alejandro (Paul Calderon), believe that once everything passes, the world is washed clean. Yeah, okay. I wouldn’t hold my breath. After some time they come across a gang; guys you do not want to fuck with, whatsoever. The man running it all? Marco Rodriguez (Alejandro Edda). Seems that Luciana has a deal going with the gang, a trade-type setup. They’ve got a supermarket full of everything, stocked on the shelves, and Luciana wheels herself a cart to get supplies.
At the hotel, Madison and the others start searching. She wants to keep things careful, although Alicia and Ofelia are off to starting searching on their own. Strand and Madison do a bit of hanging at the bar. “You need a drink, I need a drink,” he quips. They pour themselves some martinis, take a load off for a few minutes. Upstairs, Alicia and Ofelia look through the corridors, checking to see if there’s anything of use to them. Not all the rooms are clear, as the sound of zombies is evident behind several doors. They do find empty ones; relatively. One of the creepiest walkers yet is in a bathroom, though he poses no threat. However, he does start a conversation between Alicia and Ofelia, about the tiresome nature of surviving amongst a new and awful world.
When Nick leaves the supermarket, he’s caught taking an authorised treat in his pocket. They want to cut off his hand. But the tricky ex-junkie makes a deal, saying they won’t bring any more drugs. And that’s no good for Marco, whose family would be directly affected. A close call, nearly getting Nick’s throat cut. What a deal maker. He gets his tasty treat, too. Luciana isn’t too happy he did that because now the gang is following them, hoping to figure out where their little commune is located.

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The drinking makes Strand get closer to Madison. She tells him about what happened to her husband; impaired driving I assume, Madison doesn’t say it in so many words. She told the kids he fell asleep at the wheel. “To false hope,” she and Strand toast while she drinks and tosses glasses at the wall. Smart move. More so when Strand bangs on the piano a bit. They make lots of noise and nearby there are zombies, dying to get close to some human meat.
Alicia gets out of the shower and sees walkers taking swan dives off the balconies. They hit the ground, then get up walking again. Shit. All the noise downstairs has been drawing walkers through the halls, down from stories up. Real smooth move. Sort of ironic, after Madison was talking about trying to protect her kids.
Remember that treat Nick stole? It wasn’t even for him. It was for the little girl whose father got eaten alive in the opener. Wow. A good man becomes more good by the minute. This puts Nick in a room with Alejandro. They chat, Alejandro talks about their current situation. He doesn’t want to offer comfort. Only faith. Strange that he can’t see that it’s all the same thing. He believes that the dead will leave. Nick catches a glimpse of the man’s shoulder: a big bite once taken out of it is now a healed wound. Very, very intriguing. He’s like a sort of Jesus figure amongst the zombie apocalypse. The one who has risen after the dreaded, infecting bite: “This world is for usthe children of the resurrection,” he preaches to his masses. Nick is falling into the faith head first. Not good.

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At the same time, Victor and Madison are starting to discover their walker problem at the hotel. Time to check out? Definitely time to start moving, as the zombies are encroaching on the bar. Nice time to be hammered. They are boxed in crazily. How will they manage to get out of this one?
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A solid episode to add to this back half of Season 2. I’m hoping that next episode we see more of the crew and find unity once more. Also, I worry for Nick. He is becoming sucked into a dangerous place, I think.
Next episode is titled “Do Not Disturb” and it’ll be good, I can feel it.

Fear the Walking Dead – Season 2, Episode 8: “Grotesque”

AMC’s Fear the Walking Dead
Season 2, Episode 8: “Grotesque”
Directed by Daniel Sackheim
Written by Kate Barnow

* For a review of the previous episode, “Shiva” – click here
* For a review of the next episode, “Los Muertos” – click here
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They’re baaaaa-aaack!
Nick Clark (Frank Dillane) wakes amongst dead, fly-ridden bodies. A woman and her boy are there, but you know Nick – he’s doing his own thing, all the way. So much so he’s off on a dangerous path, away from his family, his few friends remaining. By far, he’s always been my favourite character, ever since that great opening to Season 1. What I’m hoping is that we get to spend a nice while with Nick, past this season. But especially right now. I want to get more into his character.
Having him on his own is perfect for that. Even if there’s nothing except death and madness lying ahead of him on the path he’s chosen. At least he figured out how to exist surrounded by walkers without them eating him alive. That’s one thing he’s got going for himself.
This opening sequence sees Nick headed towards Tijuana, all the while “How Low” by José Gabriel González plays and the softness of the music makes me wonder: how low are we about to get, or how low can this world plagued by zombies go in its descent?
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Nick flashes back to a time with Gloria (Lexi Johnson). He’s in rehab trying to get clean. “Exploring his thoughts and feelings” and trying to get his head wrapped around how he’ll deal with his family once he gets out. He talks about his father, the lack of not being shown “how to be a man in the world” that’s so obviously lacking in his tutelage of Nick as a son. The deep pain inside him is starting to come out, so this is exactly what I was hoping for coming in.
In Mexico, Nick is still figuring out how to be a man. Only the world has changed, drastically. In this new world he doesn’t need a father figure, nor could he hope to find one. Because this world is dead, full of blood and guts and killing and worse. Nobody’s experienced it before, nobody knows how to do anything in this world. So to ‘be a man’ he needs no one other than himself. He can make his way, discovering what it is to be a man now on his own.
During the night a woman creeps up on Nick as he sleeps. She whacks him with a bat, speaking Spanish. She runs him off without his supplies; great. A headache AND no stuff anymore. Doesn’t phase him. He goes on down the road, off on his journey. Zombies and abandoned cars litter the landscape, the open plains and roadways of the Mexican hills. From one direction comes a jeep with a few armed men inside. Looks like Nick’s wandered into gangland territory. These guys are n’t the simple Mexicans out in the country, these look like militia-types packing serious weaponry. They also take enjoyment out of finishing off an old man in his car. Nothing bodes well for Nick once the men give chase, starting to fire round after round at him. Luckily he’s able to outrun them. But finds himself out in the middle of nowhere.
Smart thinking Nick tries to get some water out of a cactus. Not so smart when he eats a bit of it then pukes. At least he’s trying. This leads him to drink some of his own piss, Bear Grylls style. Surprisingly, it isn’t as a bad as the cactus. Good on you, Nick. You’re a survivor. I guess being a junkie doesn’t exactly leave you with no skills at all. Regardless he’s got a long trek ahead of him, wherever he’s headed. In the night, he flashes back once more to being with Gloria. They receive visits from their parents respectively in rehab. Madison (Kim Dickens) comes alone, without her husband. He died in a head-on collision. A bit of devastating news, even worse to be in rehab and hear it.
Nick winds up getting attacked while daydreaming in Mexico. A couple dogs nearly do him in. Just what you need: a bit of rabies! Well, he gets up on a car and escapes the animals. Right before a horde of the undead come shambling down nearby. They’re distracted long enough to eat the pair of dogs, and then they turn their attention to Nick.
When he thinks he’s finished, Nick almost silently prays to be saved. And he is delivered. Gunshots and vehicle horns sound in the distance. This gives Nick time to rip a belt off a zombie to tighten on his wound, as well as have a bit of lunch himself on one of the torn up dogs. He really has been watching Bear, hasn’t he?

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The one thing nobody can fight or trick is blood loss. Nick starts going a little wobbly after awhile. He sees a zombie that looks strikingly like Gloria – a vision only – he hears her voice, other voices, all surrounding him with the zombies. Dude is fucked up. He lurches along with the walkers, as they get closer to Tijuana.
Those armed men return and open fire on the zombies. One by one, they’re mowed down. Nick stands his ground while walkers are blown away next to him. But those men aren’t quick enough. The zombies close in and take two of them out, eating them alive. Nick walks past as the men are devoured. Down the road people watch the walkers, they see Nick collapse. A woman named Luciana doesn’t want to help him, although the men she’s with do.
Laying in the road, bleeding, Nick flashes back again.
He and Gloria lay together. They’re in the old church where the series first began in Season 1’s initial episode. Remember? They prepare to shoot up, both eager to get their fix. I’m excited to see more on this end. Are we going to see some dark secret lurking in Nick’s past?
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Without any help Nick makes it through the night lying in the road. Rain wakes him up, washing him (relatively) clean. He staggers further into town. Tough bastard, you’ve got to give it to him. In a store, he seeks out a bit of medicine to help with his nasty leg. Not sure if the junkie needs any medicine in the zombie apocalypse, post-fall, beat up leg or no. He eventually comes across Luciana and the men. He explains about the dogs, gets himself a drink of water. They take him to a legitimate doctor in their camp. He gets to work on Nick. They chat some.
And while Nick wants to be on his own, out with the “monsters” and such, the doctor shows him their settlement. It’s big, filled with kids and adults and all sorts of places within a walled compound. He sees a community.
So the world, it goes on. There are people trying to build it back up. There is hope.

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A nice episode to start up this second half of Season 2. I love Nick’s character. Now we can look forward to the rest of the gang this following episode I’m sure, to propel us forward into more wild situations, more journeys and self discoveries and death and zombies.
“Los Muertos” is next.

Fear The Walking Dead – Season 2, Episode 5: “Captive”

AMC’s Fear The Walking Dead
Season 2, Episode 5: “Captive”
Directed by Craig Zisk
Written by Carla Ching

* For a review of the previous episode, “Blood in the Streets” – click here
* For a review of the next episode, “Sicut Cervus” – click here
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We open on someone cooking steak – it’s Connor (Mark Kelly). Alicia (Alycia Debnam-Carey) looks around nervously, as Patsy Cline croons in the background. They have a little chat after serves up one of his apparently famous New York strips. Seems they’ve got a “selective” little community going on there. But at the moment the generator goes out. And Alicia winds up locked in the cabin. She manages to sneak a way out to see they’re docked at a huge port. A massive open space.
Well Jack finds her out there and rushes her back inside. She wants to see Travis (Cliff Curtis), so she can make sure he’s okay. I don’t know why Alicia keeps trusting Jack. I hope that’s just what she says, and not how she actually feels.
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Over on the boat with our survivors, Reed (Jesse McCartney) has a brutal wound, to which Daniel (Rubén Blades) tends with some field medicine. All the while Chris (Lorenzo James Henrie) gets taunted by Reed about his father. This Reed is a real dick, and has a huge pair on him to talk so boldly while a) hurt and b) in the midst of people he tried to hurt/kill. He says Connor will not be happy, lots of threats. They’re brothers after all. But of course Daniel isn’t the least bit impressed having seen men far worse and far more terrifying than this little idiot. I love Blades as an actor and this is possibly one of his best parts, to be honest. Not just that, Daniel as a character fits in well because he’s someone who’s been through very tough times and that’s informed his behaviour in this current apocalypse filled with zombies.
Now Daniel and Madison (Kim Dickens) have their plan, to use the brothers against one another. Only problem is that while Madison obviously wants to get her family back, Luis (Arturo del Puerto) has a window of time to get them across the Mexican border. Lots of tension and complications. Poor Strand (Colman Domingo) is still lying up after his swim in the ocean during the previous episode. For his part, he gives Madison half a day to take care of business.

 


On the other boat, Jack is assigning Alicia some work. Now I start to get the feeling she’s playing him, thankfully. There’s a sinister bit of stuff happening on that boat: “This is the world now. This one lives, that one dies.” Alicia is meant to pick a boat for annihilation. Really? That’s grim. Meanwhile, Travis wakes up in a grungy little space down below deck somewhere. And then, Alex (Michelle Ang) appears. She is certainly not happy with Travis, even if it was never his fault. Though he feels responsible because of negotiating them out onto that raft. Regardless, things aren’t looking too fun from where Travis is standing.
Back with Madison and Strand, she makes clear not to send Nick (Frank Dillane) out alone anywhere on any missions again. “He knows how to move through this world,” says Victor. While Madison doesn’t like it, Victor sees a tough and “capable” side to her son. I wouldn’t get between her and either of her children, as she makes clear to him. You just know there’s a fierceness in her waiting to come out over threat to her family. Even for Travis she would more than likely kill.
Hoping to avoid her people getting annihilated, Alicia ends up with Jack on her side. They pick a ship to put Connor on. And down in the bottom ship, Alex reminds Travis: “You knew the right thing to do. And you chose. You chose the other.” The two of them have a deep conversation, which brings up Travis having to kill his ex-wife. I love Cliff Curtis. He is possibly the most underrated character actor in the game today, endlessly talented. Here he gets to show those chops off. Great writing in this scene, as Alex and Travis go back and forth on what humanity “can become“, or what it can’t.

 

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Reed is still taunting. At the same time, Chris is getting tougher, on the outside and the inside; at first, and up until recently, I found him slightly annoying in certain ways. Now he’s evolving. Signs of some developing writing. So now he’s confronted with Reed bringing up his mother, all sorts of things. The tension in this scene mounts to an impossible degree. Nick shows up to close the door, but Chris reveals he’s disappointed in himself for freezing up, allowing those people on the boat. I really love Nick, too. Dillane plays him well and he is written well; he is a junkie redeeming himself in the post-zombie apocalypse. Wonderful character development.
At the bottom of the boat Alicia tells Travis about the boat coming back. But he has faith in Madison. That’s another aspect of the whole story I love, the strong bond between Madison and Travis. They are a great couple. So now Travis is left alone on the ship after Alicia and Jack plan to get going.
Madison finally calls over to Connor. That situation is getting intense, quick. The hostage situation has become heated: one hour clock. A trade off is set. Then from nowhere, a gunshot. It’s Chris – he did something preemptive. And now the hostage situation gets even wilder, as Reed is dead. He tells Madison he did it because “thats what happens now” and that Reed was turning. In a jam now, though.

 


Ofelia: “Its what we do now: spill blood, clean it up, spill it again.”
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Ofelia (Mercedes Mason) almost gets a bite when Reed comes back to life, his brain still not gone. Luckily her father pins the new walker up against the wall. A very surreal moment happens afterwards, as Daniel has the Reed zombie hooded and tied up, and he hears a voice tell him to take the gun; a flashback to tough days in war?
In other news, Alicia did play Jack. I knew it. More to come.
And Nick is arguing with his mother. Essentially, she worries he’s found his new addiction. He questions why she won’t let him go do the trade off: “Because you want to,” she replies. Quite telling.
The deal is underway. When Madison goes to do the drop, she unleashes Reed to his brother, which begins a big mess. Travis even whips out a heavy duty headbutt; all right, dude! Zombie madness lets loose, as one bite leads way to the next, and so on. This is a great action sequence. Also, Alicia gets back to Madison and Travis. So glad she made it out safe, and left that Jack(ass) behind.
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Thrilling episode, all around. Next up is interestingly titled “Sicut Cervus”, which ought to be another solid chapter in this fun Season 2. Stay tuned with me, fellow fans!

Fear The Walking Dead – Season 2, Episode 4: “Blood In The Streets”

AMC’s Fear The Walking Dead
Season 2, Episode 4: “Blood In The Streets”
Directed by Michael Uppendahl
Written by Kate Erickson

* For a review of the previous episode, “Ouroboros” – click here
* For a review of the next episode, “Captive” – click here
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Nick (Frank Dillane) has swam onto a nearby shore with some supplies in a bag. He finds a tent city where survivors once waited for help; a giant makeshift sign pleads SAVE US. The whole place is eerie now, a moment to the plight of people in those first days after the world fell apart. Luring any walkers, Nick manages to prove he’s a worthy hand at getting around. And he can kill them without too much fuss. Also, now that he’s figured out the trick of smearing himself in the guts of zombies to stay immune while walking amongst the undead, a whole new world has opened up. Perhaps a great reason for this episode’s title?
Then out into the darkness Nick leaves, covered in zombie blood warpaint.

 


Back on the ship, both Travis (Cliff Curtis) and Madison (Kim Dickens) are wondering how to move forward after Strand (Colman Domingo) left float the other survivors at the end of last episode. For his part, Travis feels responsible because of putting those people in that raft. But Madison, she plans on keeping her faith in Strand. In a harsh new reality he may actually be the only one worth following, right now. At least as far as we know, concerning his character.
Meanwhile, Chris (Lorenzo James Henrie) and Ofelia (Mercedes Mason) try to pass the time, wondering about Mexico, talking about relationships and so on. But out of nowhere some people in a raft arrive, one of them not well – she’s pregnant and having real trouble. The whole boat is up, wondering what’s going on. It certainly isn’t making Strand happy. In fact he looks downright panicked. The people boarding claim they’re “good” and that nothing is wrong. However, you can never shake that paranoid feeling. Alicia (Alycia Debnam-Carey) recognizes one of the voices: it’s Jack, from the radio.
Then the gig is up. The people onboard take charge, putting everyone at gunpoint; everyone, that is, except for Strand trying to get away on an inflatable raft. And luckily Nick is off onshore somewhere for the time being. Yikes. This is intense.

 


We flashback a little. Strand drinks in a bar and chats with a man named Thomas Abigail (Dougray Scott) about all sorts of things, from business to Napoleon. Turns out Strand had some troubles after Hurricane Katrina’s devastation. After Tom gets wasted drunk, Strand brings him to his hotel room then robs a few of his credit cards, though Tom does see him: “Maybe I wont remember,” he quips. This is a perfect scene to cut to then cut back from to Strand in the water, as we’re seeing him just as he was in that bar: starting over from the bottom. Now, he’s stranded out in the water with little to no options left. And certainly no Thomas Abigail to fall back on now.
Things are more tense by the second on the boat. The ringleader of the assailants gets serious, threatening Chris before Travis gives up that Strand has the boat’s key. Everybody is fine for now, but everything is getting more dangerous. Alicia feels bad for having brought this on the group and tries to do her part towards helping her family and their group get through the situation. Jack talks about everyone having a “function“, and to a point he does know what’s going on in this new post-zombie apocalypse. In a world of walkers, everybody does have a purpose, it’s true. Unfortunately that doesn’t work well for anyone against a group that is hellbent on making sure everybody’s got a ‘function’ in this next life.
As everything happens out on the high seas, Nick is successfully wandering the streets, not just covered in blood, he mimics the walkers with their same noises, the same limps and contorted movements. It’s interesting to see him amongst the withered streets, nothing the same anymore.

 


Skip back again. Strand is caught by Abigail having made a few moves with those credit cards. Victor is certainly sly, he weaves excellent banter, that’s for sure. Nevertheless, he’s on the hook, not with the cops but with Abigail. We segue back to Strand who eventually loses his phone in the water. Things are just getting worse for him. I dig his character, though, and hope he doesn’t die. At least not for a while.
Travis does his best on the boat to try and get the motor going without a key. At the same time, the rest of the group try their best to start a revolt. With a bit of motherhood bonding, Madison distracts the pregnant woman as Daniel (Rubén Blades) attempts getting loose. Downstairs, Travis also keeps the ringleader busy watching him in the motor room. Everyone in the group of survivors already onboard is tricky. Very, very tricky.
Over on land, Nick traipses through apolcalyptica until someone runs up on him with a gun. He lets the guy know he was sent by Strand. Seems this is the guy that’ll get them all across the border to Mexico. Hilarious exchange as he doesn’t any of the blood on Nick to get on his sexy leather interiors.

 


The women on the boat start getting to the pregnant lady, wondering if the baby died inside her and maybe it could turn into a zombie inside her. WHOA. Nasty. Yet something I’ve always wondered about, and something we’ve already heard wondered aloud on The Walking Dead. Well, things get very tense, but for now everything remains on edge.
On the shore, Nick is leading the new addition to their group. He’s known Strand since Strand met Abigail. Speaking of which, we flash back to them both sitting together by a pool, everything working well and the money clearing flowing. Tom talks about the rest of the world feeling as if it wastes away. And then, we see them hold hands, as if against the world. Are they more than business associates? They seem like lovers.
Back at the boat, more of the hostage taking crowd has arrived. They take Travis and Alicia, black hoods and all, leaving the rest in fear. Still, Daniel tries to free his hands. So many things are happening at once, as Madison and the others angle, Nick heads back towards the boat, Strand floats in the waves. Then once Nick and his new buddy Luis get closer, this provides enough distraction. The survivors fight back and everything is settled for now.

 


As the finale of the episode comes around, we see Strand and Tom kiss back before everything happened and the world collapsed. Then we cut over to Strand, floating in the sea. Just his luck, Madison comes to find him. At the end of a tumultuous hour, the crew is all right. They can move forward from here.
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Next episode is titled “Captive” and promises to get even more exciting after this week’s excellent chapter. Stay tuned with me, fellow fans.

Fear the Walking Dead – Season 1, Episode 6: “The Good Man”

AMC’s Fear the Walking Dead
Season 1, Episode 6:
“The Good Man”
Directed by Stefan Schwartz
Written by Dave Erickson & Robert Kirkman

* For a review of the Season 2 premiere, “Monster” – click here
* For a review of the previous episode, “Cobalt” – click here
fear-the-walking-dead-episode-106-nick-dillane-935Madison (Kim Dickens) and Travis (Cliff Curtis), along with Chris (Lorenzo James Henrie) and Alicia (Alycia Debnam-Carey), are getting ready to leave so they can try and retrieve the lost family members – while Nick is alive, unfortunately Griselda has already died and been shot in the head to prevent her zombifying.
Ofelia (Mercedes Mason) and her father Daniel (Rubén Blades) are at odds because of what happened years ago in their home country, El Salvador; Daniel lied to her about it all, placing himself as victim when in fact he tortured people. This causes a rift at a terribly important time, when they need to be on the same page especially once they find out what happened to Griselda.

At the big lab, Dr. Bethany Exner (Sandrine Holt) is preparing to haul ass out of Los Angeles along with everyone essential to the operation. Liza Ortiz (Elizabeth Rodriguez) is concerned about her son, but also tries to negotiate as best she can to have Travis also go along. Tentatively, this seems like a deal. However, you can be sure Travis will not go without Madison. I can already feel the tension mounting.
fear-walking-dead-6Back at the house, as everyone prepares to roll out, Andrew Adams (Shawn Hatosy) – still in the group’s custody – pleads with Travis to be taken along with them, as there’ll be maneuvering needing to be done once inside the facility where the family members are being kept.
The lively Daniel concocts a plan to make a diversion: he lets out the zombies contained inside the arena from the end of the previous episode. While the National Guardsmen are battling hordes of the undead, far as the eye can see, Daniel is pissed with Travis for trying to do the right thing and bringing Adams along.

Caged up still, Victor Strand (Colman Domingo) talks with his new friend Nick Clark (Franke Dillane). Then, all of a sudden, out go the lights. Things are starting to break down. Bullets fly out in the background, the noise of people shouting, scrambling, everything gets louder.
I’m really enjoying the brief bond between Strand and Nick, there’s something real sly and greasy about Strand yet I feel like he might be an important character in the second season. Whatever happens, I do think he’s going to be of use in terms of the show’s plot. Already he starts to give Nick advice, telling him that helping others could actually hurt them; tragic to have to say so, yet in the new post-apocalyptic landscape certainly a true statement.
Dr. Exner is trying to have her patients and staff extracted, but the infected have began to lay siege to the building. The entire operation all but literally crumbles right in front of Exner, poor Liza along for the ride realizes she may have to leave behind her family. Even worse, Exner is left with a room full of patients who won’t be leaving the facility alive, or so it appears.
At the car, waiting for the rest of the group, Chris and Alicia are harassed by some National Guardsmen who want their vehicle. When one of them makes lewd, suggestive comments at Alicia, Chris steps in to defend her and gets knocked out. Good on him, though, protecting his step-sister.
Fear-the-Walking-Dead-The-Good-Man-645x370There is a ton of excellent tension and atmosphere in general happening in this whole sequence. As the entire facility starts to go down in figurative flames, the horror and action pick up. Liza witnesses a National Guardsman get a savage bite in the neck, blood gushing from the wound, then kill himself by running into the rear blades on the tail of a helicopter; GNARLY!
My favourite bits here come when Nick and Strand make their way through the halls of the hospital facility – which is actually a local college – they see a bit of nasty zombie gut munching. But we can already tell what sort of character Strand is, how conniving in a good way he’s already proving to be, just in the way his head is totally on straight in terms of their current situation. Even in the casual way he acts from moment to moment, even in danger, it shows him as to be incredibly slick, and wildly fun.
For those who’ve been complaining about the lack of horror/zombie presence, this episode kicks things up a notch. When the group all ends up together – Travis and Madison, Daniel, Ofelia, Liza, then Nick and Strand – the horror action comes alive with skull cracks, forehead shots, hammer smashes, and more! You can already tell there’s going to be more of this next season, once the epidemic truly gets underway and things become more and more desolate zombie-wise with every passing day, each week. The grim, macabre second half of this finale gives us a preview of the horror we’ll surely be able to expect when Fear the Walking Dead returns next year.
fear-the-walking-dead-s01e06-review-750x400I think I was most chilled when Dr. Exner is found alone with all the patients, hydraulic cattle gun by her side, all of the remaining ill with holes in their heads. Just the way she’s sitting there, finishing her ‘work’, the blank and disaffected look in her eyes, the lack of any humanity remaining in her face… it is scary stuff. At first, I thought she was mostly a real bitch, but seeing her take up the gun while all the others leave, I honestly feel bad for her. It’s tragic to have to see a doctor, someone who swore an oath to try and sustain the lives of her patients, ultimately resign herself to – what appears to be – suicide.
Outside, the group witnesses a huge stack of ashes and dust, consisting of the dead from the makeshift hospital facility. Big heaps, two piles, sit in the parking lot with a bulldozer next to them. Almost as intensely frightening as the previous scene with Dr. Exner.
But UH OH – Andrew Adams crops up again, gun drawn and pointing it at Daniel. Only he doesn’t shoot Daniel; he blasts Ofelia with one shot. Reeling from that? When Travis pins Adams to the ground and beats him into bloody chunks of pulp, you’ll be jaw agape. I was, anyways. It wasn’t shock, merely the fact I was amazed at Travis, his character – there’s a switch which happened in him from the guy who was optimistic, trusting the military and the government to set things right and work it out, to the man now who is embracing the crossover to humankind becoming more primitive, more animalistic, something everyone will need to learn to do in the coming weeks, months, years. Just to see Travis so quickly turn himself into a beast, it was really something, and totally necessary.
AMC_FEAR_S1_106_TAS-800x450Strand takes everyone back to his grand home to decompress. He’s upstairs packing when Nick asks where he’ll be going; no direct answer, only that he’s going to stay in constant motion. He tells Nick nobody can stay there, though. Then he shows Nick an ocean liner out on the sea, where they’re headed: Abigail.
Liza takes a stroll down to the beach by the water, Madison following along behind her. Turns out, Liza is infected with a terrible scratch on her stomach. She wants Madison to do the job and get it over with, as Travis shows up right in time. I mean, what an emotional moment! Terribly tragic moment to see Travis, with the women he loves and the woman he once loved, and having to watch one of them literally go away; forever.
The moment when the shot rings out is unbelievably sad. So weighty. Juxtaposed with a shot of Chris and Alicia smiling, eating popsicles together and laughing, there’s a wave of emotion that hits with great impact. Such a quiet moment when the shot blasts into the air, then the aftermath unfolds with a quiet song underneath, and I honestly can’t think of a better, more emotional way to finish the season. Particularly, again, having to see Travis sort of turn around from the person he was at the start of the season to become a man who will be able to last through the hard times ahead is a very interesting, intriguing point for Season 1.
AMC_FEAR_S1_106_Inside_TheGoodMan-800x450 fear-the-walking-dead-episode-106-travis-curtis-935To be honest, I won’t apologize – I loved this first season. Others found it uneven, or flat-out did not enjoy the whole thing. Not sure why, maybe it wasn’t what they wanted in terms of zombies, but I came into this assuming it would be a prequel and we’d see the before, then move into the full-on zombie epidemic. So perhaps the marketing of the show wasn’t clear enough? I don’t know. I thought the family dynamics happening in this season were excellent, getting bits and pieces of a bunch of different stories. Not only that, I’m finding already in the first season the contrast people who people were before the infection started and after has already begun to feel really exciting and interesting. Like I’ve already mentioned, the metamorphosis of Travis specifically throughout Season 1 has brought out a quality of all people, in him a microcosm – how we’ll all eventually devolve and revert to primitive human behaviour after the apocalypse, whether willingly or pushed over the edge such as Travis was after seeing Adams shoot Ofelia.
So come back for the new season of The Walking Dead which I’ll be reviewing, as well as other series’ on television like American Horror Story if that’s your cup of tea. Otherwise, I’ll see you back here again next year for another season of Fear the Walking Dead!

Fear the Walking Dead – Season 1, Episode 5: “Cobalt”

AMC’s Fear the Walking Dead
Season 1, Episode 5
: “Cobalt”
Directed by Kari Skogland (Fifty Dead Men WalkingThe Stone AngelVikings)
Written by David Wiener

* For a review of the next episode, “The Good Man” – click here
* For a review of the previous episode, “Not Fade Away” – click here
Screen Shot 2015-09-28 at 9.38.38 PMThis episode begins with Doug Thompson (John Stewart) in a National Guard holding cell of sorts. Maybe even worse than dealing with the so-called patriotic troops, he’s stuck in there with Strand (Colman Domingo), whose mouth never seems to start running. Though, Strand absolutely appears to have his head on at least most of the way straight. Oh, and Nick Clark (Frank Dillane) is huddled in the corner, surely awaiting more of the junkie withdrawals.
Strand proves useful later in the episode – apparently he deals with the guards, trading for things. He gives up what look like some diamond cufflinks or something, all in order to keep them from taking Nick away to the basement; they see his fever is up. But Strand knows Nick is coming down, only detoxing, and this guy might prove to be a strong ally for the young man. Or will he? Could Strand simply be doing a kindness, or is it a way to make sure he’s got his own ally, under his thumb, once things get crazier? We’ll find out soon enough, I’m sure.
Screen Shot 2015-09-28 at 9.39.41 PMBack in the old neighbourhood, Ofelia Salazar (Mercedes Mason) appears as if she’s riling everyone up. Her mother, Griselda (Patricia Reyes Spíndola) is off with the National Guard somewhere, with doctors, but she has no idea what’s going on. Luckily as the troops move in on Ofelia, Andrew Adams (Shawn Hatosy) her boyfriend steps in to sort things out.
At the Clark house, Madison (Kim Dickens) and Travis (Cliff Curtis) are having a ton of trouble. Chris Manawa (Lorenzo James Henrie) isn’t exactly happy with his dad, making things even worse; he’s concerned about his mother, Liza (Elizabeth Rodriguez).
Chris meets up with Alicia (Alycia Debnam-Carey) and they dress up in one of the deserted houses, trashing the place. Some real chaos; is this what their generation will become now?
Meanwhile, Liza is off helping Dr. Exner (Sandrine Holt) whose sympathy for the situations of others doesn’t really run very deep. Liza wants to know how Griselda and Nick are, she wants to call her son Chris, but Exner whisks her around to help all the patients.
Screen Shot 2015-09-28 at 9.40.18 PM Screen Shot 2015-09-28 at 9.40.23 PMMadison goes looking for Alicia, finding the note she’d left for Russell. She ends up finding Daniel Salazar (Rubén Blades) and his daughter Ofelia: they’ve taken Adams hostage, tied him up, duct taped his mouth. The father-daughter duo have decided to use Adams as leverage, as a trade, to try and get back their loved ones; Griselda, Nick. But Daniel wants to know all the information the National Guards know, so therefore he plans to extract any and all information from Adams.
I love how the character of Daniel has seen this sort of military response before. He’s aware of what the government and the military can do. So this is a bit of an interesting angle, which fuels the paranoia he continues to display.
Screen Shot 2015-09-28 at 9.39.52 PMLieutenant Moyers (Jamie McShane) has a little chat with Travis Manawa. He’s worried about what’s going on, obviously, after seeing the snuff job at the end of “Not Fade Away“. Eventually, after a bit of back and forth, Travis ends up getting to go downtown, to visit the doctor and find out what’s been going on. However, things seem dark, or at least to spell trouble because the soldiers are worn out, yet Lt. Moyers pushes them further and further. You can almost feel something about to happen.
On their trip, Moyers makes a stop and sets up a tactical sniper rifle. He wants Travis to take the shot on a woman down the street in what looks like a coffee shop; she is not human, it seems, rather a walking dead. After a bit of yelling, and taunting from Moyers, finally Travis picks up the rifle and sights the woman – her name tag spelling out KIMBERLY – and tries to muster up whatever’s needed to put her out. He can’t do it, though, and Moyers cockily steps in. I guess his point was that Travis willingly lives under the National Guard’s protection yet wants to criticize how they do things, while unable to pull the trigger himself when/if needed. I understand, but still – dick move. I do not like Moyers at all while I do absolutely love McShane; he does good work in almost every show you’ll see him in.
Afterwards, the National Guardsmen all pile out of their vehicle towards a building, as Travis waits in the truck, instructed not to move; no matter what happens. Then all the screams and shots and screeches ring out of the vehicle’s radio. Intense scene, very well shot. Plus, Cliff Curtis is a solid character actor who I always enjoy seeing onscreen. He gives Travis life here, and the intensity on his face in this scene shows he is solid. Real effective stuff.
Screen Shot 2015-09-28 at 9.40.54 PMDown where Daniel has the soldier Adams held up, it seems things are getting very, very bad for the military man. Daniel gets serious; there will be no talking here. He continually asks Adams – “What is Cobalt?” – and also cuts the poor man’s inner arm, slowly lopping off pieces of skin and going deeper into the wound. It’s a real torturous moment, as we witness pure torture; hard to watch, even for the hardened horror vets such as myself, seeing his gaping wounds and the blood even for a brief few seconds is a gut punch. Great horror moment.
Even better is when Daniel goes back upstairs, Ofelia having seen his handiwork, and Madison encounters him in the kitchen. An amazingly tense scene between the two, which ends as Madison proves she’s one tough woman; I think both she and Daniel realize how terrible things are beginning to get, how fast the world is spiralling out of control and into oblivion. All she has to say to Daniel is: “Did he tell us what we need to know?
In the end, Adams gives up the goods. He tells everyone Cobalt is the code which commences evacuation of the Los Angeles area. This also includes procedures for the “humane termination of….“, you guessed it. At 9AM the next morning, things are supposed to get pretty damn rough.
Screen Shot 2015-09-28 at 9.41.24 PM Screen Shot 2015-09-28 at 9.41.45 PMNick Clark and Strand have a conversation after the former finishes a fresh vomit. Turns out, Strand needs a man with Nick’s sort of talents – whatever that means exactly I’m not so sure; I guess being a junkie automatically lends itself to being sneaky – when he decides to get going. He has a key, and no doubt will have escape on his mind.
Screen Shot 2015-09-28 at 9.43.23 PMThe National Guard is starting to pull out of the whole area – from the hospital they have setup, from the neighbourhood, from Los Angeles entirely. Things are starting to get scarier now, more and more ominous, each scene more foreboding than the last.
Poor Griselda Salazar is starting to die, she had complications after the foot she injured was removed. As Liza and Dr. Exner tend to her, she passes on. Exner breaks out the hydraulic cattle gun and advises Liza, though the time varies from person to person, everyone turns into a zombie, the living dead. Liza does what’s needed and an understanding sets in.
Screen Shot 2015-09-28 at 9.43.43 PM Screen Shot 2015-09-28 at 9.43.48 PMA chilling end to this penultimate Season 1 episode, with Daniel walking up to the doors of what looks like a big stadium almost, or a similar style complex – the doors are all bared with boards through the handles, chains and locks across their fronts. And inside the sound of hungry, angry, raving zombies. Really great finish.
No doubt the next and final episode, “The Good Man”, will show us some wild stuff! I know Kirkman and Co. will want to go out with a bang, which will set up a great second season. Though others are not so keen, I’ve been a big fan of this series since the opening episode. People expected tons of zombies, but this is a lead-up, building towards where we’ve already gotten to in The Walking Dead. For what this series is meant to be doing, it is incredible.
Screen Shot 2015-09-28 at 9.44.12 PM Screen Shot 2015-09-28 at 9.44.23 PMLast episode is directed by Stefan Schwartz whose directing credits include episodes of LutherSpooksHouseThe Walking DeadDexterLow Winter SunThe AmericansThe Bridge, and more. Stay tuned, Walking Deadites! Close out the season with me next week.

Fear the Walking Dead – Season 1, Episode 4: “Not Fade Away”

AMC’s Fear the Walking Dead
Season 1, Episode 4: “Not Fade Away”
Directed by Kari Skogland
Written by Meaghan Oppenheimer

* For a review of the next episode, “Cobalt” – click here
* For a review of the previous episode, “The Dog” – click here
IMG_1992This episode starts with Lou Reed’s “Perfect Day” playing over a montage of what’s now the new normal in Los Angeles neighbourhoods.
Travis (Cliff Curtis) jogs through the fenced in area of the their neighbourhood. His son Chris (Lorenzo James Henrie) sits on top of the roof and talks to his camera, in the distance noticing a flash; is it a signal, gunfire, or something else? Either way, Chris says: “Hello
IMG_1993For the time being, Travis and his son, Madison (Kim Dickens), Alicia (Alycia Debnam-Carey), and the still detoxing Nick (Frank Dillane) are all trying to get along with normal life; quote unquote normal, anyways. At the same time, Liza (Elizabeth Rodriguez) is off helping others.
Either way the friction is real, it is constant. Even Alicia acknowledges there’s nothing normal anymore.
Back on top of the house, Chris discovers the signal flashing back to him as he tries to signal it. He tries to show his father, though, Travis has no part of it. Clearly it is someone and Travis knows this, worrying too much. Will he got out on his own? Is he going to do something dumb? We’ll see.
Madison and son, Nick, are also dealing with a slight bit of friction. Although it seems Nick is trying to kick the junk a bit more proactively, his mother’s only concerned for him and questions whether or not “forgetting” to take his medication is the best thing or not. Regardless, Nick acts as if he’s willing to get clean and swims around in a dirty pool while acting fairly non-chalant about it all.
IMG_1995The National Guard has moved in. They’re not only occupying the neighbourhood in order to keep things under control, they impose lots of rules – obviously – but as Travis sees quickly, these troops mean business; strict fucking business.
Travis is called on to deal with the Thompson family, who are apparently holed up in their house and will not comply with the National Guard. Lieutenant Moyers (Jamie McShane) makes it clear, Travis either helps get him to go along, or the Guard is going to take him down.
Unfortunately, Doug Thompson (John Stewart) is having a bit of a hard time telling his children what’s been happening. Yet luckily Travis is able to get Doug calmed down, thinking level-headed. A testament to the level-headedness of Travis, but there are things even this quality won’t help him with in the days, weeks, months… years… to come. Depending on how long he makes it.
IMG_2008Nick proves fairly fast his lying self is prevalent. Seeing Liza leave a sick neighbour’s house, he sneaks himself into the room and hooks himself up to an old, obviously near death patient’s IV all to get his fix. Despicable, sad, all at once.
He and his mother have a confrontation later where she basically beats him up, briefly, telling him “You have no idea“. While it’s sad to see a mom have to essentially kick the shit out of her junkie son, it’s something certain junkies ACTUALLY need (coming from someone who is nearly 7 years clean from drugs & 6 years sober from alcohol).
What’s worse is the fact Madison is trying hard to be positive, trying to hard to be there and be strong, all for her family. All the while, Nick is shitting all over the trust she gave him earlier.
The thing I love is the writing here concerning the family. There’s a parallel between the sons, each giving the two parents grief. Nick is bad enough, but then there’s Chris who – maybe rightfully – won’t let go of the fact he saw a flash out in the distance, out where, supposedly, there aren’t any people.
Clearly, though, Nick is worse.
That night, Madison flashes a light on her own at the top of their roof. Finally, after a few flashes, one comes back and she gets confirmation Chris actually saw someone out there. Who is it? The suspense is already killing me, honestly. Loving it.
IMG_1996Everything gets more and more tense once Doug Thompson disappears in his car. Obviously Travis didn’t do such a great job talking Doug down earlier. He tries to talk with Lt. Moyers, but this guy is a REAL douche. No doubt on that one.
It feels a bit sketchy once Moyers gets sort of standoff-ish after Travis mentions his son saw a light in the DZ (for those who don’t happen to know: DZ, or DMZ, means demilitarized zone). The lieutenant passes it off, forgetting it right away, but it’s the way he’s body language speaks: you know the guy is lying, he knows something, he knows what the military knows and you can bet it’s nasty.
IMG_1997One of my favourite scenes so far in this first season of Fear the Walking Dead happens when Madison, albeit irresponsibly (and I thought Chris would be the dummy to attempt this), heads out through the National Guard implemented fence, cutting a hole through a tiny section and making her way into the DZ.
At first there’s this intense bit where we watch as Madison walks through these desolate bits of neighbourhood, everything destroyed or abandoned. Then come the dead bodies, a stench washing over her. And BAM – out comes a military vehicle, troops in tow. This was an incredibly tense sequence. These moments amped up higher than they would have even with the excellent cinematography and overall production design, all due to an amazing score from Paul Haslinger.
IMG_1999 IMG_2002 IMG_2003 IMG_2005 IMG_2006Dr. Bethany Exner (Sandrine Holt) is now roaming the neighbourhood. In private, she outs Liza to her face as not being a real nurse, and they sort of… strike a deal. Now, she’s heading through the neighbourhood, checking everyone out.
Griselda Salazar (Patricia Reyes Spíndola) is being eyed to have sugery under Dr. Exner. It’s hard to tell whether or not Daniel Salazar (Rubén Blades) is willing to let that happen.
But he tells Madison a story, as they’re together after her adventure outside the fence, about how the government came and took some people from where he lived; they did not come back, only ended up dead. His whole point is that if he goes, and does not come back, she needs to be there for Ofelia Salazar (Mercedes Mason). I thought this was a really great scene, Rubén Blades is an awesome actor whose credibility adds something to this cast of characters of which I’m a big fan.
IMG_2009When the shady Dr. Exner and the National Guard come to take Griselda, things get extremely tension-filled and a bit scary.
First, they refuse to take Daniel with his wife, as the only other name on the list is Nicholas Clark. Second, in the struggle to get Nick after Alicia tells him to run, the National Guardsmen draw their guns on everyone, from Daniel to Chris. It provokes everyone. Everything goes mad in those few moments and the troops take Nick, Griselda, and even – though willing – Liza.
What’s even wilder is that in the final few moments of the episode, Travis goes up to the roof in grief as everyone else left does their own thing, each reeling. Up on top of the house, Travis not only sees confirmation of a flashing light out in the DZ, he witnesses big bangs, flashes of light, and realizes someone has been killed. No doubt after Lt. Moyers caught wind of it from him, another party of troops went out to sweep the area, finding them in the night naturally and snuffing out the problem. Incredibly intense and disturbing as hell.
One thing’s for sure – Madison and Travis are headed for rough territory, as Liza is the cause of all this nonsense at the close of the episode. Maybe not fair, however, the only reason she was there was due to the fact Travis wanted her to be; being the mother of his boy and all. Still, there’s going to be some trouble in the house amongst everything else going on outside in the devastation that is Los Angeles.
IMG_2010 IMG_2011Looking forward big time to the penultimate episode of the first season, “Cobalt”, which is again directed by Kari Skogland. I like how the number of directors has been cut down in this first season, it gives directors the chance to sort of bridge episodes together instead of simply doing six one-off directed episodes by six different directors. Gives the season continuity in that sense, to me anyways. I think Robert Kirkman and Co. have a good thing on their hands with this series, even though the naysayers will, no doubt, continually naysay. Digging it over this way!
Stay tuned for more reviews, my friends! #FearTWD

Fear the Walking Dead – Season 1, Episode 3: “The Dog”

AMC’s Fear the Walking Dead
Season 1, Episode 3
: “The Dog”
Directed by Adam Davidson (Hell on WheelsThe FollowingLow Winter Sun)
Written by Jack LoGiudice (Sons of AnarchyThe Walking Dead)

* For a review of the next episode, “Not Fade Away” – click here
* For a review of the previous episode “So Close, Yet So Far” – click here
Screen Shot 2015-09-14 at 10.05.51 PMAt the beginning of the latest episode, “The Dog”, we see the big family still divided across the city.
While Travis Manawa (Cliff Curtis), his son Chris (Lorenzo James Henrie), his ex-wife Liza Ortiz (Elizabeth Rodriguez), and the Salazars – Ofelia (Mercedes Mason), Daniel (Rubén Blades), and Griselda (Patricia Reyes Spíndola) – are all holed up in the little barber shop owned by Daniel, a riot is going down fiercely in the streets. After a few minutes they’re forced out of the shop and into the street, as a fire next door begins to make the wall literally bubble.
Not just riots are happening; the apocalypse is nigh!
Chris witnesses a person zombified, biting into the neck of another person; in fact, they’re police officers, most likely SWAT Team members. The whole city of Los Angeles, at least that area anyways, looks to be in total panic mode, full-on mayhem.
Screen Shot 2015-09-14 at 10.06.34 PMMeanwhile, back at home, safe and sound, Madison Clark (Kim Dickens) is taking care of her junkie son Nick (Frank Dillane). The two of them, plus Madison’s daughter Alicia (Alycia Debnam-Carey), play a board game.
Great juxtaposition of the two family units, each in their own space – one fighting to survive in the streets, the other in a nice, quaint little living room playing a board game. I also feel like there’s a larger statement in this segment. For instance, the Clarks are all white, and then there’s Travis, his ex-wife, and the Salazars who are all of different ethnicities. While the white people are all cozy in their houses, it’s everyone else left in the streets – at the mercy of police and zombies. I don’t know, perhaps I’m making a mountain out of a molehill, or a pile of lint, but I honestly think there’s a bit of George A. Romero political zombietary dropped in amongst it all. That’s the great part about art in any form: we’re all able to draw out what we want from the themes and events within it. I’m probably way off base from the writing, it’s still fun to theorize.
Screen Shot 2015-09-14 at 10.09.23 PMAn amazing sequence is in this first 10-12 minutes. When Travis leads his group out of the downtown area riots in the truck. The way it’s filmed is heavy, man. The score, the shots themselves, they all amount to a feeling of great unease. Travis and his son Chris look out the window of their truck, as the Salazars and Liza sit in the pan: chaos is erupting, the hospital is overrun with police and at least ONE zombie – no doubt lots more – and an excellent slow motion shot sees an officer running with an automatic rifle in hand. There’s just a real sense of gravitas to everything happening. Even Travis knows it’s more than simply riots; we, the audience, know far more. So in both ways this scene cuts deep, in an immediate sense because we’re watching society begin to breakdown as the zombie outbreak begins so quickly.
Furthermore, once they get out of the populated area up on this hill, Travis and Chris watch through the truck’s windows and we can see in the reflection of the glass city lights are beginning to shut down, one section at a time, Los Angeles descending into a soon to be perpetual darkness.
Screen Shot 2015-09-14 at 10.10.46 PMOnce Travis and his group arrive back to find Madison and the kids, there’s trouble.
A zombified neighbour wanders into the Clark house, killing and eating the family dog. Out looking for a shotgun at another neighbour’s house, Madison isn’t able to warn Travis before he heads inside. ZOMBIE ATTACK! Finally we’re seeing another zombie on human sequence. This time it’s more intense than Madison’s encounter with her co-worker.
Daniel Salazar intervenes on Travis’ behalf by shotgunning the zombie neighbour in the face. SUCH GNARLY EFFECTS! The first shotgun blast is savage. Then Daniel takes another pop shot and the head goes BAM; nevermore. Really wild makeup effects which I loved.
Screen Shot 2015-09-14 at 10.12.26 PM Screen Shot 2015-09-14 at 10.12.43 PM Screen Shot 2015-09-14 at 10.12.49 PM Screen Shot 2015-09-14 at 10.12.56 PMThere’s some family drama happening with everyone now housed temporarily under the Clark roof. First it starts with Chris trying to help Alicia, but getting a hard elbow in the nose. This puts Chris and his father in a room together for a few moments, as they talk a little about the infection; mostly, Travis tries to reassure his son that everything will be all right. Moreover, Travis has obviously got things a bit rough with two wives in one place, which – regardless of the circumstances it being the end of the world outside and all – cannot be easy, it’s obviously a wound still partly open for some of them.
The Salazars are also at odds. Daniel doesn’t want to be in someone else’s debt at a time such as it is in Los Angeles. But clearly it’s also not a time to be alone, cast away from society or people of any kind. Everybody needs somebody (some time). The Salazar women feel a little differently, however, I get the impression Daniel is only looking out for his loved ones; he strikes me as a very family centric man and he’s not about to make anything worse than it is for his own family by siding with the wrong people. I’m sure as time goes by, he and Travis might find a bit of common ground, a mutual understanding on which they might stand together. Eventually.
Screen Shot 2015-09-14 at 10.14.07 PMDaniel and Travis still have a way to go. The old guy is only trying to keep everyone safe, but Travis has a problem with Daniel showing Chris how to use a shotgun. Mainly, I think ol’ Mr. Salazar is a realist. He knows something is wrong, he’s seen some things in his life, and the guy just wants to be prepared; he wants, needs, everyone else to do the same. It’s telling when he sees Travis and Madison at the fence – Travis talks Madison out of killing her zombie neighbour-friend Susan Tran (Cici Lau), Daniel only says to himself “Weak” as they walk away. So it’s obvious he has got the realism hat on while others are having a harder time adjusting.
Even further than that, the Salazars opt not to go with the Clark-Manawa-Ortiz brigade, as Daniel tells his daughter “good people are the first to die“.
Screen Shot 2015-09-14 at 10.13.11 PM Screen Shot 2015-09-14 at 10.13.57 PMThe most intense sequence of “The Dog”, though, has got to be when Patrick Tran (Jim Lau) comes home to his wife Susan. Just as he’s about to grab her in a hug, as she shuffles zombi-ly towards her husband, some National Guardsmen blow a little hole right through dead Susan’s head. I thought for sure there’d be a big zombie chase sequence or simply a blood and gore fest maybe, with a couple deaths. Instead, “The Dog” sets up the next episode with the National Guard moving in on the whole neighbourhood and, at least for the time being, the Clarks, Salazars, and the Manawa-Ortiz clan are safe. Or are they? Who knows exactly what will happen.
As Travis says “It’s gonna get better now” and the episode fades out with a slightly optimistic yet haunting score overtop, it’s hard to tell exactly how things will go immediately. Of course, we know how they’ll start to go on down the line.
But just before the cut to black happens, Daniel says to his wife, while watching the National Guard move through a house next door: “It’s already too late
Very foreboding finish!
Screen Shot 2015-09-14 at 10.14.30 PMCan’t wait for the next episode, “Not Fade Away”. People keep saying the shows is boring, but it isn’t to me. Others expected full-on mayhem and madness. It’s not that type of series! Not yet anyways. The world of Robert Kirkman, Tony Moore, Charlie Adlard, and yes Dave Erickson, has sprung to life in a new, unexpected way in this series which leads us into where original show The Walking Dead has already taken us. So for those who don’t enjoy, here’s a tip: stop watching. The series will do just fine without you.
Screen Shot 2015-09-14 at 10.14.58 PMFor the rest, stay tuned! I’ll be back again next week with another review. Hope to see more and more craziness, now with the National Guard in the mix and the government bearing down on Los Angeles I know there’s going to be something intense and exciting happening in “Not Fade Away”. That episode, by the way, is directed by Kari Skogland whose television work includes Vikings, a 6th season episode of The Walking Dead, the fifth episode of Kurt Sutter’s new series The Bastard Executioner, The KillingThe BorgiasBoardwalk Empire; Skogland’s film credits include the excellent Fifty Dead Men Walking and an adaptation of Margaret Laurence’s The Stone Angel, among others. Looking forward to her at the helm of this next episode, should be fun.

Fear the Walking Dead – Season 1, Episode 2: “So Close, Yet So Far”

AMC’s Fear the Walking Dead
Season 1, Episode
2: “So Close, Yet So Far”
Directed by Adam Davidson (Hell on WheelsThe FollowingLow Winter Sun)
Written by Marco Ramirez (Sons of AnarchyOrange is the New BlackDa Vinci’s DemonsDaredevil)

* For a review of the next episode, “The Dog” – click here
* For a review of the Pilot episode – click here
IMG_1827This second episode begins directly after the Pilot. Madison Clark (Kim Dickens) and her boyfriend Travis Manawa (Cliff Curtis), along with her son Nick (Frank Dillane), are speeding away in the truck after seeing the beginning of an epidemic; what we know is the zombie apocalypse.
Worst part is, Alicia Clark (Alycia Debnam-Carey) went to check on her boyfriend Matt (Maestro Harrell) who stood her up previously. He’s sick, running a massive fever, so something is certainly not right.
When Travis checks on him, Matt seems to have a bite in his shoulder. Though when they saw Calvin (Keith Powers) turn into a zombie in the finale of the Pilot he’d been shot, there’s still something suspicious about it. Alicia doesn’t want to leave Matt, but he begs her to leave because he loves her.
IMG_1828I knew it would happen – in this episode, we’re beginning to see everything go to hell, as well as the fact Nick is going to go through severe withdrawals. No more heroin. He’s on the couch sweating, rolling around, he’s hot then freezing cold. Worst time ever for it to happen, however, he’s lucky enough to have a tough mother like Madison by his side.
IMG_1831Here we’re also seeing lots of him and his sister Alicia together. She is clearly resentful of her junkie brother, whose addiction has obviously affected the whole family and her in particular. I can see how him being an addict, as well as having a completely understanding mother such as Madison, would take most of the attention up. Not saying Alicia is selfish, not whatsoever, but she’s felt the effects of the strained family dynamic due to Nick’s seemingly constant battle with addiction. There’ll be more of this to come up, as the zombie apocalypse takes hold more and more. I’m interested to see how the whole mixed family situations between Madison and Travis will work as things get tense with the zombies rising up.
IMG_1830At the same time, Travis’ own son Chris (Lorenzo James Henrie) is out in the middle of the streets where things seem to be already rapidly breaking down into chaos; police officers are in the streets, paramedics everywhere. Someone was taken down by police in a ton of bullets. True to the modern day we live in, people were of course down there protesting about what happened. Chris moves in with his video camera and a bit of trouble starts, as the crowd supports him and the police officer at the crime scene tells him to shut off the camera.
Travis heads out to find him. Bad idea? Sure, but you don’t realistically think a man would leave his son out there in the midst of everything, who knows where, if he knew some epidemic was on the verge of happening, do you? Not at all. So off Travis goes.
Madison heads out on an expedition of her own to the school to try and find some drugs in order to keep Nick from going cold turkey. There, in an otherwise deserted building, she meets Tobias (Lincoln A. Castellanos) who is looking for the items Madison confiscated in the last episode. He’s stocking up on food and other things, understanding what’s coming, while Madison is a little more apprehensive to give in and accept an apocalypse is about to rain down on them.
IMG_1832We get the first real personal zombie attack in this episode, in the sense that Madison watches her colleague at the school Art Costa (Scott Lawrence) attack her and Tobias. They both end up keeping him off and Madison has to bash ole Artie’s brains in to keep him from coming. Vicious and we’re also seeing how this is truly the beginning: can’t easily bash a person’s head open when they’ve only recently turned into a zombie. That’s part of why I’m interested in Fear the Walking Dead, we’re getting to see all these situations from the beginning; things we already know like how easy or not it is to kill zombies change. Fun!

One thing I’m sure many noticed but I need to mention before moving on.
Travis notices a police officer at a gas station stocking up on cases of water, loading them into the back of his cruiser. This is a highly intense moment because, as I see it, Travis realizes there’s something officially wrong. Not only that, it seems perhaps the police (and no doubt other higher-ups on the social chain) are being made aware of how serious the situation actually is, as most of the people on the streets of Los Angeles and in their homes have no idea exactly what is commencing. I think the look in Travis’ eyes says it all: pure fear. He understands there’s a terrible epidemic about to rock their city, possibly more than just L.A, and constantly throughout the episode we can see this over and over, that look on his face as he watches things fall apart around him.
IMG_1829That’s the scariest part of the zombie apocalypse scenario for me, that the government and law enforcement would take care of themselves first, then whoever else they could spare the room for afterwards. Even further, I’m terrified they would specifically quarantine and blast zones out to rid it of the infection, or that they’d systematically murder citizens in order to wipe it out hopefully. Part of that is what drives the tension in this scene.

Travis meets up with his ex-wife Liza Ortis (Elizabeth Rodriguez), who is less than thrilled to see him. But he warns her of what may be on the rise. When they go to the protest where their son Chris is filming, Liza sees the man who was shot by the police, then witnesses men in Hazmat suits exiting a vehicle; promptly this makes her revise any ideas about going against her husband. From there, anarchy starts to break out like wildfire amongst the crowds, as another zombie shows up behind the police and a SWAT Team marches in on the people. Travis and his family manage to hole up in a barber shop with Daniel Salazar (Rubén Blades), his wife Griselda (Patricia Reyes Spíndola), and their daughter Ofelia (Mercedes Mason). This is a bit of a tenuous situation, though, the Salazars seem to be good people.
Outside of the barber shop fires and riots have erupted in full force already. As Tobias says to Madison at one point, when the end of civilization comes it comes quick. That’s exactly what’s begun to happen in “So Close, Yet So Far”.
IMG_1833 IMG_1834The finale of the episode starts showing us how the virus is spreading. Already, out in the Clark neighbourhood, zombies are wandering and beginning to attack. As one of the neighbours is attacked by another neighbour, Alicia tries to go intervene but her mother stops her. It seems Madison is starting to heed the warnings of young Tobias, who as kids are these days is prepared for a possible apocalypse, or at least wants to be prepared and is willing to accept things might be collapsing.
What’s most telling here is the way Madison shuts the door and she sort of leans back against it, a close-up lingering on her face as she doesn’t want to have to stop her daughter from helping another person – however, this is the new world they’ll be living in. She accepts it partly and by closing the door she’s ushering in a new law of acceptance in her own home, in her mind and heart, that civilization is collapsing and doing so like they’re skiing down a collective slope into oblivion, picking up speed.
IMG_1835 IMG_1836 IMG_1837I’m happy with how the show is starting. Naturally we’re not directly in the midst of everything, it’s the actual start. So things in this episode have actually begun to devolve. Anticipating the third to have a bit of intense violence and zombie madness. There’s a slow burn aspect to these first two episodes that I’m enjoying. Surely there are people who’ve had their share of problems. Me, I don’t see anything to complain about.
Another part of what I like is that it’s not completely copying The Walking Dead. Even the aesthetic is proving different. One thing I noticed watching “So Close, Yet So Far” is the music. LOVING the score! It has a similar edge at times, yet totally different. An interesting electronic vibe going on throughout this episode. Paul Haslinger has been doing the music for this season of Fear the Walking Dead, he’s also scoring the AMC series Halt and Catch Fire. Other films he’s done I’m not overly keen on, so I’m glad to be hearing some work of his that’s pretty awesome so far. Great score helps a horror film/show in an enormous way.
IMG_1838 IMG_1839Dig this episode a good deal. Looking forward to the next one titled “The Dog” which is again directed by Adam Davidson. I’m enjoying that he’s directed the initial three episodes of this show because it offers a bit of continuity. Would’ve obviously been better to have one person direct the whole six episode season, however, it’s still awesome to have him start the season off with three solid episodes. Sets things up nicely moving along.
Stay tuned for next week, Deadites!

Fear The Walking Dead: Series Premiere – Review

AMC’s Fear The Walking Dead
Season 1, Episode 1: “Pilot”
Directed by Adam Davidson (The FollowingHell On Wheels)
Written by Robert Kirkman & Dave Erickson; based on the graphic novel series by Charlie Adlard/Robert Kirkman/Tony Moore

* For a review of the next episode, “So Close, Yet So Far” – click here
IMG_1738The opening scene of Fear The Walking Dead is a doozy to me. A nice open throat, a man stumbling around in a worn down church, zombie woman eating a face with a knife sticking from her belly. I found the atmosphere of the scene combined with a tense chase pretty awesome, plus the guy playing Nick (Frank Dillane) ejecting himself from the church and into the street where he’s hit by a car looks genuinely frightened.
So this initial moment makes things exciting. Nothing like starting things off on a wild and creepy moment to get viewers interested. Furthermore, I found for at least a few minutes I wasn’t totally positive if Nick was a junkie, or if he was in the first throes of becoming a part of the walking dead horde. Very cool how they played with that whole angle.
IMG_1739There’s a bunch of family drama at the start of this pilot. A lot of people online seem to be lamenting this, wanting more of the zombies. But what you’re not getting, if in that camp of viewers, is that this is NOT The Walking Dead. We’re beginning at the very start, not in media res of the apocalypse like Rick Grimes in the initial episode of the original series.
So if you’re not interested in that – fine. Just don’t say it’s a bad show; first of all it is the pilot, second you can’t judge it badly because you don’t like drama and want zombies. The zombies, at least in the pilot, are not the first and foremost element of what is happening. We’re watching the world as it is about to plunge into the darkness we’ve come to know on The Walking Dead.
IMG_1740There’s a big mix of families happening. We’ve got Madison Clark (Kim Dickens) whose son happens to be Nick, from the start, so that’s enough trouble for her as it is. But then she’s involved with Travis Manawa (Cliff Curtis) whose ex is Lisa Ortiz (Elizabeth Rodriguez). Then amongst them of course is Nick, as well as Alicia Clark (Alycia Debnam-Carey), plus Travis’ son Chris (Lorenzo James Henrie). At first I found it a little confusing, mostly because it was introduced quick and brief upfront. After a little time, though, I settled in and it was interesting to me. The family represents that sort of mixed racial family that I’m sure is fairly prevalent nowadays in a place like Los Angeles; where this spin-off is set. Some I’m sure will cry that Robert Kirkman, the creators, the writers are all trying to be a little “PC” by making it such a family, but I think it’s more realism than pandering.
IMG_1741What I enjoy in this pilot episode is how Travis (Curtis) tries to listen to Nick (Dillane). Unfortunately for him, the things Nick is saying are far too real. When Travis goes to the church Nick crawled out of – a place where it’s essentially “junkie communion” as he puts it himself – there’s little to verify his story, however, the mood and tone are ominous. He doesn’t necessarily think the zombie apocalypse is upon the all, but Travis does tell Madison (Dickens) he thinks something terrible happened there. Mostly, it all speaks to him wanting to help himself as a father, a stepfather, and just feeling the need to given Nick a hand.
IMG_1742 IMG_1743Looks like there are complains about how Fear The Walking Dead has such a junkie-centric thing happening in its first episode. Although, if you look at it wouldn’t a junkie den like that church be a place an epidemic could start? Who knows, really. To me, it’s a place nobody cares about; they are the throwaways of society. So if a guy like Nick shambled out of a place like that, no doubt people would toss off anything he says. Especially if he’s saying someone ate another person. Nowadays it would spread around social media, everyone would claim BATH SALTS, then move on to the next thing. By the time anyone turned around, the apocalypse would be in full-swing and the cities would begin to fall all around us as we’d be in no position to head anything off. So, to me, I found this beginning fitting because it feels genuine, from the relationships to the entire situation of Los Angeles.

I love the scene with Travis as he’s teaching the class about Jack London and his story “To Build A Fire”. Highly ironic when one of his students says he doesn’t care about learning how to build a fire; when asked why not, he replies “I got a stove”. The irony, of course, lies in the fact we already know what’s coming. We’ve seen The Walking Dead, we’ve seen all the zombie horror movies, we can understand that eventually all of these people we’re seeing right now will NEED those skills. If not, their furthering survival is at risk of a quick extinction. So maybe some might say this scene is heavy handed. To me, it follows a great tradition of horror films – from classics like John Carpenter’s Halloween to newer films following it such as It Follows – in which there are these wonderful scenes that speak to thematic/plot elements we’ll see as the story progresses.
IMG_1744There’s solid atmosphere throughout this whole pilot, honestly. From the grim opening with Nick in the church, spilling into the street, to scenes in the hospital – an old man in the bed next to Nick goes into cardiac arrest or something similar; moments later an eerie older woman smiles at Nick, staring. Small bits like this, as well as the look and feel of the scenes themselves, really make for quite a bit of tension.
Moreover, Nick takes off from the hospital, so in terms of plot things get suspenseful. We’re already aware the zombies are out there; the apocalypse has begun officially, whether the characters realize this or not. While Nick saw it, he is a junkie and does not know for sure if he saw a zombie, or if it was the drugs, or if it was drugged madness on the part of the other junkies in that church. So he’s out on the streets, he picks up a burner cellphone, and there’s this wretchedly ominous feeling to the scenes. We’re left wondering exactly how this sad junkie will make out once things start to get insane out in the streets of L.A.

Another thing I love is that the setting is Los Angeles. So while we as the audience hear helicopters and sirens going around, thinking this is the beginning – knowing it – these sounds are commonplace to the characters, as L.A is one hell of a busy city at all times. Never stops, even the helicopters flying over different neighbourhoods. Those characters would not automatically assume that the apocalypse had begun simply because of sirens and helicopters and police cars and ambulances going mad.
Then after a scene with Madison and Travis, once they’ve sped off from the highway, the next day at the school everyone watches a clip from the nightly news, where they’d been near the highway; EMTs are attacked by people on stretchers. Most assume it was drugs, maybe shock as Travis points… but us? Well we know the difference already, even before the characters themselves come to understand what is happening.
Enjoy the inclusion of cellphones, with a bunch of the high school characters watching online videos of the events from the previous night. It seems like a joke to some, yet school is let out early. There’s a sense of chaos brewing. Everything from the music, to the evacuation of buildings, the sound design with more choppers flying about and voices in the air. It’s a great build up towards the episode’s finale.
IMG_1745A scene between Calvin (Keith Powers), who is obviously a friend and dealer both, and Nick is incredibly well done. There’s a genuine terror in Nick; he’s not simply addicted to drugs, he has seen something terrifying and it’s rocking him. Not just that, Calvin is clearly paranoid because Nick’s mom came to him, he’s afraid that Nick has been saying things that ought not to be heard. Very foreboding feeling to the car ride Calvin takes Nick on, as we’re pretty much expecting him to blast the poor junkie away, which we fast discover to be the truth.
Though, it isn’t a drug dealer and a gun Nick needs to be most concerned about. When his mother and Travis show up to get him – after he’s killed Calvin in self-defense – Nick takes them down to where it happened. However the body is not there.
Do you see? DO YOU SEE?
Nick is looking crazier and crazier. Still, we know something is going to happen, something is already going bad.
THEN THE SCORE KICKS IN! That music we know well from The Walking Dead – deep bass, distorted, heavy. In the dark red tunnel, Calvin reappears and he is zombified. Thus begins the zombie apocalypse, which ushers in Fear The Walking Dead.
IMG_1746 IMG_1747 IMG_1749 IMG_1750This episode, while slow to some, is a solid opener to the series. Others wanted a ton of zombie action right away. I stress again: this is not the show you’re looking for! We are getting a slight prequel, once that begins right on the cusp of the apocalypse we’ve already been smack dab in the middle of during The Walking Dead. So it’s only natural to see a lead up to the actual zombie epidemic breaking out.
I guarantee the second episode will pick up in pace and intensity, as well as there’ll be more gore and zombies for everyone. I’m a fan of all that stuff, too! For those who’ve not read this blog, most of what goes on here involves horror one way or another. So I am a massive horror fan, love the gore and the blood where I can get it. At the same time, I do love the drama involved in a good horror series or film. It’s what makes the horror more real, more visceral.
For me, this pilot was great. An incredible mix of family drama, tension, and bits of horror. Really felt like the world going on as normal, right before the zombies descend on Los Angeles. Even more, not a moment did I find myself checking the time; in fact, I had to stop and see how much time was left simply because I hoped it would be at least 15-20 minutes more, as I’d been enjoying the episode that much. Looking forward to a second episode – it’s titled “So Close, Yet So Far” and is directed by Adam Davidson (Hell on WheelsThe Following). One thing I’m sure of – poor ole Nick is going to have some rough withdrawals as the zombie epidemic commences. It’s gonna prove pretty interesting, if anything.

Stay tuned! I’ll be keeping up with each episode of AMC’s Fear The Walking Dead. I’m also soon starting to review The Walking Dead from its first season onward, and I’ll do each episode of the new season once that comes on, too.