[Brooklyn Horror Film Festival] Structures of Misogyny in GIRL ON THE THIRD FLOOR

A house is not a home when there's nothing but pain inside its walls.

[Brooklyn Horror Film Festival] IN THE QUARRY: Woman v. Cavemen

A thriller with sharp ideological teeth

THE FURIES: Fairy Tales, Gore, and Greek Myth Transform the “Final Girl”

Tony D'Aquino's film cleverly uses fairy tale and Greek myth to turn a slasher flick's Final Girl into something bigger.

The Handmaid’s Tale – Season 3, Episode 12: “Sacrifice”

June gets good news, but bad news isn't long behind. In Canada, Serena forges a life without Fred.

[Fantasia 2019] Ironclad Women & Bourgeois Criminals in A GOOD WOMAN IS HARD TO FIND

Sarah Bolger gives a fierce performance that subverts the typically patriarchal revenge tale

The Handmaid’s Tale – Season 3, Episode 9: “Heroic”

June must watch as her walking partner wastes away to nothing but a womb on life support

Rural Magic Realism and Perpetual Adolescence in KNIVES AND SKIN

Jennifer Reeder uses magic realism to look at social dynamics and gender in a small town in the wake of tragedy

[Fantasia 2019] “No girl is exempt”: Biblical and Societal Misogyny in DARLIN’

Pollyanna McIntosh tears into the misogyny and sexism of the Roman Catholic Church, as well as society in general.