Vic and Manx face off. But will it be the end?
Vic chases Manx while Maggie sets her Scrabble bag sights on Bing.
Vic and Bing have another run-in. Maggie falls into a bad rut.
Charlie Manx is trying to fix his Wraith. It'll cause a lot of trouble before it's fixed.
Vic gets a hand from Jolene. But is all hope lost?
Vic McQueen and Charlie Manx come face to face.
Bing's done something bad. Vic tries to help find little Haley.
Vic tries to leave the bridge behind, focus on school. But Manx is out there, hunting.
Vic takes the bridge again, only to come out somewhere completely unfamiliar.
Charlie Manx is coming to toooown
FX’s American Horror Story
Season 2, Episode 11: “Spilt Milk”
Directed by Alfonso Gomez-Rejon
Written by Brad Falchuk
* For a review of the previous episode, “The Name Game” – click here
* For a review of the next episode, “Continuum” – click here
The beginning of this aptly titled episode, “Spilt Milk”, gives us one of the more disturbing bits this season. Johnny Morgan (Dylan McDermott), a.k.a young Bloody Face, has a prostitute come over to his place and breastfeed him. I mean, did Oliver (Zachary Quinto) pass everything on, or did he pass everything on? God damn. To each their own, but compounded with the fact Johnny likes to murder people, particularly he’s got a problem with women, he’s also got a breast milk fetish, a fixation. All in all, he is one awfully messed up dude.
Great, nasty open to one of the final trio of episodes left in Season 2 Asylum!
Kit Walker (Evan Peters) is continually being manipulated, still, by Dr. Thredson. Kit gets to go see Grace (Lizzie Brocheré) and his newborn baby, Thomas, though it’s not long. Even more than that, poor Pepper (Naomi Grossman) gets to talk but she doesn’t get much else, ushered off at Thredson’s orders for some archaic hydrotherapy, y’know – 1960s style.
So while Kit, Grace and their boy get to have a little time together, a slight few rays of happiness, there is still darkness cast over everything. Most of that is Thredson, trying to grasp onto anything which will allow him more power.
Then there’s the fact Grace was taken away, somehow brought back to life. She saw the “bright lights” we all hear about so often. But these lights were different, they were those creatures, the alien life forms. She came back pregnant with Kit’s child.
There’s an amazingly trippy sequence where Grace floats in this empty darkness, also in a pool of water. It’s creepy and sort of has this wide, isolated feeling, like she was just lost in nowhere. Brief few shots yet highly effective and interesting.
Oh, and Kit proposed pretty suddenly. That happened. Right before Monsignor Howard (Joseph Fiennes) shows up with Sister Colette (Tacey Adams) who intends to take the baby to a home for lost children. Thredson turns up for a little gloating, just to rub it in Kit’s face.
Mother Superior Claudia (Barbara Tarbuck) surprises Lana Winters (Sarah Paulson) with documentation of everything on record that happened to her while at Briarcliff. The faithful nun, listening to what Sister Jude (Jessica Lange) had told her previously, helps Lana to get out of the asylum; into a cab and speeding away.
Love the split-screen sequence here, as Thredson and Kit talk while Lana comes down the stairs on her way to escape with Mother Superior. It’s great how Kit helps Lana, in their silent understanding in passing; the double shot of Lana’s face is perfect. Nothing beats the moment when Thredson sees Lana in the cab, tape of the confessions against the window and middle finger to boot.
This leads directly to a scene between the two, back at Oliver’s place where Lana is waiting, police on the way. Brilliant acting from both Sarah Paulson and Zachary Quinto – tense and nastily fun moments abound.
There’s an amazing cut (which could’ve easily been done naturally with connected sets) taking us through to the present again where Johnny Morgan sucks on the prostitute’s milky breast, coming off with a mouthful. Another cut returns us to Thredson’s living room. Just downright excellent filmmaking on television (can I say that? you know what I fucking mean). This whole section, back and forth from past to present, it really makes the scene between Oliver and Lana become even more weighty, the intensity bearing down on us until – BAM!… I won’t ruin it for you, if you’ve yet to see it.
With Ms. Winters out, Briarcliff gets hammered with vicious criticism in the papers and comes under scrutiny for employing Bloody Face. At the same time, Monsignor Howard is having trouble keeping Jude quiet as she raves at him, stuck there rotting as a patient – better yet, inmate. She is disgusted with his refusal to accept the sin he committed, giving his flesh to the devil in (the now dead) Sister Mary Eunice (Lily Rabe). He can’t take it anymore.
It’s terribly tragic the lengths to which Howard goes to in order to secure his job, his life, his so-called legacy. I’m not going to spoil this either, so later in the episode near the end this will play out: be prepared for sadness.
Best of all, though, in the scuffle at the asylum after Lana breaks her story: Kit is able to leave and go free. Furthermore, he uses the death certificate made out for Grace (by Arden when she’d been presumed dead) to secure her release from Briarcliff; they also manage to get their son back and find a way to be a family.
Back at the old Walker homestead, Kit and Grace bring their boy home to a messy, beat up place from long before when Kit was thrown in the asylum. Regardless, they’re happy to be away from all the madness.
Or are they? Turns out Alma Walker (Britne Oldford) is back. Even better than that: she has a baby.
Speaking of babies, Lana has tracked down a woman willing to help perform an abortion on her, to get rid of the evil spawn inside her. She explains her situation, gets herself prepared for the procedure… but just can’t do it.
“No more death,” Lana says.
Naturally we had to expect this, as Johnny Morgan – Bloody Face II – has already shown up in the present time frame. Though, it is a truly full-blooded horror scene. Great psychological stuff going on, perfect editing with quick and appropriately disorienting cuts.The end of the episode is highly fitting, returning us to Johnny Morgan’s problem with women, his longing for a breast on which to feed, as Lana begrudgingly lets baby Johnny suckle at her own for milk; all the while clenching her fists, hating each moment. So there’s an incredible cyclical movement to this episode, I love it.
The next episode is “Continuum”, the penultimate episode of Season 2 Asylum, and is directed by Craig Zisk (credits include Shameless, Nip/Tuck, NYPD Blue, Weeds, and much more).
Stay tuned for the next one back here at FatherSonHolyGore!
FX’s American Horror Story
Season 2, Episode 9: “The Coat Hanger”
Directed by Jeremy Podeswa (True Detective, The Borgias)
Written by Jennifer Salt
* For a review of the next episode “The Name Game” – click here
* For a review of the previous episode, “Unholy Night” – click here
In current day, we’re treated to the return of Dylan McDermott as Johnny Morgan.
He meets with Dr. Gardner (Brooke Smith) for some therapy. Johnny wants to try to get better, he has “impulses” – scary ones. Though he makes nothing perfectly clear at first, soon it’s obvious he killed animals as a young boy – it made him feel wonderful. Now he doesn’t harm animals; he grew up. But into what has he grown? There’s a very tense air between Johnny and his doctor.
Tense air which turns vicious. I’m LOVING McDermott being back. Especially in juxtaposition with his role in the first season, this is a dark, dark turn on his part. You see, his name isn’t Morgan – it’s Thredson. He is the son of Bloody Face.
Wait, what? The son? But that means….
Damn I am just all over the beginning to “The Coat Hanger.” Plus, you’ve got to imagine, what could that titular coat hanger be alluding to? Starting the episode out with the bombshell concerning Dr. Oliver Thredson (Zachary Quinto) somehow having a son – wait to see where THAT leads – it’s interesting this episode is titled as it is— very suggesting.
Lana Winters (Sarah Paulson) is now with child. The news comes saucily from the devil within Sister Mary Eunice (Lily Rabe). Are we getting how important this episode’s title is with more context?
Oh my, how vicious. Worst of all, it’s clear Satan – via Mary Eunice – is going to let that child make its way into the world. Because why not, may as well have another little antichrist running around, cutting people up, as is evidence by watching the present day opener with little grownup Johnny Morgan/Thredson.
After trying to kill Leigh Emerson (Ian McShane) in the last episode, Sister Jude (Jessica Lange) wakes up in bed with Monsignor Timothy Howard (Joseph Fiennes) hovering above her. He recounts what’s happened – she’s being framed for the killing of Frank McCann (Fredric Lehne), which Sister Mary perpetrated. Furthermore, it’s all being compounded through everything from Mother Superior Claudia (Barbara Tarbuck) recounting Jude’s tale of demonic possession at Briarcliff, to Leigh Emerson’s concocted tale of what happened during the Christmas shindig, and so on.
Poor Jude. This is comeuppance for all the bad things she’s done, but far too much. She deserves a good reprimand for how she handled inmates at Briarcliff, though, Jude does not deserve being imprisoned in that hateful place under the care of Dr. Arden and Sister Mary Eunice. Even Howard has now left Jude behind, Mother Superior too it seems as of now (because of the manipulation by Arden and Mary), so she’s up shit’s creek.
Even worse, Leigh Emerson feigns remorse, wanting to repent and become a good soul in the eyes of God. Yeah, right. Can we believe this at all? Bad things shall happen again soon at the asylum.
Though I’m not religious, I do feel bad for Monsignor Howard. He’s starting to go head to head with Sister Mary Eunice – a.k.a Satan
hisher grand self. There’s nothing at all positive awaiting him at the end of this road. She’s already playing at him, teasing and poking, prodding like he’s a tiny little creature in her wake.
While Sister Jude starts to rot away already, naturally as she is being framed so heavily, Howard brings Leigh in to talk with her. A part of his repentance, I suppose. He offers her forgiveness for what she did to him.
Another flashback to ’63 when Jude doled out some corporal punishment on Emerson, who it seems had some sort of relations with one of the nuns. Then back to present day, as Leigh actually kisses Jude on the forehead. It’s unbelievable the psychological torture she’s now being subject to at the hands of EVERYONE around her. Poor, poor Jude.
Lana found the coat hanger. She went to her room, poised to do a homemade abortion. But nothing more is shown
A little later, she gets to see Kit Walker (Evan Peters). Last episode at the end, she survived her encounter with Thredson and they ended up tying him, hiding him in one of the unused rooms of Briarcliff. Now they need him in order to get Kit free from his crimes.
Lana reveals to him the pregnancy. She also tells him he won’t be a father because now? She’s performing the abortion via coat hanger right there and then. Or is she?
She makes him tell her about his crimes. Bloody Face confesses to his murders, so they can.. bond, or something. Who knows with Oliver, that sad mommy’s boy who never got to be mommy’s boy.
TOO BAD FOR OLIVER – the confession was recorded, Kit hiding out of sight with a recorder, and so sad for him the abortion was performed already! A bloody mess for the son of Bloody Face.
Yet we already know, supposedly, that Johnny Morgan/Thredson – the new Bloody Face of present day – is alive. So, we shall see what happens from now until the end of Season 2.
Kit hides the tape of Thredson’s confession, however, Dr. Arden walks in on him. It doesn’t appear he cares much about the tape, though. They go back to Arden’s office for a “special occasion“, which sees him break out some smokes and fine liquor. Very strange, seeing Dr. Arden/Hans Gruber be friendly.
He tells Kit he’s seen the “little green men“, but of course “they‘re not green, are they Mr. Walker?” Arden says slyly. What Arden believes is that the aliens are experimenting, in eugenics he says (of course he’d say that the fucking Nazi), and that the aliens are in some way protecting Kit; that if he brought Kit to the edge of death, they would come to find and protect him, “their specimen.”
This is a strange and tenuous bond between Arden and Kit. Highly weird and at the same time interesting. I can’t wait for more with them, to see where the alien subplot goes. Some didn’t find this angle of the season interesting, I do because while I’m a sceptic I would LOVE if aliens/things not of this world were actually real. Plus, the Nazi-alien dynamic is something we’ve not got a lot of good instances of in film or television. Ryan Murphy and the writers solve that.
Oh, Leigh Emerson is still trying to be saved by the Lord. He tells Monsignor Howard he wants redemption. In a ceremony with only the two in attendance, the Monsignor offers him a baptism in the name of Christ. Everything goes wonderfully, as Leigh is dunked back into the water, given new life in the arms of the church and God alike.
But, yes, you guessed it – Leigh’s got some better, more nasty ideas. He and the Monsignor have a little wrestle in the water, the latter getting his own dunk now and held under. Leigh obviously doesn’t care, as I thought, about religion. He simply wants to give Howard more of the terror which he is SO GOOD at handing down. The unfortunate man ends up crucified right up on the cross like Jesus, living yet barely hanging on.
When Lana goes down to kill Oliver, seems Dr. Bloody Face has escaped his ties. Turns out the devilish Sister Mary Eunice let him out. WHOA! Satan really plays hardball. No doubt.
Creepiest scene goes to the one between these two, as Mary puts her hand against Lana’s stomach and feels the STILL BEATING HEART of the Bloody Face child beginning to grow inside her. What a brutal shock for Lana and the audience! Doesn’t surprise me the devil can do that, but it’s a rough way for Lana to find out because it must be confusing; she has no idea Satan is creeping around inside the young, delicate nun.
Saddest scene has to be when Sister Jude shows up in the recreation room, as Lana watches her shuffle in. I just feel beyond terribly for Jude, though, she seems to feel awful about what she did to Lana, admitting nothing that was done to her wasn’t something she didn’t do in her time as head of Briarcliff. And while Lana does have her fair share of anger for Jude, they do have a bit of an understanding.
Lots of changing relationships here in this episode, which I find awesome! Switches things up in a fun way, as we can see now Lana and Jude are becoming friendlier with Jude understanding life as a patient/prisoner there at Briarcliff.
Back to Arden and Kit. The doctor plans to essentially kill Kit, then revive him with adrenaline and a sharp punch to the chest, all in order to try and bring the aliens down to save the young man. Each with their own worries and apprehensions, the experiment begins. VERY COOL AND CREPY MOMENTS! Love how the alien scenes are shot, it stays consistent throughout the various directors of Season 2; another reason this is a series that has a great overall layout and vision.
Another thing I don’t mention enough is the camerawork, in the sense of how I love the way American Horror Story has this ominous and unsettling cinematography in tons of scenes using low and high angles. It throws us off, unsettles, as well as forebodes with the skewed framing at both low/high angles and creates this very cool, unique effect other shows do not use. Amazing horror technique, in my opinion.
GRACE IS BACK! Pepper (Naomi Grossman) has also returned, having disappeared awhile back under the radar. Turns out, Grace is also pregnant and Pepper somehow talks perfectly. THE ALIENS – THEY’VE RETURNED!
Wow. This part blew me away, I was never expecting this at all. Can’t wait for more of this next episode.
Another great one, a favourite of mine in this season. Next up is “The Name Game” directed again by Michael Lehmann who last directed “Unholy Night”.
Stay tuned for more madness, aliens, horror, blood, and SAVAGERY!