Nothing Bad Can Happen. 2014. Directed & Written by Katrin Gebbe.
Starring Julius Feldmeier, Sascha Alexander Gersak, and Annika Kuhl. Celluloid Dreams.
Not Rated. 110 minutes.
While I usually try not to go too deep into personal theories of a movie, if it appears to me as metaphorical, Nothing Bad Can Happen feels very much to me like a film meant to be taken as metaphor, and with that, I feel like this review will mostly focus on my subjective interpretation.
The film follows a young man named Tore (Julius Feldmeier) in Hamburg who attempts to build a new life in a religious group, The Jesus Freaks. After having a seizure during a rock band’s performance, a man named Benno (Sascha Alexander Gersak) helps him out, and brings him to safety at his home. There, he begins a relationship with Benno and his family. Eventually Tore even moves into a small guest area at Benno’s home. However, things soon become darker, more sinister for Tore than he could have ever anticipated. A battle of wits begin, as Benno begins to mentally and physically torture Tore. Though the young man clings to his faith, Benno becomes more sadistic as time goes by, ultimately inflicting some of worst punishment possible on Tore.
This is apparently based on a news article director/writer Katrin Gebbe read. While I have not searched out the article in question, I still believe Gebbe uses the, at times brutal, story as a way to discuss religion. In particular, she looks at how those who are constantly, and consistently, abused over and over by their religious institutions still keep their faith – often going so far as to excuse the abuse. Furthermore, the actions of Benno as the movie progresses make you realize he was initially trolling for weaker prey when first meeting Tore – once he saw the younger man seizure, he knew this was his victim. Also, you can obviously realize after some time Benno is not Christian any sense whatsoever – much how I feel about those who abuse their power to rape and abuse those without it using their religious position to conceal their actions (those people do not truly believe in anything – religion or otherwise).
This method Benno uses is exactly how the abusers, using religion as their cover, choose which person to subject to their torturous desires. Much like the rapists using the Roman Catholic Church to cover up their heinous sexual assaults on countless, seemingly never ending boys and girls. And still, the abuse reigns on as people continue to bow at the altar of these corrupt churches. Without ruining the ending, there is very little optimism in the finale of Nothing Bad Can Happen – there is a half and half, bittersweet sort of finish. One side speaks to us so that we can learn from all these abuses, and hopefully some who face this abuse also can get away eventually. On the other side, we see how faith can get someone through terrible, horrifying trauma, and yet at the same time could really destroy one’s self altogether. As much as Gebbe based this on supposed true events, I really do believe this is meant to be a metaphor of the larger-scale abuse going on throughout many religions – not simply the Catholics, as I mentioned (I was personally brought up Roman Catholic due to my mom and I living with my grandparents for the first 8 years of my life & when finally given the chance by my mother and father a few years later I gave up church for the rest of my life). Every religion has, and is capable of, abuses, and this almost says to me alone that religion is not as wonderful and miraculous as those who practice their individual religions regularly would have you believe. Nothing Bad Can Happen explores all these things, and more, through a very dramatic film while also incorporating real savage moments of psychological horror.
The absolute best part of the film is its central performance. Julius Feldmeier plays Tore brilliantly. The whole film is quite subdued and what I call “quiet” – there isn’t any action, it’s all based around the drama of the script. In these “quiet” films (I’m not generalizing – just stating for the purpose of this review), I find actors often get to really get into the scenes more, in terms of character. Sure, action stars can really get into their own characters, but in films like Nothing Bad Can Happen where the plot does involve or incorporate any big set pieces, special effects, or other things et cetera et cetera, actors have nothing else except for the dramatics of their character and the scenes to focus on. All of the subject matter here is very heavy, and Feldmeier gives a great performance as a young man who is determined to find his way through life, and everything that comes with it, through his belief in Jesus Christ. As somebody who does not take part in organized religion, an actor has to do some serious work for me to empathize with a character who is almost blinded by his faith. Regardless, Feldmeier does such a good job as Tore it was impossible not to feel for his character. With every degrading act Benno unleashes on Torre, both the determination and pain coming through in Feldmeier’s performance tightened the tension of the film, as well extended my empathy tenfold for the character. Really great stuff. I believe this is the first feature film Feldmeier has been a part of, and I do hope to see him again soon after this one.
Nothing Bad Can Happen didn’t reach Canada until 2014. Because of this, it is absolutely one of the best films I had the pleasure of seeing this past year. I’ve included it on Fathersonholygore’s Best of 2014 List. There’s something about this film which captivates me, and I believe most of that is due to the fact Katrin Gebbe gives us a dose of reality while also spinning the story into a much larger fabric representing the universal abuse of the weak, and possibly gullible, followers by their own religious institutions.
The film itself is a real great work of drama with thriller elements, and a healthy dose of horror, to my mind anyways. This is absolutely a 4.5 out of 5 stars for me. I can’t wait to get a copy on Blu ray because there are no doubt bits and pieces I missed when I first had the privilege of seeing the film. Highly recommended. Keep an open mind – an inquisitive, free mind – and think about the bigger implications of Nothing Bad Can Happen. A real powerful work from Katrin Gebbe – someone who I again hope to see more from in the near future.
I'm a B.A.H. graduate & a Master's student with a concentration in pre-19th century literature. Although I've studied everything from Medieval literature onward, spent an extensive time studying post-modern works. I completed my Honours thesis on John Milton's Paradise Lost and the communal aspects of its conception, writing, as well as its later printing and publication. I'm starting my Master's program doing a Creative Thesis option aside from the coursework. This Thesis will eventually become my debut novel. I get to work with Newfoundland author Lisa Moore, one of the writers in residence at MUN. I am also a writer and a freelance editor. My stories "Funeral" and "Sight of a Lost Shore" are available in The Cuffer Anthologies Vol. VI & VII. Stories to be printed soon are "Night and Fog", and "The Book of the Black Moon" from Centum Press (both printed in 2016) and "Skin" from Science Fiction Reader. Another Centum Press anthology will contain my story "In the Eye of the Storm" to be printed in 2017. Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I was edited by me, too. Aside from that I have a short screenplay titled "New Woman" that's going into production during 2017. Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I also write for Film Inquiry frequently. Please contact me at email@example.com or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!