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Damien – Season 1 Finale: “Ave Satani”

A&E’s Damien
Season 1, Episode 10: “Ave Satani”
Directed by Nick Copus
Written by Glen Mazzara

* For a review of the penultimate Season 1 episode, “The Devil You Know”click here

Disclaimer: I was invited to the Damien Season 1 finale screening in L.A. tonight, which includes a lunch, plus Q&A with Executive Producer Glen Mazzara and star Bradley James. Unfortunately travel/time constraints would not permit me being there. However, the people at FOX were kind enough to send me a personal screener. Something for which I was very grateful.
SO… if you’ve not yet seen this finale, DO NOT KEEP READING! You will be spoiled. Otherwise, if you want to be spoiled, dive on in.
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Here we are – the finale of Damien‘s first season. It’s been a great ride, getting better with each chapter. “Ave Satani” is upon us, and with the end of last episode, Damien Thorn (Bradley James) may finally have slipped into full-on Antichrist mode!
We start as Damien leads Simone (Megalyn E.K.) out from the woods. They run up on some big military-style vehicles, men with red dotted sights freeze them in their tracks. Ah, it’s Lyons (Scott Wilson). Of course. Now he’s revealing more of Armitage’s involvement with his supposed future. “Youll rule for a long, long time,” he tells Damien. But the young Antichrist is not happy with any of the explanations and the bullshit.
When Lyons orders Simone shot, then Damien taken in, the power of the Antichrist emerges, as he turns the men and their guns on themselves. While Damien and Simone make off, you can see Lyons is very pleased with how things are going. God damn psychotic. This opener assures us, though – Mazzara and the crew have readied us a properly horrific finale.


Ann (Barbara Hershey) and Amani (Omid Abtahi) take the now dead Veronica back. But Amani makes it clear, mother is to blame. While that’s obvious she clearly doesn’t want to hear that. And downstairs, Amani gets ziptied to a chair. Things are definitely breaking down. Lyons arrives and starts to convince Ann they need to begin action. For her part, she seems ready. Because Ann is one hell of a bad ass lady, no matter if she’s a bit evil and freaky.
Poor Sister Greta (Robin Weigert) finds herself in the hands of Lyons and Armitage. No telling what her fate will be. They’ll keep her around, a while. Then, who knows. The rest of her crew meet a terrible end on their knees in the forest.


Ann (to Lyons): “Blood will spill. Hers, yours, mine.”
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Meanwhile we’re privy to the terrible creepiness of Damien’s Antichrist presence and how it affects others. When Simone and Damien track down a car, the woman inside confesses her love for him – “Its all for you, Damien!” – then tries to kill herself before Simone intervenes. This was honestly one of the most unsettling scenes for me in the whole first season. Just how quickly the sentiment overcame her. Chilling.
Ann comes face to face with Sister Greta, after the awful death of her daughter. She promises the nun a similar end.
Cut to Vatican City – the remaining daggers of Megiddo are packed up and carried off. All sorts of blades and weaponry are likewise packed, and a gang of holy men are off on a mission. Yowzahs! Love this brief moment, really had dark energy. Then there’s Bear McCreary’s eerie score, which only serves to consistently make the atmosphere of this series creepier and creepier.
Out in the woods again at the old trailer where he and Powell used to meet, Damien brings Simone to lay low. Plus, he washes off all that nasty earth and blood from his resurrection the night previous. He even sees a little flash of the old woman from Damascus. All the evil of his life is crowding around him. And that adds more weight to the woman in the car who tried committing suicide, immediately pledging her life to him: it’s as if all those old evils he’d previously experienced, unknowingly the coming of his place as the Antichrist, are coming back around again, now that his eyes are wide open.


The debate about who’s worse rages between Sister Greta and Ann. They’re each hard, tough women. Although, I can’t help but believe they’re equally as stubborn. If in their world both God and the Devil/Antichrist exist, then the label of “cruel Lord” that Ann gives the former is perhaps most relevant. God has been responsible for quite a bit of pain and suffering, under the guise of his supposed plan. At least the Devil revels in what he does. Even after Greta pleads her case passionately, there’s no selling that old chestnut to Ms. Rutledge: “Satan is God,” proclaims Ann, “Long may he reign.”
Now Lyons is interrogating Amani about Damien’s whereabouts. This doesn’t end the best after Amani gets violent, but as Lyons puts things for him there’s no loyalty left that can save Damien. He is becoming something else now.
Doing her best, Simone sticks around with Damien, who insists she go. But she stays, readily admitting she is part of what’s happening. Then Damien says that he killed her sister Kelly, and that the same will only happen to her, as well. Likely true. Still doesn’t make her love, though. She is one tough character. At first I wasn’t a fan of Simone, but over the course of this first season she has truly grown on me. Now she’s really getting good in this finale.


Sister Greta is shown the rest of her people, shot in the head, thrown in a mass grave. Nasty. She and Amani are given the real, brutal view. Lyons tells Amani he must put Greta in the grave, or else – in a roundabout way – he says they’ll kill his mother. HOLY FUCK. That is some hardcore madness right there.
What does the nun have to say? “Gods will be done,” she sweetly, calmly tells Amani. What follows is a dark, emotionally disturbing moment. That includes Lyons putting Amani down there, too. We finally see how deceptive Lyons is, having completely fooled Amani to the end. Watching the two of them start getting dirt rained down on them is so sad, so brief, it stings.
The Antichrist side of Damien is really breaking through. He is gradually accepting his darkness and his vicious power. Further than that the danger to Simone is getting greater almost by the second. And not far outside lurks the woman from Damascus, coming closer to Damien all the time.


There’s a possible rift between Ann and Lyons now, after he effectively executed Amani. She didn’t want him to die. Most of all Lyons wants to get Damien under his control. He saw a fraction of what could be, and can’t wait to use that terrible power inside the Antichrist to bend the world to the will of Armitage.
AND YES, YES, YES! A hand emerges from the mass grave after it’s all covered up. Not all hope is lost.
Poor Detective Shay (David Meunier) is having a worse time of it, too. He thinks he see his boy on the road, then believes he runs him down. Only to discover it’s the powers of the Antichrist out in the world, the evil, sucking him into the downward spiral. On a side note, Meunier is killing it in this role. Very happy with his performance over this season and I keep wondering what will happen next in his story.
Back to the Vatican City assassins. They’re now in the same city as the Antichrist himself. What will come of this? A wild showdown is coming. Especially considering most everybody is heading for Damien, including Shay, Rutledge, Lyons, all of them, and they’re all converging on that old trailer in the woods.
Then Damien reveals he is headed to Megiddo. He figures all the answers are there, the apparent location of Armageddon. But before he can do anything, all forces rain down on the nearby field, just as Dt. Shay creeps up.


An intense little sequence here before Damien and Simone ends up confronted with Ann and Lyons. “I will kill all of you,” the Antichrist rages at them. He then finds out what Lyons did to his best friend, as Ann lays bare the truth. And of course Lyons finds himself being chased down by a pack of Rotties. Nom nom. All the while, Simone pleads him to stop, and Ann gets aroused.
Then a shocker: trying to shoot Damien, the detective puts a bullet right through Simone’s head. Wow. And just as was saying her character got more interesting to me. MAZZARA, WHY DON’T YOU LET ME HAVE NICE THINGS?
Well this is really setting Damien off. You can feel his heart breaking more. Then the woman from Damascus arrives, Damien pleads to be taken. He speaks in a language we’ve never heard of him, to his ‘father’ and then the forces of evil really start to take hold. Blood from the 666 in his head starts seeping out. It drops onto Simone and breathes life into her again. Whoa. Not only can the Antichrist take life, he can give it, too. Shay watches on and sees the power.
And from the darkness come Damien’s legions, the Antichrist’s followers, his fan club. They’re all there. For him. Kneeling, along with Ann. Even Shay. Towards us, the audience, Damien turns with a knowing, devilish smile subtly across his face.
The Antichrist has risen!Screen Shot 2016-05-06 at 4.10.57 PMThis was an exceptional finale. I’m hoping A&E realizes the potential for it to grow, as there are already a dedicated base of fans, particularly online that always seem to be watching, tweeting along with Glen Mazzara and the others live. Personally, I wasn’t sold immediately. The pilot was decent, but I didn’t like the large amount of clips from the original Omen. Then after the second and third episode, I was sold. The whole thing progressed magically, so dark and exciting throughout its first season. And the finale spoke volumes to how wonderfully devious this show can get.

Give Mazzara and Damien another season, A&E! The ratings will get better alongside the quality. Hopefully the finale will pump some decent numbers up. Stick with me and we’ll try to make sure the network knows how much we, the fans, enjoyed this show in its initial season. Here’s to hoping for more Antichrist badness!

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About FATHER SON HOLY GORE

I'm a B.A.H. graduate & a Master's student with a concentration in pre-19th century literature. Although I've studied everything from Medieval literature onward, spent an extensive time studying post-modern works. I completed my Honours thesis on John Milton's Paradise Lost and the communal aspects of its conception, writing, as well as its later printing and publication. I'm starting my Master's program doing a Creative Thesis option aside from the coursework. This Thesis will eventually become my debut novel. I get to work with Newfoundland author Lisa Moore, one of the writers in residence at MUN. I am also a writer and a freelance editor. My stories "Funeral" and "Sight of a Lost Shore" are available in The Cuffer Anthologies Vol. VI & VII. Stories to be printed soon are "Night and Fog", and "The Book of the Black Moon" from Centum Press (both printed in 2016) and "Skin" from Science Fiction Reader. Another Centum Press anthology will contain my story "In the Eye of the Storm" to be printed in 2017. Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I was edited by me, too. Aside from that I have a short screenplay titled "New Woman" that's going into production during 2017. Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I also write for Film Inquiry frequently. Please contact me at u39cjhn@mun.ca or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!

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