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Season 1, Episode 1: “You Don’t Miss Your Water”
Directed by Greg Yaitanes
Written by Michael D. Fuller & Graham Gordy
* For a review of the next episode, “Figure Four” – click here
A man lies face down in the water at the edge of the shore. This is Mac Conway (Logan Marshall-Green). He’s seen better days. At least he’s alive. Stubmling down the shore further Mac sees a man and shoots him from behind, putting another bullet in him after he’s down. Then into the river he goes.
But time hasn’t gotten there yet. This is Mac’s future.
In ’72, Mac’s returning from Vietnam with his buddy Arthur (Jamie Hector). At the airport they’re greeted by Arthur’s wife Ruth (Nikki Amuka-Bird). Coming home is a surprise for Mac’s wife. That’s pretty nice. What’s not so nice is that Mac and Arthur were “implicated” in a massacre that happened in Vietnam. They were cleared, but obviously the sentiments back home feel differently. I dig the story within the first ten minutes because it’s a side of American military history we don’t often get to see, other than a few choice movies. Quarry sets up a unique look into the lives of men who were in the army during a dirty, especially underhanded (at times) military conflict.
So Mac gets back to his place. Inside he finds “Tupelo Honey” playing, his wife Joni (Jodi Balfour) cleaning the pool. A better reception than at the airport.
Outside, a familiar face from the airport, Buddy (Damon Herriman), is lurking strangely and taking pictures of the house. He’s also got an arsenal of weapons in his trunk. All the while the happy couple relax inside with a joint, swim in the pool. Except Mac has strange visions after diving below the water, nearly choking before pushing above the surface. Of course he pretends it’s nothing. Yet the strange image of an Asian-looking mask in the pool lingers in my mind.
Later that night Mac gets a hang-up call. This almost immediately creates paranoia. You can tell just by the look in his eyes.
Back in his neighbourhood, Arthur plays some ball with his boy Marcus (Joshua J. Williams), as Ruth is busy making a nice breakfast. They’re a sweet little family, glad to have papa home once more. Arthur’s busy heading out to try and find work; another struggle for many of the men coming home from Vietnam, sadly. A problem that still persists to this day, too. He has an interview where the white man who sees him in won’t even shake his hand. From there it doesn’t look so hot. No management position like Arthur imagined. He fought for his country, now they’ll have him doing whatever grunt work they can find.
A welcome home party sees Mac and his father Lloyd (Skipp Sudduth) sit together awhile. Every relationship has changed, except for Joni it seems. The wives are the most understanding of everybody. Lloyd lets his son know he’s not welcome around the house, his wife doesn’t approve of all that stuff Mac got involved with over in Vietnam. I assume they’re talking about something similar to what we now know as the Mỹ Lai Massacre. Only wonder exactly how involved both Mac and Arthur were.
Looks as if Buddy is working for the Broker (god amongst men Peter Mullan), keeping an eye on Mac for some reason. Perhaps they’re preying on newly returned veterans.
Out looking for work, Mac finds further resistance to him being home. Nobody seems to want to have anything to do with him. It becomes more clear by the minute Mac will have to figure something else out. “Two tours, one hundred and fifty–six dollars, sixty–eight cents. Your thank you for your service card must‘ve got lost in the mail,” he laments looking at a cheque from the government. Terrible to see how veterans were being treated, and in some cases still are; Mac’s situation is a microcosm. Judging by the episode opener, he’s been left with no other choices. Nobody wants to help him, employ him.
Until the Broker shows up on the deck of Mac’s pool. He has a bit of an offer. Including if Mac makes any trouble, a man named Karl (Edoardo Ballerini) inside with a gun. The “opportunity” is refused. The Broker has a line on how desperate Mac is beginning to get, how badly he needs income. “All you gotta do is pull the trigger,” he explains to Mac. They chat a bit about why Mac went back to Vietnam. Things end abruptly before Joni gets home. Not before Mac straps a shotgun underneath the bed.
At a garage, Mac finds the mechanic there as greasy as any criminal, doing anything he can to fleece customers. So what’s the difference, really? Meanwhile, poor Arthur’s breaking his back in a mill for shit pay, wondering exactly why there’s nothing better for him either. The two of them discover they’ve been approached by the Broker. Arthur is totally fine with doing contract killings, although Mac is understandably reserved. After Vietnam a man’s morals have been degraded. “If you do this, you are who they say you are, man,” Mac pleads with his friend. To which he replies: “We already are what they say we are, where you been?”
The damage to Mac’s psyche is clear. He almost wants to kill a man who tries to assuage his guilt about the Quan Thang Massacre. Instead, he hugs the man. Tightly.
It isn’t long before Mac has changed his mind. He and Arthur have a look at the job they’re up for currently. The Broker gives them guns, plus a file full of information on the target. Arthur and Mac scope the guy out, start doing some recon. When the time is right Arthur sneaks into the man’s apartment. Problem is he’s shot by someone waiting in the dark. Across the way Mac watches through binoculars, horrified by the turn of events. He heads in blasting on his own. The two men wrestle with him awhile, but Mac gets the upper hand on one, as the other runs. So sad to see Mac and Arthur survive Vietnam, only for the latter to die on the floor of some dirty apartment. Then having to see his friend be buried, feeling alone in the midst of all those people with the knowledge of what happened; this is excellently visualised showing Mac literally alone, the people around him disappearing momentarily.
The Broker calls Mac up to let him know he’s now officially on the hook for $30K. They’re also meeting up at the quarry to discuss everything further. Oh, I can see the sinister way all this is headed. Things are already deteriorating between Joni and Mac, a little. They start arguing over a misplaced Otis Redding record; not exactly fair on his part. But the divide is beginning. I only hope he doesn’t manage to push her away because she’s about the single person on Earth who seems to understand him on any kind of level.
Out at the quarry, Mac meets the Broker. Certainly the veteran has himself covered, shotgun and all. The Broker’s smart, though, and has a sniper on a nearby ridge covering them, as well. Quarry becomes Mac’s new nickname. Also, the veteran will have to do a few things for the Broker. Surely to make life more complicated than any easier.
Over in that lonely room, Mac goes to see Buddy about what’s next; another file. At the same time, Buddy makes himself a spiked bat while they talk. Next target is Cliff Williams (Daniel Brunnemer Hall). A lot of great dialogue from Buddy in particular here. Love this scene. His bit about the “unexamined life” is a perfect work-in of philosophical thought into an unexpected scene.
When Mac follows Cliff he arrives at his own house. So, he heads up along the side, crying, hearing his wife inside with that man. They get naked together, Mac trying not to reveal himself just yet. An awful situation to experience. All a setup by the Broker to show him what’s happening in his own life. Afterwards, Mac goes to see Cliff in his garage; that’s where his Otis record went. Yikes. Fucking harsh, Joni. Death comes harsh for Cliff, too. The transformation of Mac into Quarry is happening fast, the descent into nothingness egged on by this brutal betrayal. And job done for the Broker.
Back at his house, Mac puts on Otis, so that Joni can hear. He swims laps in the pool. Without words they understand one another. Just no telling where they go from here.
This is one of the BEST opening episodes of a series I’ve seen in awhile. Great story, great characters. Plenty of intrigue. And it’s timeless, the subject matter, the themes. Can’t wait to see the follow-up episode titled “Figure Four” – guaranteed it’ll be another intriguing chapter. The acting is phenomenal from Logan Marshall-Green. I’m beyond pumped for more.
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