The newest edition of Twisted Parallels features a bunch of homages from Chilling Adventures of Sabrina, alongside some other great visual references.
Madison and Chablis go to Murder House looking for answers about Michael Langdon
One of the best intertextual horror films out there: a deconstructionist look at the slasher sub-genre.
Alexandre Bustillo and Julien Maury give us another terrifying vision of horror, this time in a dark fantasy like some forgotten fairy tale.
House of 1000 Corpses. 2003. Directed & Written Rob Zombie.
Starring Sid Haig, William Bassett, Karen Black, Erin Daniels, Joe Dobbs III, Dennis Fimple, Gregg Gibbs, Walton Goggins, Chris Hardwick, Jennifer Jstyn, Irwin Keyes, Matthew McGrory, Jake McKinnon, Sheri Moon Zombie, Bill Moseley, Robert Allen Mukes, Walter Phelan, Tom Towles, Harrison Young, & Rainn Wilson. Spectacle Entertainment Group/Universal Pictures.
Rated R. 89 minutes.
I don’t post on message boards. Although, I do frequent them to see what people are saying about films. On IMDB particularly, so many people rag on Rob Zombie. But I love him. His music with White Zombie influenced some of my own music I used to write as a teenager. When I first heard he was making a movie it had me sold before it was finished. All the same, House of 1000 Corpses is not near perfect. There are definitely flaws. What Zombie’s debut feature does have is the power of nostalgia.
None of this is ripped right out of other movies, as some will have you believe. The love Zombie has for horror films out of the 1970s shows strong and proud. Equal parts Texas Chain Saw Massacre and The Rocky Horror Picture Show, add in a bit of Beetlejuice and Tod Browning’s Freaks to boot. Not only is there plenty of horror, but Zombie gives us plenty of his trademark sense of humour, macabre and over-the-top alike.
The night before Halloween in 1977, a group of friends – Jerry (Chris Hardwick), Bill (Rainn Wilson), Mary (Jennifer Jostyn), & Denise (Erin Daniels) – head out on a roadtrip to find roadside attractions that are, let’s say… different. When they come across a gas station and proclaimed Museum of Monsters & Madmen, a rough-looking man in clown paint named Captain Spaulding (Sid Haig) tells them all about the legend of a supposed Dr. Satan. He even draws them to a map where the doctor is said to have been hanged.
Along their way, a young woman hitchhiking in the rain gets into their car. Her name’s Baby (Sheri Moon Zombie), and she invites the group to her place a short drive away. A tire blows, so Baby and Bill go on to the house.
Later, once the friends are all there, Baby introduces members of her family. First, Mother Firefly (Karen Black), then her brother Otis Driftwood (Bill Moseley). We meet them all. Dirty ole Grandpa Hugo (Dennis Fimple). Even some deformed babies in a jar, as well as the deformed giant Tiny (Matthew McGrory).
From there, the legend of Dr. Satan begins to get all too real.
This movie was never going to be for everyone, not that any truly are. Yet Zombie’s style as a musician all but guaranteed his movies would follow similar suit. His style is pervasive, in that it never surprised me how his first horror feature turned out. A lot of the film has a very Tony Scott-MTV-ish sort of feel, which is not necessarily bad. Some people might find that too frantic or fast paced. There are times where it doesn’t work, as if we’re trapped in a music video instead of a proper film. And then other scenes I’m drawn into the way Zombie uses different choices of edits, between the lavish frames sometimes recalling the technicolor vibe of Mario Bava, and the handheld home movies of the Firefly clan. Some of the Otis digressions in the handheld style are truly terrifying. Both he and Baby are disturbing characters, so seeing them in those little videos is unnerving. I dig it especially because apparently Zombie sort of did that off on his own, just him and the actors. So there’s also an admiration I have for his way of indie filmmaking. The commentary on his DVDs is usually pretty great, and he gives insight to some of the ways to try and do things old school, practically, which in turn always helps on the production side of things; no studio or financier could be unhappy with a director who hands money back after wrap. Again, there are flaws, a good deal of them. But House of 1000 Corpses is charming enough to be forgiven. Using homage, Zombie crafts his own version of the creepy house with the even creepier family inside. It comes alive with interesting, weird characters and the use of practical effects to keep things feeling oh-so-70s.
A lot of people don’t find this scary. When I say something’s scary, it isn’t that I’m cowering behind the couch, or staying up at night all due to the terror. Here, I mean disturbing when I say that this is a scary film. Zombie takes his homage, particularly to TCM, to another level. He amps up the strangeness – more TCM2 than the original. But also, there’s the end of the film. Once Otis and the family take the remaining victims out to the fields for more madness, things become viciously unsettling. As they lower two of them down into a hole in the ground, Aleister Crowley (I believe) speaks the words “Bury me in a nameless grave” over and over on a recording. And it’s incredibly perfect for the moment. After that is when the movie gets totally creepy to the ultimate degree. I won’t spoil any further. There’s simply something so dark and sinister about it all. Especially once Dr. Satan arrives. Despite maybe being a bit campy, he actually terrified me. The design of the set for his lair, his physical look, all those mechanical contraptions around hi and the laboratory; so morbid, so impressive, too. Great work went into this aspect, I only kind of wish there were more of the nasty doctor. Maybe someday Zombie will revisit him, tell his story in another film. Please, Rob? Please? Terrify me more.
With an ending I actually expected when first seeing The Texas Chain Saw Massacre nearly two decades ago, Rob Zombie’s House of 1000 Corpses is a definite 4 out of 5 stars for me. Like I’ve said, the movie is not at all perfect. There are pieces which could’ve come off much better, as well as some of the acting wasn’t near what you’d hope. Yet the charm and the homage, the creepy eccentricities, all the things we now see as staples of Zombie and his directorial style, they make this a fun modern horror. The actors, particularly Bill Moseley, really do ham it up during some scenes with their darker than dark comedy, but knock you dead with horrific glory during intense moments. Don’t be overly critical. Zombie didn’t try to reinvent the horror wheel, it’s clear he wears his influences on his sleeves, bright and brash, garishly enjoyable. Have a bit of fun with Zombie’s house of ’70s horror.
FOX’s Scream Queens
Season 1, Episode 5: “Pumpkin Patch”
Directed & Written by Brad Falchuk
* For a review of the previous episode, “Haunted House” – click here
* For a review of the next episode, “Seven Minutes in Hell” – click here
The fifth episode of Scream Queens kicks off with Chanel Oberlin (Emma Roberts) and the Chanels – new addition Hester (Lea Michele), #5 (Abigail Breslin), & #3 (Billie Lourd) – they’re planning a Pumpkin Patch Fundraiser. Both Fergies – the Dutchess and the Black Eyed Peas frontwoman – are coming, little whoops from #3. Seems they’re mostly letting the original Chanel down, yet she’s laying down the law.
The Wives of Fallen Presidents = theme for the Chanels. Hilarious and morbid all at once. Of course, Chanel #1 chooses Jackie Onassis – stylish as she was certainly. More constant bickering between #5 and #1, though, now Hester is puckering up and kissing lots of ass becoming the new go-to-girl for Chanel #1.
Far as I remember, this is the first episode we’re treated to the full-on Scream Queens theme song and an elaborate credits sequence. At first I kinda thought it was a little lame, but it grew on me. More great music comes out in this episode in terms of the overall score throughout various scenes, so I’m loving the electronic stuff from the credits to everything else. Works so well for the show’s aesthetic.
Back to the task at hand – Zayday Williams (Keke Palmer) has been abducted and everyone is gathered at the sorority, or at least everyone of interest and pertinent to anything happening. Chad Radwell (Glen Powell) gives another ridiculously foolish speech, trying to plea for an open campus instead of Dean Munsch (Jamie Lee Curtis) opting to cancel Halloween and shut the place down. A curfew is enforced and the Chanels are pissed, as the Pumpkin Patch Fundraiser will not get to go ahead.
Hester is rounding up Chanel #5, as well as others such as Jennifer (Breezy Eslin), in order to try and oust Chanel #1 from the presidency.
In class, #1 gets bothered by her professor before getting taken out by police to one of their cars. Hilarious sequence, I loved it.
Then a quick shift to Zayday, who finds herself holed up in some basement-like room. Down the halls, we hear Culture Club, Boy George belting it out, as the Red Devil’s workshop is presented to us. He stands up above Zayday, holding a puppy, just like Buffalo Bill in The Silence of the Lambs. Awesomely executed homage, all around in this scene.
Pete (Diego Boneta) and Grace (Skyler Samuels) are worried about Zayday, obviously. But everyone else seems pretty unconcerned. In fact they’re downright horrid and could not care any less. The Chanels are all pretending to eat and way too busy to be bothered with anything else – like a twisted version of the Lost Boys from Hook except they were poor and actually had no food to begin with, unlike these stuck-up sorority ladies.
When Grace goes for help trying to find her father, dear ole dad Wes (Oliver Hudson) is in bed with Gigi Caldwell (Nasim Pedrad). Awkward bedroom interruption scene, as Grace and Pete walk in on the two of them banging. Real good moment, though. A crack up; Pedrad in particular makes me laugh out loud often.
Even better scene is right afterwards when Chanel #1 is talking away, as if to her Chanels, yet it’s in jail. She has a few “besties for life” after having impressed one of them with Chanel-O-Ween presents last year. I mean, if you don’t find this stuff funny, totally fine. But to me, it is hilarious! I’m not even a big horror-comedy fan yet I find myself consistently in laughter while watching Scream Queens.
Denise Hemphill (Niecy Nash) and Dean Munsch are bonding, hilariously. Nash is one of my favourites on this series so far, her character is way too funny. Security guard Denise is stuck on Zayday actually being the killer, though, we clearly know the difference, don’t we?
And while everyone sensible, or half sensible, is trying to find Zayday – in some way – Chanel #1 and #5 are still having at it, back and forth. Ultimately, #1 wants her Pumpkin Patch and she will god damn have it.
Roger (Aaron Rhodes) and Dodger (Austin Rhodes) help #5 light all the Jack-O-Lanterns for the fundraiser. The designer ended up making a life-size replica of The Shining‘s hedge-maze, full of snow, so we get another fun homage in this episode. As the Red Devil chases them all, Roger and Dodger give us lots to laugh at, arguing with #5, making her choose one of them. However, eventually one of the brothers gets disemboweled by the Red Devil, his guts flopped out in his lap. Sick! Awesome scene in the maze, both full of laughter and again harkening back to Kubrick’s creepy (loose)adaptation of Stephen King.
The rest of the crew – Pete, Grace, Wes & Co. – go searching for Zayday, taking along the proper weaponry and defense mechanisms. They find their way to where we saw the Red Devil earlier, in his/her workshop, and even stand atop where Zayday was kept. Is she still there? No, only the red velvety pillows on which she was last seen sitting.
Bit of a Saw homage here, as well! Lots of stuff happening. Denise and Gigi come upon a room much like something out of one of the Saw films. Another quasi-homage back to Silence of the Lambs with the Red Devil using night vision to move around a room. And just when you think the Devil is caught, they’re gone again. Or is it really how it seems? We saw Gigi in the old house where the hag supposedly lived, so can we trust her saying Gigi saying the Red Devil cranked her in the head before taking off? Hmm.
Zayday shows back up at Kappa House triumphant. Just in time for the big vote for presidency of the sorority.
Flashback to the Red Devil wining and dining Zayday back at the workshop, as he hauls her up from the pit where she’d been kept. Managing to stab the Devil’s hand and take off, she was able to get back in one piece.
Of course, no one believes Zayday until Grace runs in confirming the story of the lair, the romantic dining set, et cetera. Still though, the vote is on!
Nice creepy sequence with Gigi walking alone, the Red Devil following behind. FINALLY – they meet! They are officially in cahoots, now we know for sure Gigi has something to do with what’s going on in the overall plot. Unsettling stuff, who knows where this will head now.
Looking forward to the next episode, “Seven Minutes in Hell”, directed by a regular Ryan Murphy brother-in-arms Michael Uppendahl. Stay tuned for the next one, fellow fans! I’m still loving these episodes, one by one they add up to more excitement and more horror and tons of laughs.
FOX’s Scream Queens
Season 1, Episode 2: “Hell Week”
Directed by Brad Falchuk
Written by Ian Brennan/Brad Falchuk/Ryan Murphy
* For a review of the previous episode, “Pilot” – click here
* For a review of the next episode, “Chainsaw” – click here
The “Pilot” ended with the Red Devil – masked and mysterious – running over deaf, now dead, Taylor Swift – a.k.a Tiffany Something. This was a great close to the first episode, now we’re heading into the nasty aftermath at the Kappa House sorority.
Really great opening in this episode, “Hell Week”, as Dean Cathy Munsch (Jamie Lee Curtis) brings us into the modern world. I think people aren’t giving this show enough credit. Not that it’s reinventing the wheel, so the speak. However, Dean Munsch is a no nonsense type of person. She lays out the silly social media world in which we currently live, hurtling headlong into the 21st century, as well as this new foolish sense of self-entitlement people have nowadays. There’s an incredible skewering of youth culture in the beginning, which I found
Lea Michele is someone I’ve never seen before personally, other than her one-off episode appearance on Sons of Anarchy (the Season 7 episode “Smoke ’em If You Got ’em”). But straight up, she has been slaying me as Hester Ulrich here. Everything from the body language to her weird and matter-of-fact style of delivery has me cracking up almost each time she’s in a scene. Plus, Hester is kinda of creepy.
When Chanel Oberlin (Emma Roberts), the remaining Chanels #3 (Billie Lourd) whose earmuffs and dry tone
Furthermore, Denise Hempville (Niecy Nash) shows up in this episode, hired by clueless national sorority president Gigi Caldwell (Nasim Pedrad; also a crack-up). Denise is not so much sassy, as black women so often end up being described, she’s a straight to the point type. I swear, when she got on about the walkie talkie, all that stuff, it was almost perfect.
Some reviews and opinions I’ve seen online keep saying that the comedy outweighs the horror. Is that a bad thing some times? I don’t think so. Not to say there isn’t any horror, but definitely the comedy is more a focus at certain points than blood, mayhem, murder.
A new, strange relationship brews between Dean Munsch and the father of Grace Gardner (Skyler Samuels). When Wes Gardner (Oliver Hudson) meets with the Dean, she gets a bit frisky. Either way, Wes wants a job on campus so that he can be closer to his daughter, to keep her safe. At the same time Dean Munsch both wants to keep everything covered up as long as possible on her campus, and also wants to find her way into Wes’ pants apparently.
Meanwhile, Grace is snooping around the sorority house. She’s told a mysteriously locked room is only able to be opened by the president, who has the key. Later, Grace finds some of the old relics of the 20-year old death at Kappa House.
SHOCKER! Dean Munsch, and also Ms. Bean (Jan Hoag), helped to cover up the dead girl in the bathtub back then. Honestly, I didn’t actually see that one coming. Mostly I was thinking the Dean was one of those tough yet ultimately helpless authority figures, trying to stave off the media and the coming onslaught of public opinion that might negatively affect her college/its reputation. Turns out, the ole Dean is actually trying to cover up the fact she covered up a young girls’ death, the birth of that baby in the tub. Nice, interesting twist.
People can say what they want, this show constantly makes me laugh.
The scene between Boone (Nick Jonas) and fellow douche extraordinaire Chad (Glen Powell) is unbelievably funny. I’m able to separate my personal feelings about certain types of people and how I can enjoy a character, even if I don’t particularly LIKE who they are. For instance, these guys – Boone and Chad. They’re such outright knobs, yet they’re hilarious. When Boone asks to get in bed with him, then there’s all the wiener talk… I mean, it’s not even immature, it’s a fucking gut buster.
“Why don’t you go in there and ogle his big old broner?”
Grace is getting closer to Pete Martinez (Diego Boneta), self-styled investigative reporter. Poor Pete gets attacked by the Red Devil himself. Waking up, he’s hung in front of the school by his pants with a note saying “MYOB” (mind your own business). Only problem is that back in his dorm room, Grace discovers a Red Devil costume in his closet; he claims it’s for mascot duties during football games. But Grace is tainted – she asks how old he is, discovering him to be on the verge of twenty: “exactly how old the baby would be if it grew up“. She storms off and leaves poor Pete behind – for all his faults, we the audience know Pete is not the Red Devil, as we’ve seen him be attacked by the Red Devil.
Or will this series play with our expectations? Did we really see Pete get knocked out? Or did we see what Pete wanted us to see? We can only wait and find out. Personally, I don’t think it’s him as the scene with him being knocked out would be HIGHLY misleading and manipulative.
Personally, I’m loving the music from Mac Quayle in this series so far. He’s done music programming and composed additional music for films like Nicolas Winding Refn’s Drive and Only God Forgives, as well as the Season 4 episode “Monsters Among Us” from American Horror Story, the episode “Crutchfield” from the fantastic series The Knick, Fary Cry 4, and My Life Directed by Nicolas Winding Refn. Not to mention Quayle has composed music for another twelve episodes of AHS and the new breakout television series Mr. Robot. Here, he instills many of the scenes with either a pop-ish twinkle, or in others it becomes this ominous, foreboding, even grating at times, score which takes us into the heart of the horror in these episodes. While things remain light and fluffy in a horror-comedy/parody/satire way, Quayle’s music really adds some extra weight to certain scenes and moments with a neat style that’s all over the place, in a great way.
Worst comes when the Dean sees Wes meet Gigi – they go off for coffee together, as he leaves his daughter and the girls alone (funny how he just drops safety as soon as Gigi hits on him), and as Munsch watches them with an evil eye.
The Red Devil tries to grab Chanel #1, but she manages to wriggle free and get back to her sorority girlfriends. When they all go back upstairs – hilariously without new security guard Denise or her partner Shondell (Deneen Tyler) – they find a threat to Kappa House scrawled in blood red on the wall. I found Denise (Niecy Nash) awesome in these few moments, just absolutely dropping the ball and having a laugh doing it! When she finds Shondell dead in the cop car, having been visited by the Red Devil, it was HILARIOUS. Great scene.
Poor Boone, though. He finds himself confronted with the Red Devil – “What am I supposed to be scared?“. Yes, Nick Jonas – yes, you ought to be scared!!
The other frat bros find Boone, throat cut, laid out perfectly over the dining room table. Very creepy, very cool, and all set to “I Wear My Sunglasses At Night”.
BUT A BIG SHOCK AT THE END OF THE EPISODE!
When the Red Devil goes to the morgue, which I’m assuming that is, where Boone’s body is being kept after death. The Devil opens up the cabinet where he’s being kept: AND BOONE IS ALIVE! Honestly, never expected that. Wow. A great finisher to the episode, as Boone pulls the slit neck makeup off and whips it away. What does this mean? Who is the Red Devil, or better yet: who’s Boone, really? They’re connected and we’ve got to wait another week to find out.
Stay tuned, friends! I’m loving this series already. Let those who don’t enjoy it not enjoy. The rest of us can have a little fun with some twistedness mixed in. See you next week for “Chainsaw”, which is directed by