Tagged Nic Pizzolatto

True Detective – Season 1, Episode 4: “Who Goes There”

HBO’s True Detective
Season 1, Episode 4: “Who Goes There”
Directed by Cary Fukunaga
Written by Nic Pizzolatto

* For a review of the previous episode, “The Locked Room” – click here
* For a review of the next episode, “The Secret Fate of All Life” – click here
Screen Shot 2016-07-13 at 7.53.25 PM
In 1995, Rust Cohle (Matthew McConaughey) and Marty Hart (Woody Harrelson) go to the prison to visit Dora Lange’s husband Charlie (Brad Carter). They tell him about Reggie Ledoux (Charles Halford) likely having killed her. He’s not happy. He tells the detectives about Reggie being a chemist of sorts, inside and outside of prison. Also, he claims Reggie talked about The Yellow King, Carcosa, that there were child sacrifices and “so much good killing.” A spiral tattoo, even. Too many strange things. Stranger still, they connect with tiny bits that Rust and Marty haven’t yet fully put together.
But it isn’t only the case that’s making things difficult. Marty deals with the fallout between him and Lisa Tragnetti (Alexandra Daddario). As in the fallout from him breaking his way into her home, attacking the man with whom she was having sex. Insane, really. He’d be up on charges if he weren’t a cop. Now, Marty is playing with fire. She feels disrespected, and that can’t mean anything good. At the office, Marty acts like the man, as he and Rust let everyone in on the Ledoux situation. He’s suspect numero uno. Another guy, Tyrone Weems (Todd Giebenhain), is someone connected to Reggie, so naturally he’s someone they want to find. When they talk to his mother, this leads them to his girl, which further and finally leads them closer.
For those who don’t know, writer Nic Pizzolatto plays the bartender in the scene where Marty acts like an asshole at the strip club bar. He’s wearing a KISS ME I’M AN ASSHOLE shirt if it isn’t obvious enough.
Screen Shot 2016-07-13 at 7.53.38 PMScreen Shot 2016-07-13 at 7.54.05 PM
Problem is Marty fucked with the wrong girl. At home, Maggie (Michelle Monaghan) and the kids are gone. Only a note left. Seems young Lisa went to see Marty’s wife, let her in on what’s been going on. Y’know, extra-maritally. This puts quite the curve in the plan Marty had in mind for his life. The one where he pretends to his wife that he isn’t a cheating, lying piece of shit. While he is a great detective, a good man in the sense of being an honest husband, a faithful one, he is not. Not in the slightest. In 2012 with Dts. Gilbough and Papania (Michael Potts/Tory Kittles) we see more of Marty trying to justify to them – but mostly himself – that he’s a good man, underneath it all. And essentially, he does so through his work as detective. That’s his one and only redemption having obviously destroyed his own family life. Back to ’95, Hart tracks down Tyrone Weems and gets more info on Ledoux: the guy cooks meth exclusively to one client, the Iron Crusaders, a biker gang.
And this connects into the former life of Rust Cohle, a.k.a Crash when he’s undercover. This means there’s a way in, off the books, for Marty and Rust to get the drop on Ledoux. Hopefully. What I love most here is how Cohle keeps a lockbox of stuff from his old life undercover, right there. Can fit it under the couch, the bed. Wherever. Ready to come out at a moment’s notice. This gives us a look inside the other Rust and Marty, the detectives willing to cross the line of morality when absolute necessary, even if it’s not totally necessary, and do what needs doing. The cover story for what happens next is that Rust has a sick father, he took time off in ’95 to go see him. Both detectives tell Dts. Gilbough and Papania this same story in 2012.

Screen Shot 2016-07-13 at 7.54.50 PM
What really happened?
Crash Cole doesn’t only go back undercover, he goes DEEP undercover. He makes fake track marks in his arm to look sincere, but snorts very real cocaine to get in the mood, smuggling some out of lockup to make things appear above board to the targets of his in the Iron Crusaders. At a big party, he meets with Ginger (Joseph Sikora). Perfect time, as Ginger has a job that requires someone just like Crash. With Marty worrying constantly about the state of his family and his marriage, Cohle is headed into the lion’s den with a bunch of racist bikers.


In this scene we’re treated to the single greatest tracking shot ever in television history; a whole six minutes which brought this series an Emmy, or two. Cary Fukunaga makes magic happen. We literally ride along with McConaughey’s Cohle in the face of danger, moving through the hood as the Iron Crusaders involve undercover Crash in a terribly dysfunctional scheme that goes bonkers haywire in the middle of it all.
The whole thing kicks off with Crash proving himself all over again, ingesting more drugs than some normal folks might be able to handle, sitting in with Ginger, Mitch (Joshua Leonard) and other hardcore bikers. When they first get into the target area, things go smooth. Shortly afterwards the whole job goes sideways. One of the Crusaders blasts a black man they’d taken hostage, and all hell breaks loose quick. Trying to keep things from getting completely fucked Crash Cohle is forced to reveal himself to Ginger, taking the biker as his own hostage. He gets on the phone to Marty, who waits not far off. Just in the nick of time, floating right beyond harm’s reach, Cohle gets himself and Ginger to the car, then Marty takes them out of there, as police helicopters and gunshots make the place sound like a ghetto symphony. Now they’ve got a means to an end; that end is Ledoux.
Screen Shot 2016-07-13 at 7.58.14 PMScreen Shot 2016-07-13 at 7.59.38 PMScreen Shot 2016-07-13 at 8.00.01 PM
One of the greatest episodes, if not the greatest of all, in the entire series. Fukunaga does a lot of great stuff, but almost none better than this six minute sequence, this feat of filmmaking. Took hundreds of crew to pull off. Makeup artists had to apply touch ups and bits of character work within seconds, as cameras focused themselves on other things. A truly amazing bit of television. Next episode is titled “The Secret Fate of All Life” and continues us into the second half of Season 1. Things are really going to get deep now.

True Detective – Season 1, Episode 3: “The Locked Room”

HBO’s True Detective
Season 1, Episode 3: “The Locked Room”
Directed by Cary Fukunaga
Written by Nic Pizzolatto

* For a review of the previous episode, “Seeing Things” – click here
* For a review of the next episode, “Who Goes There” – click here
Screen Shot 2016-07-13 at 1.23.55 PM
With new leads in 1995, Detectives Rust Cohle (Matthew McConaughey) and Marty Hart (Woody Harrelson) have gotten themselves to a travelling preacher named Joel Theriot (Shea Whigham). The church they tracked down at the end of last episode had the mysterious antlered woman painted inside on one of its walls. More than we’ve seen already Cohle lets us into his anti-religious worldview. Not that he’s wrong, but part of what Cohle represents is the complete parallel of the people who are on their high horse of religion; same condescending way he stands above the religious, judging everyone who worships. Part of him is incredibly right, he just dives too deep into his own head sometimes. But indeed, his lament for the “fairy tales” of the supposed greater good is one many of us harbour in ourselves. I do.
Cohle and Hart talk with Theriot, whose fan club includes a man named Burt (Douglas M. Griffin) that seems a bit suspicious to some. At least until they figure out, all but surely, they’re looking in the wrong direction; he can’t even come close to another person without defecating all over himself, plus he had his balls cut off in prison. This only leads them further down the rabbit hole. In 2012, Cohle ominously confirms: “Nothing is ever over.”
One interesting bit from ’95 – Dora Lange was seen with a “tall man” who had a “strange faceshiny around his jaw” sort of like someone who survived a fire.
Screen Shot 2016-07-13 at 1.24.08 PMScreen Shot 2016-07-13 at 1.24.32 PM
The further divide between Rust and Marty opens with every episode. What’s interesting is the exemplification of the series’ title, True Detective: despite any and all of their faults as men, Rust and Marty are incredible detectives. Although the serial killer they chased in ’95 eluded them, even up to the point where Dts. Gilbough and Papania (Michael Potts/Tory Kittles) interviewed them in 2012, they are true detectives. Our first inkling of what truly tore these guys apart down the line starts in ’95, as Marty comes home to his wife Maggie (Michelle Monaghan) chatting with ole Rust. Turns out the trusty partner came over to mow his buddy’s lawn. And Marty does not like that, nor does he appreciate any of the effort. It’s ironic because there’s nothing to suggest Cohle is trying to do anything untoward here. Yet the way his partner acts might have put that whole situation on an entirely different trajectory; check back on that once you’ve seen the whole first season, as it’s intriguing to watch these episodes over with the knowledge of what happens later.
At the Hart house Papa Marty has to talk with his girls about something difficult. Young Audrey’s been drawing things – sexual things – that got her in trouble. Where did she learn that? Perhaps it’s harmless. This is just one of the red herrings we find amongst the first season. The dolls, the drawings – little pieces of character which come in later episodes, set in 2012 – these lead many to believe there’s something else going on other than the crimes. Like Marty should be paying more attention to what’s going on within his own family. You might start wondering if there’s a culture of abuse happening in their city.


Maggie: “Girls always know before boys
Marty: “Why is that?”
Maggie: “Because they have to


I dig the title of this episode, “The Locked Room”, as it takes on a few meanings. For one, you’ve got the idea of a locked-room mystery, a sub-genre of detective fiction. Then we’ve also got the idea of the detectives themselves, in that they spend much of their time in locked rooms interrogating suspects. In particular, Cohle is a great “box man” who knows all about the locked room – another usage being the mind, itself a room locked away from everyone else except the person with the key.
Searching out more about the scars and the tall man, Cohle and Hart find a lot of dead ends. Mostly, they get deeper and deeper into the case. For Marty, it’s easy to shake off, though he uses it as an excuse to cheat on his wife, to skip out on his family when he wants. For Rust, it weighs on him. He finds it hard to live life, unlike his partner. He can’t be normal like everyone else, it actually affects him. Because ultimately he feels too much. He knows the pain of being human – the existential one – better than most. While Maggie tries setting Cohle up with a woman, Marty’s busy still flirting around Lisa Tragnetti (Alexandra Daddario). Marty is jealous; out with his wife, Cohle and his blind date, he sees Lisa with another man and that violently enrages him. Oh, the hypocrisy. It’s deafening. We also discover more of Maggie and Cohle talking, subtly, innocently leading either towards more trouble or towards a resolution for the Hart family troubles. You’ll have to let that play out and see.
Also something worth noticing is that in 2012, while talking away endlessly to the detectives, Cohle starts carving up his Lone Star beer cans into men. In the following episodes you’ll notice it’s very similar to the circle of men surrounding a young Dora in the picture at Mrs. Kelly’s place in “Seeing Things” where they’re on horseback, sporting odd costumes. Keep that in mind, these five men. It’s a reoccurring symbol.
Screen Shot 2016-07-13 at 1.25.43 PMScreen Shot 2016-07-13 at 1.25.58 PM
Marty: “You ever wonder if you’re a bad man?”
Rust: “No, I dont wonderThe world needs bad men. We keep the other bad men from the door.”


In ’95, Cohle eventually stumbles across another possible victim of their serial killer – Rianne Olivier. She was found washed up onshore by a river, deemed accidental death. Except she has a spiral tattoo, same as Dora. The connections slowly fall into place, but there’s still so much ground to cover, both figuratively and literally. When Rust and Marty start figuring out more about this latest victim, they find out she was with a man named Reggie Ledoux (Charles Halford), a real piece of work, a bad seed. They also make the connection of Rianne going to Light of the Way; another way to piece this all together, as it links into the Tuttle family.
At the Light of the Way school, a gardener cuts the lawn. Cohle asks him a few questions, seeing as how he covers a few of the properties belonging to the church. He doesn’t have much to say to Rust, other than the basics. Marty gets a call about Ledoux; his cellmate in jail as of late is Charlie Lange (Brad Carter). More of a bridge to all the other avenues in play. Well, there’s more to it than that. Out in the fields somewhere, cooking meth, Ledoux wanders with a gas mask on, machete in hand, and in 2012 Marty mentions a “gunfight” to the eager detectives interviewing him. Lots of things to come. Lots of dangerous, interesting, terrifying things: “Like a lot of dreams theres a monster at the end of it.”
Screen Shot 2016-07-13 at 1.27.20 PMScreen Shot 2016-07-13 at 1.27.38 PM
Another solid episode. The final shot is one of intense magnitude. I remember when it first aired I was dying to see the next chapter, so perfect to end on.
The whole season is spectacular. Next up is “Who Goes There” – one of the best episodes of all containing the single greatest tracking shot in television history. Thank you, HBO! And thank you Fukunaga/Pizzolatto; a fantastic collaboration.

True Detective – Season 1, Episode 2: “Seeing Things”

HBO’s True Detective
Season 1, Episode 2: “Seeing Things”
Directed by Cary Fukunaga
Written by Nic Pizzolatto

* For a review of the first episode, “The Long Bright Dark” – click here
* For a review of the net episode, “The Locked Room” – click here
Screen Shot 2016-07-13 at 1.18.15 PM
Dt. Rust Cohle (Matthew McConaughey) is still sitting with Detectives Maynard Gilbough (Michael Potts) and Thomas Papania (Tory Kittles), explaining things from his side. He talks about when he and Dt. Marty Hart (Woody Harrelson) found the strange stick figure. They went to see Mrs. Kelly (Tess Harper), daughter of the deceased young girl for which they’re searching. What’s most interesting is what Cohle notices, as the woman rattles on. He sees a few pictures, one depicting men dressed in strange costumes on horseback and surrounding a little girl, likely the same one whose murder they’re investigating.
Furthermore, we see the divide between Cohle and Hart. The latter talks of his mother, the former doesn’t even know if his is alive. In the present timeline, Dts. Gilbough and Papania get all sorts of information about Hart, though they’re edging more towards getting the dirt on Cohle. Back then, Dts. Cohle and Hart start to flesh out more information about their victim, and what may have happened to her. The serial killer they track is cunning, symbolic, and worst of all nearly untraceable in the backwoods of the Louisiana swamps.
Screen Shot 2016-07-13 at 1.18.26 PMScreen Shot 2016-07-13 at 1.18.39 PM
Cohle and Hart are vastly different, but they’re also alike in that they have both hide things. There is a secret side to them both. And much as they try, those secret sides want to get out. For now, at least Cohle finally tells Marty about his wife, the child that died. So there’s a bit of a bridge building there. A small one, though a bridge no less. There’s lots more to them as characters, which begins fleshing out in this second episode. The part we discover about Cohle is that his pessimistic view of the world is mostly a reflection of how he feels about himself. In opposition, Marty’s so completely wrapped up in himself that he can’t even see his own faults. He knows they’re there, he just can’t admit to them. Funny, he says about the very same thing re: Cohle to Dts. Gilbough and Papania. His weakness is women mainly; women that are not his wife.
And while Hart spends sordid nights with Lisa Tragnetti (Alexandra Daddario), his partner Cohle is out cruising the night, having psychedelic flashbacks and trying to contain that other part of him hoping to rage. He gets pills, plus a bit of information from a Confidential Informant. Even better, his past is slightly concealed to the detectives now interviewing him. One mysterious man.
In their early days as partners, Cohle and Hart were at odds. Cohle knew almost immediately what Hart was like, a dog of a husband and a man. They had their confrontations, they slightly worked that stuff out. But you can feel there’s something bigger in their future, something we’ll see as the chapters wear on.


Back in ’95, Cohle and Hart manage to track down a little “hillbilly bunny ranch” where there’s underage girls being prostituted. Their victim Dora Lange was once a part of the farm before she made it out to bigger, supposedly better things. We know how that turned out. They find one girl, Beth (Lili Simmons), who knew Dora, and they try to figure out any of the poor deceased girl’s movements over the past while. They hear about her ex, but not much else. They do, however, get the girl’s diary. It talks about some strange things: The Yellow King, black stars, Carcosa, and all sorts of creepiness.
In 2012, Dts. Gilough and Papania find out more about Cohle, how he was in a psychiatric facility for a little while during ’93, that he dove headfirst into undercover work. He was a “floater” able to go anywhere, do anything. Deep undercover type stuff. For four years. The type of assignment which changes a man irreparably.
Between what he’s seen on the job and the guilt he feels in relation to the death of his daughter, Cohle is stuck during ’95 in the duty to find Dora Lange’s killer. At the same time, Marty gets resistance from his wife Maggie (Michelle Monaghan) while trying to work the case. That’s because it isn’t only the case for him, either. It’s about the infidelity, cheating on his wife and feeling guilt for it, all of that making him act like an asshole and neglect his family.
One scary moment for Marty is when he finds his daughters playing in their room. They’ve got dolls setup like a bunch of men standing around a woman, one ready to have sex with her as she lays naked between them. The influence of sex is already present in their lives. This should be a wake-up call for Marty, that there’s an evil beneath their small town’s covers.


During ’95, Cohle and Hart also find themselves swept up in a task force, one put into action by the governor. Meanwhile, the brother of the governor, Reverend Billy Lee Tuttle (Jay O. Sanders) turns up poking his nose around. Things are not well for Cohle around the office. He hates that there’s a bunch of nonsense about Satanism and a big “political circle jerk” going on. Everyone else is clueless, yet in the midst of it he’s the only one, surprisingly, making sense.
They end up finding a church where Dora may have sought religious counsel. Inside painted on the wall is a mural depicting a woman with antlers on her head, very eerie, too similar to the way they found Dora’s corpse at the beginning of their investigation. Now, the plot thickens quite a bit. Their leads are becoming more tangible, real, and things get scarier.
Screen Shot 2016-07-13 at 1.21.06 PMScreen Shot 2016-07-13 at 1.21.21 PM
A great follow-up to the first episode. Love this one. Great series that only gets better with repeat viewings. The next episode is titled “The Locked Room” and holds plenty more delights.

True Detective – Season 1, Episode 1: “The Long Bright Dark”

HBO’s True Detective
Season 1, Episode 1: “The Long Bright Dark”
Directed by Cary Joji Fukunaga
Written by Nic Pizzolatto

* For a review of the following episode, “Seeing Things” – click here
* For a review of True Detective’s Season 2 starting with “The Western Book of the Dead” – click here
Screen-Shot-2015-03-12-at-8.13.16-PM
I’ve already done the second season. Now I’m returning for the 5th time viewing, reviewing each of the first season episodes for True Detective. I love both seasons equally, and I know that puts me in the minority. Either way, Season 1 changed the landscape of modern television, like it or not. There came a whole lot of depth in the writing, even if Nic Pizzolatto riffs hard off Thomas Ligotti and Friedrich Nietzsche. Still, the vision of one writer and one director for an entire eight-episode run made this something to witness, as a great story unfolded with lots of red herrings idiosyncrasies, and plenty wonderful acting to boot.
The first episode, “The Long Bright Dark”, begins with someone being carried in the shadows, a makeshift torch being light in a field out by a large tree, and then a line of fire reaching out into the other trees.
Cut to Marty Hart (Woody Harrelson). He’s on camera being interviewed in 2012 by Dt. Maynard Gilbough (Michael Potts) and the younger Dt. Thomas Papania (Tory Kittles). They start talking about this and that, then finally come to Rust Cohle (Matthew McConaughey). He’s an unusual man. At the same time, Rust is being interviewed by the detectives in another room. He begins immediately breaking the rules, light a cigarette. This, though a small gesture, sets the tone for part of Rust’s entire exterior makeup, the person he projects to the world while simultaneously he is always watching, always taking notes even if they’re in his head.
episode-01-03-1024
The main events which set the stage happen in 1995. A young woman is found in Louisiana, naked, dead, tied to a big tree and wearing a strange set of antlers on her head. On her back is a thick black tattoo of a spiral-like formation. Hart and Cohle are the ones tasked with investigating her death, as State Police. No identification is found on the girl, but it’s obvious to Cohle there’s some significance in the crime, a sort of grandeur so to speak. Right off the bat we understand how different Hart and Cohle are as partners and people. Hart is a very grounded individual, in terms of what he believes and how he sees the world. Cohle is completely the opposite, as if his mind is an open book, an open encyclopedia is more like it. But he understands this type of crime is not just a one-off deal, it isn’t a random event; this killer has done it before, he will do it again. The antlers and the imagery of it all makes this young woman’s death something important – the one who murdered her is twisted, and he sees some kind of fantasy in the things he’s done: “This goes way back with him,” Rust tells Marty. “The kind of thing doesnt happen in a vacuum.”
I love seeing the ’95 scenes editing with Hart talking over things. We do get a sense of him being a bit of a big mouth at times. However, on the other hand Hart also shows that he did feel a sense of respect, and still does, for Cohle and his methods. Further than that, we get a sneak peek into the strange life of Cohle: “Believe me,” says Hart, “past a certain age a man without a family can be a bad thing.”
Above the strange murder case, the relationship between Rust and Marty is front and center, obviously. More than that, their relationship with one another begins to speak to their respective lives. We start to understand this easily with the situation involving Cohle getting invited over to Hart’s place for dinner. He shows up drunk; like fucking hammered. We’ll come back to that, though. Part of why I dig the writing of the first episode because we flash back and forth, yet it isn’t distracting. The flow makes things interesting and it’s part of why I was immediately hooked on the first view of this show when first it was on HBO.
First of many car trips with Rust and Marty. “I contemplate the moment in the garden,” Rust muses, “the idea of allowing my own crucifixion.” The philosophical talk begins. There are a few dense lines out of Cohle right away here, part Nietzschean and part Ligotti, Pizzolatto gives us plenty to chew on. As well as an excellent relief on Marty’s part who interjects now and then, things like: “Huh. That sounds god fucking awful, Rust.” Even though a lot of people seemed turned off by the philosophies of Cohle, I think it adds a great counterbalance to the usual film noir detective type stuff a show like this might otherwise go for. Hate it or love it, there’s no in between, but you have to admit this first season, even the first episode is unlike much of anything else that’s ever been on television. It both uses familiar pulpy tropes and also pokes at them, in a Pizzolatto-type way.
tumblr_np5bqyuxOo1qmdheqo9_1280
Rust: “People out here, its like they don’t even know the outside world exists. Might as well be living on the fucking Moon.”
Marty: “Theres all kinds of ghettos in the world
Rust: “Its all one ghetto, man. One giant gutter in outer space.”
1IQHOMb
Words like Satanism are being thrown around at the precinct, where Rust and Marty try to come together as partners and work towards finding their killer. Hart stays behind to do paperwork, while Cohle narrates us through the ’95 events. He drinks cough syrup and chain smokes, heading to a bar somewhere along the side of the highway. There, he meets with a couple women, one clearly a prostitute. Cohle buys them drinks and asks for information concerning the girl he found murdered. Not only that, he ends up scoring himself some pills; there’s more to Rustin Cohle than we have yet to see.
At the Hart residence, Marty checks on his girls who are sleeping soundly, and has himself a drink. His wife Maggie (Michelle Monaghan) finds him in the morning, slumped in a chair. He quickly runs off to shower and head to work all over again. At the office, he seems more receptive to the receptionist than he does his own wife.
Cohle and Marty end up with information on the dead girl, Dora Lange. Her husband Charlie (Brad Carter) is in prison. The medical examiner gives them the cause of death, et cetera, and the plot only thickens from there. Marty thinks the crime was personal. Rust believes it’s “iconic” and not personal in many ways. More philosophical talk from Rust starts to piss Marty off, which is actually a little funny: “I dont sleep,” Cohle says, “I just dream.” Afterwards, on a street corner Rust sees a little girl who almost looks like a ghost; his daughter, maybe?
The investigation is off to a murky start, as Rust and Marty go from one place to another getting bits and pieces of information. Even a bit about a girl being chased through the woods by a supposed “greeneared spaghetti monster“.
episode-01-04-1024
In 2012, Cohle plays a good move. He is a functioning alcoholic, chain smoker, so he needs a few beers especially on his off days, such as today apparently. He blows a bill at the detectives and one of them heads out for a six-pack. We’re slowly seeing more of Cohle, from past to present. Part of why I love this first episode is because there’s such a great and quick look at the evolution of these two men, and still, not all the blanks are filled in.
The two detectives, in ’95, head over to see Charlie Lange in prison. He talks about Dora as a wild party animal into “weed, meth, name it“. They don’t get too much in the way of solid information, but the picture painted of Dora shows her as a young, vulnerable girl who was on drugs, not in her right state of mind. Charlie lets slip a weird bit, telling the detectives Dora said “she met a king“.
Finally, though, we get back to Cohle drunk off his ass outside Marty’s place. We’re getting under the skin of Rustin more and more with each step, which is interesting. They’re both of interest, but Rust seems so incredibly damaged underneath his whole pessimistic facade. Out talking to the prostitute, turns out Rust got too drunk. Marty tries pumping him full of coffee, planning to have someone call from the station and get them out of it. Only when the call comes it seems Rust is more comfortable at the dinner table with Maggie and the kids than he initially expected. We’ll see where that situation is headed down the road. Furthermore, Rust reveals he was married, but they split after their little girl died. Very brief, so quick, and it speaks volumes about Cohle already.
tumblr_np5bqyuxOo1qmdheqo7_1280
Billy Lee Tuttle: “I dont mean to tell men of your positions, but there is a war happening behind things.”
tumblr_np5bqyuxOo1qmdheqo2_1280
We get an inkling something “went bad” between Cohle and Hart around 2002. They haven’t seen one another in a decade, since whatever happened. And still, Hart sticks up for Cohle’s reputation as a solid hand at detective work: “I dont hold grudges,” he tells Dts. Gilbough and Papania. Eventually, Hart comes to understand something else is happening. The detectives are looking for something else. But what is it they’re sniffing out?
In ’95, Cohle has a run-in with another officer of the law, Steve Geraci (Michael J. Harney). Otherwise, there’s involvement in their case from Billy Lee Tuttle (Jay O. Sanders), brother to the governor of the state. He seems very involved, and also too interested. Will he come to have more significance as time goes by? Or simply a representation of attempted cover-ups and the undue involvement of others outside of the police force in police matters? Let’s watch this unfold.
Tracking down people connected to a missing girl who disappeared years before, Marie Fontenot, Hart and Cohle end up at a now disabled ballplayer’s home. He is Marie’s uncle, Danny (Christopher Berry). Mostly, this just gives the detectives more to circle around. Only Rust heads out around the junk in the backyard of the house, he climbs into a sort of rundown greenhouse or shed, where he and Marty find a suspicious wooden ornament much like the things found with the dead Lange girl; a triangle-like twig figure. A sign the killer has returned to lay claim to another victim, in the silence leaving tokens?
67
In 2012, the detectives interrogating Cohle, or talking to him they say, bring him pictures of a new crime. It is eerily similar to Lange. Yet supposedly in ’95, Cohle and Hart found their man. For his part, Cohle alludes in a sly manner to the fact maybe they didn’t find the killer at all back then. Excellent ending, as Cohle tells them to start “asking the right fucking questions“.
Stay tuned for a review of the next episode, “Seeing Things”. Is Rust a dark hand in all this, or is he merely on the fringe? Does he know more than he lets on?

True Detective – Season 2, Episode 8: “Omega Station” ends with beauty & tragedy

HBO’s True Detective
Season 2, Episode 8: “Omega Station”
Directed by John Crowley (Boy A; previously directed the episode “Other Lives” this season)
Written by Nic Pizzolatto

* For a review of the previous episode, “Black Maps and Motel Rooms” – click here

DISCLAIMER: DO NOT READ THIS IF YOU’VE NOT SEEN IT – FILLED WITH SPOILERS! WHY WOULD YOU BE READING THIS ANYWAYS? EITHER WAY, BE PREPARED.
IMG_0763This final episode of Season 2 starts in bed with Ani Bezzerides (Rachel McAdams) and Ray Velcoro (Colin Farrell) after their steamy night together. Ani recounts what happened to her back in childhood, the abuse she suffered at the hands of the man from her visions in Episode 6 at the weird sex party. It’s clear the two of them bonded; it wasn’t simply two people having sex together, they were trying to forget, at least for awhile, together.
There’s no doubt Ani is a damaged woman. She blames herself for the abuse, saying “I got into a van with a stranger“. She doesn’t understand that feeling proud her abuser thought she was pretty is a symptom of abuse, a symptom of mistreatment at the hands of men. Unfortunately, this didn’t only cloud her when it comes to judging herself, it clouded Ani completely in terms of men; from her father, to her boyfriends, to her partner and all the men in the Vinci P.D.
What’s great about this opening is that Ray also talks, he opens up to her. So it’s not simply Ani pouring her guts out. Ray confesses to her that he killed a man he thought to be his wife’s rapist, and that it made nothing better; it made everything worse. Ani says she doesn’t blame him for any of it, even saying other cultures would understand, it’s a human thing to want revenge. But Ray reveals that it was not him, that he found out who the real rapist was, so we’re seeing this beautiful opening up between the two damaged characters of Ani and Ray. The way it all comes off is wonderful. There’s this peace about the two of them together.

Ani: “Trees. A little place in the rock, in the trees. A cave, is how I remember it. It was like a fairytale.
IMG_0767 IMG_0766 IMG_0768 IMG_0769Sadly, as they rolled around in bed together, Detective Paul Woodrugh (Taylor Kitsch) got shot from behind, then had his brain blasted out all over the pavement. Seeing such an incredibly powerful, emotional, beautiful scene, knowing what lays beyond those motel doors – it’s tragic really.

Back to Frank Semyon (Vince Vaughn) trying to tell his wife Jordan (Kelly Reilly) she doesn’t have any choice but to get out of town. Frank’s trying to drive Jordan away, but it is not because he doesn’t love her. Jordan knows the difference. A great bit of the scene is when they throw their wedding rings away – Jordan is a strong lady, she takes off her big diamond, to Frank’s dismay, and tosses it into the street like he did with his, too. I thought this was excellent. Shows how badass Jordan is because she does not care about the money; she clearly loves Frank. She doesn’t abandon him, no matter what, even after seeing the damage Frank inflicted in the last episode. Some critics have said the relationship between Frank and Jordan has been stale, or whatever; I completely disagree. They’re a trouble couple, and I think each of them plays it well. The chemistry between Reilly and Vaughn works, in my opinion. Vaughn does a good job playing the businessman trying to shake his ‘gangster’ roots while she does a great job portraying a torn woman who loves her husband, wants to get away from the crime, but won’t let him go no matter the price.

Frank: “Wear a white dress
Jordan: “You wear a white suit with a red rose in your jacket
Frank: “I’ll wear a red rose in my jacket
Jordan: “I’ll see you coming out of the crowd, head higher than everyone else.
Frank: “At first I worry, I can’t see you.
Jordan: “But then you do.
Frank: “I see the white dress.
IMG_0764 IMG_0765Ray Velcoro gets the news about Woodrugh straight from the killer’s mouth – Lieutenant Kevin Burris (James Frain). Everything is coming down on Ray’s head, on Ani, on their little investigation. Even worse, there’s the fact the P.D and their players know about Paul and Miguel, so the higher-ups see Woodrugh as an outsider. Naturally, Ray and Ani are devastated about Paul’s death and plan on trying their hardest to expose whatever is left to bring out into the light, and hopefully salvage their careers, or at the very least their lives. Ray says, worst comes to worst, he knows a way for them to get out of the country.
Big things are at play now.

Lt. Burris: “Why do you care? You know the guy was a fag, right?
IMG_0770 IMG_0772Following up on some further leads, Ani and Ray finally come across the lair of the Raven-headed man. The mask, the shotgun and blast rounds, as well as a woman cuffed to a pipe in the living room. We get more revelations about the people involved with Ben Caspere from the handcuffed girl – Laura Osterman. This has to do with her brother, Leonard. They’re the reason Caspere ended up in such a state, because apparently Lenny lost a little control, went extreme. The whole acid bit was meant to scare him. I guess Leonard went further than scaring Caspere.
We met Laura back in Episode 3, very briefly. She was known as Erica – Caspere’s assistant. And so the plot thickens.
IMG_0773Nice poster for Sam Peckinpah’s Bring Me the Head of Alfredo Garcia in the background of one scene. Good stuff!
IMG_0774For those who aren’t following much of the plot this season one major thing to remember ultimately is: corruption due to the impending build of the new railway.
The company Catalyst are intricately involved with high-ranking members of the Vinci Police Department. This is why Woodrugh was killed, this is why the Caspere murder is being covered up. The murder is being covered because all those high-ranking members of the PD had a hand in the robbery-murder which set off the entire Caspere situation – the murder of Laura and Leonard Osterman’s parents. Plus there’s all the land and everything entailed with the railway deal, yadda yadda. You get the picture.
IMG_0775So Ray, with the information he now has, ends up meeting Police Chief Holloway (Afemo Omilami), hard drive in tow from the care of the Osterman kids. There are only so many plays left for Bezzerides and Velcoro, they’re trying to get as much traction as possible before everything hits the fan.
Then it does hit the fan once Holloway reveals the Osterman girl was illegitimately the child of Caspere. Lenny, who is nearby, hears this and attacks Holloway, prompting Lt. Burris out of his hole to open fire. Luckily, Bezzerides and Velcoro make it out alive.
IMG_0776There’s a TON of tension and suspense in this finale. I couldn’t get enough of it.
Basically the two of the remaining detectives are greenlit, by Vinci P.D, Catalyst, and everyone else who is locked up with them in all the god damn corrupt madness.
What I enjoyed most was how this season of True Detective has brought the detectives together with the criminals.
Amazing scene between Frank Semyon and Ani Bezzerides, the first introduction. Frank is now helping the two of them try and escape with their lives still in tact. They’re all heading down south somewhere.
Also, Ray finally discovers that Blake (Christopher James Baker) was the one who actually set him up, not Frank. In a way there’s honour in Frank, even though things don’t always come out the way they should. Either way, he made up for it by just really brutalizing Blake.
IMG_0778Frank: “We met? You’re a cop, right? Lady cop.
Ani: “What gave me away – the tits?
Frank: “I meant you’re a lady, you have dignity. You like Ray? I like Ray.
IMG_0781Frank (to Ray): “I did not live my life to go out like this… you?

Ray: “I owe these filth. I owe Woodrugh.
Ani: “Would you run? Now, if I asked, would you?
Ray: “I might. I just might.
IMG_0779One thing I couldn’t get enough of in this episode was the music. I mean, it was just ominous! Really great electronic sounding, deep, dark score. Drove things along with the subtle, quiet action that was happening. I honestly think they pulled out all the stops on this finale. “Omega Station” fired on all cylinders.
There’s more of that under the cover of darkness stuff. Ani is in Dr. Pitlor’s (Rick Springfield) office, looking for whatever information she can, while the doctor is found with his wrists slit. Meanwhile, Ray and Frank are sneaking around in the woods and they make their way in, descending upon Osip Agronov (Timothy V. Murphy).
I loved this bit. Frank and Ray together is like the Dream Team. Each of them with all the right gear, the weapons. Frank is merciless, too. He goes in there probably expecting to death, maybe half hoping to, and he just blows away whoever is in his destructive path.
IMG_0782 IMG_0783Osip: “I saved you. You’re like my son.
A sweet line right before Frank shoots him in the face a couple times.
Incredible. The tension mounted a nice bit up to this point, which felt great, as the action was swift, it wasn’t a massive scene, and it came off so slick. I think True Detective as a series overall has done some great work with action scenes.
IMG_0786Now that everyone is cutting ties and taking off to some southern dreamland, Ray decides to head back and try reaching out one last time to his son, Chad (Trevor Larcom). Seeing that the boy has still held onto the present – Ray’s father’s P.D bage – Velcoro leaves to head on and get going. Back at his car, he notices a leak underneath, so of course he is being followed everywhere, closely. Someone is still watching; there’s a tracking device on his car.
He calls Ani, tells her to go without him, and that he’ll follow along behind.
IMG_0787 IMG_0788Again I can’t say this enough times concerning Season 2, Colin Farrell has done a spectacular job. It has been worth the time just watching Ray Velcoro’s character arc play out through the episodes. The way he internalizes everything, making the gestures of Velcoro mean so much, one after the other, building this tension about him and canning it in, until things are ready to explode. Love the performance. It is a television character I hope that will go on to be a classic. I’ve loved Farrell’s acting every step of the way.
IMG_0784 IMG_0785Ani: “I’m gonna talk to you again, right? We’re gonna see each other again.
Ray: “You kidding? You’re gonna need a restraining order.
Ani: “No. No, I won’t.
IMG_0789When Ani hands the phone over to Felicia (Yara Martinez), Ray immediately tells her: “I’m not going to make it
I thought this was so incredibly tense, it blew my mind. I did not expect it, honestly. Even though it looked as if Ray was in hot water, I still did not expect this and it hit my chest with a thud. Excellently suspenseful few minutes in that scene between Ani, Ray, and Felicia.

Ray: “You turn here, you turn there and then it goes on for years.. becomes something else. I’m sorry – for the man I became, for the father I was. I hope you got the strength to learn from that, and I hope you got no doubts how much I love you, son. And you’re better than me. If I’d been stronger, I woulda been more like you. Hell, son.. if everyone was stronger, they’d be more like you.
IMG_0791The last 20 minutes of this extra long finale, I could not let go of my grip on the couch. Great, tense stuff. I know I keep saying that, but it’s true – this entire episode has ratcheted up the tension. Everything is coming to bear at the end of Season 2, here at the fittingly titled “Omega Station”.
Frank is brought out into the desert and there, things get terribly rough for him. Though, I’ve got to say, Frank Semyon does not go out like any punk. He takes an awful stab in the guts, then his former ‘colleagues’ leave him there next to an open grave dug into the sand. Instead of laying down to die, Frank walks on, bleeding, towards an uncertain future against the vast, open desert in front of him.
IMG_0792 IMG_0795At the same time, Ray Velcoro is running for his life through the woods, Lt. Burris and a bunch of armed men on their way after him. It’s so amazingly suspenseful. I couldn’t stop leaning in towards the screen, wanting to just jump right inside the television. Ray is like a scared dog, but he keeps his wits about him, taking down who he can through the trees, running, running. Burris is constantly calling out “Where is Bezzerides?” and before jumping out, only to be cut down viciously, Velcoro mutters to himself: “In a better place”. Just wow. I expected at some point Ray might meet a terrible fate at the hands of his own kind, but this was rough. So close to getting away and making it to that better place with Ani. He just couldn’t go the whole length.
Even worse, his last speech for Chad didn’t go through before he was killed – the final nail in the existential coffin of Ray Velcoro.
IMG_0793A lot of great tension, but also there are great bits such as Frank’s hallucinations in the desert. He’s seeing his father, blaming him for all their problems, calling him everything from faggot to the reason your mother left. Then he has more hallucinations of a bunch of black guys harassing him; no doubt another early memory of his days living in a bad neighbourhood, one of the only white boys around. It’s a wild little moment thrown in there, which I thought worked well. You can see Semyon pushing and pushing, willing himself to move, every inch of his being wanting to go on and keep living another day.
Powerful imagery when Frank sees Jordan out in the desert, white dress on, standing radiant in the middle of nowhere. I loved this, yet at the same time it’s a sad image.

Jordan: “What’s a guy like you doin’ in a place like this?
Frank: “Just makin’ my way baby.
IMG_0797IMG_0798 IMG_0799 IMG_0801 IMG_0800 IMG_0803Personally, I don’t think there is any way this season could’ve ended better. There’s a totally pessimistic ending where Velcoro turns out to be the actual father of his child Chad, but then the P.D pins everything on him. There was plenty of action, suspense, and tension going on. The final few minutes show all the corruption still going on, further and further, becoming worse with every step.
I really love how Ani has kept on with everything, she is showing the evidence off now after the fact to someone whom I would assume to be a journalist of sorts. This is a great, real life-feeling situation. In the time of Edward Snowden, such a piece of crime fiction is welcome, as we see Bezzerides dealing with the aftermath of a huge scandal. Of course, Pizzolatto did model parts of Season 2 after the real story of corruption in a city called Vernon, which I believe is actually in California. Maybe I’m mistaken on that last part. Either way, this has such true to life tones that I think that’s one of the reasons I ultimately loved the storyline this season, all the subplots and everything.
IMG_0804Ani: “We deserve a better world
IMG_0805 IMG_0807People will hate me, but I do like Season 2 the best of the two. You can read my review of Season 1 – I have nothing bad to say. Simply, it’s a case of enjoying the characters more, their arcs, and how real the investigation felt. I have nothing but love for Season 1, and I will always say it’s one of the best seasons of any show, ever. There’s a special place in my heart for this season. The end was true tragedy, in the best sense of the word.
It’s my belief Nic Pizzolatto made a great, grounded crime drama with this second season and proved that it didn’t have to be all whimsical conversation at the hands of Matthew McConaughey’s Rust Cohle. These characters were incredible and I could not get enough. This season went out beautifully and I hope to the stars Pizzolatto will do another season, at least one more, and give us another few detectives onto which we can latch.

True Detective – Season 2, Episode 7: “Black Maps and Motel Rooms”

HBO’s True Detective
Season 2, Episode 7: “Black Maps and Motel Rooms”
Directed by Daniel Attias (Ray DonovanBloodlineMasters of SexHomelandThe Killing)
Written by Nic Pizzolatto

* For a review of the next episode, “Omega Station” – click here
* For a review of the previous episode, “Church in Ruins” – click here

DISCLAIMER: THIS IS SPOILER FILLED! BIG TIME! HUGE EVENTS GET SPOILED AT THE END SO IF YOU HAVE NOT SEEN THIS DON’T READ IT ALL OR ELSE YOU’LL BE RUINED!
IMG_0254 IMG_0255In the penultimate episode True Detective‘s polarizing second season, Ani Bezzerides (Rachel McAdams) is coming down off the Molly she was given at the weird sex party last episode. She’s in a motel room with Ray Velcoro (Colin Farrell), as Detective Woodrugh (Taylor Kitsch) is in another with the missing girl they retrieved from the fucked up white rich guy orgy.
Ray: “Want me to roll a joint?
Ani says she might have even went looking for it – killing that man with her knife – that she’d been waiting her whole life for something like that.
While trying to shake the buzz off, Ani relapses back to the trauma when she was young. She mentions that ‘they’ found her as she came out of the woods. Ray is confused. Then Ani gets in his lap and starts kissing him, rubbing him up, but Ray tries to be a big man.
Ray: “You’re too far out of my league anyway
I love it because even in the most serious of moments, Ray tries to tone things down with humour. Juxtaposed with the scenes between him and Ani later, this is Ray making a good decision not to pursue things any further; not only is it a bad idea, to make matters worse Ani is still under the influence of the drugs.
IMG_0257 IMG_0258 IMG_0260Things get going pretty damn quick. No letting up from the last episode and its tense action sequence at the end.
Now Woodrugh is receiving texts with pictures of him and his old army buddy, the one he’s sort of sweet on but won’t admit. He’s clearly shaken out of the blue, Ray knows there’s something not quite right. I’ve been waiting for pictures of Paul’s extracurricular denial to start coming out – ever since Detective Teague Dixon (W. Earl Brown) was snapping with his camera when the whole subplot with Paul/his friend began.

Paul’s pregnant, soon-to-be wife Emily (Adria Arjona) received a call saying “Ask Paul about the pictures“.
Emily: “Why did you get with me? Why did you ask me out?
All Paul can muster up to say is: “I was just tryin’ to be a good man
Emily: “Well you don’t try right
IMG_0263He’s got his mother and his pregnant fiancee in a motel room, pretending that it’s all got to do with beef over an undercover job he’d been working. There is a scary feeling to all of this with Paul. He is frenzied, cracking up like the masks he keeps putting on, so many of them, are all getting bound up, twisted, and ready to fall to pieces.
IMG_0261 IMG_0262All the while, Frank Semyon (Vince Vaughn) is playing cards with himself. Of course he’s the dealer, all the invisible people being dealt hands are just being controlled by him. It’s a perfect metaphor for how Frank’s life is, or at least how he would like it to be/seem. His wife Jordan (Kelly Reilly) makes an obvious poker assertion that pertains to their life: “We could just walk away from the table“. The two of them are still rocky, but she is always there for him; loyal as ever, though, every bit stern.
Then Ray shows up: “I, uh… had a bit of a strange night.
IMG_0264Of course, Ani used her sister Athena’s (Leven Rambin) name at the party, so the people there might possibly come for her. I knew this would happen as soon as Ani gave the name Athena before she got on the bus last episode.
Ani: “Maybe – and this is just a thought – maybe you were put on this Earth for more than fucking
Vera: “Everything is fucking
Though Ani wants to help her, the previously missing girl that she found at the party Vera (Miranda Rae Mayo) seems to not want any help at all. She says she has a good life, and doesn’t need anybody talking to her condescending-like, acting as if she needs to be saved. Ani struggles against it, but yet there seems to be a glimmer in her eyes, or a dulling more like it, that believes what Vera says.
IMG_0266Frank and his once main man Blake Churchman (Christopher James Baker) – the one Ray followed to find he was helping Dr. Pitlor (Rick Springfield) pimp girls out over to Osip Agronov (Timothy V. Murphy) – have a real rough confrontation. It’s clear, though, that Frank is a much tougher piece of work than meek little Blake. A bit of blood and skin later, Frank has a few answers. Only a few, though. Frank needs, wants, answers about Caspere, but nobody seems to know who did him. Outside of that, Frank discovers that people are trying to take everything away from him essentially. He’s just about been a lone wolf the whole time, outside of a couple helping hands; those are few and far between.
IMG_0267 IMG_0265At first, Blake is allowed to live for the time being at the mention of money. That doesn’t last long: Frank gives Blake the ole Reservoir Dogs gutshot and lets him bleed out on the carpet. Pretty vicious on his part, but as he said he wanted to watch Blake’s lights go out.

Modern medicine man, or 1960s Encino Man, Eliot Bezzerides (David Morse) shows up again.
He and Ani have a serious chat about who took her away – Eliot says he wandered the forest four days after what happened to her. We get some tiny bits of background about Eliot, little pieces. Nice to fill in at least small cracks here. We don’t need a huge amount of exposition. I think Nic Pizzolatto really does well with these sorts of things; wet the beak, don’t give us too much but enough we can chew on.
Eliot: “God damn everything
Ani: “That’s what I say
IMG_0269 IMG_0270Because of the last episode and the events at the party – as well as Ray finding the contact for their little off the books investigation District Attorney Katherine Davis (Michael Hyatt) murdered in her car – Ani and the rest are going into protective mode. Everyone in Ani’s family is going into hiding. There’s an epic sense to things, as if the air is electric, and the tension has really started to mount. I predict the last episode will be highly explosive and thoroughly satisfying. That’s just me, who knows.
She, Ray, and Paul close in more on the diamonds in the pictures they found, from the pawn shop, the ones tied with Dixon somehow. They start to sew up some things involving Ben Caspere and Mayor Chessani, the whole lot.
IMG_0272 IMG_0273 IMG_0274Paul meets his friend from the army Miguel (Gabriel Luna), the one from those torrid night(s) together, and it turns out things with Black Mountain, or a bigger group, are the reason they’ve run into one another again and gotten back in touch. He leads Woodrugh to a stairwell, down into the darkness, then they’re gone for the moment. The tension gets thick.
Once Paul is brought downstairs, out comes Police Chief Holloway (Afemo Omilami) who explains they found pictures in Dixon’s apartment after he died, and they know Paul has documents they need. Incredibly sinister moment, I found. Perfectly executed. I didn’t see this scene coming, though, loved every last second.
Paul begins to try and get himself out, giving up Ani and Ray saying he couldn’t give a shit about them. That’s disappointing to say the least. Only he grabs Holloway, wrestles away his gun and puts it to the man’s head. Woodrugh manages to get away through the underground tunnels, darkness covering all in sight. The military men that were with Holloway and Miguel follow him, trying to make sure he does not escape.

Frank: “Here we are – under the bright lights
There’s no doubt, after this scene between Frank and Jordan as she witnesses the dead body of Blake on the floor in her husband’s office, that the two of them are as close as they can possibly get. She affirms “I love you” and asks what she can do. Frank, like Ani, is sending those he loves into hiding.
He is preparing himself – for fight, or flight?
IMG_0271Frank – apparently – is setting fire to the casino. Because why not? he’s got some ideas about what to do now that he knows everyone is out to get him. He looks calm, collected as he walks away from the smoking building. Slick, badass stuff from Frank.
Turns out, he’s setting fire to it all. Everything. As far as Frank is concerned, his whole life is going up in smoke anyways. Might as well set fire to the lot of it.
IMG_0277 IMG_0280My favourite scene of this episode is just about at ten minutes left, when Ray and Ani are talking with one another at the motel. They’re both trying to talk anyways, but not every little thing comes out. Though, Ray does acknowledge he knows that something happened to Ani, somewhere along the line, whatever it was – she replies that she doesn’t like to talk about it. He tells her it’s what he admires most about her. There’s just such an incredible exchange between two gifted actors. So much ability going on that it blows my mind. Such subtly passionate, quiet moments without any real physical contact outside of the touch of their hands; I was just WOW’d by the scene. Powerful stuff, in my opinion. Both Farrell and McAdams have been doing spot-on jobs this season with their characters. I hope, regardless of how others feel about the story/plot, people recognize how great the acting has been all around.
These are two broken souls trying to find someone as broken as themselves to whom they can reach out.

Ray: “Do you miss it?
Ani: “What?
Ray: “Anything?
IMG_0281 IMG_0282SPOILER ALERT! HERE THERE BY SPOILERS!
Paul ends up blasting his way out of the tunnels, his friend and gay lover Miguel is shot in the process. This was an awesome action scene, with a lot of suspense. Finally, we get to see Woodrugh climb up out of the tunnel and away from the gunfire, back to some semblance of safety. For awhile there I honestly did not see him coming out of that sticky situation. He has some true guts. I was sure, even when I first saw Miguel waiting for him, there was about to be something nasty happen to Detective Woodrugh. Glad that I was wrong on that part.
IMG_0283A great piece of music from the score in Season One comes back here, as we see brief images of Ray and Ani together (nothing gratuitous – tasteful stuff I must say), Paul running away from the scene behind him.

Then the kicker….

MORE SPOILERS! HUGE HUGE SPOILERS AHEAD!
Heroic Paul Woodrugh is gunned down, from behind no less, then shot dead by Lieutenant Kevin Burris (James Frain) who runs off into a car, speeding away.
IMG_0284 IMG_0285 IMG_0287 IMG_0288 IMG_0289 IMG_0292 IMG_0291 IMG_0295Unlike Ray Velcoro’s apparent death at the end of “Night Finds You”, this one is not like that at all. Paul is completely finished. Done for. Goodbye, Woodrugh. Even though he was so knotted up as a person, I cannot say I wanted to see him go. Especially not like that. It’s so sad that he was on the phone with Ray before Miguel brought him down to that basement. Right on the cusp of telling Velcoro everything, maybe to get some help with it all. True tragedy.

Not only that, we glimpse how deep the law enforcement rabbit hole truly goes with the murder of Paul Woodrugh.

What a hard hitting episode. Solid writing, lots of tragedy, heart, and just tons of movement in the plot. Dig it – hard.
Next week, we’re going to see “Omega Station”, and this will truly be the beginning of the end.
I can’t wait to see what will happen after the fallout from Detective Woodrugh’s death, where Ani and Ray will go as professionals after their night together plus how they’ll punish themselves no doubt for not being there for Paul, and how Frank is going to react/what he’ll do to those who have been taking his lifeblood away from him.
Stay tuned and we’ll see how everything goes down in the finale of True Detective Season 2!

True Detective – Season 2, Episode 6: “Church in Ruins”

HBO’s True Detective
Season 2, Episode 6:
 “Church in Ruins
Directed by Miguel Sapochnik (BansheeGame of Thrones)
Written by Nic Pizzolatto

* For a review of the next episode, “Black Maps and Motels Rooms” – click here
* For a review of the previous episode, “Other Lives” – click here
Screen Shot 2015-07-27 at 2.27.47 AMScreen Shot 2015-07-27 at 2.28.31 AMBeginning where we left off, the tense moments between Ray Velcoro (Colin Farrell) and Frank Semyon (Vince Vaughn) pick up. Frank sits down with some coffee, asking if Ray would like some sugar, anything else. Normally you might laugh, however, the tension is so thick you could cut it with a knife.
I would’ve been different,” says Ray.
Of all the lies people tell themselves,” Frank replies.
I sold my soul for nothin’,” Ray says as he bursts at the seams.
That choice was in you before your wife or any of this other stuff. It was always there, waiting,” Frank tells him.

There is still a solid discussion of morality going here. Essentially, Ray Velcoro has still committed murder; no matter how we cut the cards. Frank Semyon puts it bluntest, and maybe most truthful, when he tells Ray: “Own it.” Because yes – Frank is a dirty dog, he tricked Ray into believing he was doing his wife justice by killing the man who raped her, when truly it was a point of leverage for Frank, to have a cop under his thumb.
But at the same time, Nic Pizzolatto is having his characters basically ask us – is murder ever justified? These are philosophical situations. I think people – some, not all – seem to be pissed because the second season lacks what the first had in the existentialist dialogue of Rust Cohle. When really, you just have to pay attention: it’s all there. Pizzolatto just isn’t spelling it out as blatantly as he was in the first season through Rust. More power to him – his detractors last season were complaining that Rust and his ramblings made things clunky. You can never satisfy everyone. The morality question is constantly in play, most certainly the heaviest theme going on for Ray Velcoro’s arc.
Screen Shot 2015-07-27 at 2.28.44 AMProblem for Ray is, he’s supposed to be helping Dt. Bezzerides (Rachel McAdams) and Dt. Woodrugh (Taylor Kitsch).
Instead he’s at the prison confronting the actual man who raped his wife, seeing as how the man he’d killed at the word of Frank Semyon was not the actual rapist.
Tense damn scene with Velcoro here. Incredibly tense and cutting acting. The look in Farrell’s eyes always seems to speak more than he ever can with whatever dialogue he’s given – such expression in them, his whole face. I’ve long said Farrell is an excellent actor when given the appropriate material. Much the same as I feel often about Taylor Kitsch; he’s giving a great turn this season, as well.
Even worse again, Ray is having to go to supervised visits with his son. It’s painful to see their relationship because Ray wants to hold on – he doesn’t care whether or not the biological father is the rapist. He needs something other than being a cop, being a vigilante, to make him whole, and that something is being a father. Every little bit that it slips away, I can see the cracks forming in Ray’s outer shell, his ego already crumbled long ago, and the more it falls away there’s no telling where Velcoro is going to end up.
Screen Shot 2015-07-27 at 2.29.54 AMScreen Shot 2015-07-27 at 2.30.17 AMFrank tells the son of his dead ‘colleague’: “This hurt, it can make you a better man. That’s what pain does – it shows you what was on the inside.” Here, for the first time, we can actually see that good side of Frank that does want to be a part of the world. We can see that Frank wants to be a father, and he might be a good one.
Juxtaposed with Frank and this fatherly moment, we see the deterioration of Ray and his son.
I am your father, you are my son,” says Ray. “I will always love you.” You can see the torture inside him as he grasps onto the last bits of himself. Right afterwards, he heads home and hits the booze, rails a ton of cocaine, and just gets completely obliterated. The stable little bits of Velcoro we saw, those tiny glimpses, are quickly vanishing.
Screen Shot 2015-07-27 at 2.30.53 AMScreen Shot 2015-07-27 at 2.31.12 AMI cannot say it enough – Colin Farrell is fucking knocking this role out of the park and into the lot, smashing the windows, sending everyone home. Anyone who says different is not paying attention. I don’t care what you think of the overall plot, if you can’t admit that Farrell is nailing the character of Ray Velcoro then you’re beyond blind. His drunk and stoned scene, the aftermath, it is complete perfection. There’s no way it could’ve been played any better, it felt like watching an actual man fall apart right before my eyes.
Screen Shot 2015-07-27 at 2.29.14 AMI’m enjoying where Ani Bezzerides’ arc is headed. She’s got to go in to a party where they won’t allow even a purse, so Ani and her knives won’t be headed inside. What interests me is that sexuality is a whole struggle for Ani. It’s because she works in such a macho, predominantly male environment in the police department. She has been railroaded into a sexual harassment therapy group where the men mostly just enjoy hearing Ani talk about sex – it’s a hypocritical and nonsensical punishment from the patriarchal department. To see her headed towards a situation where she’ll need to play up her sexuality, use that against men, it’s not as easy as it may sound – Ani’s sister Athena (Leven Rambin) is telling her that she’ll need to strip even, and you can see the struggle already on her face hearing this news.
Screen Shot 2015-07-27 at 2.32.13 AMThings are getting murky murky here in the sixth episode.
When Ani heads to the party – using her sister Athena’s name – we see how deviant and weird everything surrounding Caspere’s murder, the events following, is truly beginning to get. Ani and a ton of other sexed up women are loaded onto a bus, their purses and cellphones taken, and herded like a sheep of cattle to the slaughter.
Behind the bus, both Woodrugh and Velcoro tail a ways back to try and cover Ani. They even rush in, as Woodrugh chokes a guard outside, both clad in black gear. Loving their little undercover type task force, it’s making things get more exciting especially with this episode.
Screen Shot 2015-07-27 at 2.32.48 AMFrank is still sorting motives out on the Caspere end, trying to track down the hard drive and figure out where things disappeared to after Caspere’s place, as well as who they disappeared with, in what hands. I like how Frank has become a sort of detective in his own right here. Certainly after he and Ray have started butting heads, he has to take some of the burden on himself to figure out what has truly been going on.
Unfortunately for Frank, getting to the bottom of the Mexican side of things is bringing more death and destruction into his life. I keep thinking how Frank seems stuck in that old gangster lifestyle, try and try as he might to get out of that quicksand.
Screen Shot 2015-07-27 at 2.32.00 AMThe party. Man, oh, man – what can I say about this party? Weird, wild, maybe wondrous? Sure.
Sex, drugs, booze. And of course: food! When you’re having an orgy with about a hundred or more people, you’ve got to have food on hand. People get hungry. Need to keep the energy up for more orgying.
It’s fucked up. Pizzolatto is proving there’s still enough oddity in Season Two of True Detective to keep some of the first season’s hardcore fans interested.
Screen Shot 2015-07-27 at 2.33.46 AMIt’s scary watching Ani essentially walk into the lion’s den. She has no phone, no weapon, and surrounded by so many old perverts. Creepy stuff to endure at times because YOU KNOW bad things happen at these “parties”. Plus, she spots prominent members of society walking through the rooms – Richard Geldof (C.S. Lee), among others. All the girls are given some drugs to help get them in the mood, keep them going, and Ani feels the effects. This whole time I was so worried about poor Ani – she’s such a strong woman but in this situation her power has basically been stripped completely.
We get a huge glimpse into Ani’s past – she has a major flashback during the party. It actually wowed me for a moment or two, so clear and at the same time brief. There’s most definitely a traumatic assault of some sort in Ani’s past which has ultimately guided her uneasiness and uncomfortable nature with men (we see a bearded man with long hair who claims there’s a unicorn in those woods and at one point leads Ani off in a dreamy shot to an old VW van). I felt terrible for her at this party, wandering around; so many people jerking off and watching others have sex, rooms full of orgies. Nasty, rough stuff!
Screen Shot 2015-07-27 at 2.34.18 AMScreen Shot 2015-07-27 at 2.34.27 AMScreen Shot 2015-07-27 at 2.34.43 AMThere is a ton of great stuff going on throughout “Church in Ruins”.
I love how the entire way to the party, as Woodrugh and Velcoro sneak up, when Ani slices and dices a few thugs – there is a great piece of classical music playing. Amazing. This was one of my favourite series of scenes since Season Two stared, it was just so perfectly composed and put together in terms of how the camera moved, the scenes changed, the music played over top. It made that whole finale to the episode more exciting than it would’ve been already. Amazing way to amp things up.
At the end of “Church in Ruins”, we see Ani in a rough spot. It’s interesting, but disturbing all the same. Luckily her night of psychological torture brought the detectives some well deserved information.
Screen Shot 2015-07-27 at 2.36.01 AMA lot of plot movement going on here, plus a good deal of character development. I think “Church in Ruins” is the best episode so far in Season Two. I predict a great few revelations, some more excitement and thrill, as well as maybe even a death or two. We’ll see! Such a solid crime drama in my opinion, with plenty of elements to make it a full-on thriller at many times, but I’m sure half the internet would call me an idiot or say I know nothing about television or movies because I like this – whatever.
Tell me what you thought in the comments or hit me up on Twitter: @yernotgoinatdat – we can have a (civil) chat.
Lots of people are disappointed in this season. I am not, whatsoever. It started off a little rocky, and since then it has gotten great, week after week. Despite the naysayers. Let them keep on. The last couple episodes are going to knock my socks off.

Next week’s episode is titled “Black Maps and Motel Rooms”. It’s directed by Daniel Attias. His filmography as director includes episodes of Masters of SexBloodlineThe AmericansRay DonovanHomelandThe Killing, and even 16 episodes of one of my favourite comedies, It’s Always Sunny in Philadelphia. Particularly, I’m excited for Attias to do an episode because I love both Bloodline and Ray Donovan, which are both extremely gritty at times.
Stay tuned and we’ll find out how wild things get.