Mr. Mercedes – Episode 1: “Pilot”

AT&T’s Mr. Mercedes
Episode 1: “Pilot”
Directed by Jack Bender
Written by David E. Kelley

* For a recap & review of Episode 2, “On Your Mark” – click here
Pic 1We start in 2009, in Ohio. Extremely early in the morning at a City Jobs Fair. People are lined up outside through a roped walkway. Everyone waits patiently, some introducing themselves to one another. Others aren’t entirely happy to be there, not into the socialising. Regardless, everyone there’s starved for work, from the older folk to a young mother with her baby and every sort in between.
Suddenly, a Mercedes pulls up. Lights beaming onto the crowd. The driver slides on a clown mask, breathing heavy. Then he drives directly through the people, barrelling forward at top speed. People scream, running away fast as they can.
But some don’t escape. The driver ploughs over them, including the young mom and her child, a man helping her. Tons and tons of bodies lie bloody, crunched, smashed to bits in his wreckage. Holy christ, what a brutal sequence! When the smoke clears, Detective Bill Hodges (Brendan Gleeson) turns up on the scene to survey the carnage and begin an investigation along with fellow lawman Pete Dixon (Scott Lawrence). The senselessness isn’t immediately evident. Pete thinks the driver “lost control” of his vehicle. Hodges knows better.
Pic 1AWe jump ahead, two years later. Looks as if Dt. Hodges is a bit rough around the edges, lying in his own wreckage now. Mostly consisting of beer cans, cigarettes, and peanuts. Bit of a mess, in more ways than one. He’s got a lot of time to himself these days. Him and his friend Fred, the tortoise in the backyard. Seems they’re sort of at the same pace. He still has dinner with Pete, keeping in touch after his retirement.
One thing’s clear, though – Bill’s got unfinished business. Like many cops who’ve retired with unsolved cases. He doesn’t even feel like himself. While Pete and a local waitress named Sheila (Tuesday Beebe) try keeping him on track, as does nosy neighbour Ida Silver (the incomparable Holland Taylor), there’ll always be something not right with him. He just slides further into the bottle.
Bill: “Ever notice everythings upside down on a spoon?”
Sheila: “Maybe thats how life is, hon. Spoons just got it figured out.”
Perfectly with The Ramones playing “Pet Sematary” on the radio, we’re introduced to Brady Hartsfield (Harry Treadaway). He works at a store dealing in electronics, computers, all that sort of thing. He’s got a regular life, he and co-worker dealing with shitty customers and a corporate cut-out boss. And his boss, oh, man: a piece of work! He’s basically jealous of Brady’s talent with computers, cutting him down a peg at any corner possible.
We see that Ida’s nosy because she’s looking for a companion, at least a sexual one. But underneath all that – she’s a proud lady, after all – there’s a genuine concern about Bill. She doesn’t want to see him waste away, she’s seen it before. She doesn’t want him to have “retreated from the living” just because of retirement. So, despite her sort of snooty attitude at first, she’s genuinely worried the man doesn’t have any purpose. And without purpose, without telos, what IS a man?
Pic 2Well, there’s still a purpose. Deep down there somewhere.
Particularly after he gets an e-mail addressed from Mr. M. Subject line: Long Time. We see a clown mask briefly. Then the screen switches to a smiley face, speaking to him with an electronically disguised voice. Taunting about his retirement, his weight gain, and the fact he never solved his case. Up come a bunch of pictures of the victims driven down outside the City Jobs Fair. He even tells the former detective he wore a condom that night, for fear he’d ejaculate and leave evidence. The whole video is wildly disturbing, and totally terrifying.
So if there wasn’t purpose before, if he didn’t consciously care about it already, now Bill is paying attention. Now, he has something he must do. If not, he’ll likely suffer the rest of retirement in a haze of insanity.
We also cut back to Brady, his mother Deborah (Kelly Lynch) worrying he’s working too many hours. That he’s “all work and no play” – sound familiar, Stephen King fans? Similar to another fella named Jack. She worries more about him, that he’s never had a girlfriend, that he’s withdrawn, even if he’s a smart guy. Oh, and it turns out mommy has other things on her mind. Things no mother ought to be doing with her son, y’know, like incest. Yikes. Although Brady leaves before things go too far. Instead he spends time alone stroking one out rather than go all the way. Man, that’s unsettling.
If you didn’t know already, Brady is Mr. Mercedes.
Pic 3Pic 3AThe fun will-they won’t-they between Ida and Bill continues. She’s not happy she showed him a nude on her phone and he wouldn’t look at it. She insists he looks. He does, if not a bit reluctantly. I hope they continue this relationship, on any level, because Gleeson and Taylor together’s like some kind of sweet magic.
When Bill clicks a link on his computer with a smiley face, it goes to a short few clips of Mr. Mercedes driving through the people in the crowd that day, the clown mask, his distorted laughter. A fucking evil thing to witness.
Bill: “Now personally I think closure is overfuckingrated, but the nightmares, the panic attacks I could do without.”
So he’s poking around more, asking Pete questions about the case. His friend doesn’t want him to obsess anymore, like he did at the end of his career. Later, he ends up at the electronics store where Brady works. He’s looking for a surveillance camera, though he doesn’t come in contact with the young man. A slick moment of near chance.
Afterwards he heads to a towing lot. A place he’s evidently been quite a few times. There lies the bloody, beat up Mercedes kept in storage. Just seeing it leaves the retired cop in agony, imagining all the people being run over in those seconds of brutality. He sits in the driver’s seat, as if imagining himself driving.
Pic 5At home he gets the camera installed with help from a neighbour kid who does stuff around the house for him regularly, including with the latest e-mail business. And who else is rolling around the neighbourhood? It’s Brady. One of his other jobs is as a Mr. Friendly’s ice cream truck driver, serving up scoops for the kids, and fucking with Hodges, tossing a tennis ball with a smiley face into the yard for him to find.
Screen Shot 2017-08-11 at 5.15.26 PMMan, oh, man! I did not expect the first episode to be so damn good. Much as I love King, I’m always sceptical going into a film or television adaptation of his work. Which is a bonus when it’s actually fucking great. So much to love here, and not least is the use of punk rock in the soundtrack. Love it!
“On Your Mark” is next week, so stay tuned. We’re going to get deeper into this creepy little world of Mr. King’s together.

 

Advertisements

Living Dead Halloween Horror Marathon

Without going for too many of the obvious choices, I wanted to come up with another list of horror for the Halloween season.
Opting to go with anything from traditional zombies to the Romero zombie to infection films and so on, there should be something for everybody on this list. Maybe the more seasoned horror veterans out there have seen just about all of these. But I’m hoping those of you out there looking for a few good flicks to indulge during the lead-up to Halloween might get a good new scare for yourselves and find something new.
These aren’t in any kind of order, just in a list. I’m not saying these are all my favourites either, though, I’ll let you know which ones I love most.


Nightmare City (1980)
affiche-l-avion-de-l-apocalypse-nightmare-city-1980-2For a full review, click here.

This Umberto Lenzi classic is the genesis for fast zombies. It’s been said already – the remake of Romero’s Dawn of the Dead? Would never have been without Lenzi. Sure, someone would have made zombies fast in a cool way, but I still think Zack Snyder owes a ton to Lenzi’s film. There’s something about this one that will get you from the star. Immediately, there’s a sense of chaos, and then the streets are flowing the undead, moving at a face past, fighting the living.
When it comes to zombie films, fast or not, Nightmare City packs the goods. This is a real great movie to put on and watch with a few people or a big group, as you’ll be hooting and hollering at some of the undead action going down under direction of a master like Lenzi.

Day of the Dead (1985)
MPW-7657For a full review, click here.

It’s hard to pick a favourite out of George A. Romero’s films, even considering his others outside of the Dead films; The Crazies and Martin are both pretty excellent, more so the latter, and Creepshow is a wonderful collaboration between him and Stephen King.
But honestly, even above the two previously amazing films, Day of the Dead is my favourite of Romero’s zombie work. There’s something truly dystopian for me above this one. As always, the plot keeps things claustrophobic, even worse the characters are in an underground military base. The best, though, is Bub – Romero introduces a zombie who has essentially been taught, like a primitive human or an animal, to respond and do things more than just eat brains. And if you look at the progression of Romero’s zombie series, include Land of the Dead and how active the zombies become there, I find there’s a lot to enjoy. Plus, you get cool imagery, a great colour scheme as is always the case with Romero, and lots of zombie goodness.

City of the Living Dead (1980)
81b6c-city20of20the20living20dead-poster20320by20silverfoxFor a full review, click here.

Lucio Fulci will often turn up on any horror list I make. Not because I think his films are all the best made, though some I think are fucking incredible, but mostly it’s because Fulci swings for the fences on just about horror film he’s made.
In City of the Living Dead there are a bunch of practical horror effects which are going to blow your face off. While I don’t think this is one of Fulci’s best, I do feel it has some of his wildest blood and gore.
From throwing up internal organs, priests committing suicide and dead babies, to heads being torn apart or heads being subjected to power drills, this is one zombie flick you’ll most certainly want to watch around Halloween. Any time you look out and see kids roaming the streets on the 31st, it’s always creepy in a way. After this Fulci film, it might look even creepier.

Dead and Buried (1981)
deadandburied From a screenplay by Ronald Shusett and Dan O’Bannon (particularly of Alien fame), Gary Sherman crafts a pretty unique and horrific film which you can definitely consider one of the living dead variety.
In a small New England town, Potter’s Bluff, visitors seem to be continually murdered and Sheriff Gillis (James Farentino) is trying to get to the bottom of it. Unaware the other townsfolk have an idea about what’s been happening, Gillis may or may not survive the events transpiring in his own little jurisdiction.
To say a whole lot more than the simple plot synopsis would do you, the viewer, a disservice. Ultimately I’ll say only this – Dead and Buried has a wonderfully dreadful atmosphere, like a bad nightmare torn out of The Twilight Zone, and there is a classic type of feel to the film which makes it feel almost at home amongst William Castle flicks and the Hammer Horror catalogue at times. Perfect for a bunch of friends, but it does have a nice plot so it isn’t only horror-tainment; it also has some horror teeth with a solid script, full of dread and terror.

Shock Waves (1977)/ Dead Snow (2009)/ Blood Creek (2009)
shock-waves-one-sheet-style-b-1977This is honestly a pretty gnarly triple feature. A lot of people would tell you Dead Snow is the only real great movie out of these three. Me? Oh, I’d disagree with that.
First, Shock Waves takes us to an island where Peter Cushing plays a former SS Commander out of Nazi Germany, in charge of a troop of aquatic zombies. There’s lots of madness on the island, lots of almost gothic-like stuff going on.
You can never go wrong with Cushing in a horror, for me anyways. He is classic. Here bringing some of that class to a Nazi zombie movie, a precursor to the next film – Dead Snow.
dod_sno_ver5A newer Nazi zombie flick out of Norway, this one sees  a group of friends on Easter vacation in the mountains at a cabin; unfortunately, they run afoul of some buried Nazi troops who are more than happy to unfreeze, come back from the dead, and lay siege to the cabin and the unsuspecting friends.
This is a happily, unapologetically gory film, tons of splatter, blood everywhere. But it’s not one of those types of horror movies where it starts to get boring, because who doesn’t want to see Nazis die? Only Nazis, one could imagine. So get your fill here with tons of nasty horror kills.
bloodcreekNext up is another Nazi horror, though, in a vastly different vein. Blood Creek, also known as Town Creek, did not make an impact in theatres on a limited release, it hasn’t particularly enthused a lot of others since. But I thought it was a nice bit of fun. Featuring Prison Break’s Dominic Purcell and Superman himself Henry Cavill as brothers out for revenge, as well as an incredibly low key and make-up’d Michael Fassbender (of whom I’ve been a big fan for a while), this is mostly a good popcorn romp in the horror genre, with a nice dose of Nazis to boot. Fassbender plays a Nazi officer who was dispatched to track down ancient runes, eventually becoming a nearly immortal, terrible and undead monster whose entire being consists of consuming human blood, and other creepy, nasty, Nazi business. Don’t expect director Joel Schumacher to do anything hugely innovative, but throw this one on after the others to give a different spin on the Nazi living dead sub-genre.
I honestly recommend this as a triple feature. You would not regret it, especially if you’re looking for a group movie night!

[REC] (2007)/ [REC]2 (2009)
rec-poster-2007 rec2-poster1For a full review of [Rec], click here.

These are subtitled Spanish films, so those who don’t dig on that may want to move on. Though, I stress as I usually do: if you only watch English language movies, you’re not doing yourself as a filmgoer justice. Horror has some amazing stuff going on in other countries.
Jaume Balagueró and Paco Plaza take the found footage sub-genre and horrified audiences with their infection horror film [Rec] which takes us inside a fire station with a news crew, on a night when they’re called to an apartment building where all hell breaks loose; inside, an epidemic begins. The second film [Rec]2 begins straight after the events of the first, taking a GEO team inside the same apartment building in order to combat the infected humans that are beginning to swarm the entire building and threaten to turn the whole city into a massive horde of infection. But it turns out there aren’t only the interest of police and medical authorities at play, as the Vatican has their hand in things.
Both of these movies do found footage proper justice. So many of the low budget efforts in this sub-genre come out terrible, while only a small number are excellent and more importantly effective; these two movies are in the latter category. Amping up on suspense and tension, Balagueró and Plaza really grind home the terror from beginning to end. There’s a lot of scary moments and the zombies/infected are creepy as all hell! Love the blood and gore here, as well as the jump scares; I don’t often say that, but the jumps here aren’t cheap, they’re the result of good atmosphere and tension, as I mentioned before. Great movies. More for a solo viewing, or just a pair; you don’t need a crowd talking a bit here and there during these, ruins the mood. But you’d be wise to do a double feature viewing on these two movies – awesome continuity and you’ll get your fill of zombified mayhem.

Return of the Living Dead (1985)
return_of_the_living_dead More Dan O’Bannon, this time he’s directing.
Honestly, if you’re a horror-comedy fan (I’m actually not a huge one) and you don’t know or enjoy Return of the Living Dead, I don’t know what’s going on with you. I mean, this is just about the perfect marriage of zombie horror and hilariously foolish comedy. On top of all that, it’s slightly meta-fictional in a way.
After two bumbling meatballs end up releasing toxins from the government, which inspired Night of the Living Dead, the living dead begin to rise once more and the world is threatened by zombies walking the earth, tearing and eating human flesh, consuming all which stand in their way!
A classic entry in the zombie sub-genre of horror, this is not one to be missed. Great for a pair or a crew of people, you can never go wrong with this one. There is plenty of goofball comedy and lots of zombie nastiness to boot, not many as great as this out there.

The House by the Cemetery (1981)
House_by_cemetery_poster_03For a full review, click here.

Lucio Fulci returns on the list! This time with a different take on the living dead horror movie.
When a new family movies into a house and begins discovering a bunch of unsettling, the house’s past lurches forward from the darkness and into the present.
Victorian era illegal surgery, zombified and rotten corpses, neck stabbings, slashed throats and decapitated heads – Fulci is in fine style here, a (pardon the pun) full-blooded horror.
This is a nasty one with plenty of the director’s signature style. You could also say this fulfills the haunted house quota, even though it’s more of a living dead horror, but still – lots to take in for an October evening, better yet on Halloween night.

Mutants (2009)/ Open Grave (2013)
poster31 tumblr_muhki2HLhu1qetqrbo1_1280Another double feature, slightly different; these aren’t exactly the same type of zombie/infected horror movies, though, I think a certain vein runs through the both of these gnarly flicks.
Mutants is a French film about an epidemic turning human beings into mutant-like creatures, basically zombies. The plot concerns a young couple, Marco and Sonia (who is pregnant), attempting to find refuge in a military base. But when Marco contracts the virus, Sonia has to defend herself against her husband, best friend and lover in order to try and survive; for herself and for their baby. So you get a mix of zombie horror, emotional and personal drama, as well as a good deal of horror-action throughout the film. A high intensity and at times downright scary epidemic film.
In a similar more personal sense, Open Grave starring Sharlto Copley examines the epidemic sub-genre of horror through the eyes of a man who wakes up, with no memory, in a pit of corpses, only to eventually come across a group of others who woke under similar circumstances.
I can’t say much else about the plot, and honestly saying that it’s an epidemic/zombie type movie is saying too much, but just know Open Grave packs a real good punch. Copley adds lots of authenticity to the film playing a very believable, real type character. But the screenplay itself is the strongest bit of the movie and drives everything, making this one of those horror films that’s really going to draw you and keep you interested, riveted from the top until the impressively tense finale.
These two movies would fit together in a great way for a double bill, I highly suggest you try these out even if on their own, though. Both a good and terrifying ride.

Night of the Comet (1984)
night_of_comet_poster_01 If you want an interesting, tongue-in-cheek style horror with comedy, then look no further: Night of the Comet is the film you’re searching out!
When a strange astral event involving a comet happens, much of humanity is devastated leaving two young ladies to deal with the few humans, madness, and zombies which remain.
A true classic ’80s movie, this one will satisfy a ton of criteria depending on what you want – there are zombie types, there is throwback music, there are funny women, and there is science fiction abound.
This is a lot of fun and I think it’s definitely a zombie movie, just in its own way. You’re not going to find a ton of gore or anything like that. This is first and foremost a retro comedy with horror and science fiction thrown in, but the post-apocalyptic landscape of Los Angeles and the living dead roaming the streets makes this a proper entry on this list.

The Signal (2007)
the-signal-movie-posterHonestly I don’t know how this movie hasn’t gotten huge. That’s all right, though. Some movies are meant for a cult classic status, in another 20 years this will find the proper appreciation, the kind it deserves.
The Signal takes place in several sections, taking place in a city after an epidemic occurs spurred on by the signals transmitting through radio waves and television sets, et cetera. One woman tries to make her way to meet a lover after her husband and everyone seem to go crazy from the signal. For her, it becomes an absolute struggle for survival. As her lover does his best to track her down across the devastated city, they both encounter their own trials and tribulations.
When I first saw this one I was blown away. The acting is solid, which helps put the plot over; notably, a favourite actor of mine A.J. Bowen does a spectacular job with a menacing character. Most of all it’s the mix of science fiction and horror I find real interesting. Lots of weird infected-zombie-like action happening, as the citizens of the city all start to just revert into animalistic, primitive men and women only concerned with fighting and killing the next person before they themselves are fought or killed. Scary stuff, but also there’s a good, organic love story built in which I enjoy – when the love stories are forced into horrors or thrillers, I find it so tiring, this one is primarily a romance honestly yet the horror/sci-fi becomes a huge part of it and makes this an epidemic sub-genre film, absolutely. You could do a lot worse than this one, it’s going to find a bigger audience as time goes by. Good one for two partners who want to watch something creepy while also wanting to watching something together: ideal for the pair who’ve got different tastes slightly. Something for everyone here with this romance-horror-science fiction hybrid.

Splinter (2008)/ The Battery (2012)
watermark THE-BATTERY-Poster-03One last double feature for the horror hounds. This one is the ultimate indie horror tag team, two vastly different movies but very much innovative and lots of fun in their own respect.
To start is the 2008 Splinter –  a couple find themselves trapped in a gas station with an escaping criminal, all trying to find off a virus which splinters the bones and insides of its victims, contorting them into awful, terrifying shapes.
This one is nasty and also has great drama going on. The splinter parasite/virus was so intriguing, adding something fresh to the zombie/living dead sub-genre. A fantastic indie film you really have to see.
Then, you’ll need to throw on The Battery, another hugely satisfying indie horror with a premise not always tackled. While still in a zombie apocalypse, this film goes for a much more microcosmic view of the dystopian-horror landscape: two former baseball players try and make their way through the living dead infested countryside of New England, each with their own grating personality to test the other’s patience. This one also has tons of nice drama, while it continually pushes into the zombie sub-genre with good use of the deadheads in the background. First and foremost, you find yourself interested immensely with the relationship between these two men trying to survive in the post-apocalyptic, zombie world. Second, the zombies, the death and the loneliness of the epidemic stricken world all makes this a worthwhile horror.
Two awesome indie horror movies which fit together real nice! A good double bill, fit for a solo viewing or with a friend. These will suck you in and keep you interested with that indie screenwriting, but you’re going to get a nice swift helping of horror to ring in Halloween right here!

Pet Sematary (1989)
1989-pet-sematary-poster1Not all of Stephen King’s wonderful stories end up translated onto the screen appropriately. I’m a huge fan of his writing, yet there’s always problems with the films adapted into film from his work.
Pet Sematary, for me, does not fall into the category of problem films. Some others say differently, I’m pretty sure even King himself isn’t a real fan at all, but this one did a number on me, still does each time I see it again. Of course there are parts that could’ve obviously been better executed (maybe this would be fitting for a remake nowadays other than the endless films being remade which don’t need to be). Still, bottom line is that this horror is actually horrific; its tension is there, the atmosphere of dread pervades almost each solitary scene to which we’re treated, and some of the imagery is truly scary.
One scene in particular, involving the wife’s now dead sister, still scars me to this day. Even when I think about it (she’s in the bed forgotten in a room of their house calling out for help; she looks hideous like a person twisted into a monster), the hair raises on the back of my neck. And the rest of the film is pretty chilling, to say the least. Ignore a few of the flaws and you’ll find yourself taken away into a land of terror. The living dead angle of Pet Sematary is another much more personal, intimate take on the whole sub-genre, in a way only Stephen King can tap into so emotionally. Not all of his original novel makes it through in translation, though, I can’t say there’s any missing horror.


Here’s to hoping you’ve enjoyed some of these films before, or that you discovered them here/somewhere else similar and now have come to love them the way I do!
Cheers to a good October and I’m going to have myself an epic movie marathon over the last week leading up to Halloween. Check back for more lists and movie reviews as we get closer to that beloved devilish night of candy, fun, horror and mayhem.