Tagged True Detective

True Detective – Season 2, Episode 5: “Other Lives”

HBO’s True Detective
Season 2, Episode 5: “Other Lives
Directed by John Crowley (Boy A, Closed Circuit)
Written by Nic Pizzolatto

* For a review of the next episode, “Church in Ruins” – click here
* For a review of the previous episode, “Down Will Come” – click here
Screen Shot 2015-07-20 at 2.57.30 AM
The aftermath of the shooting at the end of Episode Four has begun to fall over everyone like the ashy snow of an atomic blast.
Ray’s had enough of being a cop, or at least he thought so anyways. Ani is stuck in departmentally mandated therapy and thrown in the basement looking after evidence. Paul faces scrutiny about the Vinci shootout and his time in Afghanistan due to the microscope over him concerning his trouble from the First Episode: the actress who accused him of soliciting oral sex in order to forego a moving vehicle citation. So, the shooting has spread out, touching them all in different ways, even Frank is affected.
Screen Shot 2015-07-20 at 2.58.08 AMThis week’s episode begins a little ways down the road after the climactic shootout during the final minutes of “Down Will Come“. In the first scene, Frank Semyon (Vince Vaughn) looks jaded, frustrated, as if he doesn’t have the words anymore; not for himself, not for his wife Jordan (Kelly Reilly).
Frank is beginning to be severely disrespected by Mayor Chessani (Ritchie Coster). Great scene where Frank leaves the Mayor’s office while the charismatic comedy of Vaugh comes out of Frank’s personality.
One good thing for Frank is that it seems he and Jordan do have things under control. For now. They’re almost as much like competitors, adversaries, as they are lovers, husband and wife. Either way, they seem to be on level ground for the time being. It’s clear they’re in love, but the stress of Frank’s old life keeps pressing on the new one they want to have, the new life they want to give. Though, Jordan is settled for now with the idea of maybe not being parents.
There are a couple real good Frank lines this week:
“The enemy won’t reveal itself, Raymond[…] it’s like, blue balls in your heart.”
(to his wife Jordan) “I was born on the wrong side of a class war, so fuck that gangster shit.”
Screen Shot 2015-07-20 at 3.02.47 AMMeanwhile, Ray Velcoro (Colin Farrell) has quit the Vinci Police Department; he’s working security for Frank full-time now. He looks clean cut, shaved, and even sober – though the last, not so much. Unfortunately, he’s getting booted out of the house he lives in because it’s reserved for municipal employees, which Ray is no longer.
Turns out Ray’s doing more than just “security” – he’s collecting money from slum apartment complexes for Frank. So, though he finds himself out of the grip of his masters in the P.D, Ray is clearly under the thumb of Frank; forever, and ever. Or is he?
Frank is peeling back the layers of the onion which is Ben Caspere’s murder. He asks Ray specifically if the Mexicans did Caspere, to which Ray replies in a wishy-washy way that there’s all kinds of wrong about what had happened, a messy situation.
Ray tails one of Frank’s men to try and tie up loose ends. He watches as there are some girls picked up from who looks like Dr. Irving Pitlor (Rick Springfield), they are then delivered to Osip Agronov (Timothy V. Murphy).
Screen Shot 2015-07-20 at 2.58.20 AMAni Bezzerides (Rachel McAdams) is being forced to undergo sexual harassment therapy, or some other such program. She clearly has no time for it, making a mockery of the group meeting talking about how she loves big dicks: not simply length but the girth, and says “I really wanna have trouble handcuffin’ the thing”.
But it’s also bullshit why she’s there – and clearly it shows how much of a male problem the harassment is within those few moments (not to mention the fact Ani is being blackballed by the whole department in the first place). We see more of Ani and her sister, which is good because it feels like they’re coming together. Perhaps it’s Ani’s own current life situation that makes her feel more sympathy for her sister than we saw in Episode One.
I just love Ani Bezzerides. Nic Pizzolatto writes her well – she’s tough and takes no shit, but also has her flaws. In closing: she is a human being. She’s allowed to cover the entire spectrum of humanity, from good to bad, not relegated to the land of character stereotypes. This episode went well for Ani in terms of character because I found her more interesting; keeps me on my toes, never knowing what type of attitude she will bring into a scene. Good stuff on the part of Rachel McAdams, she’s a great talent.
Screen Shot 2015-07-20 at 3.00.31 AMDetective, formerly Officer, Paul Woodrugh (Taylor Kitsch) is in the legal hotseat over the woman from the First Episode who tried bribing her way out of a ticket by offering him a blow job. Her lawyers bring up Woodrugh’s past: the days in Black Mountain Security, how many people he did/did not kill in the big Vinci shootout awhile ago from the previous episode. I can just feel Paul fraying at the edges in almost each scene.
We see more of Paul and his mother, clearly a dysfunctional relationship. There’s no telling what the history truly is between mama and Paul. Although, it’s clear she has her own issues, aside from those which plague Paul, but I’m not exactly positive what those might be.
Screen Shot 2015-07-20 at 3.01.04 AMAt his mother’s place, Paul looks for $20,000 he brought back from Afghanistan. His mom tells him “I thought it was something you left for me.” Paul is torn apart that it’s gone. But money is the least of Paul’s worries in life. It’s not hard to see she resents him; she tells Paul he ruined her life. Furthermore, she knows that Paul is gay and is denying it – she talks about all his “good friends”, “the boys”, she says “I know about you, Pauly!” So there’s tension galore.
I’m starting to wonder if maybe Paul does have some sort of history of violence towards women, judging by the torn relationship with his mother and how aggressive they both are with one another, verbally and physically. But who knows, he could just hate her guts for the way she has obviously treated him, like a burden. Another reason I find Paul Woodrugh so interesting. I think Pizzolatto does a fantastic job at juggling so many characters. Last season, there was so much centred focus on the two main detectives – this time with three, plus the addition of Frank and his wife, there is a ton going on. Yet Pizzolatto does well, I think, in fleshing them all out. Just so happens, for me Woodrugh is one of the most interesting. Hard to choose, though, when they’re all rich characters.
Screen Shot 2015-07-20 at 3.01.49 AMRay meets with Ani in the little bar where he usually met with Frank. They’re both damaged from the shootout. Ani clearly knows there’s more to the Ben Caspere case than the P.D determined; she says “a bunch of people got shot to shit and nobody cares.” Obviously, Ray knows what the deal is, at least partly, and he was forced to keep with a certain version of events. His best advice to Ani is: “I try to limit the people I can disappoint and I make sure to know the difference between my obligations and somebody else’s”.
Screen Shot 2015-07-20 at 3.03.11 AM
Bezzerides, Velcoro, and Woodrugh are being recruited to go deep and figure out what really went on behind the Ben Caspere case, what truly happened. Essentially, they want Velcoro to be a man on the outside, as he is now no longer a member of Vinci P.D. yet he knows how the greasy guys at the top operate.
District Attorney Katherine Davis (Michael Hyatt) offers Velcoro a deal – help her to uncover everything, she makes sure Ray is able to keep his son around. Also, she reveals that the man who raped Ray’s wife is not dead, he was recently picked up on a string of unsolved rapes – this leads Ray into a frenzy, looking for answers. Not only did Ray’s relationship with his ex-wife become a ruin due to her believing Ray had the man killed, he was also lead to believe the man was dead – now we know, Frank had him kill an innocent man just to keep Ray in his service. This ignites a fire in him that flames high; all directed towards Frank.
Screen Shot 2015-07-20 at 3.03.28 AMA couple awesome scenes happen in this week’s “Other Lives”.

– We watch Ray devolve a little after initially it seems he might be turning over (some kind of) a new leaf. He falls into that fugue of anger he began in at the start of the season. Ray goes back to see Dr. Pitlor and beats some information out of the man, donning leather gloves and a heavy blackjack with which to menace the doctor, and while it’s thrilling, you can see how quickly Ray slips between the two men existing within him: the man he wishes to be and the man who he is, the one he cannot escape.
Screen Shot 2015-07-20 at 3.04.26 AM– The scene with Paul and his mother worked excellently and Kitsch was fantastic. I’ll keep saying it, over and over, I think he is a great actor when given the right material. Plays the character of Woodrugh very well.

– Ani and Paul find a creepy little shack in the woods with a chair at the middle and arterial blood spray across one of the inner walls. Brief, not too much, but added some tension. Plus, I really like how Ani and Paul are together. Good dynamic. Then again, I also think Ani and Ray are a good team. Mainly I think that’s because the character of Ani is such a no bullshit, no nonsense type of woman, she basically calls the men in her life out on their shit whenever she can, quick as possible. So she almost corrals these male detectives, not in a motherly way just simply the way a leader needs to in order to get the job done.
Screen Shot 2015-07-20 at 3.05.15 AM– Finally…
My favourite scene of this episode is at the end when Ray goes to see Frank. It is just – WOW! There’s not much to it at all. A banging on the door, again, again – Frank gets pissed and tells them to shut the fuck up. He looks through the peephole and relaxes: it’s Ray. But it’s the look on Ray’s face, the eyes gently quivering, a subtle force bottled up inside him – just blew me away. He tells Frank they’ve got to talk and then… cut to black.
Screen Shot 2015-07-20 at 3.05.51 AMSo again, I keep telling people: Teague Dixon. We already have a scene in this episode, a couple actually, referring to Dixon. Woodrugh goes to a pawn shop for some information, only to find Teague had been there weeks before. In fact, he’d been there before the others had officially know about evidence which would’ve brought them there.

I guarantee there’s more to Dixon’s character, and I still know there will be some sort of plot involving those pictures he took of Woodrugh a couple episodes ago.
Screen Shot 2015-07-20 at 3.04.51 AMThe biggest thing going is that Frank knows there’s something not right about the official word on Caspere’s murder, he needs Ray to fill in the blanks. But now Ray knows that Frank set him up from the get-go. Ray’s life is in absolute shambles and Frank is responsible for so much of that. That ending really promises a confrontation between Frank and Ray that could lead to tremendous consequences.
Next week we’ll see what happens. I think there are going to be some big revelations in the next episode. This was a great one, in my opinion. They’ve all been a lot of fun. The small time jump from the last episode to this one worked, and it also helps to add a little depth to the story. Only about six or eight weeks, but just enough time. It seemed like everything was starting to smooth out, except now the chaos is creeping back further into Ray’s life, Paul too, and Ani has never been free of it for a second. With Ray at his door, I think Frank is about to understand the meaning of chaotic.
Screen Shot 2015-07-20 at 3.05.59 AMNext episode is titled “Church in Ruins”. After that, only two episodes left: “Black Maps and Motel Rooms” & “Omega Station”.
The detractors, I’m sure, will still compare this second season of True Detective to the first season. They are highly different. I do prefer the first, absolutely. However, I’m still a big fan of this second season. Can’t wait to see how these last three episodes play out! Stay tuned. I’ll see you next Sunday.

True Detective – Season 2, Episode 4: “Down Will Come”

HBO’s True Detective
Season 2, Episode 4: “Down Will Come”
Directed by Jeremy Podeswa (Game of Thrones, Boardwalk Empire, The Walking Dead, American Horror Story)
Written by Nic Pizzolatto

* For a review of the next episode, “Other Lives” – click here
* For a review of the previous episode, “Maybe Tomorrow” – click here
Screen Shot 2015-07-13 at 2.48.35 AMPoor Frank (Vince Vaughn). He not only can’t deliver a child for his wife Jordan (Kelly Reilly), his avocado farm is having a rough go of things. Frank seems to be struggling, though, he hides it well beneath the calm exterior; in a weak moment, he slips into quasi-racism and berates one of his gardeners before Jordan tells him to stop.
One thing with Frank is, starting with Episode Three, we’ve really begun to see the animal side of him come out. The fight with his gangster buddy in the last episode was intense, so were the moments afterward when Frank collected the gold teeth out of the guy’s face. I hope Frank rages on, honestly, because I think he’ll become a force to be reckoned with.
I like the whole idea of dirty and semi-dirty cops versus the character of Frank, who is trying to go legitimate. Jordan argues with Frank about how they’re “back to this”, referring to the old ways of being a street-made man. He tries to instil the concept in her that present situations require serious measures. It’s clear, regardless, that Jordan and Frank have a lot of tension between them, from the hopes of having a baby to Frank’s business dealings. Still, their relationship is strong, yet nothing is ever rosy in the world of True Detective.
Screen Shot 2015-07-13 at 2.47.38 AMI knew right from the beginning Officer Paul Woodrugh (Taylor Kitsch) was closeted. It could’ve simply been erectile dysfunction for all I knew, but that first scene we saw him in during Episode One where he couldn’t stay hard with his girlfriend spoke volumes. Just in the way the camera closed in on him; he was concentrating, trying his best to stay interested and keep an erection. Now with this episode, Paul wakes up at his old army buddy’s place in bed. They’ve had a passionate night. Paul flees in a cab and then scolds himself on a city sidewalk – the pain of what’s going on inside him rages, and it’s actually painful (in the right way because of Kitsch’s acting) to watch.
Even worse, as Paul yells at himself and seems to fall apart right in front of us, then reporters swarm him asking about allegations against Black Mountain Security, and one reporter actually shouts out at him wondering if he has a history of violence against women. Very, very interesting stuff. I was interested before, but this episode really brought some heat for Paul’s storyline. I think Taylor Kitsch is doing a great job so far, though, I’ve liked him since seeing The Grand Seduction last year.
Screen Shot 2015-07-13 at 2.48.05 AMI thought the scene between Kitsch and Farrell early on in the car was fantastic. Two good actors playing off one another. Especially because Woodrugh reveals so much to Ray Velcoro, in a way. The whole angle of Paul’s sexuality doesn’t come out, so to speak, but Ray can see the pain inside the younger cop. First, Ray offers some hair of the dog for Paul to cure the hangover. Then Ray recognizes that Paul has “seen some shit”, and tries to lend a little support. But Paul is cracking at the edges, he tells Ray: “I’ve been listenin’ to them so long I don’t know who the fuck I am”.
Screen Shot 2015-07-13 at 2.48.51 AMMy feeling is that Paul represents a particular generation of young men nowadays, much like any young men from any time. Young men who have been fooled into believing everything the government tells them – be a good student, be a good soldier, be a good cop, be obedient… but most importantly, be obedient and be what we tell you. Young men who’ve been lied to, told they’re fighting for one thing when it’s really another; they are military men, young guys, going overseas fighting for causes to which they have no allegiance, for politicians sitting at home on their asses while real people die everyday in a desert on the other side of the planet. As Paul says, he’s listened so long that he has no real idea who he is, no true sense of identity. He is denying himself every step of the way and there’s maybe something dangerous brewing inside.
Furthermore, Paul and his girlfriend Emily (Adria Arjona) meet. They talk about how things were left between them. Then Emily reveals she is pregnant and is against abortion, so she plans to keep the baby. Paul, denying his true self worse than ever before, abruptly asks her to get married, to keep the child. There’s no telling what repercussions this will have throughout Paul’s storyline the remainder of this season.
Screen Shot 2015-07-13 at 2.49.13 AMWe get lots of Detective Ani Bezzerides (Rachel McAdams) hovering around her family in this episode. She talks with both her sister Athena and her father Eliot, the enigmatic cult leader. I like the juxtaposition of Ani’s family members; she wants to keep tabs on her sister, but does not like Eliot, they’ve been estranged quite some time. However, the case is bringing her into contact with her crazy dad, as well as with her sister – one simply business, the other personal and business simultaneously.

Now, Ani also faces heat at work for her relationship with the hurt cop. I can see how Ani has become a fighter. She lives in a man’s world, and having to become more like the men around her has lead to becoming more wreckless just like the other lost souls – Velcoro and Woodrugh. If anything, Ani stands to show men and women are no different; we all fuck up, we are all reckless.

One great bit happens while Ani and Ray are visiting her dad. Eliot looks over for a moment and says Ray has the biggest aura he has ever seen, that it “fills the room”. Then he tells Ray: “You must’ve had hundreds of lives.” Ray replies: “Well, I don’t think I can handle another one.”

Screen Shot 2015-07-13 at 2.52.08 AMI won’t go into lengthy details about the main plot’s path. Mostly, I think it’s pretty solid. Another sordid tale of sex and perversion and murder, with a few steady dashes of confusion to spice things up.
The element I enjoy about the main plot, concerning the investigation into the death of Ben Caspere, is how Detective Ray Velcoro truly straddles the middle of the line – he and Frank regularly meet, Ray gives over the information required, and at the same time he is still being bent under the thumb of the police department heads, forcing him to do what he does not want to do. Problem is, Ray is the reason Ray ended up where he is, ultimately. Though, I feel he sees some light at the end of his tunnel.
I still hope to see him break free of the ties which bind and I want to see Ray get some form of redemption. Maybe he’ll have to die by the time it’s all over. I think it’s heading steadily towards that conclusion for ole Detective Velcoro. He certainly doesn’t have much to live for – his own son, possibly the genetic son of his wife’s rapist, is slipping through his fingers. Ray meets with his son, out in the shadows of his ex-wife’s backyard, and gives the kid his own father’s police badge, set in an ornamental case after the old man’s retirement; the sadness in Ray is evident, as he backs off into the shadows while the boy’s mother calls him inside.
I imagine a world where Ray does get what he deserves – I like him, but I think the man has done extremely questionable things along the way believing they are true justice. He knows it, we know it. We’ll just have to wait and see how it plays out. Either way, I think Ray might intentionally throw himself into the fire for a good cause in the end simply because he is craving so badly a taste of redemption.
Screen Shot 2015-07-13 at 2.51.08 AMThe last ten minutes is a pretty thrilling bit of action. Detectives Bezzerides and Velcoro, along with Officer Woodrugh and other cops, go on a raid which quickly flies south. Gangsters with automatic weapons begin blasting out the windows of mid-sized building; soon, the gunfire makes the building’s top floor explode, sending everyone outside to the ground and no doubt killing everyone inside. More gangsters light the streets up, as Woodrugh, Bezzerides, and Velcoro each try to clear them out. It’s intense, and several cops take bullets – plus a bunch of criminals. As a gangster moves towards an ammo-less Bezzerides, Officer Woodrugh pops a couple rounds into him an takes the guy down.
I really enjoyed the climax of this episode because while the detectives and officer are all on different wavelengths, this massive shootout almost bonds them together. They’re all shocked with the end results, no doubt a departmental investigation will begin to sort out everything that happened, and as the episode fades out there’s nothing but a little awe; the frame freezes, the black crowds in and a song plays over the credits.
Screen Shot 2015-07-13 at 2.52.19 AMBasically, the aftermath of this shooting will cause some things to happen.
Velcoro is going to pressured into making it look like they’ve got their man in the big rampage at the episode’s finale. However, Frank is still going to know better than to believe that line of bullshit. So we’re going to see the criminal really step up and become the lead in the chase towards an answer to who killed Caspere, and who killed Frank’s man in the same way.
Rolling Stone has already criticized the ending’s freeze frame. I dig it, totally. Part of what I love is how Bezzerides, Velcoro, and Woodrugh each stand around baffled at what has happened – then the frame sticks, fades out. It’s perfect, it captures that moment and literally snapshots it, making it stick. Because you know it’s going to stick to each and every one of them. Certainly Woodrugh, no doubt he has seen enough while with Black Mountain Security to last a lifetime. Can’t wait to see the next episode.
There’s also something else Rolling Stone got wrong – keep this in mind. Detective Teague Dixon (W. Earl Brown) took a shot to the head. Now, the Stone would have you believe it doesn’t matter, as if Dixon was totally inconsequential. That is not the case. Do you remember when Woodrugh was first leaving from meeting his army buddy, back in Episode Three? Teague was sniffing around, even making a comment before that, and had been taking pictures clearly from a bridge above where Woodrugh and his army friend/lover were together. Could we perhaps have reason to believe maybe Detective Dixon was following Paul again? Maybe he followed Paul to his old buddy’s house – of course Paul wouldn’t know anyways, even if Dixon weren’t sneaky, because he’d clearly been wasted before heading over to have some secret sex with his friend.
Screen Shot 2015-07-13 at 2.49.50 AMWhat I’m wondering is: now that Dixon is dead, will someone find his camera, and if someone does will there be incriminating pictures of Officer Woodrugh on there? We shall see. I mean, it’s clear that Dixon looks at Woodrugh with a sense that he can see through that outer mask – he can tell Paul puts on an air of false masculinity, almost trying to overpower his true self, his true sexual orientation, by being foolishly macho and clearly pretending. I can’t believe that Nic Pizzolatto would lazily have Dixon being suspicious, even with his looks, and then doing all that secret detective work on Woodrugh without it leading somewhere.
Don’t forget – in the very First Episode, as Detectives Dixon and Velcoro quietly investigate Ben Caspere and visit his home, Dixon tells his partner that if anything happens to him, to go and clear his stuff out quickly. Right there and then, I’d wondered if that would have any significance. I think now, it really does.
Will Ray Velcoro go to Teague’s place, remove anything possibly damning, and come to find the camera – complete with pictures of Paul, possibly in compromising photographs?
I can’t wait for whatever happens. Next week should be wild with the fallout of the shooting and the deaths therein.

It seems like the title of this episode implies a few things – just like “Down will come baby cradle and all”, down will come everything on top of the heads of criminals, cops, and everyone in the path of the destruction unleashed.

See you next episode!

True Detective – Season 2, Episode 3: “Maybe Tomorrow”

HBO’s True Detective
Season 2, Episode 3: “Maybe Tomorrow”
Directed by Janus Metz Pedersen (Armadillo)
Written by Nic Pizzolatto

* For a review of the next episode, “Down Will Come” – click here
* For a review of the previous episode, “Night Finds You” – click here
Screen Shot 2015-07-06 at 2.13.38 PMAs many of us predicted, this week found Detective Ray Velcoro [resilient Irish bastard Colin Farrell] alive and well after seemingly meeting the heavy end of two shotgun blasts – one at midrange, the other close range in the gut and chest. I thought he was wearing a vest, but to my surprise he was not; the rounds were riot shells, the non-lethal sort police use. Velcoro smiles slightly out of the side of his face as he relates that last part to his new partner Detective Ani Bezzerides [Rachel McAdams].
The opening of the episode was perfect. A lot of people are saying today that it was campy. Yeah, right. It’s a dreamy sequence, which happens between the time Ray is shot in the last episode and when he wakes up in this one. This scene shows how Twin Peaks is absolutely a running influence on both Nic Pizzolatto since the first season and the directors of the show in this new season.
Things are slowly heating up for Ray. He meets with Frank Semyon [Vince Vaughn] to discuss the recent events. Ray drinks a glass of water instead of the usual booze and cocaine cocktail. When Frank asks about the water, Ray replies: “Booze tends to take the edge off, I wanna stay angry.” There’s a shift happening in Ray Velcoro, as if he is now truly realizing the forces with which he is dealing, even after all the terrible things I’m sure he has seen, and done. The change is evident as Frank gets ready to head out and the bartender asks what happened to Ray. “Somebody murdered him,” Frank tells her as he pays up and leaves.
Velcoro is experiencing further aggravation in his family life, as his ex-wife offers him money to essentially walk away and not contest the custody of their boy. This, of course, as we’ve already seen is certainly not an option Ray even cares to think about.
I’m really interested in Ray generally, especially when it comes to his whole personal situation, because it’s absolutely wild, and it is such a tough situation all over that I can’t imagine where things will lead by the end of the season.
Screen Shot 2015-07-06 at 2.15.56 PMMeanwhile, poor Frank is having troubles with his wife Jordan [Kelly Reilly]. She tries her best to help him get a bit of semen into a plastic cup, but ole Frank just can’t get the job done. The tension of Frank’s business life is clearly working its way into him, every way possible. Later in the episode, one of Frank’s cronies is found dead, his eyes wrecked like the dead catalyst of the season Ben Caspere. This seems to really set Frank off. One thing is for sure – he is getting deeper and deeper into the criminal mud than ever, no telling whether he’ll sink or crawl out on top. I just see the fire simmering low under the surface of Frank and his poised exterior, like he is trying hard to wear a certain mask even if it doesn’t fit quite right.
Screen Shot 2015-07-06 at 2.16.15 PM I’m not sure if there’s anything really interesting going on with Vaughn’s character, though, I am still interested. Mainly it’s the way Vaught plays Frank Semyon with a quiet sort of demeanour that intrigues me, and I’m anticipating down the road we’ll end up seeing some intense moments that will pay off; I see something explosive in Frank, waiting, brewing to a head. Or who knows – maybe Semyon will be disappointing in the end as a character, someone cliched and stereotypical of the businessman-turned-gangster we’ve seen so many times around before.
We do get a glimpse into Frank’s physical aggression, as he faces off fist-to-fist with Danny Santos, a gold toothed gangster associate. Frank not only beats the hell out of Danny, and fairly quick, he then proceeds to pull out the gold fronts in Danny’s mouth. Vicious. Yet I feel there is only more to come on that front.
Screen Shot 2015-07-06 at 2.17.04 PM“Maybe Tomorrow” brought a new bit of mix with the characters, as Detective Ani Bezzerides and Officer Paul Woodrugh [Taylor Kitsch] went out on the job together, questioning people in connection to their case, which in turn really gets under the Mayor of Vinci’s skin. I liked their exchanges, especially in the car early on. Ani starts to ask Paul about the case which took him off the bike – the young lady and her ‘offer’ from the First Episode – which sets Paul off a little. She goes on to assure him it was only brought up because Ani wondered if it would affect him doing street reconnaissance. I liked this moment particularly because it paints Ani again in a light that doesn’t always go for female characters; from the beginning, she is a take charge woman but does not suffer from being portrayed as uptight or hung up in any way. Whereas other shows might have Ani chastise Paul or make a snide comment now that they are saddled up together, Nic Pizzolatto opts to have her either be slightly understanding or not really caring at all and only worried about the job in front of her. I don’t think Pizzolatto is pushing towards having McAdams play a female character such as Bezzerides simply to pander to those who say there were no good, strong female characters/roles in the first season – I think he is genuinely writing a solid character. Ani could’ve worked as a male character, easily, however, it adds a better dimension having her as a female police detective here. I think it really flows well with the other personalities of the characters involved in the investigation.
Also, I think the small portions of the relationship between Ani and Steve is good stuff. She is a tough woman, not without flaws, and putting Steve in the position of being the inferior is interesting. The first season we got enough of the women flinging themselves after the men, desperately looking for love; this time around Pizzolatto opts to show the other side of the coin where the men get their feelings hurt and they lash out. And that’s part of why I’m enjoying the second season – it has those existential elements, slightly less than in the first, but it stands on its own, and offers a different perspective than we got in the first. I didn’t want a repeat, I wanted something different, and Pizzolatto has enacted enough change so far that I’m pleased. Ani is one of the best parts of those changes, I think adding a female detective, or any female lead character such as her, is really a benefit to the whole season.
75There’s a great scene with Officer Woodrugh and a soldier friend of from their “time in the desert”. It offered enough insight into Paul as a character to confirm everything that has been setup in the first two episodes. Clearly we already knew Woodrugh was wrestling with his sexuality at some point, and still is, and this became even more clear with the scene involving his friend – a friend who is more than that, someone who still thinks about “those three days”. They have a small altercation and Paul leaves.
What piqued my interest even more was the end of the scene where Detective Teague Dixon [W. Earl Brown] – the other cop on the case who already seemed to catch a vibe off Woodrugh in the Second Episode – can be seen watching Woodrugh walk away from the confrontation with his friend. I’m waiting to see where this development goes. Either Dixon might be interested in Paul, long shot, or he may be interested in the blackmail opportunities that could arise should he discover anything concrete about his fellow lawman. We shall see.
Plus, a great little bump in a club between Frank Semyon and Officer Woodrugh, who is there trying to collect information, which doesn’t really foreshadow anything, I just like that the cops and the criminals are sort of navigating a world where they literally bump shoulders. You can never really tell where the edges of the law begin, where they end, like a big cesspool where everything touches and everybody wades in up to their waists. Very cool moment.
true-detective-2-03-paul-bumps-into-frankBasically, for those who have been complaining the second season is slow, that it doesn’t really have much story, “Maybe Tomorrow” truly delivers. We get some more secrets, little chunks of backstory and character/plot development falling out here and there. It was really a piñata-like episode, packing a good punch for the naysayers. Sure, I’ve no doubt they are still out there and will continue to be. I just think season two is giving the goods. It is a different beast than the first. We really seeing the beasts inside everyone, not only the criminals, but all the people in the city of Vinci from the cops to the criminals, the men, the women, and it’s like humanity spilling its guts. The first season of True Detective was all about the dirty side of humanity, however, the main characters of Rust Cohle and Marty Hart were good guys ultimately, even with all the skeletons in their personal closets; they were on the right side of the law, even when they were on the wrong side of it trying to find justice near the end of the season. This new season is all about what happens when the detectives on the case aren’t exactly good, honourable people, or at least it’s about the bad, sometimes terrible, choices good people make when the chips are down.
Screen Shot 2015-07-06 at 2.13.11 PMThere are no bells and whistles on this season, so far, like there were in the first. I think that helps. Rust Cohle was awesome – so damn cool – but we have great characters developing here, especially in the three lead cops Bezzerrides, Woodrugh, and Velcoro. The end of this episode was not near as crazy as “Night Finds You“, but the whole thing was stellar, and I’m looking forward to more progression in the next, along with plenty other secrets and who knows what else. I feel certain things were settled in this episode – Frank and his need to release some form of aggression whether through fists or sex – and some things have only started – the budding situation between Paul and Teague – and the titular line of the episode near the end when Frank says, “Maybe tomorrow”, to his wife only hints at something big for the next one titled “Down Will Come”.
See you next Sunday!

True Detective – Season 2, Episode 2: “Night Finds You”

HBO’s True Detective
Season 2, Episode 2: “Night Finds You”
Directed by Justin Lin (Better Luck Tomorrow)
Written by Nic Pizzolatto

* For a review of the next episode, “Maybe Tomorrow” – click here
* For a review of the previous episode, “The Western Book of the Dead” – click here

Picture 7I thought the opening of “Night Finds You” was a really great little piece. Not because of what Frank and Jordan Semyon [Vince Vaughn & Kelly Reilly] are talking about particularly, but because of the image above. First, Frank sees the water stains in the roof, and he wonders where they came from as it hadn’t rained that much recently. Then, as the second scene crossfades with the one before the images mix and the water stains become the eyes of Ben Caspere, City Manager, who was found dead at the finale of the first episode.
Now what I enjoy is how the water stains come to represent a couple things. The obvious one is how Frank sees them, and yet they’re big blotches, brown and almost rotten, so they must’ve been there awhile. Only now is Frank noticing them. The stains represent the things which are right in front of us, the things growing and festering right under our noses but in a blind spot, somewhere it’s almost too obvious so it gets passed over. This can mean a lot of things. Then the stains also come to mean something else.
The other idea of the water stains and what they represent is how everything eventually bleeds through, like the water through to the inside of the house. For instance, the cops of True Detective, their “other lives” outside the badge blur into the badge, and then the job itself bleeds out into the other parts of their lives as well. Velcoro, obviously, has every part of his life both touched by the law and tainted by the law’s inability to always and effectively dole out justice. Woodrugh represents how the lives people live before the badge come to affect the way they do their jobs because they still have to go on and live a life outside the badge; he also symbolizes the people who cannot come to terms with who they are because they believe they must be a certain type of person to do a certain job, to lead a certain life, et cetera. I think the idea of those stains is what reflects throughout the course of the episode, and likely what might be the rest of the season. Frank has a great quote in the early part of the episode at the beginning when he mentions how everything seems like paper mache, and this is because the paper is wet, things bleed through; everything is mixed, there are no dichotomous distinctions only grey areas, like life is one giant cesspool.
See? Pizzolatto’s philosophical pessimism and ruminations on life are still all there, you just have to dig a little deeper than Rust Cohle’s eloquently lobbed softballs from the first season.
Picture 12BAM! This season is definitely moving at least a little away, initially anyways, from the violence against females which heavily characterized the first season. Not to say it was an epidemic of scenes including women being beaten or anything – I know the difference – but last season certainly had enough of it packed in there with the storyline and plots surrounding to last a lifetime. Such is life, things can be grim! Regardless, I think that whether or not Pizzolatto is intentionally moving away towards something else or if it’s natural doesn’t matter. The story is great so far, and I think people are worried there are too many characters. I’m not. There’s enough plot to keep us going – with Ben Caspere dead, above with his genitals removed, there are wheels in motion, and Episode Two “Night Finds You” shows us the consequences of what happens to people who get in the way of the big, heavy, moneymaking wheels.
IF YOU’VE NOT SEEN THIS EPISODE – WHAT IS YOUR PROBLEM? WHY ARE YOU READING THIS? TURN BACK NOW OR FOREVER BE SPOILED.
Really, I shouldn’t bother warning anybody dumb enough to come looking at reviews of an episode they’ve not yet seen. Alas I follow suit to be polite.
Anyways, Ray Velcoro [Colin Farrell] is the man who meets the heaviest of consequences in this second episode. Life for Ray is deteriorating fast as it is because his ex-wife wants to take his son away, after getting wind of the savage beating some unknown man, clearly Ray, laid on a bully’s father [for those who don’t remember Ray beat the dad and told the kid if he ever bullied/hurt anyone ever again Ray was going to come back and buttfuck his father with the mother’s headless corpse on the front lawn in Episode One]. He makes the mistake of telling his buddy/master Frank [Vince Vaughn] there isn’t much reason for him to keep going along with everything that’s going on, et cetera. However, I don’t think the fate Ray meets at the end of the episode is something Frank had anything do with, and here’s why…
In Episode One, there’s a shot of Ben Caspere’s corpse riding in back of a car, and upfront alongside the driver sits a big crow/raven type of mask.
Picture 1
Now, Frank seems to not know anything about what’s happened to Caspere, so when the crow/raven mask shows up again in the episode’s finale it’s hard to believe Frank has anything to do with what’s being done. Then again, we can never count on truly knowing what’s going on in True Detective, and certainly not when we’re only two episodes into the whole mess.
Picture 10Image above and all, Ray Velcoro is not out for the count just yet.
Picture 2Not even with this last shot either. Everyone can stop discussing. All you need to do is check it out – Farrell is listed as appearing in all the episodes of this season, so that’s enough right off the bat. Then, there’s the fact that he’s being shot at mid-to-low range here. I would imagine Farrell is wearing a vest. He survives, no doubt. Plus, there are images released, pieces in the trailers/teasers that show him in other scenes not yet aired. At the very least he’s in flashbacks. People need to calm down. Yet, this is what Pizzolatto knows, HBO too, and they play the game quite well.
This event will mostly just serve as paranoia and motivation for Velcoro. He’s probably going to immediately assume that Frank Semyon has done him in, but then again, Ray also realizes the men he works for in the Vinci P.D are not the most honest and uncrooked men there are in existence. So, the rabbit hole begins for ole Ray.
Picture 8Other than Ray, this episode showed us that Detective Bezzerides knows who she is working with. At one point she flat out asks Velcoro himself to tell her exactly how “compromised” he has become. The distrust in the picture above when she is with the other detectives and officer on the case is evident.
Furthermore, we get a little more evidence as I referenced in my last post [re: Officer Paul Woodrugh] that Paul is definitely having issues with his sexuality. Not only do we see him apparently checking out a corner where what looks like gay prostitutes are getting rides/dropped off with a bit of desire in his eyes, mixed with hatred, mostly for himself, but then he further tells another detective that a “fag” was checking him out and that he almost knocked the guy out – to which the other male detective responds “and why would you do that?” – so it’s more than clear Paul is having a lot of rough times dealing with the sexuality inside him that wants to be free. This should be interesting to see play out. I also want more of his Black Mountain Security past to come out because there’s no doubt neat places to explore in that part of his psyche, mixed with all the homosexual angst he feels so far.
queensdamnedsWith many believing death looms over Detective Ray Velcoro, I safely tell you – Ray lives. Don’t worry. Either way, this was an excellent second episode, and I think definitely built with strength on the first. Things are beginning to unfold now, and the further we go, the better this ride will get. The events of the second episode are really going to propel the third somewhere else. There are many places to go from here – what will Ray do if/when he survives this attack by the masked birdman? what will Frank do when he finds out about Ray/if Ray comes after him for the attack? is Paul going to continue wrestling with his sexuality, or will it give way to some kind of acting out in lieu of gratification? can we expect Ani to start unravelling some of the dark secrets behind Ben Caspere’s murder and maybe even the men she’s working with? So, so many avenues to go down. Let’s wait and see what happens, I know I’m beyond pumped to watch more True Detective. I’ll see you all next week.

True Detective – Season 2, Episode 1: The Western Book of the Dead

HBO’s True Detective
Season 2, Episode 1:
“The Western Book of the Dead”
Directed by Justin Lin (Better Luck Tomorrow)
Written by Nic Pizzolatto

* For a review of the next episode, “Night Finds You” – click here
Picture 2To start, this is NOT a repeat of True Detective True Detective Season 1 – the show is trying to do a new story, new characters, the whole shebang. Of course the whole thing is still very existential, regardless if Rust Cohle is not spouting out Nietzsche rehashes and what not [which I loved but come on – they weren’t anything groundbreakingly new outside of philosophical circles]. I mean, Colin Farrell’s low-down-and-dirty Ray Velcoro already gave the beauty line “We get the world we deserve” in the second episode of this season, so there is definitely still an existential element kicking around inside of Nic Pizzolatto’s second season. However, this time around there’s much of a demon-within type of vibe going. Whereas the police detectives Rust Cohle and Marty Hart were truly trying to serve justice for the sake of the victims, all those poor young girls taken and killed by vicious, hateful men, the second season of True Detective seems to be focusing on how some of those same police get lost along the way, how they bend the law to work for them, and even though they’re ultimately trying to do good, they end up doing a lot of bad along the way.
Picture 1Starting off, we get to see Ray Velcoro [Farrell]. His tale is a rough one – his wife was raped, they never found the attacker, and neither she nor her now ex-husband Ray know if their boy is his or not. Certainly Ray does the true blood thing to do: he raises the kid as his own. He doesn’t want to know anything about DNA, he just wants his son to be his son. Problem is ole Ray has vices – the drink and the drugs – and his temper is fierce. Like anyone, Ray wanted revenge for what happened to his wife, and as an officer of the law, he naturally felt stuck when even the law let him down. In comes Frank Semyon [Vaughn] who facilitates the revenge Velcoro needs by tracking down the man responsible, which coincides with Ray’s wife and her statement. This puts Ray deep in with Semyon, who uses him as a man on the inside, and as Ray climbs the ranks to detective, of course Frank reaps the benefits.
I think Ray is going to be one of the most interesting of the bunch in this season. There’s a scene involving Ray and a kid who bullies his son at school, plus the boy’s father, which really takes you from “Okay, Ray is a normal guy in a bad situation” to “Wow, Ray is a bad dude”. Even while you side with him, he takes things much too far. Not hard to see the booze and the cocaine, and the more booze, doesn’t help his natural temperament. At the end of the tunnel, for Ray I see a bit of redemption. Now, whether or not Ray will have to die for this, it is way too soon to tell [even in light of Episode Two’s events]. We will see.
Picture 3Next is Rachel McAdams as Detective Ani [Antigone] Bezzerides who has more than her fair share of issues, as well. First, her estranged father Eliot [David Morse] is a New Age guru-type who runs a sort of 1960s style institute or commune, and clearly is a narcissist. Then her sister, Athena, is a webcam girl doing porn who is off her medication and living free. Not to mention the fact their father named both her and her sister Antigone and Athena. So, Ani drinks, gambles, and raids houses to find out where her sister is when she feels like it. Also, her boyfriend is not exactly the sexually adventurous type when Ani clearly surprises him with something in the bedroom he couldn’t handle straight away. She is a dominant woman; she carries knives all over her, making clear in the next episode this is because she has no illusions about certain female-male situations where she will be physically smaller than a larger man in which the knives will come more than in handy. There is no doubt the years living in the cult with daddy brought on issues, most likely from some kind of abuse, but we can never be sure. Perhaps she’s just a smart, cautious woman who has seen too much. Either way, I’m excited this season has a lead female character and one who is also in the police. Offers a great new perspective for the show.
Picture 9Officer Paul Woodrugh [Taylor Kitsch] is another interesting character. Clearly Paul is a troubled man. He worked for Black Mountain Security in Iraq, obviously mimicking a similarly named military contractor, and has issues from what he calls “the desert”. It isn’t hard to see Woodrugh has issues with his sexuality; he sneaks a blue pill while claiming to be showering and taking far longer than necessary before trying to have sex with his girlfriend, then when she is going down on him Paul looks off into space as if troubled, maybe trying to concentrate so that he’s able to get an erection. This becomes even more clear in the second episode with a comment he makes to another detective. Furthermore, Paul obviously has deeper issues – he speeds out on the highway on his motorcycle, flicking off the headlight and rushing through the darkness, almost daring death to come and get him. I can’t wait to see more of him. Kitsch is a talent, and I don’t care what anyone says. Given the right material with this character I can see Kitsch doing excellent work this season.
Picture 4Vince Vaughn as Frank Semyon spit out the worst line by far of the entire show since the first series began, along the lines of “don’t do anything out of hunger – not even eating”. Now I’ll give it to you – some of Rust Cohle’s lines, which personally I loved, were equally batty, but Matthew McConaughey was able to let them roll off his tongue and out of his mouth like they were natural to that character. Vaughn is good, I dig him, even as Semyon. I just didn’t dig that line. I can buy Vaughn as that character, totally, because he isn’t an outright psychotic gangster type like something out of Goodfellas with Henry Hill’s outbursts or the violence of Joe Pesci – I buy Vaughn as a collected, calm business sort of crook, and sure, he’s a big guy, I bet he can lay hands. Mainly, I think his attitude suits the part. However, that line in his mouth sounded like garbage. Moving past that point, Vaughn was great, and he does the dark/brooding thing well. Given more time the character of Frank will grow on people, I believe.
Picture 5Mainly people need to lay off this season, and forget about the first, in the sense that this is an anthologized show. There is no continuity other than it involves police work; that’s it. Once again, there are existential themes at play here, heavily. We just need to keep in mind – existential doesn’t mean that people have to constantly spout philosophical musings. That was a character Pizzolatto used, and it worked. This season is different. Existentialism has to do with human beings, the experience of existence and reality, and the touch of humans on existence. So we’re going to see how human beings deal with their terrible inner demons, and this season we’re going to see more about the abuse of power from the perspective of those abusing it mainly instead of solely from the perspective of those outside and looking in. The police here are good police, but they toe a dangerous lines, more so than anything Rust Cohle did in Season One. I can’t wait for the next episode.