Ruth shifts between the past and the present, as the kid turns up at her house.
Ruth shifts between the past and the present, as the kid turns up at her house.
Smurf becomes more suspicious of J. Pope might have finally lost it. Deran's past comes back to haunt him, as Adrian makes a foolish move.
KILL LIST begins as a crime-thriller, ending as a horrific bit of Gothic terror, and full of relevant modern themes.
Jimmy desperately tries to get someone to pull a job with him. Nacho finds working for Gus can get bloody.
Tulip winds up on the bus to Hell. Jesse gets his soul back, and with it comes Genesis.
Alicia holes up in a house during the storm, only to discover she's not alone in there.
Camille makes a poor decision when it comes to John Keene. Detective Willis uncovers information about Marian.
Brad Anderson's SESSION 9 explores our relationship to Gothic places, such as asylums, where Freud's Uncanny creates a state of dissociation.
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