Tagged Ian McShane

American Gods – Season 1, Episode 2: “The Secret of Spoons”

Wednesday takes Shadow to see some of his friends, specialists in their field, on a road trip across America.

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American Gods – Season 1, Episode 1: “The Bone Orchard”

When Shadow Moon is released early from jail, not for any happy reasons, he sets off across America for home.
But things change once he runs into Mr. Wednesday.

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American Horror Story – Asylum, Episode 8: “Unholy Night”

FX’s American Horror Story
Season 2, Episode 8
: “Unholy Night”
Directed by Michael Lehmann (TyrantDexterBig LoveThe Larry Sanders Show)
Written by James Wong

* For a review of the next episode “The Coat Hanger” – click here
* For a review of the previous episode, “Dark Cousin” – click here
screen-shot-2016-11-13-at-3-21-18-pmOne of my favourite of ALL-TIME opening scenes on this show comes in “Unholy Night”.
Starting out on a snowy Christmas eve in 1962, a Salvation Army Santa is out front of a store collecting donations, ringing the bell. All of a sudden, Leigh Emerson (Ian McShane) shows up. He shoots Santa.
Cut to Leigh, dressed up in the suit, playing with a train set in a family’s living room. A little girl meets him there, as he plays friendly; though, there’s a tell-tale stain of blood down the front of his white trimmed red coat.
The most terrifying wake up ever? Santa Leigh has the little girl bring him up to mom and dad, greeting them for an early Christmas. Downstairs he ties the mother and father up, taunting them terribly. An awfully terrifying scene as McShane just goes SAVAGE, mostly with his words. All before putting a bullet in the scared and pleading couple.
I love, love, love Ian McShane. He’s great in everything, especially on Deadwood as the surly saloon owner Al Swearengen. Here he plays a downright unsettling, shocking character who’s good for every last second he winds up in the frame.screen-shot-2016-11-13-at-3-21-34-pmSister Mary Eunice (Lily Rabe) changes the rules now that Sister Jude (Jessica Lange) has been dismissed. It seems Christmas is back at Briarcliff. She has all the inmates line-up, improvising ornaments for the tree; quite a macabre yet funny scene.
Dr. Arthur Arden (James Cromwell) is having a bit of a hard time quelling his feelings for the devilish yet oh-so-innocent Sister Mary Eunice; something that’s been apparent from the start. Perhaps it’s because Arden has a fetish, maybe it’s something he’d rather subject the darling nun to because he feels something for her.
At the same time, Frank McCann (Fredric Lehne) is mourning the death of Grace Bertrand (Lizzie Brocheré), one which he caused inadvertently when she jumped in front of a bullet meant for Kit Walker (Evan Peters).
Loving the first big confrontation between Sister Jude and the devil inside Sister Mary Eunice. She sneaks up behind the demon, putting a blade to the young nun’s throat. But before much else happens between them, Arden shows up. They have Jude escorted, however, there’s no doubt each of them have their own ideas about the problem now presenting itself. Arden warns not to underestimate the older Sister Jude.
Now Sister Mary Eunice goes to see Emerson in his cell; he’s now an older, bearded, lost soul in the darkness. At the same time, a flashback comes from 1963 during a Christmas event at Briarcliff. Leigh causes a bit of trouble for Sister Jude. When a photographer comes in to do some pictures, Leigh takes his chance and bites off an orderly’s face; or, parts of it.
In present day, the devil in Sister Mary presents Leigh a Santa costume. She knows all about him – how he’d been jailed for stealing a loaf of bread, there on Christmas five men, the jailers, raped him. This is what precipitated his Santa-centric killings. She wants Leigh to put the costume back on, have a little fun on that special day near the year’s end.
What’s in store is sinister.


A particularly grim scene between Dr. Arden and Sister Mary Eunice, which I can’t get enough of. He gives her a pair of ruby earrings belonging to a “jewess“, as he puts it. She would hide them, swallowing each one every day so they would not be stolen by the Nazis in the camps. Eventually she died, Arden retrieved them. He says that Sister Mary Eunice is worthy of their beauty.
Sweet? Strange? All of it?
Arden was in fact hoping for “a glimmer of that precious girl.” But the devil in Mary has no time for his sweet, saccharine lovey-dovey bullshit. In so many words, she tells the doctor to get moving or get out of the way.
Mother Superior Claudia (Barbara Tarbuck) is a trusted friend of Sister Jude. She’s not sure what to do to help, however, she is always there. Jude seems a little more clear, while certainly a bit revved up and panicked, but we know she has SEEN the devil, she knows where the devil resides. Luckily the passion in Jude convinces Mother Superior to help her.
Then out of nowhere, Arden shows up at the church where Jude is meeting Claudia. What we’re seeing is a plan slipping into action: Arden is convincing Jude to come back and help with Sister Mary Eunice, and while it seems he wishes to make amends, a little anyways, there’s no trusting a former Nazi doctor out of Auschwitz.
Back at Briarcliff, Monsignor Timothy Howard (Joseph Fiennes) praises Mary Eunice for having the innovation to dress the Christmas tree with impromptu decorations. Leigh is dressed up, full Santa, whispering naughty nothings into another inmate’s ear. Even Dr. Arden seems to be having a slightly decent time.
Will it last? And for how long?
screen-shot-2016-11-13-at-3-23-22-pmKit is having dreams of Grace and Alma (Britne Oldford), their faces interchanging between one another in his head. He’s asleep in a bed at the asylum. Next to him – Lana Winters (Sarah Paulson), who finds herself adjusting once more to life back inside the horrid walls of Briarcliff Asylum. She talks to Kit as he sleeps, finally coming to understand his true situation after Dr. Oliver Thredson (Zachary Quinto) revealed himself to be Bloody Face.
I find this part super interesting because there’s a new dynamic between Kit and Lana. She knows for sure what Thredson did and she’s prepared to fight. Luckily for Kit, Lana is a true survivor. However, soon enough she’s got to deal with more than simply being back at Briarcliff.
Oliver shows up again, without the Bloody Face mask. Uh oh!
Disturbing as his character may be, I do think Arden is one of the most interesting to me.
He’s letting Sister Jude in incognito, via the bakery. She tells him to bring Mary to her office and lock the door. Jude believes she and Arden are in cahoots.
Is this really the case? I feel as if not.
Upstairs in the recreation room, Frank McCann places the star atop the Christmas tree, but Leigh tosses him off the ladder attacking him with an ornament. McCann lays into Emerson a little and then goes to haul him off to solitary; clearly the Santa suit was not a good idea. Maybe it wasn’t… for anyone else except Arden and Mary Eunice.
Because while Frank brings the nasty Santa down to a solitary cell, Sister Mary cuts the guard’s throat while Leigh looks on with a laugh and a smile.


It’s all led to here – Jude is put in a room alone with Leigh, Santa suit to boot. He says he’s there to “open his present.” IT WAS ALL A PLOY! As I knew it, Arden merely wanted to show how he was on the devil’s side, for the that sassy demon inside the young nun.
Absolutely creepy, chilling scene between Ian McShane and Jessica Lange. Two world class actors showing off their chops. It’s a disturbing scene, as we’re sort of waiting to see what exactly is going to happen. This made me truly worry for Sister Jude – watching on in horror wondering what Leigh Emerson would do to her.
Paralleled with their confrontation, Oliver tells Lana all about how he scoured his home for any evidence, making sure it was all gone; he ‘killed’ Bloody Face, so to speak. This is another tense, suspenseful moment. There’s these two tough women in peril and I honestly could not tell what would happen next. Great writing and execution to have these scenes playing back to back!
Though I give a good scan of everything happening, I’ll leave these NASTY TASTY LITTLE BITS for you to watch on your own.
Needless to say, though, the last ten minutes of this episode are pretty damn incredible. One truly excellent and bloody moment comes quick during the scene with Lange/McShane; gnarly!
Dr. Arden finds himself in the path of the alien creatures which have visited both Kit and Grace. All of a sudden, as he brings Grace through the tunnels below, they come and take Grace into the thin air, vanishing. This is going to be something to watch closely because I love how they’re including the Nazi doctor in with the alien subplot; anyone who knows anything about Hitler and the Nazis knows they were into some weird stuff, so Arden is bound to be very intrigued, wanting to find out all he can about these creatures. Kit will play more and more into this now, especially seeing as how Grave has disappeared without a trace and the doctor will need someone in order to find out more about them.
screen-shot-2016-11-13-at-3-24-44-pmThe next episode, “The Coat Hanger” directed by Jeremy Podeswa (True Detective Season 2’s “Down Will Come”, The PacificThe Walking DeadThe Borgias), is one of my favourites from this season, as well. Very brutal and macabre and extremely fun in a horror type way!
Stay tuned, horror fiends. Come along for the ride.

JOHN WICK: Dog’s Best Friend

John Wick. 2014.  Directed by Chad Stahelski & David Leitch.  Starring Keanu Reeves, Michael Nyqvist, Alfie Allen, Willem Dafoe, and Ian McShane.  Thunder Road Pictures.  Rated 14A.  101 minutes.  Action/Thriller

★★

john-wick-poster-Keanu-reeves-405x600I, for one, have been a Keanu Reeves fan for a long while now.  When he played Bill for the second time I was only about 6 years old, but it was also only a couple years later, at an early age, I started to see a lot of movies I probably shouldn’t have been watching – Lethal WeaponDie HardHouse [1986], and more.  Not that I’m a prude about when kids should be allowed to see graphic material in films.  Though, I’m sure a lot of people would say 8 years old probably shouldn’t watch too much.  Anyways, I’d seen both Bill & Ted films around that time, too.  I thought Reeves was cool because those surfer types were the kind of characters I latched onto first.  Probably one of the reasons I later enjoyed Point Break, albeit for different reasons.  Then, of course, when I was getting closer to the end of high school The Matrix just destroyed all my concepts of action moviemaking, in a good way, and also pushed me towards what I would later start studying in university – philosophy.  Once again, Reeves reaffirmed to me he was one cool, bad ass dude.

Now there’s John Wick.  While a lot of people hyped this movie up as some sort of revelation in the ‘hitman coming out of retirement’ sub-genre of action films, I reserved judgement until I actually had the chance to see it for myself; something I try to always do, but with some movies it’s difficult because of the level of hype.  However, I went into this one with a very open mind.  I really do love action films, and there are always a few here or there which really subvert my expectations.  That being said, John Wick is not particularly one of these movies.  I did enjoy it, it’s decent enough to put on when you’re looking for a nice fix of a solitary man killing dozens of people relentlessly, but it’s nothing overtly special in any way, shape, or form.
john-wick-keanu-reeves-600x399I won’t recount much of the plot because there isn’t one.  John Wick [Keanu Reeves] is a supposedly dangerous man who once worked as a hitman for other similarly dangerous people.  His wife dies, but has also given John a dog, so as to make sure he isn’t all alone after she is gone.  One day, some men invade his home, kill his dog, and take his car.  This prompts John to revert back to his old self and search out those who did this to him.
-daa89c34-63fc-40be-ae3d-c218fe0e8df1I’m not saying any one plot for this type of film is better than another.  A lot of these movies work on a very similar principle.  Ever since Liam Neeson absolutely knocked it out of the park in the Luc Besson-scripted Taken, the ‘aging hitman’ sub-genre has become one of the hot tickets in Hollywood.  No doubt one of the reasons John Wick originally got greenlit.  I just really think the plot of this film is incredibly weak.  The story is so frail.  I mean, we’re not even given any sort of time to really care about Wick’s personal life before – BAM – you’re in the middle of the action.  I don’t need 50-minutes of a build up or anything, I think it’s just ridiculous to try and make this movie into something it’s not – there’s nothing grand here, there is no emotional weight.  So when Reeves barks out terrible lines like “Yeah – I guess I’m back” or one of the few dozen dead bodies drop to the floor, one after another, there is nothing to prop up such moments and make them any better.  Not that this script is a killer piece of writing; it’s not.  Regardless, you can shine a turd into a diamond with enough effort.  Reeves is not a bad actor, contrary to what some may have you believe, but him plus a bad script is just a mixture for trouble.
john-wick-is-keanu-reeves-best-movie-since-the-matrixThere’s a lot of wasted acting talent in this film overall.  I’m a fan of Reeves, yes, however – I’m a much bigger fan of both Willem Dafoe and Michael Nyqvist.  I even love Dean Winters and John Leguizamo. You can’t forget about Ian McShane – incredible actor.  For all the names I’ve just listed, the many projects these guys have been involved with that I really dig, there is just nothing going on here to justify having them all in here.  There isn’t enough to hold up such an ensemble cast.  Plus, even the guys like Dafoe and Nyqvist who are onscreen plenty throughout the runtime just don’t get much to work with ultimately, and it shows.  The film tries to make up for lack of emotional depth by using tons of music in attempt to cover all the gaping areas where the absence of character development is really felt most.
keanu-reeves-john-wick-600x399I’ll give this about 2 out of 5 stars.  It is not the worst thing I’ve ever seen, and it isn’t my least favourite action movie, but there is nothing at all new here.  Even the way it’s filmed – they make John Wick out to be some sort of ‘better than average’ action flick, and yet there are maybe one or two scenes, hell, maybe only a couple shots, where I actually thought “Okay this is fun or interesting” or whatever other description you might come up with to describe a better movie.  Outside of these moments there is nothing else to make this movie worth raving over.  I really don’t understand all the love this got, and this is coming from a guy who often has a pretty unpopular opinion about movies now and then – I like a lot of stuff others seem to not care about.  John Wick is, simply put, a load of unused talent in a sub-par action film with a bad script, and offering no real innovation in terms of action, stuns, or anything similar.  I didn’t totally hate it.  Yet I can guarantee this is not a Keanu movie I will buy, nor one I will ever watch again unless it’s playing next time I fly somewhere.