The communities move on in the wake of Jesus being killed, now all too aware of the Whisperers.
Rick and Negan face each other in close quarters. Simon and Dwight discuss their circumstances living as Saviors.
Rick and the others fight the Saviors, as Maggie must decide what to do with the men Jesus won't kill.
Rick, Maggie, and the others take the fight to Negan rather than sit back. But nothing is ever easy.
Rick is trying to live a new life, when he meets a desperate woman in the forest near the prison.
In town, a run turns fatal.
With a tough choice to make, Rick Grimes does what he thinks is best for himself, the group, and Michonne.
Too bad Merle has other ideas.
As Negan plots to use Sasha against her friends Rick and the others band together; to head off him and The Saviors.
Rick & Michonne are on the road looking for guns, while Rosita's planning something outrageous & dangerous.
AMC’s The Walking Dead
Season 7, Episode 1: “The Day Will Come When You Won’t Be”
Directed by Greg Nicotero
Written by Scott M. Gimple
* For a review of the Season 6 finale, “Last Day on Earth” – click here
* For a review of the next episode, “The Well” – click here
Our episode’s title comes from Dr. Jenner at the CDC, way back when Rick said he was thankful for all the man had done for them. To which the doc replied: “The day will come when you won‘t be.”
Today is that day.
We start on Rick Grimes (Andrew Lincoln), his face spattered with blood. Negan (Jeffrey Dean Morgan) taunts him. But Rick replies: “I‘m gonna kill you.” The nastiness of Negan’s demeanour is so perfectly awful. He digs into Rick, already having taken his victim from the group. He takes the hatchet Rick arrived with and brings Rick into the RV with him nearby. Behind them, a pile of blood and gore.
Who was killed?
Inside the RV, Rick cowers like we’ve never seen him do before. Hiding in the shadows. And Negan tries to clue him into the new rule of things. He challenges Rick to take the axe and do him in. But you know it ain’t going down like that. He knocks Rick to the ground, dominating him. Proving a point. “Think about what happened, and think about what can still happen,” Negan all but cackles in the driver’s seat, taking Rick for a ride somewhere.
Then we flash throuh Rick’s mind, as he sees memories of everyone in their group. Glenn (Steven Yeun), Enid (Kately Nacon), Eugene (Josh McDermitt), Sasha (Sonequa Martin-Green), Aaron (Ross Marquand), Abraham (Michael Cudlitz), Maggie (Lauren Cohan), Daryl (Norman Reedus) , Michonne (Danai Gurira) – while Negan throws his axe from the RV into a foggy road of walkers, beckoning Rick to go get it. Our trusty leader, the onetime Sheriff Grimes, manages to get on top of the RV, hatchet and all. Although as he stares into the distance either way you can see the hope starting to fade. For the first real time, he’s a broken man. “I bet you thought you were all gonna grow old together,” Negan pokes at him more from inside.
Now we’re back to the eenie meanie miney moe. Negan goes around the line. We watch Rick’s eyes. We see the terror in the eyes of every single person. The taunting of Negan and his bat land on: Abraham. He savagely beats the brains out of Abraham’s head, smashing him over and over. Everyone watches in sickly disgust, as nothing is left of the skull and brains. Nothing. “Look at my dirty girl,” Negan calls to them horrifically. He even taunts Rosita (Christian Serratos) with the bloody end of Lucille. Then Daryl breaks loose, punching Negan.
Will he get the bat, too? No. Even Dwight (Austin Ameli) rushes in to try putting an arrow in Daryl’s skull. Negan won’t allow that. Not right yet: “That‘s not how it works.” No, no, no. Another victim for Lucille comes next.
Glenn’s head is smashed in. The front caves. So suddenly. Everybody is brutalised by the sight of Glenn, his eye popping out, trying to speak to Maggie in his last moments. Negan goes on whacking away until there’s only blood and hair left on the end of Lucille. The group is left devastated.
Rick lies on top of the RV, remembering what’s happened. All to well. This is the worst and most wounded we’ve ever seen him.
In a crazy moment, Rick jumps from the RV, using the hanged man from the bridge as a grip. With zombies clawing at him, walkers of all kinds trying to rip him apart, Negan pops them all off and saves him. He urges Rick: “Think about what can still happen.” And Rick does. He sees the rest of his group smashed by Lucille, one by one.
Back in the RV, hatched in hand, Rick makes it to Negan. A real sick game, all around. The man with the bat continues his cerebral assault, in such a villainous, nonchalant way that it’s sickening how good Jeffrey Dean Morgan plays the role. When they get back to the group, Negan has Rick kneeling in the middle of his remaining friends. The Saviors put guns to the back of their heads and the wretched Lucille-holding monster calls Carl (Chandler Riggs) to the centre. He wraps a belt around the boy’s arm, puts him to the ground next to dad. Negan proceeds to mark off a spot on Carl’s arm with a marker.
Rick has to cut an arm off his son. With his hatchet. Or else everyone dies.
So, what does Sheriff Grimes do? It’s all a psyche out. Rick has been broken, in front of everyone – The Saviors, his own people, his son. He’s torn every bit of Rick apart, his soul, his manhood, his power. What a vicious cycle. Because you know it’s a cycle. Broken as he is, Rick will be coming back. He will not let this rest, not forever. For now, sure. But not forever.
“Things have changed. Whatever you had going for you, that is over now,” says Negan to the crowd. He takes Daryl in the back of their van. Property of Negan. They’ve got a week to start getting supplies together for him. A new day. A new deal. Minus two strong people from their crew. People they’ll never get back, ever again. Literally left in Negan’s dust, the rest of the survivors struggle to figure out how to move on from there.
Maggie’s the first to get up. She wants to keep fighting, even if Rick is beaten to a pulp emotionally. He also understands how bad things are right now, she isn’t acting or thinking rationally. But sadly, Rick has also lost control. He has no more power. And Maggie, she’s in a depression spiral, unable to accept that they’ve just got to go back home, pick up the pieces. Now, they take their dead friends with them and do what they can for them.
In a vision, we see all the group, happy, healthy, a baby on Glenn’s lap. As if there weren’t enough tears shed. Negan’s voice rings in the ears of Rick as they load up the RV to leave. He thought they’d all be sitting around, as in the vision, that dreamy world. These days that vision is a far cry, and Rick is realising it. Around him he’s also watching the walkers die off. Everything is dying. Everyone and everything dies.
What a savage episode. Completely numbing. I expected Glenn’s death, but didn’t anticipate such a wildly effective execution. Love how the power dynamics are shifting. No longer is Rick the big, tough guy he was once. Although he’ll get back there it’s going to take a major event, or series of them.
Looking forward to the next episode “The Well” and what it’ll bring!
AMC’s The Walking Dead
Season 6, Episode 16: “Last Day on Earth”
Directed by Greg Nicotero
Written by Scott M. Gimple & Matthew Negrete
* For a review of the previous episode, “East” – click here
* For a review of the Season 7 premiere, “The Day Will Come When You Won’t Be” – click here
So we’ve arrived at the end of Season 6.
Open on Morgan (Lennie James). He comes across a horse in a field. Towards him walks the man who survived Carol (Melissa McBride) previously.
Back at Alexandria, Carl (Chandler Riggs) is getting ready to roll, as Enid (Kately Nacon) doesn’t quite believe in what they’re all doing. Meanwhile, Rick (Andrew Lincoln) is saddling up. Abraham (Michael Cudlitz), Eugene (Josh McDermitt) and Sasha (Sonequa Martin-Green) are going, too. Everyone wants to go, no matter what. Aaron (Ross Marquand) is game, as well. In other news, Father Gabriel (Seth Gilliam) is proving himself a proper savior in his own right. His character development is some of my favourite, honestly, outside of the very main cast.
Out in the woods people are whistling, unseen, and a man runs away, scared. They track him down and beat him. The Saviors? You bet. The tension of this opening, score and all, is impressive. Starts to set up an epic showdown.
On the road in the RV, Rick and crew are heading to Hilltop. Maggie (Lauren Cohan) is having big time pregnancy troubles, and obviously worries. But Rick assures: “Everything we‘ve done, we‘ve done together.” No matter how bad things get he can always at least put a little faith in people, he’s a charming, charismatic leader. Can he save them all from what comes next?
Morgan tends to a wounded Carol. She’s in need of stitches. He wants to help more, though, she isn’t readily allowing any of that. She doesn’t want to go back.
Along the road, Rick and Abraham see The Saviors with the man they’re holding. Uh oh. It’s already starting. Out they go to meet in the middle of nowhere. The Saviors aren’t joking around and make it clear someone’s got to die. Instead, Rick has other ideas. They all slowly back off. For now, things are fine.
Rick: “You wanna make today your last day on earth?
Savior: “No, but that is a good thing to bring up. Think about it, what if it‘s the last day on earth for you? For someone you love? What if that‘s true? Maybe you should be extra nice to those people in that RV because you never know – just like that. Be kind to each other. Like you said, like it was your last day on earth.”
Rick: “You do the same”
Morgan and Carol are alike, yet still at odds. She has to school him on how things are: we must kill if there are people around us. You don’t get to have people and have a normal life. You either get to be with people and kill, or be on your own and not have your hand forced. She pleads with Morgan to leave. “If you care about anyone there‘s a price, Morgan, and you‘re gonna have to pay it,” Carol tells him.
The most tense and unnerving part about what’s happening so far is that we know a big, tragic finale is coming, some way. Right now, they’re building up the happy moments, the emotional bits and pieces. Up until the moment The Saviors appear, once more, in the middle of the road. Always waiting, watching. Now the survivors are preparing to do whatever’s necessary. Very eerie atmosphere, as the group tries to figure out how best to get down the road.
Under his nose, Morgan finds himself deserted. Because Carol is adamant about not going back, she’s sick and tired of the new world and how it is to worry, care, love if another person is involved. I understand, sadly. Can’t be easy for anyone to exist. Aside from trying not to get bitten by zombies you’ve got to worry about all of the rest of ordinary life, too.
Another ways down the road the RV encounters a ton of walkers. They’re chained and left in the middle of the road – “a Red Rover,” as Eugene puts it. They discover things belonging to Daryl (Norman Reedus) and Michonne (Danai Gurira) attached to the zombies. Out of nowhere gunfire explodes at them from the hills. They respond and things get real tense. Luckily, they clear the road and get through. Heading deeper into the belly of the beast.
Rick is already dying with anticipation. Now he knows they’re being led in a particular direction. Worse, Maggie doesn’t seem to be doing too well. Then more trouble on the road – Saviors, everywhere. They’ve got nowhere else to really turn. At every last corner there The Saviors are, waiting for their arrival.
Morgan finds rosary beads in the street. Will there be a showdown between him and the Savior left after Carol’s massacre? Will the man find Carol? I’m terrified to find out. Not a second later does he show up. Carol finds herself at the mercy of this man. He puts one in her arm, planning to watch her die on the pavement.
Again and again we’ve been getting views of someone stuck inside a box, or somethng similar. Likely Michonne and Daryl? Who knows. Glenn? We’ll see.
The hardest part about the Maggie situation, for Rick, is watching another pregnant woman go through the post-apocalypse world. Even worse, she’s having a rough time. Hopefully she’ll last. Too many tragedies have fallen upon their group, and they’re no saints, but they don’t deserve all their hardships.
But for Carol’s part, she wants to die. Done with the world, she hopes to leave. Might come sooner than later, as the man puts yet another shot through her leg. Still, she keeps up her sarcasm under duress. Soon enough Morgan arrives. He shoots the man dead, going against his precious life philosophy. Although, it’s for a good purpose.
Afterwards, some armoured folk come out of the forest. They actually own the horse Morgan rode. The men agree to help them. Is this all it seems? Can’t trust anyone right off the bat.
Carol: “The world doesn‘t decide, you decide. You don‘t get to walk away and get what you want.”
Through the forest stride Rick and his crew. A tree roadblock keeps them from going further, and then they witness the man from the road earlier being hung. He dies brutally in front of them before a fire starts in the roadblock. Such ominous stuff, as the Savior from earlier speaks from behind the slowly building fire, warning of the last days on earth and such. Spooky.
Everybody’s worried, obviously. I would be. At each turn they’ve encountered a literal roadblock. They decide to ditch the RV and head onward. Eugene first gives over a bullet “recipe“, one that will help them in the future. It’s a very goodbye-type moment. Touching. Plus, there’s a better one with Abraham and Eugene, an honest and beautiful moment between two friends. Definitely touches the heart, and scares me about what will happen in the last ten or fifteen minutes.
So Rick and the crew head out with Maggie, leaving the RV in the hands of Eugene. The score even tugs at the heartstrings, more than ever before on the series. It’s real epic sort of stuff. Again, this worries me. A strong setup for brutal tragedies.
In the woods, Rick and the group hear the whistles. It sends them deeper into the forest. Some of the creepiest stuff EVER on the show. When they run out into a massive gang of Saviors, things turn around quickly. The creep factor goes up, so does the pulse. Rick looks devastated already, as Eugene is seen kneeling on the ground nearby.
“Welcome to where you‘re goin‘,” the Savior from earlier greets them all. For the first time in a long time, Rick is in a position of absolute weakness. Totally castrated, effectively. The games are about to begin. Last time Rick was made to get on his knees, he bit out a man’s throat. What will happen this time?
The light inside the box was the others, after all – Daryl, Michonne, Glenn, Rosita (Christian Serratos). The gang is all back together. Lined up for the big entrance. He has arrived – Negan (Jeffrey Dean Morgan) walks out to see them all. He taunts them about “pee pee pants” and other juvenile phrases. Then he chats with Rick. Tides are about to turn, drastically. “You are so gonna regret crossin‘ me in a few minutes,” Negan says plainly to Rick. The law is laid down.
Negan: “You ruled the roost. You built something. You thought you were safe, I get it. But, the word is out: you are not safe. Not even close.”
In the end, there is punishment. Negan selects himself a victim, introducing everybody to Lucille, his barbed bat, using more juvenile phrases – this time some Eenie Meenie Minie Moe. The whole sequence is so intense you’ll find yourself racing, heart pumping, pulse ready to leap out of your body. The tension is drawn out perfectly.
Only problem is AMC has decided to stick a thumb in the viewer’s eye by not letting us in on who Negan decides to kill. We’re given POV that simply lets us in on the savagery of Negan, the bloody brutality he brings to this world. Not impressed, I must say.
Stay along for the ride. Or don’t. Many say they’ll stop watching because of the ending. Me, I fucking hate it. I do. But I’ll keep watching because I have to know. Although, that being said: Season 7 has to pick up and do some different things, take different routes, figure out a fresh new formula, because after this finale I’m starting to get sick of the predictability of the series. Much as I dig the show there are serious flaws. Here’s to hoping the writers start listening to the roar of fans and switching things up. Maybe that’s what Negan will do overall. We’ll have to wait and find out in October.
Texas Chainsaw 3D. 2013. Directed by John Luessenhop. Screenplay by Adam Marcus, Kirsten Elms, & Debra Sullivan.
Starring Alexandra Daddario, Dan Yeager, Trey Songz, Scott Eastwood, Tania Raymonde, Shaun Sipos, Keram Malicki-Sánchez, Thom Barry, Paul Rae, Richard Riehle, Bill Moseley, & Gunnar Hansen. Lionsgate/Millenium Films/Mainline Pictures/Leatherface Productions/Nu Image/Twisted Chainsaw Pictures.
Rated 18A. 92 minutes.
For anyone who doesn’t know me, or hasn’t read many of my reviews, I’m a huge fan of The Texas Chain Saw Massacre. The original film is still, and always will be, one of the scariest movies to me. Always. Sheer terror and absolute chaos that rarely, if ever, lets up until the end of the last reel. It was a movie my mother even told me about before I’d seen it, likewise frightening her when she was young. So despite the varying quality of the series, I’m always interested in seeing any films bearing this title. Just to see.
Texas Chainsaw 3D begins with a great premise – to start with the events after the original film, then hop ahead a couple decades. But it’s the execution of the film that really draws my ire, and that of many other hardcore franchise fans. No longer is the horrific nature of Leatherface and his clan built on anything the first two original films had going for them. In this one, it’s all about sexy young bodies, a screenplay that doesn’t think hard enough to justify its aims, and above all else a plot that goes to a ridiculous extreme, so much so it destroys any of my interest in what might happen next. Because that’s the other thing – this semi-sequel to the original still can’t cut off and cauterize the Leatherface wound. It leaves things on a note that could quite possibly spawn a sequel, y’know, later on down the road when they need a quick buck.
Heather Miller (Alexandra Daddario) was taken as a baby from the Sawyer home, after Burt Hartman (Paul Rae) and a crew o men disobeyed the orders of Sheriff Hooper (Thom Barry) and laid siege to the infamous house of horrors.
A couple decades later, Heather’s grandmother Sawyer dies. She leaves an old Texas plantation-style house to Heather, on the strict orders she will not sell the place.
Well after Heather and some of her friends head down there for a housewarming expedition, she starts to understand why the house ought not be sold. That’s because down in the basement there’s a special room. And inside that special room there’s a really, really special person.
So put a smile on your face: the saw is back, and the saw is most definitely family.
This semi-sequel follows a Michael Bay-ish trend of making horror try to look sexy. Don’t get me wrong, there is a nice dose of blood and gore in this one. They didn’t sanitize anything particularly. But they did load the cast down with a bunch of late-20s-looking young men and women, the kind who wear tight and revealing clothes, the sort who look good from behind in a close-up, and so on. Some of the shots in the movie defy logic, as I don’t understand why they’re included, other than to make things tantalizing for dreary, mopey moviegoers who require ‘eye candy’. And then there’s the typical writing of boyfriends cheating with the best friend, just so Trey Songz and Tania Raymonde can get half naked, greased up with Crisco so all of their curves and creases show off well under the lighting. So I’m not knocking the main cast. In fact, Daddario particularly is a talent, she was good in her tiny role on True Detective (when she didn’t have to take clothes off). Even Songz isn’t that bad for the role he plays. There’s just a bunch of character fodder sitting around Daddario’s Heather; I can even let slide some of the nonsense shots of her here because she actually plays the character nicely. The only other person in the film that doesn’t come off as overacted, hammy, or downright stupid, is Thom Barry. His Sheriff Hooper is good, conflicted, and Barry gives us a nice performance for what little time he’s really in there. Mostly, though, the blame is on the writing. This is another Texas Chainsaw movie rushed into production, using the same formula, doing the same things, repeating history. Yes, there is a little twist to the story, and I dig the family angle. But so many things could be done better.
Let’s talk about the 3D. Totally unnecessary. Some shots really play up the whole format, such as the chainsaw getting tossed and moments similar to that. I’ve always hated 3D in horror. It’s gimmicky anyways, but even worse in the horror genre. Practical effects are always the last bastion of any mediocre to crappy horror flick. Even some of the worst written screenplays can come across as decent if practical makeup effects help the horrific elements look properly scary. There are scenes in this one where practical effects make the blood and the nastiness look rightfully gross, disturbing even now and then. But relying on ways to push the 3D, the filmmakers ignore the good effects. The worst part is that Howard Berger and Greg Nicotero, masterminds of horror for the past few decades with their shop KNB, do the special effects here, and they’re totally underused. They don’t get to really pull out all the stops. Some of the best stuff is when Heather flicks through old crime scene photos and we get a couple burned bodies, et cetera. Berger and Nicotero shine in these pieces. On the contrary, so many other moments are marred by the ugliness of CGI rearing its head and this does nothing to help the film overall.
For the blood and gore we do get, and the terrifying savagery of Leatherface (he’s still got it even in this turd of a film), Texas Chainsaw 3D gets a 1&1/2-star rating. There isn’t a whole lot of anything to enjoy here. The unnecessary dialogue at many points, the dumb script and its many holes, the ridiculous need to try and flash Alexandra Daddario’s body (and others, too) – all this adds up to a movie that just can’t hold its own in a franchise that already has some stinkers. While it’s not the absolute worst of the whole series – that honour is saved for the entry graced by the presence of Matthew McConaughey and Renée Zellweger – this is one modern horror that can’t possibly cut the mustard. Not even with Leatherface’s big, bad chainsaw.
AMC’s The Walking Dead
Season 6, Episode 12: “Not Tomorrow Yet”
Directed by Greg Nicotero
Written by Seth Hoffman
This episode begins with Carol (Melissa McBride) in the civilized society of Hilltop, getting food ready, looking through what food they’ve already got on hand. In the woods, she keeps her killing game strong. When she sprays herself with blood – no worries, there’s a bunch of fresh shirts at home. She brings some cookies to Tobin (Jason Douglas) made from beet and acorn: “They‘re amazing,” he tells her after being coaxed into one.In pulls Rick (Andrew Lincoln), Michonne (Danai Gurira), and the others. When Carol asks what’s happening, Rick only tells her: “We‘re gonna have to fight.”
Out comes Morgan (Lennie James). He and Carol have a chat about what he did, re: the last Wolf. She’s obviously more concerned about what Rick said than anything. The time for baking cookies is over.
Rick holds an Alexandria town meeting. He lays out the problem with The Saviors, including their run-in with Sasha (Sonequa Martin-Green), Abraham (Michael Cudlitz), and Daryl (Norman Reedus). Along with him is Jesus (Tom Payne). Rick talks about the deal, the food they’d receive. Nobody seems to object. Yet Morgan alone stands up and asks if Rick is “sure” whether or not they can beat this Negan and The Saviors. Democracy prevails, as Rick says it’s everyone’s choice. Aaron (Ross Marquand) says he’ll do whatever it takes to prevent another massacre in their town.
Carol sits alone with a book she keeps. Recorded with how many people she’s killed; she circles the number 18. We’re starting to see the other side of Carol we’ve not seen in a long time. One who is remorseful and pensive. Carol talks with Tobin who believes her strength comes from being a mother, taking care of others and capable of doing anything necessary; things he says “terrify” him. He cares for her, and they share a kiss.
Rick: “We kill them all”
Abraham and Rosita (Christian Serratos) argue, as he walks out on her. Harshly, he ends their relationship; clearly in love with Sasha. So sad Abraham handled it this way. Meanwhile, Tara (Alanna Masterson) says the three magic words to Dr. Denise Cloyd (Merrit Wever), and they’re simply afraid to lose each other with the upcoming journey and mission towards Negan.
At the same time, Glenn (Steven Yeun), Maggie (Lauren Cohan), Daryl and Rick get a map drawn for them into Savior territory. The plan is set. Or is it?
With the group out on the road, little groups are splitting up to canvas the area. Rosita and Carol have a chat about the Wolf situation. But we know Rosita has other issues happening. Glenn and Heat (Corey Hawkins) talk about “killing someone“, getting more of the sense of how humanity changes the further people get into the zombie apocalypse.
Soon, Rick outlines what they’re about to do, and they agree to just have a look, check things out. If things look ripe for the taking, they go: “This is how we eat,” says Rick. To the side, Carol tells Rick that Maggie ought not be out there with them; at all. Probably a good point, Carol.
The plan involves bringing The Saviors the head of Gregory. They find a proper walker head, which Rick has to punch a good deal to make look appropriate. Then they’re off. We get a glimpse of The Saviors. Creepy, intimidating dudes. That is until Daryl slits one of their throats, and the operation really gets underway.
The savagery of this episode is incredible. Between the macabre Johny Depp-mold they used for one of the fake Gregory heads, to the sequence where Rick and the others bust into the territory of The Saviors – tons of knives to the head. Everything is gruesome, yet so much is offscreen horror. Brutal and vicious, but not in the sense of showing everything. Worst of all is seeing Glenn first put a knife through a guy’s head, the look on his face is devastating. But like the man he is, prevents Heath from having to do the same, and takes another one for the team.
Abraham and Sasha get ambushed by a man. They kill him, but not before he throws the switch to an alarm. Out on watch, Carol refuses to let Maggie go and help; is this a different side of Carol emerging? One dedicated to life?
Inside the complex a gun battle erupts. Rick and his crew fight for their lives. Blood and bone flies. People are shot, stabbed, beaten to death. Corpses litter the corridors, blood stains everything.
In Alexandria, Morgan is busy building what looks like a cage. Is he going to do what was done to him? Will he try putting Rick in there? Or is possibly for Negan, intended to be a better alternative to murder? We’ll see.
Once the smoke clears, Michonne wonders “which one was Negan” and Rick sort of shrugs. One last person a motorcycle clues the group into someone watching, talking on a radio. And they’ve got Carol. Maggie, too.
The next episode, “The Same Boat”, is bound to be exciting. There could be some trobles ahead. Some very terrifying troubles at that.