Ulaa Salim's film is a disturbing and shocking look at right-wing extremism— a necessary tale in 2019.
[Fantasia 2019] SONS OF DENMARK: The Extremes of Where We Are & Where We’re Headed

Ulaa Salim's film is a disturbing and shocking look at right-wing extremism— a necessary tale in 2019.
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HBO’s The Night Of
Season 1, Episode 8: “The Call of the Wild”
Directed by Steven Zaillian
Written by Richard Price & Zaillian
* For a review of the previous episode, “Ordinary Death” – click here
Detective Dennis Box (Bill Camp) is going through the motions. He watches security footage of the night in question, over and over. He watches Nasir Khan (Riz Ahmed) pick up Andrea Cornish (Sofia Black D’Elia). He keeps the crime scene photos nearby. He’s meant to be retiring and yet can’t let any of this go. He notices, in the security footage, that Andrea looks behind her, as if watching for somebody. Her eyes widened. Box knows there is something else going on behind those eyes, so he wonders.
In court, Trevor Williams (J.D. Williams) is on the stand. Chandra Kapoor (Amara Karan) grills him on the lie he told, about being alone on that night. He’s not exactly a credible witness. District Attorney Helen Weiss (Jeannie Berlin) opts not to ask any questions, probably for the best. But then Duane Reade (Charlie Hudson III), the other man with Trevor the night of the murder, is put on the stand, too. Well, Chandra dives on in to get more information. It works. Seems that Duane’s M.O. is to find the weapon of choice for his crimes while inside the victim’s home. Doesn’t look good for Mr. Reade. Except Weiss asks no questions to him, either. John Stone (John Turturro) thinks Chandra’s doing a splendid job, so he heads out. She later gets the hearse driver, the creepy misogynist, on the stand. He does his best to make himself credible, yet Chandra pokes holes in his explanations. The whole scene is very eerie.
Meanwhile, John still has eyes on Don Taylor (Paul Sparks), Andrea’s stepfather. He brings a subpoena for Don, to appear in court on the stand. Plus he makes sure the sly dude knows there’ll be no more threats, or else a guy “from New Jersey” – one of John’s clients – will be paying him a visit. Next day on the stand, Don reels off a story about Andrea being an addict, her mother, as well. The details of their relationship come out while Chandra prods about the will, so on. Not looking good for ole Don. Not looking good for several people. I also worry about Weiss, she seems so tricky. Biding her time, not cross examining. What’s her plan?
There’s so much mystery, though. It’s why I love this series so god damn much. Don is implicated, as is Duane, even Trevor to an extent. And you know what, even Naz is still slightly suspicious simply because of his secretive past of violence that he let nobody know of, as well as his history of selling Adderall to fellow students.
And then there’s Box, tracking down more security footage that they never bothered to find before. Andrea argues with a man, heated and intense. She leaves him standing alone on a street corner, before the man then follows behind her a little ways. This sends the detective on a journey.
Naz has all but become a junkie while waiting in Rikers Island for the nightmare to be over. He scrapes out every last balloon and package he can to get a tiny little bump, to keep him straight. At that very same time, Chandra wants to call him to the stand. Stone doesn’t want that to happen. She really feels the court will need to hear from him. So, against John’s wishes, she asks Naz about it, whether he can handle going up there. With one little gesture he lets her know he’ll need some “help” and that means getting him clean, or who knows what. Detox is the best option, although they may not have that time.
So off Chandra goes to get condoms. Then she goes to find the other ingredients to help her client as best she can. On the corner, recorded by cameras, she buys drugs. The ethical boundaries of this case have effectively disappeared. But when your client can barely make it through the day without the lingering effects of withdrawal, what do you do? You smuggle drugs into jail. Sort of embarrassing to see a good woman like her have to do that, the look on her face is one of shame. There’s obviously no length to which she won’t go for Naz, to help him out.
On the stand, he’s bright and clear eyed. John isn’t happy to see him up there, but Chandra goes ahead with her questions. He describes the night of Andrea’s murder, finding her in the bed dead. Once Helen Weiss gets up, she opens up the discussion of Naz marking up and selling drugs to people at school. Then she dives into information about Andrea. This gets to Naz talking about when he went back to get his keys, breaking the window, taking the knife, none of which makes him look good. At all. “I knew how it looked,” he tells Weiss and the court when asked why he did such a thing. Mostly what goes down is Helen drags Naz through the mud by making him seem inconsistent, or at the very least irresponsible for not having bothered to call 911 even though he was supposedly of sound enough mind to run off with evidence from the scene. A terrible idea to have Nasir up there in front of the court. Stone knows it, and he tells Chandra: “You just convicted him.”
On his doorstep, Stone finds an envelope; inside is a disc. It’s been sent from Freddy. It shows Chandra kissing Naz in the cell when they spoke awhile back. Needless to say, John is not a happy camper. Regardless, he brings it to Naz and suggests there could be a retrial if they divulge what Chandra did. Only that means she most likely loses her career in the process. Still, any means necessary to escape the prison system’s lure.
The video of Chandra and Nasir is brought to Judge Roth (Glenn Fleshler). What happens is that John is put up as the lead defence lawyer. He must give the closing argument. “This is clearly grounds for a mistrial,” Stone exclaims again unhappy with the outcome of things raining down on his head. But the Judge sees through it as a tactic. It’s all up to him at this point.
Weiss does her best to give a big final push. She likens the lost time in Naz’s memory to an FBI classified document being redacted: “Self preservation,” she tells the jury. Everyone in the court notices Dt. Box get up in the middle of her statement and leave. Quite telling.
In the midst of stress, John takes a bleach bath trying to get rid of the itch in his skin. Later in court, he gives his closing statement with his skin absolutely destroyed, gloves on his hands, the whole nine yards. But Stone talks about the first time he met Naz, the look of the kid, and how different he is from the regular clients which he takes on. Furthermore, John makes a good case for how Naz has decided to survive in Rikers, looking the way he does. He lays out the “rush to judgement” against his client, how people were caught up in a flood of his guilt, as it seemed then. His speech is heavy, important, sensible. Beautiful, even. His eyes tear up near the end where he pleads with the jury not to ruin the rest of his client’s young life.
Now it’s all in the jury’s hands.
John goes back to trying to fix his skin. Chandra starts to think about moving on. At Rikers, Freddy talks to Naz about what happens if the verdict comes out guilty. The former boxer talks about prison not being so bad while Naz is around: “You smell like innocence.” He feels it’s a source of pride, to be alongside the young Muslim. To have a person with him who isn’t like everyone else is refreshing. Not a nice situation to live forever, though. Especially seeing as how the drugs have all but taken over Naz’s life.
HBO’s The Night Of
Season 1, Episode 3: “A Dark Crate”
Directed by Steven Zaillian
Written by Richard Price
* For a review of the previous episode, “Subtle Beast” – click here
* For a review of the next episode, “The Art of War” – click here
Nasir Khan (Riz Ahmed) is heading into Rikers Island. You can tell from the look on his face there’s a terror lurking in him. He doesn’t outright express it, but even the woman admitting him can see it.
Meanwhile, Detective Box (Bill Camp) is talking with the two officers – Maldonado (Joshua Bitton) and Wiggins (Afton Williamson) – who picked Naz up. They’re starting to get to the heart of the case. Box reminds them the most important thing is making sure the court and the jury, the judge, they see that Naz could possibly have committed that horrendous murder. Not to get caught up in things like who threw up at the scene of the crime, as Maldonado seems so concerned.
What I love most about John Stone (John Turturro) is that he’s a completely laid back person, even in his lawyer-ing. He takes a talk with anybody he can, whether that’s in a bathroom or someplace else. He soon makes his way over to the Khan place, to level with Salim and Safar Khan (Peyman Moaadi/Poorna Jagannathan) about what “can be done” and what can’t exactly be done, the prices. All that type of stuff. Problem is the Khans don’t believe, at all, that their son could’ve committed murder. At the same time, ole Jack doesn’t worry about that end. He’s only worried about doing his thing. However, the Khans cannot afford $60-70K for a lawyer. Part of me thinks that Stone is a little bit of a hustler.
In Rikers, there’s a criminal named Freddy (Michael K. Williams), a former boxer. He’s afforded certain privileges. He has a television, a decent one for the jailhouse, a bunch of cellphones at his disposal, posters on the wall, pictures. Also, he gets a bit of sex, too. He passes Naz and a strange glance happens between the two. Meanwhile, young Naz is seeing first hand a life he’d never thought would be in front of him. Quite a culture shock. A social devastation. The danger posed to those innocent people, and non-violent offenders, when exposed to a jail with men who are serving life (and some without any chance of parole) is absolutely horrific. The fact that we as a society allow those situations where young men are preyed upon, a few of them like Naz even completely innocent, is disgusting. Although the cracks in the justice system are inherently deep and wide.
Johnny Stone goes over to see Helen (Jeannie Berlin) at the District Attorney’s office. Just before she was ragging on him for being a nightcrawler at the precinct, trawling for cases, and here she is congratulating him, saying she was SO glad to hear he’s taking the Khan case. The dual faces of friends and colleagues in the justice system are just as nasty as any of its faults. Stone tries getting to work, even if Helen is a hard-nosed legal opponent.
In other news, Salim is finding himself troubled over his missing cab, as he tries to figure out how he’ll pay for his son’s defence. At the very same time there’s someone watching, snapping photos.
Naz gets a bit of helpful advice from a man in the bunk next to him. He starts understanding exactly what sort of environment in which he finds himself. A scary one.
The Khans go to see their boy. Their experience is similar, in that they’ve come to know this world completely other to them. They’re not used to such a place, and yet everyone else around them seems in a complete flow, as if second nature. For Safar in particular, the process is upsetting, degrading even. When they see Naz he tells them the truth about his night with Andrea Cornish (Sofia Black D’Elia), how he found her dead, bloody. “I didn‘t kill her,” he tries to assure them: “I‘m so sorry I did this to you.”
That’s my evidence, right there – he’s more concerned for what it has done to them than what is happening to him.