MANDY is a gorgeous, mad hellscape of '80s terror, revenge, astrology, and more.
Category: Film
SLICE: Mediocre Horror Doubles as Killer Modern Satire
SLICE is nothing special, though it's full of commentary about modern social divisions, urban renewal, and racists.
A RETURN TO SALEM’S LOT: Larry Cohen Hates Nazis Like a Real American!
Maybe Larry Cohen's just talking about vampires. Or, maybe, just maybe, he's talking about neo-Nazis.
FEAR: Queasy Male Jealousy and Patriarchal Control
James Foley's 1996 film FEAR is an example of the damage men do when they treat women and girls like property.
388 ARLETTA AVENUE: Infiltration of a Complacent Private Sphere
388 ARLETTA AVENUE is a chilling reminder not to get too complacent about security in the suburbs.
UPGRADE: The Abject Anxieties of Bodies + Technology
Leigh Whannell's UPGRADE is a kick ass horror thrill ride. It's also a deep, dark rumination on technological singularity.
URBAN EXPLORER: Confronting Germany’s Buried Nazi History
URBAN EXPLORER's not a good movie, but it has plenty of things to say about how we sometimes choose to hide the past rather than confront it.
KILL LIST: Gothic Nationalism’s Violent Erasure of Modernity
KILL LIST begins as a crime-thriller, ending as a horrific bit of Gothic terror, and full of relevant modern themes.
Father Son Holy Gore 
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