Graham's horror film is a perfectly dreadful view on the devastating hereditary legacy of mental illness.
Author: C.H. Newell
C.H. Newell is first and foremost a passionate lover of film— especially horror. He's also a PhD student at Memorial University of Newfoundland with a concentration in postmodern critical theory and Queer Gothic. He wrote for Film Inquiry frequently during 2016-17, and regularly contributed to Scriptophobic during 2018-2019 in a column called Serial Killer Celluloid focusing on film adaptations about real life murderers. As of September 2018, C.H. Newell is an official member of the Online Film Critics Society, and as of April 2019 he's currently listed as a Rotten Tomatoes-approved critic. He has covered major film festivals such as Fantasia Festival (2019, 2020) and Fantastic Fest. During September 2019, Father Son Holy Gore was one of several media outlets helping to present Randfilmfest in Germany, & will be once again in 2020— Newell will also serve as part of the jury for the prestigious Rand Award.
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Deep in the jungle there's a struggle to survive, as the rich hunt the poor for sport.
The Handmaid’s Tale – Season 3, Episode 9: “Heroic”
June must watch as her walking partner wastes away to nothing but a womb on life support
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Abby goes back to the CDC, where new trouble arises. Back in Marais, Avery meets Swamp Thing.
Siren – Season 2, Episode 14: “The Last Mermaid”
Ben must put aside his jealousy in order for Ryn to mate.
Rural Magic Realism and Perpetual Adolescence in KNIVES AND SKIN
Jennifer Reeder uses magic realism to look at social dynamics and gender in a small town in the wake of tragedy
Strange Angel – Season 2, Episode 6: “The Tower”
Jack deals with the aftermath of the Parsonage explosion, as the police try to tear Thelema apart.
Father Son Holy Gore 
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