Nancy tries to protect Sasha/Becky at all costs. Even deadly ones.
Dt. Ambrose digs further into Cora's story, her past, uncovering lies & more of the unexpected.
As James Delaney's return settles on London, the man himself begins assembling a crew after purchasing a merchant ship at auction.
AMC’s Fear the Walking Dead
Season 2, Episode 12: “Pillar of Salt”
Directed by Gerardo Naranjo
Written by Carla Ching
* For a review of the previous episode, “Pablo & Jessica” – click here
* For a review of the next episode, “Date of Death” – click here
In the villa, a family of three – mother, father, daughter – looks to be escaping. They quietly make their way through, past the empty streets and sleeping people, to try getting through the wall of zombies. Papa cuts open a walker and they all paint themselves, trying to make it through the wall like that. This opening sequence is chilling. An aerial shot craning upwards, wide on the ground, shows us how many of the zombies stumble around in the fenced off area. The family, luckily, gets out alive.
Then out of nowhere comes a vehicle. Some men confront the father. Marco Rodriguez (Alejandro Edda) pulls his gun on them, eventually forcing them into the vehicle, too. And off they go.
Ofelia Salazar (Mercedes Mason) is off on her own. She’s doing fine. Killing zombies, taking care of business. A lot easier just to watch one person’s back. But then again, there’s nobody to watch yours except you. That isn’t always easy. For now, Ofelia finds herself near the ocean on the beach in a little house. She remembers life, before the fall and the zombie apocalypse. Her fiancee, their plans. All that’s long gone, painful memories at this point.
Back at the hotel everybody does their part to get things going. They’re locking the gates, making sure the electrical systems and generators are running to the best of their abilities. A garden’s being planted. Madison (Kim Dickens), Strand (Colman Domingo), Alicia (Alycia Debnam-Carey), they’re actually enjoying themselves for the first time in so long. Although Alicia worries for her brother, Nick (Frank Dillane). Speaking of Nick, he’s spent the night with Luciana (Danay Garcia). They’ve found about the family taking off in the night; the father was the one who helped get water for the villa. So Nick and Luciana have to take charge.
Tragedy strikes when the mother of the bride stabs Strand for having dispatched her daughter. Some of the hotel survivors try helping Victor, as do Madison and Alicia. One of the survivors studied in med school. He works to keep Strand alive.
When Alejandro (Paul Calderon) discovers the family missing from their villa, he isn’t happy. Mostly he feels slighted, so it seems. There’s something more here. Something boiling. I feel like Alejandro is wearing a mask, or at the very least hiding something.
Problem at the hotel is Ilene (Brenda Strong), the grieving bride’s mother. Madison lays down the law: “If anyone raises a hand to another, they‘re out. Any of us; gone. That‘s how it has to be. That‘s the only way this works.” And such is the grounds for a new, primitive society in the hotel.
Nick is starting to wonder about Alejandro, who, for his part, doesn’t exactly appear calm and collected like he did once. He and Luciana want to head out to take care of their business. Except now Alejandro says nobody leaves their villa, for as long as he says. Hmm. That’s definitely sketchy.
Elena (Karen Bethzabe) and Madison are on the road to seek out medication and supplies to help Strand. They bond a bit, as Elena tells her own personal story, more than we’ve heard yet. And just so happens it involves drug addiction, or someone of hers addicted to them. Something Madison knows too well. Her own son was lost in the drugs. At the same time, he’s lost in Mexico. Stuck in Alejandro’s little “colonia” (a creepy word if you think of this) – the villa he’s ruling over.
But the villa and the hotel are connected. Madison and Elena head to that big supermarket the gang controls, that’s where they go for the medical supplies necessary to treat Strand. Will this soon bring Nick and his mother together? Alejandro’s kept Nick from going anywhere today, so the reunion will have to wait. While Madison and Elena do their shopping, Marco is upstairs questioning the escapee father about the colonia from which he ran in the night. When Madison gets wind, via Elena, that an American came with Luciana about the drugs, things get tense. She flips, wanting to find her boy. Before Elena has to get them out fast.
Well, Nick is worrying more by the minute. Alejandro is gone paranoid, to the extreme. Acting like he’s been burdened with everything. He requires faith. “So you want me to just follow you blindly?” Nick finally outright inquires. However, it’s only more control Alejandro wants. That’s how it seems to me. Either way Nick doesn’t want to be under anybody’s thumb. He’s worried most about people going without water, and that Alejandro keeps pressing people not to leave, under any circumstances. You know the former junkie won’t have that. His philanthropist side has emerged larger with every episode he’s in. Simultaneously, he softens the hardened exterior of Luciana slowly.
Everything’s slipping. On the rooftops, Nick spies Marco and his henchmen with binoculars: looks like they’ve found Alejandro’s colonia. Uh oh.
Back to Ofelia – she flashes to memories of her mother Griselda (Patricia Reyes Spíndola), talking about men and how you find the right one, et cetera. All those things she’d be thinking on the edge of a marriage. Her mother also talks about the violence of where they lived, and that leaving their original home wasn’t a struggle; they had to leave. They did not want to “live in fear” everyday. Griselda says she’d do anything on Earth for her family: “That is love.” On her own in the zombie apocalypse, heading back towards the USA, Ofelia understands her parents more than ever.
At the hotel, everybody’s going a little crazy. Elena isn’t pleased with the way Madison is acting after possibly hearing of Nick. She turns on the hotel lights, she’s made everything difficult with Marco and their crew. Madison is letting her head get clouded and Alicia doesn’t see things the way her mother does; not about the new world, not about Nick and what he did or where he’s been. Lot of tension between these two.
Although, out in the darkness Travis (Cliff Curtis) can see the hotel lights. When they shut off, he walks in their direction; alone. His son is nowhere to be seen.
This was a stellar episode! Loved the twisting bits wondering if Madison will finally find Nick, the intrigue about Alejandro and his paranoia. And now Travis is on his way back to his wife, hopefully having either put his son down or left him with those crazy dudes.
Next episode is titled “Date of Death” and I have a feeling we may see a cast member depart. Will it be Strand? I hope not. Someone else, please. I dig Victor. We’ll just have to wait and see.
Eden Lake. 2008. Directed & Written by James Watkins
Starring Kelly Reilly, Michael Fassbender, Tara Ellis, Jack O’Connell, Finn Atkins, Jumayn Hunter, Thomas Turgoose, James Burrows, Tom Gill, Lorraine Bruce, Shaun Dooley, James Gandhi, Bronson Webb, Lorraine Stanley, & Rachel Gleeves. Rollercoaster Films/Aramid Entertainment Fund.
Rated R. 91 minutes.
There are many city v. rural films out there in the thriller genre. From Deliverance to any number of backwoods horror movies, such as the Wrong Turn series and plenty others. But not all of those have the effect of James Watkins’ Eden Lake.
Before Michael Fassbender broke out big time and in the days prior to Kelly Reilly’s huge break, Watkins crafted an equally pulse pounding and disturbing horror-thriller with these two in the lead roles. Aided by a script with some sharp teeth, as well as the tense action which keeps the film’s pace quick, Eden Lake will linger with you afterwards. This one boasts a terrifying finish that lets you get no rest, no matter that the rest of the film is brutally intense and shocking.
However, there’s no shock for shock’s sake. Rather, we get a glimpse into the world of misled youths whose lives were likely influenced into running down the drain by their equally nasty parents. Not everything is completely tight in the screenplay from Watkins, but he makes up for those bits with interesting writing and two (or more) lumps of tragedy stirred in.
Heading into the bush for a weekend getaway, Steve (Michael Fassbender) takes his girlfriend Jenny (Kelly Reilly), a nursery school teacher, for some swimming and a bit of camping. They lounge on a nice freshwater beach enjoying the surroundings, the warm weather. After a little time, some young hooligans arrive with their loud music, their big dog, and start to make things less pleasant. Led by the crass Brett (Jack O’Connell), they get on Steve’s nerves, especially when the dog gets a little too close to Jenny. Soon the kids leave, then Jenny and Steve enjoy their time alone.
The next morning, turns out the kids broke a bottle and punctured one of Steve’s tires. He chases them in town after seeing them on their bikes, and later finds one of their houses. But this is only the beginning. When the couple encounters the crew again and the situation turns ugly, Brett’s dog is accidentally stabbed and killed by Steve, in self defense. This prompts an all-out war between the couple and the teenagers.
Steve and Jenny may not make it home from their trip after all.
The first thing we see in Eden Lake is Jenny at the school where she teaches. There are little innocent kids, who play child-like games, they laugh and fool around. Jenny’s obviously good with them, comfortable in her career. So to see everything get juxtaposed here with the situation not long after with the older kids is interesting. We go from little innocent children to big bad teenagers who, somewhere along the line from then to now, grew up from being kids into becoming full-fledged monsters. Also, I love the transformation Jenny undergoes as a meek, mild-mannered teacher who later is forced to become a warrior and survivor. Particularly – SPOILER ALERT – once Steve is dead, Jenny is left to her own devices. Even before he dies, she’s got to take care of herself, and him due to his awful injuries. There’s this long line of character development in a short time. Leading up to the serious confrontations, Jenny appears as quiet, reserved, someone who doesn’t want to rock the boat. The tragic events which unfold throughout the film mold her into someone fierce and assertive, and somebody not afraid to defend herself at all costs. For the handful of really dumb moves by Jenny and Steve, there are enough instances of well-written characters and the main parallel between Jenny’s occupation/where she ends up to justify Eden Lake as a solid thriller. Late in the film, Jenny is made to commit a terrible act – another one of self defense in this plot – but it is devastating, for us and for her. This is probably the pinnacle of the parallel in her character.
Even from the small supporting roles of the teenagers we get solid acting. Above them all stands Jack O’Connell. Recently he’s done amazing turns in films like Starred Up, but in 2008 this was a performance to watch. He is a terrible young man capable of extremely vicious violence, his personality a sick and turgid cesspool. The depth of depravity comes out, especially in a scene that comes just after the one-hour mark; his enjoyment is far too evident, which makes the character so powerfully menacing. This film could have had any number of young people take the role of Brett. With O’Connell, the performance is disturbing and forceful and you hate Brett to the core. Note: in the last moments with his character, you can almost see a twinkle of something in his eye, but largely I believe it’s not regret; it’s the same twinkle people like Ted Bundy and other killers would get in their eyes, holding back their real selves just behind it.
Fassbender does well with his role and it comes off naturally. Although, it is ultimately Reilly whose talent sells Eden Lake into its suspense. We’re often taken by the danger of a thriller when it’s a woman in danger, simply because she’s a woman, men are after her, et cetera. Yet Reilly brings a life to Jenny. Again, she’s a timid sort of lady, though, as time progresses this timidity wears off, and her battle-face shows. The vulnerability of her character always shines through, most scarily in the last scene. But she commands your attention to the presence of her character, and you truly feel for her every step of the way, despite some of the dumb choices (fault of writing; not her performance).
The ending still leaves me in shambles. Really puts the cap on things as far as determining whether or not the behaviour of the teenagers has been ingrained in them over time.
A 4 out of 5 star film, indeed. There are certainly a few spots where Watkins needed to tighten up some things, such as a few truly strange choices the characters made. But none of that ruins what is an effective, violent, and edgy thriller. This one will take you to the brink. Then, just when you’re sure the lead character and you have each had enough, Watkins piles it on to leave us with that grim taste in the mouth. Trust me. Eden Lake is a keeper, and if you can forgive a few blemishes this will really hit the spot if you’re looking for a horror-thriller to damage you.